NEW TRACK: Coolgirl – ‘Druid’s Hood’

A mesmerising blend of evocative beats and cell-tingling vocals inspired by the sounds on vintage video games, Dublin-based artist and producer Lizzie Fitzpatrick aka Coolgirl has shared her latest single, ‘Druid’s Hood’. Taken from her upcoming EP, Failed Reboot, which is set for release on 8th November via VETA Records, the track offers another intriguing insight into Coolgirl’s cinematic, synth-soaked universe.

GIHE fans will recognise Fitzpatrick as the front person of grunge trio Bitch Falcon, but under her solo moniker she uses electronics to create vivid, sometimes ambient, sometimes upbeat soundscapes. After releasing a handful of singles over the past few years – including recent tracks ‘Silverlight‘ and ‘High Altar‘ – Coolgirl is preparing to share her new EP, with ‘Druid’s Hood’ providing listeners with another captivating glimpse into the experimental world she inhabits.

“‘Druid’s Hood’ was written as a counterpart to the more poppy heavy tracks on the EP,” Fitzpatrick explains about the single. “I wrote it as it led me down a sci-fi path, almost like something out of a SEGA genesis game found deep in the bargain basket. Vocals appear only on this track on the EP and I wanted to mix the emotion of Kate Bush with the intensity of Karin Dreijer.” With her eclectic range of instruments – including a TR8, PRO-1, Tin Whistle and Korg DW6000 – and her Kate Bush/Fever Ray tinged vocals, Coolgirl evokes a potent feeling of nostalgia, whilst also retaining her fresh unconventional sonic perspective.

Coolgirl’s upcoming EP Failed Reboot will be released on digital platforms and on cassette tape. Described as “a warped and deep sound that delves deep in reverb while bouncing back to a steady dance beat,” the songs dissolve into each other in a way that is best appreciated when heard on tape. Pre-order your copy now.

Listen to ‘Druid’s Hood’ below.

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Kate Crudgington
@KCBobCut

WATCH: Projector – ‘And Now The End’

Written as a response to a breakup scenario, but inspired by the general state of chaos that we currently live in, Brighton trio PROJECTOR continue to evolve their sound on their latest single, ‘And Now The End’. Accompanied by a beautifully shot video – the second in a trilogy of Cold War inspired films – the band question “Who do you think is winning now / and does it really matter anyhow?” via visceral riffs and cutting lyrics.

Ricocheting between spite and apathy at a disorientating pace, ‘And Now The End’ is permeated by brooding bass lines, sardonic vocals and gritty guitar FX. Together, these elements reflect the nihilistic attitudes that people often indulge in when they feel powerless in the face of overwhelming adversity. On the track’s writing process, bassist and vocalist Lucy Sheehan comments: “I was listening to Massive Attack’s Heligoland a lot, I wanted those bass lines that sounded like they could almost be a synth line, and guitars that could be noise samples.”

“Ed’s guitars are mostly noises created by dropping a Carl Martin Headroom on the floor,” Sheehan continues, “[and] as with all our stuff, Joy Division’s the major influence. That said, this wasn’t a cerebral process. We wrote ‘And Now The End’ in about half an hour, it came naturally. That’s why I think it’s probably the aesthetic signifier of the major piece of work we’re shortly about to announce…”

In the lead up to this news, Projector have announced their biggest UK tour to date, which kicks off in 2024. Fans can access tickets early in a pre-sale at 10am on Wednesday 4th October by signing up to PROJECTOR’s email list. The remaining tickets will be on general sale at 10am on Friday 6th October on the band’s website.

Watch the video for ‘And Now The End’ below.

Follow Projector on Spotify, Twitter (X), Facebook & Instagram

Projector UK Tour Dates 2024
22nd Fed – The Bodega, Nottingham
23rd Feb – The Green Door Store, Brighton
29th Feb – The Attic, Glasgow
1st March – The Castle, Manchester
2nd March – The Royal Oak, Leeds
22nd March – The Lanes, London
23rd March – Signature Brew, London

Photo Credit: Bridie Cummings

Kate Crudgington
@KCBobCut

Introducing Interview: flora

At just 19, flora has been creating music and writing songs for many years and – with acclaim from the likes of BBC Introducing already under her belt – she’s now excited to be releasing her debut EP later this year. Latest single ‘Easy’ offers a taster into her glitchy alt-pop soundscapes and rich, soulful vocals; showcasing the impassioned drive and glistening allure behind each heartfelt offering.

We caught up with flora to find out about her inspirations, nerves around live shows, being a new artist in the industry today, and more. Have a read, and listen to ‘Easy‘ now!

Hi Flora! Welcome to Get In Her Ears! Can you tell us a bit about yourself?
Hey! Thank you so much for having me! So yeah, I’m flora – I’m 19 and I’m a singer-songwriter with a love for all creative things!

Are you able to tell us a bit about how you initially started creating music?
Music is something I’ve been around constantly, but it wasn’t until I was 12 that I realised I could be writing my own songs. For me, the thing that sparked that love was the idea that I could take all these feelings I was struggling to process and write a song about them. It started off as an outlet for me, and from that I realised that maybe they could help others that feel the way I do.

I really love your soulful emotion-strewn pop sounds, but who would you consider to be your main musical influences?
My musical influences have changed drastically over my time creating music! When I first got started, Lily Allen and Amy Winehouse were at the top of my list, but since then I’ve found myself drawn to artists like Dodie, Billie Marten and TV Girl.

Having been performing and playing instruments such as the ukulele from such a young age, what would you say you’ve learnt about songwriting and the industry over the years?
It’s hard to say because from my time making music, I’ve only really recently been around the industry. But, from my experience so far, I’d say I’ve learnt to stay true to yourself with your writing; it’s easy to change your message for the sake of catering to what’s popular at the time, but if you want to build up a fan base that really connects to you, you have to mean what you say. And, in an industry with as many competitors as there are, you have to establish yourself and build up, not be constantly fluctuating to find a gap.

You’re set to release your upcoming new EP later this year,  which is very exciting – congratulations! Are you able to tell us a bit about it? Are there any particular themes running throughout it?
I’m super excited about the upcoming EP (although I will say I’m not set on the name yet!). It’s so cool to finally be releasing a body of music for people to hear, and hopefully relate to. I can’t say much for now, but what I can say is it’s raw and honest about how I’ve been feeling over the recent past, and I’m really looking forward to its release!

You’ve played a lot of live shows at esteemed London venues such as Union Chapel and The Victoria recently, but is there a particular gig you’ve played that stands out as a highlight?
Honestly my most memorable gig is one from around four years ago. It was my first time at London Pride and I had the privilege to perform on the main stage at Trafalgar Square with a dear friend from the time. I’m appreciative of all the gigs I’ve been able to play, but there’s something to be said about singing a song for people, and knowing that a lot of them feel it’s meaning as deeply as you do – it’s a feeling I won’t soon forget. 

What can fans expect from your live shows? And do you have any tips for anyone who may experience pre-gig nerves?
If you come and see one of my shows, expect to see someone who can’t cover up every blip! There’s a reason I write songs, and I’m not a public speaker… But I can promise a performance where you’ll see the real me, and that me is someone who wants to share their work, and talk about their journey through music and creation. If I could say one thing to people who’ve just started gigging and have nerves about it: use those nerves. Don’t shut them out, embrace them and turn them into something. Because those nerves don’t really go away, you just get better at identifying them and getting through.

How do you feel the industry is for new artists at the moment? And do you feel much has changed over the last few years in its treatment of female/gender non-conforming and queer artists?
Being in the industry is hard, there’s no other way to say it. When you don’t have a consistent fan base built up already, you have to constantly push to be heard, and it can often be disheartening. But, like most things, if it’s something you want to achieve, you have to keep positive and keep pushing. I think recently it’s been easier for female and gender non-conforming artists to push through than in the past, and I think that’s amazing. But I do worry that a certain amount is because it’s being spoken about at this minute. I hope that, even as the conversation drifts to the next topic, the door will continue to stay open to those who want to make music and be heard! 

As we’re a new music focused site, are there any other upcoming artists you’re loving right now that you’d recommend we check out?
Through my journey so far I’ve met a lot of talented upcoming artists, and I highly recommend you give them a listen, honestly there’s too many to name! But a few that come to mind right now are: Frances Mistry (@francesmistrymusic), Jack David (@jackdavidmusic), LENNY (@lennyoxz), Cutflowers (@cutflowersband) and Pippa (@pippa.burnett)

 Finally, what does the rest of 2023 have in store for you?
The rest of 2023 will see the completion of my EP recording, and a couple of cool collaborations, as well as gigs, gigs and more gigs! The plan is to keep going with my music, put in the work and see where I end up.

Massive thanks to flora for answering our questions, listen to ‘Easy‘ now and keep your eyes peeled for news on her upcoming debut EP!

NEW TRACK: Hinako Omori – ’ember’

Following on from her previous single ‘cyanotype memories’ – an ode to surrendering to the unknown and finding peace within that process – London-based artist and composer Hinako Omori has shared her latest single, ’ember’. Taken from her upcoming album, stillness, softness…, which is set for release via Houndstooth on 27th October, the track is an uplifting sonic delight that encourages listeners to let go of the past and relinquish feelings of doubt.

On her upcoming record, Omori retains the soothing, enigmatic qualities of the tracks that formed her debut album, …a journey – which featured on Get In Her Ears’ Albums Of 2022 list – but she expands her use of synthesizers and seraphic vocals further. She continues to trust her intuition and channel her emotions into idiosyncratic sounds, but this time she has leaned into a more contemporary, song-based structure.

Whilst her debut album concentrated on healing others with invigorating, ambient sounds and field recordings, on stillness, softness…, Omori looks inward and gently dismantles the barriers that held her back from finding peace within herself. ’ember’ acknowledges this important on-going process, with its shimmering synths, soft vocals and earnest lyrics offering a glimpse of the respite this can provide.

“The idea behind ’ember’ is noticing that our attachment to the past can cloud our perception of situations,” explains Hianko, “and the importance of breaking through these barriers we place on ourselves to build a healthier, compassionate relationship with ourselves and others.” Urging her listeners to “break free” from their chains, Omori delivers another captivating, altruistic piece of music that resonates further each time it’s listened to.

Listen to ’ember’ below.

Hinako Omori UK & EU Live Dates 2023
24/11 – Teatro Principal, Ourense – Spain
25/11 – L’Archipel, Paris – France
29/11 – Alphabet, Brighton – UK
30/11 – Belgrave Music Hall, Leeds – UK
01/12 – The Deaf Institute, Manchester – UK
02/12 – ICA, London – UK
04/12 – Zonzij, Amsterdam – Netherlands
06/12 – XENON (Huset), Copenhagen – Denmark
07/12 – Volksbuehne (Roter Salon), Berlin – Germany
09/12 – Botanique (Witloofbar), Brussels – Belgium

 

Follow Hinako Omori on bandcampSpotify, InstagramTwitter (X) & Facebook

Photo credit: Luca Bailey

Kate Crudgington
@KCBobCut