ganser

FIVE FAVOURITES: Ganser

Formed of Nadia Garofalo (keyboards/vocals), Alicia Gaines (bass/vocals), Charlie Landsman (guitar) and Brian Cundiff (drums), Chicago-based Ganser have garnered comparisons to the likes of 90s noise-makers Fugazi, Shellac, and Sonic Youth. The band have recently shared their new album, Just Look at That Sky, via Felte Records and it’s a defiant fusion of jolting rhythms, confrontational vocals and manic riffs.

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with bassist & vocalist Alicia Gaines to ask about her “Five Favourites” – five songs that she believes have inspired Ganser’s song-writing techniques on their latest record. Check out her choices below, and scroll down to watch Ganser’s video for ‘Projector’ at the end of this post.

 

1. Yeah Yeah Yeahs – ‘Date With a Night’
There is a songwriting mode we’ve utilized at times which I’ve jokingly called “Doom Hoedown” or “Doom Shuffle.” Before really getting into The Birthday Party and their ilk, my first concert back home with my high school friends was Yeah Yeah Yeahs. I remember being blown away by their raw delivery and Karen O’s command of her particular vocal style. It took us a while to tease out what songs lean into Nadia and my strengths as vocalists, but man the music’s like a glove for O’s voice here. Listening to this really makes me miss the chaos of playing live.

2. Ultravox – ‘Distant Smile’
For Ganser, it’s about contrast. The violence and serenity in this track really compliment each other. Red looks more red against green, and so on. In a way the form of this one is a backwards version of our track ‘Emergency Equipment and Exits’. I love how the back half of this song sounds like its running away from itself.

3. Talking Heads – ‘Life During Wartime’ (Live in Los Angeles 1983)
This live version has an inevitability that’s hard to escape. The faster tempo and incredible work by the band’s support vocalists adds to the urgency on this classic. Tina Weymouth is just a monster. I have a strained and complicated relationship to the history of particularly Black women backup singers for white bands, but my affinity for this song and album (Stop Making Sense) remains.

4. These Immortal Souls – ‘The King of Kalifornia’
When there isn’t really a template for voice or perspective, it’s a journey to find what feels natural or what you need to try on to see how it fits. I think this album (I’m Never Gonna Die Again) is the first time we’ve really waded into “cockiness” as an attitude, which isn’t something women are encouraged to do. It felt really good to really absorb the energy of Rowland and some of the 90’s British bands we love. Bravado feels like a lounge lizard to me. We free associated in that direction and that attitude crept into several songs on our new record.

5. Liars – ‘No.1 Against the Rush’
I’m so amazed every time I look at Liars’ range. I have a soft spot for ambivalent tone bands like Liars and Radiohead have. There’s always a sinister edge, a wistfulness to their music throughout their discography that’s extremely admirable. Our album Just Look at That Sky is really comfortable for ambivalence, but that takes time and living in the grey. We’re just here to eavesdrop.

Thanks to Alicia for sharing her favourite songs with us.
Watch the video for Ganser’s latest single ‘Projector’ below.

Order your copy of Ganser’s new album here.

Photo Credit: Kirsten Miccoli

LISTEN: Fern Ford – ‘Match’

Sparse beats and atmospheric electronics permeate ‘Match’, the debut single from Fern Ford. Released via AWAL, the track is a slow-burning soundscape inspired by Ford’s desire to overcome feelings of self doubt.

Best known as the drummer for Mercury Prize nominated band The Big Moon, Ford’s solo work is a world away from the garage-rock anthems she creates with the group, who released their second album Walking Like We Do earlier this year. On ‘Match’, Ford allows space for her musings about trusting your intuition with her tentative beats and ambient keys.

Speaking about the track, Ford explains: “I first started writing 8 years ago, armed with just a Casiotone 202 and a xylophone. Being the drummer in a band, I always felt like maybe I should stay in my lane and leave the song writing to the pros. It felt a bit like imposter syndrome, helped by the fact that the music I was making didn’t sound like the music I was hearing around me, which made me think that maybe I was doing it wrong. I soon realised that was silly. Over the years the self-doubt subsided and with a bit of practise, I finally found my voice. ‘Match’ is about trusting your intuition. It’s about realising your strength and finding comfort in the unknown.”

Listen to ‘Match’ below and follow Fern Ford on Spotify for more updates.

Photo Credit: George Selwyn-Brace

Kate Crudgington
@KCBobCut

Track Of The Day: Madame So – ‘You Say’

Madame So provides a cathartic dose of resilience and optimism on her latest single ‘You Say’. The Paris-born, London-based songwriter’s vocals flow over fuzzy guitar riffs as she dismantles feelings of negativity and despondency in her lyrics.

Following on from her previous release ‘Generation Y’, Madame So has teamed up with Brazilian illustrator Tomás Santos on ‘You Say’ to create an animated lyric video for the track. She recalls her first interactions with the artist: “In January 2019, I got a notification on Instagram that I had been tagged by a certain Tomás. I clicked on the post only to gasp at the beautiful illustration of a shot of me by photographer Crawford Blair. Tomas’s work is one of a kind, as confirmed by my friend Julian Molinero of the band Medusa who when he saw it wowed, I quote, ‘that’s the sort of thing ya pay absolutely loads for!’ Well, I was blessed with Tomas’s gift to me, and here we are now in full-blown collaboration.”

“‘You Say’ is a song about stonewalling negativity and seeing the bright side of things in life”, she continues. “It is aimed at all the killjoys, naysayers, narcissists as well as all the ambitious, optimists and resilient.” Watch the video for the track below and follow Madame So on Facebook & bandcamp for more updates.

Kate Crudgington
@KCBobCut

Track Of The Day: Tokky Horror – ‘Girlracer’

The new project from ex-Queen Zee vocalist Zee Davine, Tokky Horror’s debut single ‘Girlracer’ is a wild blend of drum & bass beats, dance music rhythms and punk-infused energy. Released via Alcopop! Records, the band gatecrash the outdated notion that only boys can enjoy the thrill of fast cars and fast music.

Formed of Mollie Rush, Ava Akira and Davine, the Liverpool/London trio come at their listeners full speed on their debut offering. Speaking about the new track, Davine explains: “For me, ‘Girlracer’ is a joyous return to the fun of creating and making music after falling out of love with it. The experience of creating Tokky Horror has helped me address what my priorities are with my creativity, and how I wish and need to express myself. Sonically we had no idea what we would sound like, except we wanted it to be intense, visceral and cathartic.”

The band are also donating 100% of the income from the single on their Bandcamp page to Black Minds Matter UK and Action for Trans Health UK.

Listen to ‘Girlracer’ below and follow the band on bandcamp & Facebook for more updates.

 

Kate Crudgington
@KCBobCut