LISTEN: Spike Pop – ‘So Mysterious’

A shadowy synth-pop tune inspired by the soundtracks to early video games and the search for a magic eye, London-based musician Spike Pop has shared her latest single ‘So Mysterious’. Released via independent Birmingham label Ezi Deth Rekords, the track is a glitchy, infectious blend of beguiling vocals, buzzing synth textures and dancing beats.

Spike Pop began writing, recording and producing her own music predominantly from her bedroom in Berlin in 2014 after an email correspondence with her musical hero, Stephin Merritt. She reached out to The Magnetic Fields songwriter & vocalist for advice about using drum machines, and since then she’s been creating and producing her own electronic music.

Spike Pop began performing her soundscapes live when she relocated to London, captivating crowds with her lo-fi blend of trance, hardcore, classic new wave and synth pop. Her latest offering ‘So Mysterious’ ripples with mystical intrigue, manifesting into a “sonic synth storm” of vocoder fx, dreamy vocals and distinctive dancing beats. It’s an intriguing slice of darkwave-inspired sound that offers listeners the opportunity to escape their reality and enter into Spike Pop’s murky, fascinating world.

Listen to ‘So Mysterious’ below.

 

Follow Spike Pop on bandcamp, Spotify, Instagram & Facebook for more updates

Kate Crudgington
@KCBobCut

LISTEN: The Kobras – ‘Fuck Boy’

A lively guitar tune that takes down the contemptible behaviour of the men it’s named after, London-based duo The Kobras have shared their debut single ‘Fuck Boy’. Taken from their upcoming EP which is set for release in June, the track is a burst of playful cynicism designed to help listeners laugh at their painful memories of being messed around by men who don’t deserve their time.

Formed of Bulgarian-born vocalist Dessy Baeva and London-bord guitarist Harry Thacker, The Kobras started making music together in 2020 when the world began falling apart due to Covid-19. Inspired by the likes of Jimi Hendrix, Moon Duo, Gil Scott-Heron and The White Stripes, the duo blend punchy lyricism and infectious guitar riffs with their love of Bulgarian eastern mysticism and British stiff upper lip cynicism to create their energetic sounds, with ‘Fuck Boy’ providing the first dose of their tongue-in-cheek song-writing style.

“We wrote the lyrics to ‘Fuck Boy’ one evening after having a few drinks and talking about all the crazy dating experiences we’ve had in the past,” the band explain. “Some of them were absolutely comical, so we couldn’t help but write something satirical just for the fun of it. It started as a joke, but everyone we showed the song to seemed to love it and found it relevant for a certain period of their life. We recorded it with our friend Harry Chambers in his studio in Woolwich. We hope the listeners find the humorous side of the track and take the message that even if you’ve been played by someone there is still something to laugh about in the end.”

Listen to ‘Fuck Boy’ below.

Follow The Kobras on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Victoria Rodriguez

Kate Crudgington
@KCBobCut

INTERVIEW: Grandmas House

Since we heard the opening riff of ‘Always Happy’ by Bristol trio Grandmas House, the Get In Her Ears team have been hooked on their sardonic, thumping post-punk sounds. Formed of guitarist & vocalist Yasmin Berndt, drummer & vocalist Poppy Dodgson and bassist Zoë Zinsmeister, the band combine gritty guitars, powerhouse percussion and visceral vocals to create intensely relatable anthems. They were busy cutting their teeth on the UK gig circuit before Covid-19 put an abrupt stop to live music. The trio decided to use their time in lockdown constructively, quickly writing and recording new material, including recent singles ‘Always Happy’ and ‘Small Talk’.

We caught up with Grandmas House to talk about recording fun music videos in lockdown, where they’re looking forward to playing once the current Covid-19 restrictions have lifted and the context behind their latest singles…

Hello Grandmas House! For anyone who doesn’t know, can you explain how you met and originally formed as a band?

Yasmin: We all went to uni together in London. Then me and Poppy moved to Bristol afterwards and then we dragged Zoe along with us well.

Poppy: Yeah, we were like “you’ll love it here!”

Yasmin: We did have a different bassist before Zoe actually, who we also met at uni. She lived in London still and she was commuting so much and that didn’t really work out. Then Zoe moved to Bristol and became our new bassist, so that worked out pretty well. We’ve all been living together now for three years.

Does living together make things easier in terms of recording and writing songs?

Yasmin: We usually go into the studio now that we’re getting a bit more serious about music, but when we started the band it was just demos recorded on all of our phones. We didn’t know how to edit music so we just cropped all the recordings together. But now we try to go to a professional and take it into a studio and stuff. Obviously because of Covid-19 and all the studios being shut, we did have to record a few things from home. We did a few vocals on the mic from home, but that’s it.

You’ve recently released two single, the first of which being ‘Always Happy’. I read that you came up with this track really quickly and unanimously agreed on the context. Is that usually the case when you’re writing songs?

Poppy: I feel like usually it does happen like that, it just flows out. We’re very much on the same wavelength, but there are occasionally times where we get stuck on a song for ages.

Yasmin: I think I think if it doesn’t flow, it’s just not the one. If we’re working on a song and we have to kind of really, really try to make it work, we usually just take ourselves away from it and try something else. I do feel like our really good songs are usually the ones that literally just completely flow out of us though.

Poppy: We know if we’re working on a song for more than an hour, it might be time to put it on the shelf. Sometimes we come back to them of course, but we usually get a good feel for whether a song is working or not quite quickly.

‘Always Happy’ is a song about the misconceptions we have about people’s confidence in social settings and also online. Talk me through what the track’s about, as I know it’s based on your own experiences of performing on stage as well.

Yasmin: I feel like everyone is a bit taken aback by how we are onstage and how loud our music is, especially because our name is Grandmas House, which is quite calm…

Zoe: The track is a mix of thoughts about social anxiety, performing on stage and how people perceive you online, as well as how you show yourself online too. In between songs when we’re on stage, people have said we’re always so smiley, and then we suddenly just start screaming again. There’s been a few gigs where Poppy has been on the drums, looking really, really into it and angry and then as soon as a song ends she’s doing this cute giggle.

Yasmin: I think we’re definitely confident off stage as well. The song is definitely more about mental health and social anxiety that is generally present, but that doesn’t mean you can’t be talkative or chatty after a show. I think you definitely just see a snippet of us, or any other band, when we’re on stage. You don’t see how nervous we are before as well.

Zoe: That adds to the adrenaline we get whilst we’re playing  though. It’s been built up beforehand which is great, so performing is definitely an outlet for that.

The accompanying video you directed for ‘Always Happy’ definitely showcases the fun and the more serious sides of the track. Talk me through it…

Poppy: Originally we were going to film it with some other people, but because of lockdown we suddenly had to try and make it ourselves, but it was so so fun!

Yasmin: We’re quite good at coming up with ideas – if I do say so myself. We love coming up with visuals and talking about would look good aesthetically. So for the video we had three main shots in mind and we were just really lucky and happy with how it came out, exactly how we imagined it.

Zoe: We were really able to create the atmosphere that we wanted for the song. It’s quite a personal song I think, so the fact that we could make it ourselves with no other kind of creative input was really nice.

You’ve also released a new single ‘Small Talk’, which forms part of your two-track cassette release on Brace Yourself Records which Zoe designed the artwork for. Tell me what this track is about…

Yasmin: It’s just about not really liking small talk. It’s one of the first songs we ever wrote. It’s quite a straightforward, snappy, loud, quick song – which I think a lot of our songs are. It’s a bit of a contrast to ‘Always Happy’, it’s a bit rougher and a bit more like our earlier sound.

That’s to the point, I like it. The UK government have teased us with the potential lifting of lockdown restrictions & return of live music if their step-by-step plan over the next few months. If it does work, is there a particular venue or festival you’re keen to play?

Yasmin: We’ve announced that we’re playing Dot to Dot Festival which is so exciting. That’s in Bristol, Nottingham and Manchester. We’ve never played in Nottingham before, so that’s gonna be fun.

Zoe: I honestly feel like we would take anything and play anywhere right now?

Yasmin: I mean, we usually take any gig that gets offered to us because we love playing, but especially now I think we would take anything!

Poppy: I think if we were dreaming big we’d love to play End Of The Road Festival. But yeah, honestly anywhere….

That sounds good! I know we’re all approaching 2021 with caution, but do you have plans to record or release more music this year?

Zoe: We’ve recorded an EP, which will be coming out this year. That’s very exciting.

Yasmin: We’re almost done with it. Covid-19 got in the way of it once again, the studio we were recording it had to shut, but it’s nearly get ready to go. Hopefully we’ll do some more music videos as well.

Looking forward to hearing that! Finally, can you recommend some new music for us to listen to?

Collectively: Ooooh yes! Grove, they’re from Bristol and they’ve just released an EP. Sinead O’Brien, deep tan, LIME, Katy J Pearson – always a favourite! We’re just playing all of these bands on repeat at the moment…

Thanks so much to Grandmas House for chatting with us!

You can buy a copy of ‘Always Happy/’Small Talk’ on limited edition cassette here.

Follow Grandma’s House on bandcampSpotifyInstagramTwitter & Facebook

 

Kate Crudgington
@KCBobCut

PREMIERE: Hockeysmith – ‘Down Love’ (remix)

Ricocheting between a piano ballad, a dancefloor anthem and an industrial pop track, producer and songwriter Hockeysmith has shared a new remix of her single ‘Down Love’. Taken from new compilation men an toll, released today (12th March) via Cornish indie label EEL Collective, the remix is one of fourteen new tracks that showcases the eclectic talent of the local underground electronic music scene in the county.

“The remix is actually the original demo of ‘Down love’,” Hockeysmith explains. “Produced by me and my live bandmate Martin Pease, AKA seamouse within the eel community. I originally wanted the song to sound like bubble-gum black metal, starting off on the piano, how it was written, and ending up in gabba territory after jamming at Martin’s with all his elektrons!” Fusing these unusual musical elements together with her sugar-sweet vocals, Hockeysmith’s remix has become an intoxicatingly fun floor-filler, making listeners yearn to get back on the dancefloor again.

Run by Łukasz & Annabel (aka Hockeysmith), EEL collective describe their new compilation album as “a musical postcard from us to the world.” The record is named after the ancient Cornish standing stones of men-an-tol, which were once believed to cure ailments, ward off witchcraft and see into the future. Shrouded in this beguiling folklore, each artist on the album has contributed an original piece of music, spanning the experimental, ambient, techno, IDM and UK Garage genres.

Listen to the remix of ‘Down Love’ below.

 

Listen to new compilation album men an toll on bandcamp

Follow EEL Collective on bandcamp, Instagram & Facebook

Follow Hockeysmith on bandcamp, Spotify, Twitter, Instagram & Facebook

Kate Crudgington
@KCBobCut