Track Of The Day: Maria BC – ‘Good Before’

An atmospheric rumination inspired by the joy you can find in a moment of spontaneity, Maria BC has shared their latest single ‘Good Before’. Taken from their debut album Hyaline, which is set for release on 27th May via Fear Of Missing Out records in the UK, the track is an uplifting, ambient offering that sees the songwriter embrace a sudden influx of new inspiration.

Following on from their dreamy debut EP Devil’s Rain (2021), on Hylaine, Maria BC has created another tender collection of songs that “Let the world wash over you…rather than trying to pin it to one single thing.” This immersive quality was captured beautifully on previous single ‘The Only Thing’ but ‘Good Before’ filters these tendencies through a slightly poppier lens, whilst retaining their soothing vocals and tentative guitar picks.

“I wrote ‘Good Before’ in 2019, before any of the other songs on Hyaline — and before any of the songs on Devil’s Rain, for that matter,” Maria explains. “I put it away for a while because I thought it was too poppy, but eventually I got over that. Now it holds a special place in my heart. Some of the lyrics came to me on the highway, when the sun was starting to rise, and I was running on no sleep, just Dunkin’. It’s unusual for lyrics to come to me ~in the wild~ like this. I like to block out time to sit in a spot and write. That’s just my style. When inspiration comes to me out of nowhere, I’m immensely grateful.”

Listen to ‘Good Before’ below.

Follow Maria BC on bandcamp, Spotify, Instagram, Twitter & Facebook

Photo Credit: Ulysses Ortega

Kate Crudgington
@KCBobCut

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Five Favourites: Queen Cult

Following acclaim from the likes of BBC Introducing for their debut single ‘Shindigger‘, and support for their resonant latest single ‘A Song About Consent’, Cheshire band Queen Cult have been fast making a name for themselves. Consisting of front person Maisie Johnson and bassist Leila Jacklin, as well as Brodie Carson on drums and Piers Jarvis on guitar, the band pride themselves on their LGBTQ+ identity and sharing their queer, politically-charged messages with the masses. Having released their debut EP earlier this year, they have now shared an epic new video for single ‘Calm’, showcasing the band’s seething energy and immense, angst-fuelled drive as they make a fiercely impassioned proclamation to stand up to the patriarchy.

We think one of the best ways to get to know an artist is by asking what music inspires them. So, to celebrate the release of their new video, we caught up with Queen Cult to ask about their “Five Favourites” – five of the songs that they’re loving right now. Read about their choices and watch the immense new video for ‘Calm’ at the end of this article!

Childish Gambino – ‘Redbone’
I mean the whole album Awaken, My Love! could have been used for all my five favourites, however we landed on ‘Redbone’ for first choice. It’s sonically pleasing and incredibly well written and produced, with a sense of unpredictability as to where the song is going to go as it plays on, it’s a tune we could never get sick of.


Thundercat – ‘Dragonball Durag’
I mean you can’t not dance to it can you? Again, other very well produced song with catchy, wavey vocals. On top of that – we can’t get enough of that bass-line. And with that, the song is also relatively introspective due to its humorous lyrics that get utterly stuck in your head.


Low Hum – ‘Comatose’
This laid back, pleasingly sleazy song is the perfect warm evening driving song. With a strong bass line and eclectic guitar motifs throughout – you can’t go wrong with it regardless of whatever mood you so happen to be in. Despite the sad nature of the lyrics, by the end of the song you can end up feeling at peace.


Wolf Alice – ‘Lipstick on the Glass’
From their album Blue Weekend, this is a song that when we first heard it we couldn’t stop playing it. From the ethereal vocals to the eclectic layered guitar parts, it catches you off guard when you first set your ears to it and from then, you’ll be addicted.


Jeff Buckley & Elizabeth Fraser – ‘All Flowers In Time Bend Towards The Sun’
This song is held deep in my (Maisie’s) heart. As a demo that was leaked and not even a fully formed song at this point, it has its own charm. A timeless chorus with a chord progression you could have circling for hours. Elizabeth’s vocals soar through with pure power and emotion that makes your face screw up (but in a good way), and Jeff’s harmonies make it so sweet. Could never ever get sick of this song and the nostalgia it makes you feel for a time when you weren’t even born…

Massive thanks to Queen Cult for sharing their Five Favourites with us! Watch the new video for ‘Calm’ below, and make sure you catch them playing live for us at The Shacklewell Arms on 6th May, supporting The Menstrual Cramps. Tickets here.

Photo Credit: Debbie Ellis

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Track Of The Day: Amaroun – ‘Brown Skin Beauty’

Having previously received acclaim from the likes of BBC 6Music and BBC Music Introducing, and having charmed our ears with spellbinding tracks such as ‘Rise’ and ‘Scarlet’, GIHE fave Amaroun has now announced the release of her upcoming debut album, and we could not be more excited! Following her last single, ‘Floating’, she has now shared a brand new taster from the album…

A poignant offering reflecting on a personal journey of building in confidence to having the freedom to feel comfortable in your own black queer skin, ‘Brown Skin Beauty‘ flows into the ears with a sweeping ethereal soundscape. As Amaroun’s soaring, luscious vocals ripple atop the shimmering musicality, a truly blissful offering oozing a sparkling majestic grace is created.

‘Brown Skin Beauty’ is accompanied by a captivating new video, featuring Amaroun’s sister –  Sophia Brown – who you may recognise from Top Boy or Marcella. Watch it here.

Mars, the upcoming debut album from Amaroun, is set for release on 3rd June.

Mari Lane
@marimindles

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LIVE: A.A. Williams – Lafayette, London 04.03.22

After two years of re-scheduling show dates and a tentative return to live music across the UK, London-based songwriter A.A. Williams delivered a stunning performance that showcased her heavy sound in all its glory at Lafayette last night.

A classically trained multi-instrumentalist, Williams’ blending of post-rock and post-classical elements has a hypnotising quality, one that was clearly appreciated by her silent crowd. It’s rare to hear a venue so quiet between songs, but Williams congregation remained devotedly still throughout her set.

Performing songs from her debut album Forever Blue, which she released in 2020, Williams opened the show with an exquisite rendition of ‘All I Asked For (Was To End It All)’. Her soft vocals floated above beguiling keys before heavy riffs and percussion broke the spell and dominated the track’s closing minute. What’s obvious throughout the set is Williams’ and her bandmate’s impressive instinct for volume fluctuation. Her balancing between loud and quiet is the lifeblood of Forever Blue, and it’s something that translates beautifully into a live setting.

Suited in black and playing her guitar in the spotlight, Williams cut a calm and captivating figure, enhanced by her ability to switch from a fragile-sounding exhale of words to a powerful extended vocal. Her voice was occasionally lost in the flood of heavy, feverish sound, but in the moments where it did cut through, it made for intense and cathartic listening, effortlessly elevating the rapturous mood.

It’s hard to pick standout tracks from the set, as Williams’ performance had a whole, defined, cinematic quality to it. Her poignant renditions of ‘Dirt’, ‘Fearless’ and the emotionally raw ‘I’m Fine’ made listeners hold their collective breath, but closing her set with ‘Melt’ was undoubtedly a highlight. The smouldering, brooding track was stripped of its more melancholic feel once the blitz-like volume change kicked in, once again displaying Williams’ and her bandmate’s instincts for intricately cauterizing the ear drums.

Taking time to thank her fans between songs and genuinely appreciative of their applause at the end of the show, A.A. Williams provided an aural tonic of intense, beautifully executed sound at Lafayette, proving that the two year wait to hear her poetic ruminations on Forever Blue was well and truly worth it.

Follow A.A. Williams on bandcamp, Spotify, Instagram, Twitter & Facebook

Kate Crudgington
@KCBobCut

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