Track Of The Day: Cage Park – ‘Hand Me Downs’

A brooding reflection on the time you spend lingering in the gap between leaving college and starting university, Birmingham-based indie outfit Cage Park have shared their latest single ‘Hand Me Downs’. The title track from their new EP which the band plan to release later this year, ‘Hand Me Downs’ is a coming-of-age tune that navigates the restlessness of youth.

Formed of Reuben Saunders (drums), Leo White (guitar), Edie Mist (bass and vocals) and Arthur Belben (vocals), Cage Park met at secondary school in 2017 whilst playing as part of the school’s rock and pop ensemble, but they’ve moved on musically since then. As the band have grown up side-by-side, it seems fitting that ‘Hand Me Downs’ documents this coming-of-age-process.

Born from the push and pull that comes with wanting to make a mature decision, but also wanting to enjoy moments of freedom, Cage Park blend yearning dual vocals, swirling riffs and post punk inspired beats to extrapolate on this wired feeling. The lyrics explore the many mundane and juvenile things we do – “small-talking / hand shaking” – to pass the time when we’re waiting for life to happen.

“The track was written around the recent changes in our lives,” bassist & vocalist Edie explains. “It’s about leaving college and taking gap years. Wanting to move towards adulthood but still ending up on the sofa watching cartoons.” Cage Park express this sentiment with relatable and exasperated flair, holding on to the comfort of their past before their futures unfold.

Listen to ‘Hand Me Downs’ below.

Follow Cage Park on Apple Music, Spotify, Twitter, Instagram and Facebook

Kate Crudgington
@KCBobCut

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Track Of The Day: VERO – ‘Cupid’

An intoxicating blur of urgent vocals and buzzing riffs, Stockholm-based trio VERO have shared their latest single ‘Cupid’. Taken from the band’s upcoming debut album Unsoothing Interior, which is set for release on 6th May via PNK SLM, the track is a raw exploration of lust and control, punctuated by discordant guitar noises and brooding lyrics.

Formed of teenage friends Julia Boman & Amanda Eddestål and Clara Gyökeres who they befriended whilst DJ’ing on the Stockholm nightclub circuit, VERO create music inspired by an eclectic range of influences. Their main purpose, aside from creating anthems with shades of 90s alternative icons Sonic Youth, is to challenge the idea of what a modern guitar band is supposed to be. That challenge started with previous singles ‘Beg!’ and a cover of Shame’s ‘Concrete’, but now the trio have further proved their ability to antagonise and intrigue listeners with their new single ‘Cupid’.

“‘Cupid’ was the first song we wrote that made the album” the band explain. “We had made a couple of demos before, but we weren’t loving them. They all sounded a bit too pretty and safe, so when the drums for Cupid were done, we took a guitar and started making these wheeling, chaotic noises, and that was it. That was the sound that set the tone for our album. The lyrics are a bit dream-like, it’s about lust and control.”

With their refreshingly candid approach to making music, VERO’s debut album is set to be a cathartic listen. “We don’t want to be super musicians,” bassist & vocalist Julia Boman explains further. “We want to write the best fucking songs and just have the best energy and show people that we’re having fun.” With ‘Cupid’, the band have certainly achieved that.

Listen to ‘Cupid’ below.

Follow VERO on bandcamp, Spotify, Twitter, Instagram & Facebook

Pre-order VERO’s debut album Unsoothing Interior here

Photo Credit: Dan Kendall

Kate Crudgington
@KCBobCut

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Track Of The Day: Maria BC – ‘The Only Thing’

A gentle musing on relinquishing yourself to the feeling of being in love again and having that feeling reciprocated, Maria BC has shared their latest single ‘The Only Thing’. Taken from their debut album Hyaline, which is set for release on 27th May, the track is a disarming, tender reflection on the serenity that sets in once you are fully “seen” by your partner in a new relationship.

Following on from their dreamy debut EP Devil’s Rain (2021), on Hylaine, Maria BC has created another tender collection of songs that “Let the world wash over you…rather than trying to pin it to one single thing.” This immersive quality is captured beautifully on ‘The Only Thing’, through Maria’s tentative guitar picks, atmospheric beats and soothing vocals.

“The track is about allowing yourself to be seen fully by another person. When you find they aren’t afraid, you realise you shouldn’t be either,” Maria explains about their new single. “It took me a bunch of tries to finish the arrangement for this one. It felt too sparse, while the song is about that full, effervescent, sun-is-coming-up feeling of new love. I spent several weeks adding parts and scrapping them — you know, getting nowhere. Then, at some point, I realised the refrain of another song I was working on had the same chord progression as ‘The Only Thing’ refrain. I turned that into a kind of counter-melody, Liz Fraser style, and I think it tied the whole thing together.”

The new track is accompanied by a beautiful video, shot by Olivia Q. Pintair and choreographed and Performed by C Green. Watch it below.

Follow Maria BC on bandcamp, Spotify, Instagram, Twitter & Facebook

Photo Credit: Ulysses Ortega

Kate Crudgington
@KCBobCut

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EP: Softcult – ‘Year Of The Snake’

Like the serpent that it’s named after, Year Of The Snake, the second EP from Canadian duo Softcult is a determined effort to shed the skin of past trauma, reject toxic behaviours and make space for healing.

Informed by their experiences of sexism and objectification as young women in the music industry, twin siblings Phoenix and Mercedes Arn Horn’s debut offering Year Of The Rat (2021) was a collection of bittersweet, grunge-infused sounds that soothed the sting of a painful past. On their follow up record Year Of The Snake, Softcult continue to dissect these difficult memories, but with a renewed focus on how they can use them as the foundations for true self autonomy.

A seething take down of the all-too-familiar excuse “Boys will be boys,” opener ‘BWBB’ sends a direct message to enablers of toxic “bro-code”. Heavily distorted riffs and crashing percussion drive home the message “Boys will be boys / but these boys are men / and these girls didn’t ask / to be touched by them.” It sits in powerful contrast to closing track ‘Uzumaki’, a heavy lament about the “vicious cycle” of PTSD caused by the behaviours the pair attack in ‘BWBB’.

Softcult’s hard earned emotional resilience shines through on ‘Spit It Out’ and ‘Gaslight’. The first is a brooding extrapolation on rejecting unconscious bias, whilst the second is an urgent, shadowy exploration of that “sinking feeling” of self doubt in an unbalanced relationship. On the more introspective ‘House Of Mirrors’, the pair channel their fears of falling short through swirling riffs and soft dual vocals, whilst ‘Perfect Blue’ is a melodic reflection on compromising your identity to please others.

Antagonistic and tender in equal measure, Softcult’s Year Of The Rat is a melodic reckoning, urging listeners to peel away the remnants of self-doubt, trust their instincts and to allow themselves the time and space to heal.

Listen to Sofcult’s new EP Year Of The Rat here

Follow Softcult on bandcamp, Spotify, Instagram, Facebook & Twitter

Kate Crudgington
@KCBobCut

 

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