Five Favourites: Supersaurus

Self described “non-binary fronted indie-pop girl band”, London-based Supersaurus’ influences range from MUNA to The 1975, and with acclaim from the likes of BBC Radio 1 and BBC Introducing, they’re really starting to hone their place as esteemed creators of sad-pop bangers. Reflecting on queer love and being part of the LGBTQ+ community, latest single ‘Let U Down‘ offers a swirling electro-pop energy as it soars with instantly catchy singalong refrains and a shimmering emotion-strewn splendour.

We think one of the best ways to get to know a band is by asking what music inspires them. So, to celebrate ‘Let U Down’, we caught up with each member of Supersaurus to ask about the music that has inspired them the most. So, read about their favourite albums – there’s four of them, so actually only four choices this time, but we’ll let them off! Have a read and make sure you take a listen to ‘Let U Down’ now!

Tayla’s Pick:

Pale Waves – Unwanted
There’s actually so many albums that I could choose from for so many different reasons either because they have a personal nostalgic meaning to me and/or they’re just purely no skip albums for me. But if I was to pick one at this very moment in time I’d have to go with Pale Waves – Unwanted. I’ve been a fan of their music for a while, ever since I first heard ‘Change’ a while back and then recently just suddenly had the urge to binge listen to all their stuff again after seeing them at Truck Festival. When I get obsessed with a song or an album trust me, that’s going to be on repeat for a good few weeks at least and the songs on this album really made me feel a lot, which is mainly what I look for. Don’t get me wrong, I love lyrics and all that but for me to really be obsessed with a song it’s got to make me feel a certain kind of way – and this album does just that. If I’d have to pick a favourite off the album I’d probably go with either ‘Lies’, purely for the insane amount of energy and the cool guitar riff, or ‘Reasons To Live’, which – ironically after saying that the lyrics aren’t the main reason that draws me into a song – the lyrics for this one did just that. An all round banger album for me – plus they’re sick live, which makes listening to their stuff even better.

Lauren’s Pick:

Kings Of Leon – Come Around Sundown
Come Around Sundown is an album I’ve come back to again and again since I was about 17. I never get tired of listening to it from start to finish, and it remains one of the select few albums I keep in my car. Originally, it had this new feeling of reflection that Kings Of Leon managed to write into their songs, a sense that you’ve been here before even though you’ve never heard it. Now it’s got the added nostalgia of driving around town with college mates (as well as many other KoL albums). I was introduced to the album by an old band mate, and I remember us being amazed at the ending of ‘The End’ – the beautiful, almost mystical keys that seem never ending but a perfect fit. Musically, the album has influenced my drumming to be more creative, following rhythms of different band members more than just the bass. It’s also a great lesson in playing what is necessary for the song. Some of the tracks on the album have huge choruses, but Nathan never goes over the top. 

Bec’s Pick:

Caroline Polachek – Desire, I Want To Turn Into You
I have a strong attachment to this album, mainly because of the way I felt when I first heard it. I was hooked, instantly. It was kind of fated to be a pretty significant album for me. The day it was released (Valentine’s Day), I was driving back from a weekend in Wales with my girlfriend to watch Caroline perform; the weather was pretty shocking but kind of added to the atmospherics of the album, and I was about eight songs deep when I realised that I could listen to this album, on repeat, forever. ‘Blood and Butter’ started and, if I am being honest, I was shook to my very core – bagpipes! She had only gone and done it. From that point on, it became my favourite album. Accidentally, Caroline has ended being my most seen live act, she was my last gig before lock down and the first one out of it. And, with each iteration, she has added more to her live show; this last time watching her with a full live band really brought this album to life. The opening track from the album, ‘Welcome To My Island’, exploded to life with loud guitars and thumping drums, and I just beamed… This is what music is all about. The past few years I’ve really been getting into more electronic indie pop music, and this album still uses a lot of live instruments, including guitars. Which for me is key – live is king. This album is full of incredible left of centre pop moments which lean into catchy hooks without being cheap. ‘Bunny Is A Rider’ is a perfect example of not taking yourself too seriously, but landing the finish. Dido, Grimes, and Bagpipes. Sold.

Benji’s Pick: 

Jimmy Eat World – Clarity
I kinda can’t not pick Clarity by Jimmy Eat World. It’s the only album that can make me sad and happy at the same time. It’s a weird one, because it’s my favourite album but I really don’t listen to it very often; it makes me feel too much, and I could do without that! But it’s a masterpiece, more albums should open with a ballad. It was either this or Three Cheers For Sweet Revenge by My Chemical Romance, but I think Clarity has the edge.

Massive thanks to Supersaurus for talking about their favourite albums with us!

‘Let U Down’ is out now, and we can’t wait to hear more from this lot!

NEW TRACK: Coolgirl – ‘Druid’s Hood’

A mesmerising blend of evocative beats and cell-tingling vocals inspired by the sounds on vintage video games, Dublin-based artist and producer Lizzie Fitzpatrick aka Coolgirl has shared her latest single, ‘Druid’s Hood’. Taken from her upcoming EP, Failed Reboot, which is set for release on 8th November via VETA Records, the track offers another intriguing insight into Coolgirl’s cinematic, synth-soaked universe.

GIHE fans will recognise Fitzpatrick as the front person of grunge trio Bitch Falcon, but under her solo moniker she uses electronics to create vivid, sometimes ambient, sometimes upbeat soundscapes. After releasing a handful of singles over the past few years – including recent tracks ‘Silverlight‘ and ‘High Altar‘ – Coolgirl is preparing to share her new EP, with ‘Druid’s Hood’ providing listeners with another captivating glimpse into the experimental world she inhabits.

“‘Druid’s Hood’ was written as a counterpart to the more poppy heavy tracks on the EP,” Fitzpatrick explains about the single. “I wrote it as it led me down a sci-fi path, almost like something out of a SEGA genesis game found deep in the bargain basket. Vocals appear only on this track on the EP and I wanted to mix the emotion of Kate Bush with the intensity of Karin Dreijer.” With her eclectic range of instruments – including a TR8, PRO-1, Tin Whistle and Korg DW6000 – and her Kate Bush/Fever Ray tinged vocals, Coolgirl evokes a potent feeling of nostalgia, whilst also retaining her fresh unconventional sonic perspective.

Coolgirl’s upcoming EP Failed Reboot will be released on digital platforms and on cassette tape. Described as “a warped and deep sound that delves deep in reverb while bouncing back to a steady dance beat,” the songs dissolve into each other in a way that is best appreciated when heard on tape. Pre-order your copy now.

Listen to ‘Druid’s Hood’ below.

Follow Coolgirl on bandcamp, Spotify, Twitter & Instagram

Follow VETA Records on bandcamp, Twitter, Instagram & Facebook

Kate Crudgington
@KCBobCut

WATCH: Projector – ‘And Now The End’

Written as a response to a breakup scenario, but inspired by the general state of chaos that we currently live in, Brighton trio PROJECTOR continue to evolve their sound on their latest single, ‘And Now The End’. Accompanied by a beautifully shot video – the second in a trilogy of Cold War inspired films – the band question “Who do you think is winning now / and does it really matter anyhow?” via visceral riffs and cutting lyrics.

Ricocheting between spite and apathy at a disorientating pace, ‘And Now The End’ is permeated by brooding bass lines, sardonic vocals and gritty guitar FX. Together, these elements reflect the nihilistic attitudes that people often indulge in when they feel powerless in the face of overwhelming adversity. On the track’s writing process, bassist and vocalist Lucy Sheehan comments: “I was listening to Massive Attack’s Heligoland a lot, I wanted those bass lines that sounded like they could almost be a synth line, and guitars that could be noise samples.”

“Ed’s guitars are mostly noises created by dropping a Carl Martin Headroom on the floor,” Sheehan continues, “[and] as with all our stuff, Joy Division’s the major influence. That said, this wasn’t a cerebral process. We wrote ‘And Now The End’ in about half an hour, it came naturally. That’s why I think it’s probably the aesthetic signifier of the major piece of work we’re shortly about to announce…”

In the lead up to this news, Projector have announced their biggest UK tour to date, which kicks off in 2024. Fans can access tickets early in a pre-sale at 10am on Wednesday 4th October by signing up to PROJECTOR’s email list. The remaining tickets will be on general sale at 10am on Friday 6th October on the band’s website.

Watch the video for ‘And Now The End’ below.

Follow Projector on Spotify, Twitter (X), Facebook & Instagram

Projector UK Tour Dates 2024
22nd Fed – The Bodega, Nottingham
23rd Feb – The Green Door Store, Brighton
29th Feb – The Attic, Glasgow
1st March – The Castle, Manchester
2nd March – The Royal Oak, Leeds
22nd March – The Lanes, London
23rd March – Signature Brew, London

Photo Credit: Bridie Cummings

Kate Crudgington
@KCBobCut

Introducing Interview: flora

At just 19, flora has been creating music and writing songs for many years and – with acclaim from the likes of BBC Introducing already under her belt – she’s now excited to be releasing her debut EP later this year. Latest single ‘Easy’ offers a taster into her glitchy alt-pop soundscapes and rich, soulful vocals; showcasing the impassioned drive and glistening allure behind each heartfelt offering.

We caught up with flora to find out about her inspirations, nerves around live shows, being a new artist in the industry today, and more. Have a read, and listen to ‘Easy‘ now!

Hi Flora! Welcome to Get In Her Ears! Can you tell us a bit about yourself?
Hey! Thank you so much for having me! So yeah, I’m flora – I’m 19 and I’m a singer-songwriter with a love for all creative things!

Are you able to tell us a bit about how you initially started creating music?
Music is something I’ve been around constantly, but it wasn’t until I was 12 that I realised I could be writing my own songs. For me, the thing that sparked that love was the idea that I could take all these feelings I was struggling to process and write a song about them. It started off as an outlet for me, and from that I realised that maybe they could help others that feel the way I do.

I really love your soulful emotion-strewn pop sounds, but who would you consider to be your main musical influences?
My musical influences have changed drastically over my time creating music! When I first got started, Lily Allen and Amy Winehouse were at the top of my list, but since then I’ve found myself drawn to artists like Dodie, Billie Marten and TV Girl.

Having been performing and playing instruments such as the ukulele from such a young age, what would you say you’ve learnt about songwriting and the industry over the years?
It’s hard to say because from my time making music, I’ve only really recently been around the industry. But, from my experience so far, I’d say I’ve learnt to stay true to yourself with your writing; it’s easy to change your message for the sake of catering to what’s popular at the time, but if you want to build up a fan base that really connects to you, you have to mean what you say. And, in an industry with as many competitors as there are, you have to establish yourself and build up, not be constantly fluctuating to find a gap.

You’re set to release your upcoming new EP later this year,  which is very exciting – congratulations! Are you able to tell us a bit about it? Are there any particular themes running throughout it?
I’m super excited about the upcoming EP (although I will say I’m not set on the name yet!). It’s so cool to finally be releasing a body of music for people to hear, and hopefully relate to. I can’t say much for now, but what I can say is it’s raw and honest about how I’ve been feeling over the recent past, and I’m really looking forward to its release!

You’ve played a lot of live shows at esteemed London venues such as Union Chapel and The Victoria recently, but is there a particular gig you’ve played that stands out as a highlight?
Honestly my most memorable gig is one from around four years ago. It was my first time at London Pride and I had the privilege to perform on the main stage at Trafalgar Square with a dear friend from the time. I’m appreciative of all the gigs I’ve been able to play, but there’s something to be said about singing a song for people, and knowing that a lot of them feel it’s meaning as deeply as you do – it’s a feeling I won’t soon forget. 

What can fans expect from your live shows? And do you have any tips for anyone who may experience pre-gig nerves?
If you come and see one of my shows, expect to see someone who can’t cover up every blip! There’s a reason I write songs, and I’m not a public speaker… But I can promise a performance where you’ll see the real me, and that me is someone who wants to share their work, and talk about their journey through music and creation. If I could say one thing to people who’ve just started gigging and have nerves about it: use those nerves. Don’t shut them out, embrace them and turn them into something. Because those nerves don’t really go away, you just get better at identifying them and getting through.

How do you feel the industry is for new artists at the moment? And do you feel much has changed over the last few years in its treatment of female/gender non-conforming and queer artists?
Being in the industry is hard, there’s no other way to say it. When you don’t have a consistent fan base built up already, you have to constantly push to be heard, and it can often be disheartening. But, like most things, if it’s something you want to achieve, you have to keep positive and keep pushing. I think recently it’s been easier for female and gender non-conforming artists to push through than in the past, and I think that’s amazing. But I do worry that a certain amount is because it’s being spoken about at this minute. I hope that, even as the conversation drifts to the next topic, the door will continue to stay open to those who want to make music and be heard! 

As we’re a new music focused site, are there any other upcoming artists you’re loving right now that you’d recommend we check out?
Through my journey so far I’ve met a lot of talented upcoming artists, and I highly recommend you give them a listen, honestly there’s too many to name! But a few that come to mind right now are: Frances Mistry (@francesmistrymusic), Jack David (@jackdavidmusic), LENNY (@lennyoxz), Cutflowers (@cutflowersband) and Pippa (@pippa.burnett)

 Finally, what does the rest of 2023 have in store for you?
The rest of 2023 will see the completion of my EP recording, and a couple of cool collaborations, as well as gigs, gigs and more gigs! The plan is to keep going with my music, put in the work and see where I end up.

Massive thanks to flora for answering our questions, listen to ‘Easy‘ now and keep your eyes peeled for news on her upcoming debut EP!