Track Of The Day: Scrounge – ‘This Summer’s Been Lethal’

Having continued to impress us over the last few years with both their breathtaking live energy and the unique, genre-bending sound of their recordings, South London duo Lucy and Luke – aka Scrounge – have now announced the release of their upcoming debut album, and we couldn’t be more excited. Having received acclaim from the likes of Radio X’s John Kennedy and BBC 6Music’s Steve LaMacq, they have recently shared the first taster from the album.

Flowing with a twang of rippling hooks alongside Lucy’s gritty, raw vocals, ‘This Summer’s Been Lethal‘ builds with a bewitching tension and potent beats, creating a stark, fizzing soundscape. Oozing the duo’s trademark deep stirring allure and dark, compelling energy, an added uptempo edge propels the track, inciting a small glimmer of hope in these uncertain times. A swirling, immersive wall of sound, here Scrounge have showcased how they are consistently honing their sound; adding innovative layers to create resonant, cathartic anthems for the present day.

Of the track, the band explain:

“‘This Summer’s Been Lethal’ is a retrospective track rooted in uncertainty, desperation and disappointment despite all the excitement of summer… Recorded on the hottest day of the year, we wanted to make something dismal yet danceable. With its pulsing drum patterns and ringing guitars, this track reminds the listener to persevere through the pessimism.”

Scrounge are heading to SXSW this month, and we could not be happier for them!

Mari Lane
@marimindles

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ALBUM: Perennial – ‘In The Midnight Hour’

Connecticut art punks Perennial capture the spirit of post-hardcore with their ambitious sophomore LP In The Midnight Hour; an infectious, relentlessly noisy record, oozing ever-perennial punk energy and inspired by the eclectic sounds of their cultural New England surroundings. From watching post-hardcore arts-college/rec-centre gigs, like Q And Not U and The Blood Brothers, to indie record store discoveries like Nick Cave, Perennial absorbed and integrated an assortment of ideas, exploring and expanding their sound to deliver an unpredictable, complex punk album.

Following their debut EP Early Sounds for Night Owls (2015), their debut LP The Symmetry of Autumn Leaves (2017) and EP Food for Hornets (2019), multi-instrumentalists Chad Jewett, Chelsey Hahn and drummer Wil Mulhern – with encouragement from The World Is a Beautiful Place & I Am No Longer Afraid to Die’s Chris Teti – began deconstructing hardcore punk; maintaining their intensity, but emphasising a greater degree of creative expression. Opening with ‘The Skeleton Dance’, Perennial are loud enough to wake the dead, conjuring a whiplash-inducing combination of electronic instrumentation before diving headfirst into hardcore dance-punk anthem ‘In The Midnight Hour’, a worthy title track where the kinetic guitar riffs bite as hard as Hahn and Jewett’s haunting lyrics.

The angular art-punk attack continues with rambunctious groove on ‘Soliloquy For Neil Perry’, leading into the propulsive slam-punk-poetry of ‘Lauren Bacall In Blue’, an infectious, unapologetic track as alluring as its namesake. ‘Food For Hornets’ allows for further experimentation, with Hahn and Jewett trading screaming vocals over scuzzy post-hardcore guitar-hooks and aberrant effects. As Hahn chants “cut up the pattern, yeah,” the band do just that, descending into rumbling idiosyncratic melody.

Catch your breath during ‘Hey Eurydice’ because you won’t get another chance for the remainder of In The Midnight Hour. Conjuring the spirit of poet T. S. Eliot with abrasive, crushing rhythm and punishing percussion, ‘Tooth Plus Claw’ ends with a bang but not a whimper, whilst ‘Melody For A New Cornet’ follows with an equally aggressive performance from the atypical noise-rock trio, pounding basslines leading to the propulsive rhythm of ‘Hour Of The Wolf’. Narratively, ‘Perennial In A Haunted House’ is the ghostly quiet, long after the midnight hour has concluded, the haunted house of our own making. But musically, Perennial’s scrappy lead single couldn’t be louder! ‘I Am The Whooping Crane’ follows with an experimental blend of jazz-infused punk groove, poetic storytelling, and Motown flirtation (during its final seconds) before ‘Absolver’ closes the album with sonic ferocity.

12 songs, 22 minutes of erratic art punk for the nocturnal! Perennial’s unpredictable sophomore LP – “a punk album that doesn’t operate like a punk album” – rewards repeated spins, each track layered with enough weirdo punk energy and reckless abandon to keep the needle dropped.

 

Follow Perennial on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Omari Spears

Ken Wynne
@Ken_Wynne

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Track Of The Day: Prima Queen – ‘Invisible Hand’

A melancholy, but cathartic indie tune that gently explores the raw and un-nerving nature of depression, London-based band Prima Queen have shared their latest single ‘Invisible Hand’. Released via Nice Swan Recordings and produced by The Big Moon, best friends Louise Macphail and Kristin McFadden tenderly muse about the metaphorical hands that feel as if they’re dragging you down during periods of poor mental health via their swirling guitar sounds, candid lyrics and soft vocals.

Following on from their previous single ‘Chew My Cheeks‘, also produced by The Big Moon, on ‘Invisible Hand’ Prima Queen articulate a difficult but relatable emotional state with grace and humility. “The song was written at a time when I was struggling with my mental health,” the band explain. “It’s about the experience of blaming yourself for your lows and the exhaustion that comes with trying everything in your power to feel better. Depression is never your fault or your choice – it’s this outside force that isn’t you”

Moving through the motions with impressive elegance and composure, despite the sensitive nature of the track’s lyrics, Prima Queen have crafted a comforting tune that’s both poignant and easy on the ears. They allow listener’s a moment to acknowledge the difficulties of living with depression, without draining their energy or clawing at their mental health, like the ‘Invisible Hands’ the duo sing of throughout the track.

You can catch Prima Queen live supporting Wet Leg and Dream Wife on a handful of their upcoming UK tour dates, and at The Great Escape Festival in Brighton in May.

Listen to ‘Invisible Hand’ below.

Follow Prima Queen on bandcamp, Spotify, Twitter, Instagram & Facebook

Kate Crudgington
@KCBobCut

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Track Of The Day: Proper. – ‘Huerta’

A punk-infused extrapolation on personal heritage, Brooklyn trio Proper. have shared their latest single ‘Huerta’. Taken from their upcoming album The Great American Novel, which is set for release on 25th March via Big Scary Monsters, the track dives into lead vocalist Erik Garlington’s thoughts about his unexplored Mexican heritage, punctuated by candid lyrics and thumping beats.

Formed of Garlington (vocals/guitar), Natasha Johnson (bass) and Elijah Watson (drums), Proper. have been cutting their teeth on the emo and punk underground circuits in America since 2017. Formerly known as Great Wight, Proper. noticed they were often the only queer people of colour performing in a predominantly white, heterosexual scene, which led to the creation of their new album, The Great American Novel. Described as “a concept album about how Black genius goes ignored, is relentlessly contested, or just gets completely snuffed out before it can flourish,” the record sees the trio resisting the conformity that comes with being taught to ignore your true identity and become “another dull American,” which they lament on latest single ‘Huerta’.

“We’re coming up on our third album and I realized I hadn’t written about my Mexican heritage at all,” Garlington explains. “My grandfather immigrated to the US in the 50s but died before I was born, cutting off the only tie my family has to Mexico. I grew up romanticizing it and it wasn’t until I was older, when my mom and her siblings spoke out about their dad without the filter one uses when speaking around children, that I began to critically examine what heritage and lineage meant. ‘Huerta’ is about looking at the least traveled part of your personality and day dreaming about the possibility.”

Actively evaluating his thoughts about his Mexican heritage throughout the single – “romantacise it to death / just don’t hold your breath” – Garlington and his bandmates offer listeners an insight into what it means to censor or ignore parts of yourself and the impact that can have on your own identity, as well as the wider perception of this identity in predominantly white spaces. “If these audiences are going to be a voyeur to the Black experience, I want them to hear this record and learn about our identity crises,” Garlington continues. Proper.’s unfiltered approach on ‘Huerta’ is a cathartic antidote to this voyeurism.

Listen to ‘Huerta’ below.

Follow Proper. on Apple Music, Spotify, Twitter & Instagram

Photo Credit: Milla Belanich

Kate Crudgington
@KCBobCut

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