NEW TRACK: CLT DRP – ‘Nothing Clever, Just Feelings’

Following on from their visceral, incendiary anthem ‘New Boy‘, Brighton feminist art punks CLT DRP have shared their latest single ‘Nothing Clever, Just Feelings’. The title track from their upcoming second album, which is set for release on 8th September via Venn Records, ‘Nothing Clever, Just Feelings’ is a thumping, primal, tenacious offering that champions the immediacy and the transitory nature of thoughts and emotions.

CLT DRP blew us away when they performed at The Great Escape Festival earlier this year, with this new single providing one of many highlights during their set. Fuelled by Annie’s powerful, crystalline vocals, Daphne’s phenomenal percussion and Scott’s jagged guitar FX, ‘Nothing Clever, Just Feelings’ is a cathartic anthem that celebrates the act of feeling your emotions without over-analysing them. “I’m learning to manage my distractions / I’m getting better at talking less shit” Annie sings, her defiance and directness as intoxicating as the cacophony of potent noise behind her.

“This is the title track for a reason!” she explains about the single. “Desperation, anger, confusion—ALL the feelings. I think I spent a lot of time when I was younger trying to be clever about lyrics. I wanted to try and be witty or something ‘mature’. As a younger woman in the industry, I felt like I wasn’t going to be taken seriously writing the way I did. I quickly realised that the music I listen to the most is nothing like that, so why would I try and emulate something I don’t even listen to? The lyrics I connect with are always straight forward emotions or familiar scenarios that I can identify right away when I first hear a song. Being present in the lyrics and emotions are important to me as a lyricist. I want you in the car with your friends screaming the lyrics at full blast cursing your ex! That’s what this song is supposed to do.”

This desire for unfiltered self-expression permeates CLT DRP’s new album. Nothing Clever, Just Feelings touches on themes of queerness, heartbreak, new-found strength in vulnerability and gender fluidity, as well as new-found femininity in humour and the fear of being alone. We can’t wait to hear it!

Watch the accompanying video for ‘Nothing Clever, Just Feelings’ directed by Harry Steel (Haunted Mattress) below.

Follow CLT DRP on bandcamp, Spotify, Twitter, Facebook & Instagram

Photo Credit: Bridie Florence

Kate Crudgington
@KCBobCut

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NEW TRACK: Problem Patterns – ‘Letter of Resignation’

Fresh from supporting electro-punk icons Le Tigre on their Manchester and Glasgow UK tour dates, GIHE favourites Problem Patterns have shared their tenacious new single ‘Letter of Resignation’. The Belfast-based Riot Grrrls have also announced the title of their upcoming debut album, Blouse Club, which will be released later this year via Alcopop! Records.

A live highlight when they played it during their set at Brighton’s Great Escape festival earlier this year, ‘Letter of Resignation’ sees guitarist Beverley Boal step forward on vocals – and what a force she is. Not defined by traditional band structures, Problem Patterns routinely switch up instruments and mic duties for their songs and it always makes for a refreshing take on the subject they’re singing about.

This time, the band are celebrating queer joy and ally-ship as they tear down those who discriminate against the LGBTQ+ community, specifically in places of employment. “I’m standing up for who I believe in / you can’t fire me, I’m leaving!” chants Bev in gleeful defiance, as her band mates create a joyful cacophony of punk noise around her.

Bev explains the context of the new track eloquently: “‘Letter of Resignation’ is for anyone who has left a job, space or situation because people there were judgmental of, or discriminated against them or others for being different, and they stood up for who they believe in. For me, I grew up hearing the phrase ‘hate the sin, love the sinner’ in churches (always in the same context, as if being gay was the ultimate sin) and it still feels like an attack when I hear the preachers in the street.

Genuine love does not force us to become what we are not. Genuine love extends beyond those who look, act and think like yourself. Genuine love doesn’t inspire violence. Two thirds of queer people have experienced violence or abuse due to their sexual orientation or gender identity. More than half of Northern Irish queer youth say they are not fully accepted by their family. Mental health struggles including self-harm are far more prevalent in the LGBTQ+ community. Those perpetuating ‘traditional’ views have a lot to answer for. And, after so many sexual abuse scandals in the church, it seems like they would be better off trying to keep themselves right.”

‘Letter of Resignation’ is accompanied by a super fun, Pride inspired video, which the band shot in Holywood just outside of Belfast. Directed and edited by Brendan Seamus with input from Bev, the visuals show Problem Patterns unapologetically marching and dancing around the Northern Irish town, featuring vocalist & guitarist Alanah playing a briefcase like it’s a guitar, bassist Ciara throwing some serious shapes by the seaside and drummer Beth acting as a cranky old man.

“Brendy also did our ‘Day & Age’ and ‘Y.A.W’ music videos,” Bev explains. “He always does an amazing job of capturing our fun chaotic energy. Fuelled by Nutmeg’s vegan café and baffled by the amount of churches on the main street, we got ice cream at the beach even though it was a bitter cold Sunday. In the face of hatred, we stand for queer joy. I think that’s the duality of our band and this music video. On one hand, we’re protesting the powers that want to tear us down, but on the other hand, we’re celebrating and proud of who we are and what we believe in. And you can tell we mean business when we’re in our suits, even if we’re having a dance at the seaside.”

Kathleen Hanna (Le Tigre/Bikini Kill) described Problem Patterns as her “new favourite band” and after watching the visuals for their new single, we can totally see why. They’re fun, furious and full of energy, and we can’t wait to have them headline for GIHE again at the Sebright Arms in Hackney later this year on 17th November. Support comes from indie-pop band Fightmilk and the shoegazey sounds of Dogviolet. Tickets are cheaper in advance, so make sure you grab one from DICE.

Watch the video for ‘Letter of Resignation’ below.

Follow Problem Patterns on bandcamp, Spotify, Twitter, Instagram & Facebook

Problem Patterns UK Live Dates 2023
15.07.23 – Berlin, My People Fest (w/ FAIM, Dying For It)
22.07.23 – Liverpool, Crapfest (w/ Crapsons, Piss Kitti)
19.08.23 – Glasgow, Core Festival
26.08.23 – Kettering, Greenbelt Festival
17.11.23 – London, Sebright Arms (headlining for Get In Her Ears)

Photo Credit: Carrie Davenport

Kate Crudgington
@KCBobCut

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NEW TRACK: Touch Excellent – ‘Record’

A tenacious anthem that takes aim at the failures of the healthcare system when it comes to treating women, non-binary and transgender folks, Touch Excellent have shared their debut single ‘Record’. Fuelled by the Dublin-based band’s collective anger, the track is a brief but powerful blast of attention-grabbing pop punk noise.

Playfully self-describing themselves as “Ireland’s most transgender band (surely)”, Touch Excellent create raw, frenzied, politically-driven cacophonies that are designed to dismantle the systems that oppress us. Together, Lenny (vocals/bass), Ló (rhythm guitar/vocals) and Amber (drums) transform their feelings of hopelessness and injustice into loud, cathartic, catchy anthems that address the issues facing young people today.

Their debut single ‘Record’ is inspired by the band members own experiences with the medical system, the recent Cervical Check scandal in Ireland, and the ongoing fight for reproductive rights around the world. The song is laced with medical imagery and descriptions of procedures that will be familiar to many women, and the band hope the track will offer a moment for rage, respite and relief in spite of these stressful moments.

Describing themselves as “a band for people who care about the issues and love a good live gig,” 2023 looks set to be an exciting year for Touch Excellent. The four piece played a show at Anseo on Camden Street in Ireland last night (May 25th) to celebrate the release of their debut single ‘Record’, and they will be releasing more material later in the year.

Listen to ‘Record’ below.

Follow Touch Excellent on bandcamp, Spotify, Twitter & Instagram 

Kate Crudgington
@KCBobCut

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WATCH: Walk In Coma – ‘Suffer’

A riff-heavy, full on assault on the ear drums, Essex-based metal band Walk In Coma have shared their latest single ‘Suffer’. Full of corrosive vocals, thundering guitar sounds and blistering beats, the track is a cathartic rumination on emotional endurance, and the second single to be lifted from the band’s upcoming EP, HUMAN CONDITION.

Formed of Alex Adlington, Mark Elliott, Tom Case and Nicole Lastauskas, Walk In Coma are influenced by the heavy sounds of SkipKnot, Lamb Of God and Architects. To date, the band have supported bands like Funeral For A Friend and Breed 77 on their UK tour dates, and they released their debut EP, NARRENTURM, back in 2015. Now, the Essex metallers are gearing up to share their forthcoming new EP, which was recorded during the uncertainty of the latter part of the Covid-19 pandemic back in 2021.

Mined from the depths of Walk In Coma’s “hallucinatory nightmares”, new cut ‘Suffer’ is accompanied by a chaotic video, shot by Gallow Wood Media. The frenzied and bizarre visuals are inspired by David Lynch’s dark cinematic imagery and feature the band, who are adorned in pig masks and splattered with blood as they rip through their relentless new single.

Alongside their EP release, Walk In Coma have a string of gigs and festival appearances lined up over the summer, including a slot at grassroots festival Breaking Bands alongside Healthy Junkies and DROWND. You can find full details of their live shows by visiting their website here.

Watch the video for ‘Suffer’ below.

Follow Walk In Coma on bandcamp, Spotify, Twitter, Facebook & Instagram

Photo Credit: Richard Gatecliffe (@1dxrich)

Kate Crudgington
@KCBobCut

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