FIVE FAVOURITES: Francis Of Delirium

Creators of swirling, grunge-infused guitar tunes, Luxembourg-based duo Francis Of Delirium write songs about the ever-evolving nature of human emotion. Together, songwriter & guitarist Jana Bahrich and her collaborator Chris Hewett have released two EPs via Dalliance Records, with their most recent offering, Wading, continuing Jana’s narratives of personal resilience and enlightenment.

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with Jana to ask her about her “Five Favourites” – five albums that have inspired the band’s song-writing techniques. Check out her choices below and scroll down to listen to Francis Of Delirium’s latest single ‘I Think I’m Losing’ at the end of this post.

1. Arca – KiCk i
I found Arca through the newest Euphoria episode. There’s this one scene where they use Arca’s music and it’s this crazy gunshot type beat and it sounds so smoke and it is probably the coolest thing I’ve ever heard. I spent weeks trying to figure out where I could hear it in full but it turns out it’s not released. In the process though, I became obsessed with her album KiCk i. I’m trying to get better at electronic production and I like to use Kick i as my north star, less as a template to copy but more as the realization that anything is possible. She’s so creative in everything that she does which I find very inspiring, plus her songs just do something to my body that makes it feel like it’s exploding. I love you Arca.

2. Sufjan Stevens – All Delighted People
Hoping this will pass as an “album” even though it’s an EP! This is my favourite Sufjan project, easily. I feel like in this era Sufjan Stevens was making music for kids who were in the school brass band and so I felt very seen. I love the way he uses horns and trombones in All Delighted PeOple and the song-writing is still so strong, he also just gives you so much time to settle into each song which I love. The first Sufjan Stevens song I ever heard was ‘Casmir Pulaski Day’, my friends showed it to me. I went home that day and then learned it on the banjo. I spent a lot of my teens consuming solely his music. Then I realized his music was in Little Miss Sunshine which was my favourite movie then, so it felt like Sufjan was the man for me.

3. Half Waif – The Caretaker
Half Waif has such a wonderful ear for melody and uses vocal harmonies so wonderfully. Even on the first track, you’re almost immediately hit with those harmonies and they’re so beautiful and her delivery is heart-breaking and pulls at your chest. I couldn’t tell you how she’s influenced my song-writing but she must have because I’ve probably listened to The Caretaker everyday since it came out. Similarly to Arca, I often reference Nandi’s production choices, she has an incredible ability to make electronic sounds feel so tactile and warm and human, I just love everything she does. I first found Half Waif through her Tiny Desk which is also incredible, I say it a lot but I just love when artists give you their whole voice and body in a performance, it becomes so easy to connect with them through that.

4. Car Seat Headrest – Twin Fantasy
I don’t know how much I can express how much I love this album. When it comes to rock music and I look at someone like Car Seat Headrest, it’s just a reminder that you can and should keep making music on your own and you should make whatever it is you want to make. Especially since Chris and I record our own music, I found it really helpful to look to other artists that were making music on their own and read articles from them to try and figure out how to do it on their own. Then lyrically and performance wise the album is perfect to me, I find a kind of peace whenever I listen to Twin Fantasy. There’s always something unexpected in a Car Seat Headrest song when you listen to it the first time and I really value that, I feel like you are walking along some dark long winding road whenever you jump into a Car Seat Headrest record.

5. Heart – Dreamboat Annie
A lot of my favourite songs and albums I’ve actively disliked before I love them. For some reason, I couldn’t get into ‘Bohemian Rhapsody’ when I was young and then I turned 14 and it was the greatest song I’d ever heard. I have a specific memory of this one rock station in Vancouver that would always play Heart all the time whenever my dad and I would drive to Taekwondo, and I thought it was some of the worst music I’d ever heard. After maybe 5 car rides, I was obsessed with Heart. If my dad and I go on a drive anywhere now, we definitely scream and sing along to ‘Crazy On You’, that song is so good, and they’re both so talented it’s crazy. They give everything to all the songs they play and that is something I try to do with every performance of our songs.

Thanks to Jana for sharing her favourites with us!

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Photo Credit: Lynn Theisen

LISTEN: Gazelle Twin – ‘The Well’

A sinister, cinematic offering that chimes with a bleak beauty, Gazelle Twin aka Elizabeth Bernholz has shared her latest single ‘The Well’. Lifted from the official soundtrack for upcoming east-end based supernatural thriller The Power, the track is a spine-tingling offering from this multi-talented electronic music pioneer. The score will be released digitally on 8th April via Invada Records, with a vinyl release to follow.

Working alongside composer Max de Wardener to curate the score for the the film, which was written and directed by BAFTA nominated screenwriter Corinna Faith, ‘The Well’ is a piece of Bernholz’s solo vision that fitted the tone of The Power so well, it was added to the track-list without hesitation. “Working with Corinna and Max didn’t feel much like work,” Bernholz explains. “It was a long haul thrill, from our field trip to the derelict wing of Goodmayes Hospital to record squeaky trolleys and smashed pill bottles, to making countless experiments with samples, voice, and electronics, pushing them in every extreme direction we could think of. The results bring me a lot of joy. I hope the collaboration continues.”

Contrasting these samples with her sublime vocals and un-nerving electronics, Bernholz has enhanced the tension and claustrophobia that permeates Faith’s Victorian-set thriller, which follows nurse Val on her first round of night-shifts in an eerie London hospital ward. The Power will be available exclusively to stream on Shudder from 8th April.

Listen to ‘The Well’ below.

 

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Photo Credit: Victor Frankowski

Kate Crudgington
@KCBobCut

WATCH: GHLOW – ‘Not Fit For This’

A visceral blend of distorted guitars, energetic beats and commanding vocals, Russian-Swedish heavy duo GHLOW have shared a video to accompany their latest single ‘Not Fit For This’. Taken from the band’s debut album Slash and Burn, recently released via PNK SLM Recordings, the fast-paced visuals reflect the track’s intense rhythms and jagged riffs.

“’Not Fit For This’ is a manifesto embracing raw power, materializing the energy that grows out of frustration and boredom,” the band explain about the track. “We wanted the video to translate the energy of the music and worked with our amazing friends over at Gonz TV who kept it fast paced and punky.”

Formed of multidisciplinary artists Emille de Blanche and Nikolay Evdokimov, GHLOW fuse their lived experiences and passion for genre-blending sounds into their intense, driving soundscapes. They divide their labour equally; de Blanche handles vocals, bass and the band’s art direction, while Evdokimov takes on on guitar, synths, drum machines and production duties. Through experimentation and a desire to test themselves, the pair trusted their instincts and created an album that burns with raw, ambiguous fury, and ‘Not Fit For This’ is another corrosive offering that glows with the band’s trademark electro-punk angst.

Watch the video for ‘Not Fit For This’ below.

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Kate Crudgington
@KCBobCut

Track Of The Day: Noha Saré – ‘Lost’

An evocative alt-pop tune that embraces vulnerability and smoulders with assertiveness, Amsterdam-based songwriter Noha Saré has shared her latest single ‘Lost’. Taken from her upcoming EP which is set for release later this year, the track fuses elements of R&B and electro-pop alongside Noha’s soulful vocals to reflect the way in which our moods shift when we’re contemplating our future.

“Everybody has their own demons and it’s okay to talk about it,” Noha explains. “Almost everyone has struggled with not knowing who they are, what they really want in life or where they’re headed. I got better in finding peace with who I am, including all the ups and downs, by accepting that it is okay to be scared and insecure and it’s okay to not know where you’re heading”. Through her atmospheric beats and smooth vocals, Noha makes a musical truce with her inner turmoil and leans into the unknown with impressive flair.

‘Lost’ is also accompanied by a striking set of visuals, directed by Noha’s best friend and visual artist Izak Berman. “My internal fight is embodied by 8 female performers,” she explains. “Two of them engage in a game of attraction and repulsion. The video shows an enchanting oscillation between pleasure and pain, past and future, hope and disbelief. Within a surreal composition, which seems to be somewhere between a dream and reality, showing the obscure side of my world.”

Watch the video for ‘Lost’ below.

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Photo: Kick van Doorn

Kate Crudgington
@KCBobCut