FIVE FAVOURITES: Los Bitchos

London-based, pan-continental instrumental four-piece Los Bitchos are gearing up to release their highly anticipated debut album, Let The Festivities Begin! on 4th February via City Slang. Formed of Serra Petale (guitar), Agustina Ruiz (keytar), Josefine Jonsson (bass) and Nic Crawshaw (drums), the band have joyfully blended elements of Peruvian chicha, Argentine cumbia, Turkish psych and surf guitars to create their collection of buoyant new songs.

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with Los Bitchos to ask about their “Five Favourites” – five albums that have inspired their song-writing techniques. Check out their choices below and scroll down to watch Los Bitchos’ video for her ‘Pista (Fresh Start)’ at the end of this post.

 

1. Dead Or Alive – Youthquake
Serra: This album embodies everything I love about the 80’s. Outrageous high energy production, out of control brass arrangements, chorus stained overdriven guitars and uncanny vocals that really hit. Funnily enough, I had only come across the full album over the past few years, before that I’d always thought of Dead Or Alive as a bit of a one hit wonder band – they are far from that. This was one of Stock Aitken and Waterman’s first breakthrough productions, which for me really became the sound of the 80’s. They are second to none, and every time I listen back to the songs, I always find an extra element going on in the background that i did not notice before.

All the while you have Pete Burns laying down one of the best vocal performances I’ve ever heard on an album, he is like a cyberpunk Opera singer that’s stumbled into an 80’s rave, such a captivatingly magical frontman. Each of the songs on the record have something that stands out and it’s pure fun and energy from start to finish. Apart from the incredible stand out hit, ‘You Spin Me Round’, the album truly shines with songs like ‘DJ Hit That Button’ and ‘My Heart Goes Bang (Get me to the Doctor)’. This album makes me feel like dancing all night with big hair, a Pete Burns eye patch, spandex, shoulder pads and taking on the world.

2. Lush – Spooky
Serra: I remember hearing and seeing the video for ‘Nothing Natural’ for the first time about 7 years ago when my boyfriend randomly sent me a YouTube link saying, “I think you’ll like this” – boy was he right! Lush were definitely on my radar as they would often pop up on 90’s music shows me and my brother would watch in Australia when I was a child, but my love for them was really cemented in my mid-twenties. Robin Guthrie from the Cocteau twins was on board as the producer, and what he did with this record is absolutely sublime. Lots of layering, lots of effects and washes running throughout the songs, I think it’s quite a studio album in that way, a lot of these effects would have been difficult to pull off live.

Miki Beryani and Emma Anderson have somewhat of a perfect matching of gorgeous falsetto vocals, as they often sing together on their songs and their harmonies just get under my skin in the best possible way. Their vocals are so delicate, and I love how they contrast against the swirling guitars drenched in chorus and reverb and Guthrie’s wall of sound. I would say the guitar sound/tone on this record is something I try to emulate on everything I do. Songs like ‘Nothing Natural’, ‘Tiny Smiles’ and ‘Superblast’ are stand out moments, their vocal and guitar melodies seem to capture certain bleakness and sadness that always sticks with me and has had such a profound influence on the music I make today.

3. The Ramones – End Of The Century
Agustina: End of the Century by The Ramones is arguably one of the less popular albums among Ramones fans, but personally, I always loved it the most. To start with, the artwork looks incredible, it’s just cheesy punk all over the place. They look cool and carefree, but retaining a certain romanticism at the same time, a cover full of contradictions. It was an album produced by Phil Spector, which obviously meant instant speculation. Apparently my favourite Ramone (Dee Dee) didn’t even play his bass parts in the final recordings and while they were at the studio it was debauchery and chaos, bless them.

But I gotta give it to them, despite the apparent recording troubles, the songs are pure gems. ‘Danny says?’ makes me wanna cry & go back to my love. ‘I’m Affected’ reminds me of my first kiss outside my parents’ house. ‘Do You Remember Rock and Roll Radio’ takes me back to my bed back home listening to this album for the first time. ‘Baby I Love You’ well, this cover will melt even the most cold person on earth’s heart. I could go on and on forever with all the songs, but don’t worry I won’t! One of my fave bits about this album? Ten years ago I bought a really rare edition in Brooklyn for a fiver without even knowing how special it was, but when I found out, that made me love it even more.

4. PJ Harvey – Let England Shake
Josefine: Not sure how or when Polly Jean Harvey entered my world, but I do know I absolutely RINSED this record in the months leading up to me leaving Sweden behind to move to the UK to study music. It came out in the early spring of 2011, and I moved in the fall that same year, and I would basically only listen to music from the UK to mentally prepare myself for months. This record has really stuck with me over the years, and I continue to discover new things about its melodies and moods still. Picking a record is a funny one for me because controversially (or at least I think it is), I don’t often get hooked on a specific record – instead I tend to get obsessed with a song or artist first and from there jump all over their discography in a frenzy. However, with this record I do stop and listen to it from start to finish as one piece, and what a brilliant piece it is!

5. PJ Harvey – Stories From The City, Stories From The Sea
Nic: This has to be one of the most nostalgic and powerful albums for me. It came out just before my 17th birthday and I remember one of the girls I was working with in the local cinema telling me about this artist she had just discovered with such excitement. She’s put out so many incredible records but for me this one will always feel special. I’ve revisited it so many times. When I went to New York it was one of the albums I listened to a lot while walking miles and miles around the city. ‘Good Fortune’ is one of those songs you can put on and just feel invincible, and like it’s you against the world. It’s so powerful. ‘You Said Something’ instantly brings back memories but still feels like a tune I could discover now and become obsessed with. This album just doesn’t age! ‘The Whores Hustle And The Hustlers Whore’ still gives me chills. The energy and dynamic of this woman is so inspiring. I was just starting to play shows in my first band around that time and PJ was a huge role model for just being myself, knowing my power, and losing myself in performing. A real hero and an absolute masterpiece of an album.

Thanks to Los Bitchos for sharing their favourites with us!

Watch their video for ‘Pista (Fresh Start)’ below.

Follow Los Bitchos on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Tom Mitchell

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PREMIERE: Cosmic Ninja – ‘Lies’

Formed in 2016, and with acclaim from the likes of Kerrang! Radio and Tom Robinson at BBC 6Music, Cosmic Ninja have now announced the release of a new EP. Formed of Tamsin Cullum, Jonny Angelini, Robin De Wandelear and Danny Watts, the Bristol band pride themselves on their riotous, queer punk energy, and have previously wowed crowds at events such as Glastonbury Calling, Unite Against Hate and BBC 6Music Fringe Festival.

Taken from the upcoming EP, new single ‘Lies’ fizzes with a gritty, relentless energy. A politically-charged, raging statement of intent against the corrupt Capitalist society in which we live, it builds with a seething power to a sizzling, angst-driven climax. Fusing together the vocals of Tamsin Cullum and Jonny Angelini, alongside immense whirring hooks and frenzied beats, with a racing sense of urgency, it offers an explosive call to arms that’ll leave you – fists-clenched – ready to take on the world with more of Cosmic Ninja’s fierce, electro-punk anthems.

Of the track, the band explain:

“‘Lies’ is about the dishonesty and corruption rife in UK politics. The endless lies and lack of integrity has reached an extreme level… Politics has lost sight of trying to make a better place for everyone and, instead, those with influence climb to the top and pull up the ladder by any means necessary… In most lines of work, you would be held accountable for lies, but, for politicians, it seems acceptable practice… This song is about calling out those lies, seeing through the misconception and positively challenging those walking blindly through corruption.”

Listen to ‘Lies’, for the first time, here:

Dissident Transmission, the upcoming new EP from Cosmic Ninja, is set for release on 8th April.

Mari Lane
@marimindles

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INTRODUCING INTERVIEW: Onyda

Inspired by the vast concrete surroundings of their hometown of Stoke, Onyda aka Shae Rhiannon creates enticing, jaded alt-pop tunes about their life experiences. Described as a “dystopian cowboy clad in jewel-hued velvet,” Onyda filters their thoughts on the human condition through the lens of film, music, fashion and art. We caught up with Onyda to talk about their recent release ‘Like A Dog’ and their upcoming single ‘Mediocre’, which is set for release on 26th January…

Hello Onyda, can you remember who or what first inspired to first start making your own music?

I was about 14, I lived pretty much in the middle of nowhere when I started writing music, on the edge of Stoke, I had a lot of time, no-one to spend it with, a lot to say and no-one to listen. There was no real influence as to why I started apart from being a musical theatre kid, I knew from an early age I liked to perform but it was just kind of a natural development of my own to write songs, my mental health was pretty bad too so it was in part a coping strategy I think. All I could play when I started writing was the ukulele, it just kind of grew from there.

Talk to me about your 2021 single ‘Like a Dog’. What inspired you to write it and what inspired the accompanying video?

‘Like a Dog’ comes from a place of depression and a feeling of entrapment for your situation, but all the while still acknowledging your power. Fake it till you make it and know one day you’ll get out of whatever that means for you. I was really inspired by Al Stewarts ‘Year Of The Cat’ whilst writing ‘Like a Dog’, hence the lyric “It’s the year of the dog baby” in the opening line to the chorus. I really wanted to tip my hat to him. “She comes out of the sun in a silk dress / running like a watercolour in the rain” is one of my favourite lyrics of all time, he’s a great storyteller. The video was inspired by my love of this cult-like idea of utopia, unsubscribing from society and running off to the woods.

You have a new single coming out on 26th January. Tell me about it…

The next single is titled ‘Mediocre’, it’s about being the messy imperfect creatures we are, celebrating that and actually welcoming that into my life. Whether its about having the perfect body, car, the pressure of being “successful,” I just get tired of it all. Social media has created a monster in the way we perceive ourselves and the way things should be for us, we’re all flawed and that’s great, I find that really liberating.

You’re also releasing an EP this year, what can you tell us about that?

The EP contains 5 tracks in total, each one a time capsule of my life as a young person, reflecting on something in my life from the very recent past. I had the absolute pleasure of working with Ben Hillier (producer and co writer) to create beautiful soundscapes and help me to weave the story together. I’m so proud of what we achieved and can’t wait to share it.

That’s exciting. It’s been a rough few years for musicians due to the ongoing Covid-19 pandemic. How have you coped and stayed focused?

I kind of feel bad saying this for all the damage Covid has done but the past two years, but for me as an artist have actually been the best in my life (minus the live aspect obviously). I love the quiet and the world just stopped. I had no distractions, I was so focused and felt more creative than ever. The whole of the EP was written during the start of the first lockdown. Don’t get me wrong, I had some tough times too but creatively it was great for me.

What else does 2022 hold for you?

I am so excited for 2022. So much music to come and me and my band can finally start to get some live dates in the diary. I can’t wait to share it all, we’ve been working so hard.

Any new bands or artists that you’ve been listening to that you’d like to recommend we check out?

I’ve been absolutely slamming Fleet Foxes recent album A Very Lonely Solstice, along with my usual old time classics: Scott Walker, Lee Hazlewood, Jackie Wilson etc. I have a playlist titled ‘Onyda’s Feel Good Melancholy’ on my Spotify where you can find everything I’m listening to at the moment.

Follow Onyda on bandcamp, Spotify, Twitter, Instagram & Facebook

Kate Crudgington
@KCBobCut

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PLAYLIST: January 2022

New year, new playlist! The Get In Her Ears team have put together an eclectic mix of indie anthems, guitar tunes, alt-pop tracks & immersive electronic sounds for your listening pleasure. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Ronnie Spector – ‘She Talks To Rainbows’
Hearing news of Ronnie Spector’s passing last week hit hard. A truly innovative musical icon, she inspired generations of women in music, whilst The Ronnettes were one of the first ‘girl groups’ to receive worldwide acclaim. Sadly also famous for being a survivor of serious physical and psychological abuse from her husband of six years, producer Phil Spector, I think it’s important we remember Ronnie for the incredible musical gifts she’s left us with. I just love the sparkling, soulful splendour and whimsical grace of this lesser known beauty, ‘She Talks To Rainbows’. (Mari Lane)

Girl Ray – ‘Murder on the Dance Floor’
Girl Ray’s cover of this 2001 classic by Sophie Ellis-Bextor… Need. I. Say. More. (Tash Walker)

Bas Jan – ‘Sex Cult’
The latest single from London experimental collective Bas Jan (founded by Serafina Steer and featuring members of Jenny Moore’s Mystic Business and Jarv Is), ‘Sex Cult’ offers a glistening cacophony propelled by a quirky energy and captivating allure. Reflecting on society’s attitude towards polygamy, it radiates a celestial joy as crystalline voices come together in unity to create something quite euphoric. Baby You Know, the new album from Bas Jan, is out 28th January via Lost Map Records. (ML)

ML Buch – ‘I’m a Girl You can Hold IRL’
This song is taken from Danish electro-pop musician ML Buch’s album Skinned which came out in 2020, but I spent a lot of the winter break listening to it so thought I’d share it with you all in 2022. I love its futuristic techno electro tones and all the FEELINGS. (TW)

SEA CHANGE – ‘Is There Anybody There’
Created during a time of intense loneliness during the middle of lockdown, this atmospheric offering from Norwegian producer Sea Change gives me goosebumps. Blossoming from a place of empathy, it’s one of many evocative tunes that feature on her upcoming album, Mutual Dreaming, which is set for release on 11th February via Shapes Recordings. (Kate Crudgington)

Brimheim – ‘This Week’s Laundry’
A stirring, intricately observed guitar tune about trying to cultivate a “normal” routine during a time of deep vulnerability, I love this single from Danish alt-pop artist Brimheim. Taken from her upcoming album, can’t hate myself into a different shape, which is set for release on 28th January via W.A.S Entertainment, the track flows with her tender vocals and confessional lyrics, which chime with relatable melancholy. I had the pleasure of interviewing Brimheim about her new record and her love for Queen Avril Lavigne earlier this month. Read our chat here. (KC)

Midwife – ‘2020’
This is a gloomy (but great) track about the year we’d all rather forget: 2020. Taken from Midwife aka Madeline Johnston’s third album Luminol, which was written & produced during quarantine last year, ‘2020’ is her cover of The Offspring’s 1997 track ‘Gone Away’, which I didn’t know until the person who recommended Midwife to me sent me a link to the original song. I know she’s been around a while, but I’m newly obsessed with this track & her album.  (KC)

Wu-Lu – ‘Times’
My new obsession, I recently came across South London multi-instrumentalist and producer Wu-Lu courtesy of Mary-Anne Hobbs on BBC 6Music. Creating a wonderfully eclectic smorgasbord of immense sounds, I just love how Wu-Lu manages to fuse together dark, Deftones-esque punk with a gritty, hip-hop inspired edge. I cannot stop listening to this track right now, which features drums by Black Midi’s Morgan Simpson. (ML)

Pearly – ‘Silver Behind The Mirror’
An agitated, sultry dose of cinematic heavy rock, I’m a big fan of this single by Ohio-based trio Pearly. Taken from their upcoming album Silver of The Mirror, which is set for release on 11th February via Eto Ano Recordings, the track is a smouldering slice of “stoner rock” that heaves with heady desire. (KC)

SASAMI – ‘Say It’
This industrial-tinged “rage dance anthem” from SASAMI is 100% a bit of me. Taken from her upcoming album Squeeze, which is set for release on 25th February via Domino, SASAMI explains: “I feel like when I hear this song I see a hot femme with a mystical flamethrower engulfed in emotional blue flames throwing elbows alone in an industrial dance club in outer space.” Mate, same. (KC)

HALINA RICE – ‘Sunken Suns’
What do I love more than dreamy songs full of feelings? The answer is obscure electronica! My latest listen comes from London-based artist Halina Rice, as part of a new project where she is embarking on creating new worlds in her music. Of this track Halina explains, “I wanted to create something dark and strange and emotive. The track emerged after days spent generating sounds through synths and noise generators. I put a mass of effects on the sampled vocals and they seemed to develop a life of their own – like a half-heard transmission from another world.” LOVE IT. (TW)

Gemini Aaliyah – ‘Moonrise’
Leeds-based artist Gemini Aaliyah says her single ‘Moonrise’ is the beginning of her “fucked up fairy tale where the ghetto meets the goth girl,” and that’s something I’d like to openly support. She channels her angst through yearning vocals and brooding beats, finding solace in the idea of re-birth and reinvention through her lyrics. Gemini Aaliyah will be playing at Drown U Out Festival at Leeds University Union on 19th February, alongside two of my other favourites Ho99o9 and Bob Vylan. (KC)

Queen Cult – ‘Calm’
Following acclaim from the likes of BBC Introducing for their debut single ‘Shindigger’ and support for their resonant latest single ‘A Song About Consent’, Queen Cult’s latest single ‘Calm’ flows with luscious, heartfelt vocals before building to a sweeping, fiercely impassioned proclamation to stand up to the patriarchy. Once again showcasing the Cheshire band’s knack for creating epic pop-rock anthems with a poignant sense of intent, ‘Calm’ cements Queen Cult’s place as definite ones to watch in 2022. The debut EP from Queen Cult is set for release on 28th January. (ML)

Peaness – ‘How I’m Feeling’
Having just announced the release of their debut album, Chester trio Peaness have shared a new taster of what’s to come from the LP. Propelled by uplifting, jangling hooks, latest single ‘How I’m Feeling’ reflects on the feelings of self-loathing and melancholy that can come from being stuck in an unfulfilling job and offers a glistening sense of hope that, with a bit of determination, you can make a positive change. I just can’t get enough of Peaness’ glossy, honey-sweet sounds and sunny, playful energy. World Full Of Worry, the debut album from Peaness, is set for release on 6th May. (ML)

SPRINTS – ‘Little Fix’
Another absolute banger from Dublin four-piece Sprints. Taken from their upcoming EP A Modern Job, which is set for release on 11th March via Nice Swan Records, ‘Little Fix’ is full of powerhouse vocals, crashing drums and racing riffs. The track is inspired by vocalist Karla Chubb’s experience of imposter syndrome, as she explains: “plagued by insecurities, imposter syndrome and gender stereotypes, ‘Little Fix’ is the culmination of all my fears – the, sometimes self-applied pressure that as a woman in music, I can’t just be good, I have to be great.” Even with these anxieties, Karla and her bandmates have created a candid, intensely cathartic offering with this track. (KC)

Worse Off – ‘You Belong Here’
I love this track by excellently named New York pop punk duo Worse Off. They sent me their EP You Win Some, You Lose…A Lot, in December last year and I was headbanging away to their tunes at my desk. Definitely check them out, their EP is up on bandcamp and Spotify. (KC)

Tits Up – ‘Macho Bullshit’
Having released their debut EP Greatest Tits, at the beginning of the month, Liverpool band Tits Up are ready to blast into your lives with their immense riot grrrl inspired energy and unapologetic honesty raging against the patriarchal society in which we live. Fuelled by a frenzied punk spirit, ‘Macho Bullshit’ hits you with its riotous, angst-driven force, offering an empowering statement of intent. (ML)

Bitch – ‘You’re The Man’
Set to release her debut album next month, queer electro-pop artist Bitch prides herself on being “like Joni Mitchell set to a click track… It’s neon pink, in your face, ready to hex you with its brilliance.” Latest single ‘You’re The Man’ exudes a driving, gritty energy as sizzling synths race alongside dense drum-machine beats, creating an empowering reflection on letting go of negative forces and reclaiming your inner voice. Bitch’s perfectly named debut album Bitchcraft is set for release on 4th February via legendary label Kill Rock Stars. (ML)

Combo Chimbita – ‘Yo Me Lo Merezco’
The title of this warm, joyful track from New York-based Latinx quartet Combo Chimbita roughly translates as “I deserve it”. The track and accompanying video are a celebration of self-love, spot-lighting prominent queer and trans performance artists, including Teresa Karolina who stars in the visuals. ‘Yo Me Lo Merezco’ is taken from Combo Chimbita’s upcoming album, IRE, which is set for release on 28th January via ANTI. (KC)

Flamango Bay – ‘LA’
The latest single from San Francisco trio Flamango Bay, ‘LA’ reflects on the band’s recent move to the city. Propelled by sunny, jangling melodies, it’s a dreamy slice of indie-pop that glistens with an irresistible, effervescent charm. The Fool, the upcoming debut EP from Flamango Bay, is set for release on 13th May via 0800-Moshi-Moshi. (ML)

Babeheaven – ‘Don’t Wake Me‘
This band never disappoint. ‘Don’t Wake Me’ is Babeheaven’s latest gently soothing release. Just lovely. (TW)

KEYAH/BLU – ‘Til Bliss’
This is the latest single by South London rapper KEYAH/BLU who I would encourage you all to go and check out if you aren’t familiar with already. (TW)

Skylu – ‘Foreign Concept’
A tune for the stolen hours, this is the debut single from Skylu, whose voice you may recognise from Bamboo Smoke. (TW)

Lucy Barton – ‘Starlight’
The latest single from singer-songwriter Lucy Barton, ‘Starlight’ offers a sparkling reflection on gaining awareness of our self-crippling subconscious thoughts. With a subtle immersive power, the track speaks of breaking free from this internal narration, allowing us to discover the beauty that exists in life. I’m a big fan of Barton’s soaring, glitchy musicality and emotion-strewn honey-sweet vocals, and can’t wait to hear more from her. (ML)

Carmel Smickersgill – ‘Questioning’
The latest single from modern classical artist Carmel Smickersgill, ‘Questioning’ offers a truly captivating and uniquely intriguing soundscape. Mentored by acclaimed musician Anna Meredith, Smickersgill prides herself on creating immersive ‘outsider pop’, and I just love this track’s whirring grace and celestial, ethereal energy, reminiscent of GIHE fave Jenny Hval. Smickersgill is releasing her debut EP in April. (ML)

Novaa – ‘You Can F With Me’
‘You Can F With Me’ by Berlin based alt-pop singer-songwriter Novaa is taken from her forthcoming album due in early 2022. This is a song about the things that people asked and told her as a victim of sexual abuse and rape. Love and solidarity to anyone who relates to that track and remember that the best thing you can ever do for anyone who has been a victim, is to listen, be kind and give them space and support to heal. (TW)

Zannie – ‘Mechanical Bull’
This is the latest single from New York-based songwriter Zannie, who’s recently signed to iconic riot grrrl label Kill Rock Stars. They remind me a little bit of Phoebe Bridgers on this track and I’m excited to hear more from them this year. (KC)

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