Track Of The Day: Nova Twins – ‘Lose Your Head’

A lesson in cutting loose and walking on the wild side, London-based duo Nova Twins have shared a video for their latest track ‘Lose Your Head’. Adorned in neon make-up and customised boiler suits, Amy & Georgia blast through this mind-melter of a track in the accompanying visuals, proving there’s no limit to their creative potential.

Praised by Rage Against The Machine’s Tom Morello, Nova Twins’ abrasive, genre-defying tunes are consistent favourites here at Get In Her Ears and ‘Lose Your Head’ is no exception. It’s a sonic spiral of distorted bass lines, lethal vocals and thunderous beats that fizzes with a unique punk-infused energy.

“Flipping punk rock on its head, ‘Lose Your Head’ is a rejection of off-the-peg opinions,2 the duo explain about the track. “It’s a rallying cry and a celebration of difference, an invitation to walk your own path. We want to open people’s minds and invite them to the wild side.”

Nova Twins will be touring throughout the summer across the UK, Europe and America. They’ll also be headlining Loud Women’s night at The Lexington on August 18th (tickets here)

Check out the video for ‘Lose Your Head’ below. Follow the pair on Facebook for more updates.

Kate Crudgington
@KCBobCut

INTERVIEW: White Ring

Cult followers of the “witch house” movement will be familiar with industrial outfit WHITE RING, who are set to release their new album Gate Of Grief via Rocket Girl Records on July 27th. After an eight year hiatus, the band have returned and are ready to bewitch their fans with more of their corrosive sounds. We caught up with Adina & Bryan to ask them about their recent gig in London and their upcoming album…

You recently played a free gig at The Shacklewell Arms. Did you enjoy the show? What did you get up to whilst you were in London, aside from supporting God Is An Astronaut?
We had a great time playing shows again. We were really busy doing press stuff between shows. We didn’t do much.

Your stage presence is pretty intense – do you have any pre-gig rituals that help you prepare for your set?
We usually do some meditation, stretch and pray to our ancestors for good luck, very important.

You formed on Myspace and helped to develop the “witch house” movement, which dedicated fans keep track of online. Do you think the internet is crucial when it comes to forming a band, nurturing a scene, and sharing your music?
It’s definitely a blessing not having to be physically connected to any particular city’s music scene, but the pendulum also swings the other way too, and can make some people really locked in on what others are doing, and I think it’s making them lonely.

Your new album, Gate Of Grief, probes at difficult and uncomfortable territory. What are you most proud of about this record?
I’m proud that it’s done and that we are all still alive.

Do you have a favourite track? If so, why?
I really do love how this album functions more like the albums I grew up listening to – where track selection and placement are kept in mind. If I had to pick one it would probably ‘Do U Love Me 2?’ just because I don’t remember writing it. I woke up after crashing from a 3 day bender in like 2012 and found this 11 minute song that I vaguely remember working on. I just made it a non-offensive length and released it as is. I feel like that one found me.

The image of the gate in the title refers to the real gate between Africa and Saudi Arabia, which is believed to be the place where the first humans migrated and went on to populate the rest of the world. How do you take a concept like that and turn it in to densely electronic music? Do you have a process that you follow, or do you create each song differently?
We came up with the concept when putting together our first EP, Black Earth That Made Me. The only idea we have for WHITE RING is to keep changing. We like too much shit to get weighed down with any one ideology. We kind of just want to tell a story that helps people realize they are not alone. Trying to tell a story about struggling to survive. We have had 6-8 different setups for recording. As soon as we get comfortable with something we get rid of it.

As we’re a new music blog, we always ask bands what other new bands or artists they’ve been listening too. Who can you recommend to us?
I’ve just been listening to a lot of The Soft Moon, John Maus and Korn lately.

What are your plans for the rest of 2018?
We just started recording our next EP, touring the album and we are working on launching a manufacturing company.

Finally, if you weren’t creating music as White Ring, what do you think you’d be doing instead?
I would be making music in my room doing a job that I don’t like as much!

Thanks to WHITE RING for answering our questions!
Pre-order Gate Of Grief here.
Follow the band on Facebook for more updates.

Photo Credit: Jason PD

Kate Crudgington
@KCBobCut

EP: Bad Sidekick – ‘Bad Sidekick’

Following the release of their previous singles ‘Circus’ and ‘Crook’, London/Bristol trio Bad Sidekick have shared their debut self-titled EP, and it’s a fistful of brooding indie noise.

“Everything I touch / it gets destroyed,” confesses vocalist Cooper Rose with her powerful Bristol intonation on opening track ‘Run Boy’. Guitarist Joe and drummer John create loops of fuzzy, furious sound as Cooper warns of the storm that’s coming. It bleeds into the snarling ‘I Ain’t Sick’ on which she oozes more enviably slick vocals, backed by a cacophony of guitar noise and thumping beats.

Bad Sidekick’s stellar song-writing skills are showcased on the gentler ‘Lost Cause’, which broods with quiet intensity before the drop-in. The spiralling ‘Romeo’ and penultimate track ‘Think About It’ are cut from the same cloth, full of visceral riffs and driving percussion that urge listeners to contemplate Cooper’s invitations.

A glitchy sampled recording opens final track ‘If I Were The Devil’, on which Cooper sings “I don’t wanna be like the others / trapped inside these dead eyes / waiting for the flames to turn me to ashes”. With her superb vocal delivery, there’s no danger of her burning out anytime soon, especially when paired with Joe’s razor sharp riffs and John’s knockout drumming. Together, Bad Sidekick have crafted a collection of infectious, gritty alternative anthems on their debut EP. We recommend you invest immediately.

Listen to Bad Sidekick’s debut EP on Spotify.
Follow Bad Sidekick on Facebook for more updates.

Kate Crudgington
@KCBobCut

Track Of The Day: Anna Kairos – ‘Twilight’

Dark but delicate, Anna Kairos is a pianist and songwriter who creates atmospheric, pop-noir sounds. Her new track ‘Twilight’, taken from her debut EP Hosting Time, sounds as elusive as the time of day it’s named after.

Wavering vocals and rich piano textures communicate Anna’s feelings about broken relationships, freedom and pain in a delicate, powerful way. These explorations are not solely limited to ‘Twilight’, Anna’s debut EP, released via Berlin label Snowhite records, is laced with these sensibilities too. It’s a promising first offering from this talented newcomer.

Take a listen to ‘Twilight’ below and Follow Anna Kairos on Spotify and Facebook for more updates.

Kate Crudgington
@KCBobCut