NEW TRACK: Hinako Omori – ’ember’

Following on from her previous single ‘cyanotype memories’ – an ode to surrendering to the unknown and finding peace within that process – London-based artist and composer Hinako Omori has shared her latest single, ’ember’. Taken from her upcoming album, stillness, softness…, which is set for release via Houndstooth on 27th October, the track is an uplifting sonic delight that encourages listeners to let go of the past and relinquish feelings of doubt.

On her upcoming record, Omori retains the soothing, enigmatic qualities of the tracks that formed her debut album, …a journey – which featured on Get In Her Ears’ Albums Of 2022 list – but she expands her use of synthesizers and seraphic vocals further. She continues to trust her intuition and channel her emotions into idiosyncratic sounds, but this time she has leaned into a more contemporary, song-based structure.

Whilst her debut album concentrated on healing others with invigorating, ambient sounds and field recordings, on stillness, softness…, Omori looks inward and gently dismantles the barriers that held her back from finding peace within herself. ’ember’ acknowledges this important on-going process, with its shimmering synths, soft vocals and earnest lyrics offering a glimpse of the respite this can provide.

“The idea behind ’ember’ is noticing that our attachment to the past can cloud our perception of situations,” explains Hianko, “and the importance of breaking through these barriers we place on ourselves to build a healthier, compassionate relationship with ourselves and others.” Urging her listeners to “break free” from their chains, Omori delivers another captivating, altruistic piece of music that resonates further each time it’s listened to.

Listen to ’ember’ below.

Hinako Omori UK & EU Live Dates 2023
24/11 – Teatro Principal, Ourense – Spain
25/11 – L’Archipel, Paris – France
29/11 – Alphabet, Brighton – UK
30/11 – Belgrave Music Hall, Leeds – UK
01/12 – The Deaf Institute, Manchester – UK
02/12 – ICA, London – UK
04/12 – Zonzij, Amsterdam – Netherlands
06/12 – XENON (Huset), Copenhagen – Denmark
07/12 – Volksbuehne (Roter Salon), Berlin – Germany
09/12 – Botanique (Witloofbar), Brussels – Belgium

 

Follow Hinako Omori on bandcamp, Spotify, Instagram, Twitter (X) & Facebook

Photo credit: Luca Bailey

Kate Crudgington
@KCBobCut

LISTEN: Hilary Woods – ‘Where The Bough Has Broken’

A hypnotic instrumental inspired by a deep love for the city she grew up in, Irish artist Hilary Woods has shared her latest single ‘Where The Bough Has Broken’. Lifted from her upcoming album, Acts Of Light, which is set for release on 3rd November via Sacred Bones, the track is an atmospheric ode to communal growth and memory, with an accompanying video that pays homage to the seemingly minor moments that play a role in creating these things.

Following on from her second full length record Birthmarks (2020), and her hypnotic EP Feral Hymns (2021), Woods has expanded and experimented with her sound even further on her upcoming album. Written, recorded, mixed and produced by Woods over the two years she spent between the west coast of Ireland and Dublin, Acts Of Light includes a myriad of idiosyncratic sounds.

The record features choristers of the Palestrina choir together with the voices of the Galway City Chamber Choir, that Woods captured in the Pro Cathedral Dublin. Strings by Oslo-based musician Jo Berger Myhre appear throughout, and all the tracks are interspersed with field recordings that Woods captured during her time spent travelling through the north west of Spain. These influences have culminated into the nine “hypnotic dirges” that make up Acts Of Light, with single ‘Where The Bough Has Broken’ being the first hint of what’s to come.

Shadowy and evocative, the track is a deep rumination inspired by Woods’ memories of living in Dublin, which she captures in the accompanying self-directed visuals, made with footage from RTE Archives. “Made from old newsreels of archive footage, this video muses on the beauty of community and resilience, made to a piece of music that celebrates connection and the specificity and transience of time, space, and human expression,” Woods comments. “This music video is a visual love letter to the Dublin City I grew up in, to the spirit of familial roots and the extraordinary moments in ordinary life that leave their lasting impression.”

Watch the visuals for ‘Where The Bough Has Broken’ below.

Hilary Woods Ireland & UK Tour Dates 2023
25/10/2023 IRL Dublin The Gallery space at The Complex
26/10/2023 IRL Dublin The Gallery space at The Complex
30/10/2023 UK Liverpool Kazimier Stockroom
31/10/2023 UK Brighton Rose Hill Arts
01/11/2023 UK London Cafe OTO
02/11/2023 UK Bristol Cube Cinema
03/11/2023 UK Newcastle Cobalt Studios
04/11/2023 UK Manchester The White Hotel
05/11/2023 UK Leeds Headrow House

Pre-order Acts Of Light here

Follow Hilary Woods on bandcamp, Spotify & Instagram

Kate Crudgington
@KCBobCut

NEW TRACK: BLAB – ‘Hate Love, Make Love’

Following on from her 2022 single ‘Age Gracefully’ – a lo-fi musing on toxic beauty standards – Southend based multi-instrumentalist, singer, songwriter and producer Frances Murray, aka BLAB, has shared her new single ‘Hate Love, Make Love’. Released via Cool Thing Records and self-described as “Something silly and funny and not too serious,” the track explores the burnout that comes with trying to keep up with the requirements of modern day dating, romance and self-love.

After taking a year off from publicly sharing her music, BLAB has returned to reaffirm her staunchly DIY attitude and anti-establishment, anti-ego message. On ‘Hate Love, Make Love’, she playfully confronts the difficulties that come with seeking genuine romantic connections via her glitchy, punchy ’80s synth sounds and direct lyrics: “Being in love is really hard / loving myself is even harder”.

“This song was super fun and quick to write and record for me,” explains BLAB about the new track. “I think the whole thing only took about two days total. I have this Yamaha PS-20 from the ’80s that my friend sold to me, and it’s got so many wacky sounds on it. It has a built-in bass arp and as soon as I tried that out, I knew I was onto a finished song. I kind of wanted to write a song that felt like it could be on the Austin Powers soundtrack, a pastiche of the ’60s but with a Ramones-eque bite to it.”

BLAB has been busy writing and recording her debut album, which is set for release next year. She will be playing a show at The Old Blue Last in East London on Friday 10th November, as part of a Cool Thing Records label night supporting Asylums and A Cause In Distress. Grab a ticket on DICE.

Listen to ‘Hate Love, Make Love’ below.

Follow BLAB on Spotify, TikTok, Instagram, Twitter (X) & Facebook

Kate Crudgington
@KCBobCut

Introducing Interview: Becca Mancari

Having received acclaim from the likes of the New York Times and queer publication them, and collaborated with big names such as Hayley Williams (Paramore) and Julien Baker (boygenius), Nashville artist Becca Mancari has just released their latest album, Left Hand. Rippling throughout with a beautifully heartfelt emotion and twinkling musicality, it offers a dreamy and gently empowering reflection on queer identities and our relation to the natural world; a shimmering and relatable ode to being your true self.

We caught up with Becca to discuss their new album, processing past trauma, being a queer artist today, and more. Have read below, and make sure you check out the exquisite new album!

Hi Becca, and welcome to Get In Her Ears! Are you able to tell us a bit about how you initially started creating music?
I actually started at a very young age! I felt safe when I was making music, and I always loved how the act of writing music helped me really feel connected to myself. I had so much fear as a young kid, and this helped me not feel alone! 

I really love your dreamy, twinkling musicality and emotion-rich vocals, but who would you consider to be your main musical influences?
I think the emotional music came from listening to Sharon van Etten, and then I also used to listen to mewithoutyou, and they helped me explore my religious trauma. 

And how much would you say your religious upbringing feeds into what you now create? 
I think that it really helps me see how it matters to find your own way, and to not be in a group think. The good parts that I received from my upbringing though were that I learned how to really be around so many different kinds of people. I learned how to love myself, with or without the love of religious people, and I am thankful for the chance to grow even deeper in love with the world around me! I fought for that hard! 

You’ve recently released your new album Left Hand,  which is very exciting -congratulations! It seems to reflect a lot on your childhood and family, are you able to explain a bit more about this?
I only started to fully process all of what happened to me as a kid recently, but it’s so important for me to keep healing and being in therapy! I started therapy in late 2020 and it was the first time that I had ever been in it, and it really did save my life. But for me, I process my feelings through music – I finally do feel like this is my last record about the past, and I am really looking forward to what’s next. 

And you also seem to draw inspiration from the natural world in your writing – how does this normally come about, and how do you feel it links to the emotions you’re expressing throughout the album? 
I grew up in a tiny town with only about 800 hundred people, so nature was such a big part of my childhood. I feel like I get physically sick and definitely emotionally unwell if I am not in nature.  So, I really wanted to honour what nature does for us all on this record, and also talk about how important it is for us to protect her!

It seems like you went through quite a difficult time after the release of your last record (The Greatest Part, 2020), was the process of creating this latest record a cathartic process for you? It certainly seems to emanate some really comforting uplifting energy and queer joy! 
Yes, this record really did bring me to the next level of self love and self acceptance! It’s been a really long journey for me in this way, and I am so glad that you feel the queer joy on this album! I make music for everyone, but especially the queer community! 

After initially starting the studio session to record the album with a producer, you then made the decision to produce the album yourself. What lead to this decision? And how was the process for you?
The process with that other producer was so terrible that I left it feeling like I needed to make a change to really start learning how to produce on my own! And thankfully my longest collaborator and dear friend Juan Solorzano was ready and able to co-produce the record with me, and it ended up being a record that really changed my life. I was on a path that was not really the right one, and by making this record myself I really feel like it changed the whole course of my life. 

You’ve collaborated with various other artists on the album (including personal favourite Julien Baker!). How did you decide on who to work with for the album? And how did the collaborative process go? 
So, living in Nashville for so long it was just a natural thing to make friends with other artists, and I feel so lucky to be able to collaborate with them on their music as well! We just end up working together because it’s fun and easy. With Julien, I knew that she was getting into engineering, and so I was like hey “Jb, do you want to engineer your own vocals?”, and she was just super down for it!   

You’ve played a lot of exciting live shows over the last few years, including one with Hayley Williams (Paramore) in Madison Square Garden, and sharing a stage with the likes of Sheryl Crow and Brittany Howard at Nashville’s LGBTQ+ benefit Love Rising. How were these experiences for you? And is there a particular show you’ve played throughout your career that stands out as a highlight?
I really appreciated Hayley asking me to do the Love Rising show because that show really meant so much to me and the community that I am in. It’s always really nerve-racking to be asked to play someone’s music with them because you want to make sure that you do it well, but H is just one of the best people I know, and has always made me feel seen and supported! 

As a queer person making music today, how do you feel the industry is for new artists at the moment? And do you feel much has changed over the last few years in its treatment of gender non-conforming and LGBTQ+ artists? 
I do think that there are way more opportunities for us than there were, but it’s STILL such a struggle and the industry is still geared to cis straight white people. So, my true hope is that the industry changes completely from the ground up! As queer people we are still fighting for our lives, and so I really hope we are not only respected for our music, but also that our lives are protected.

As we’re a new music focused site, are there any other upcoming artists you’re loving right now that you’d recommend we check out?
Bloomsday! They are a great non-binary queer band out of Brooklyn, and they are opening a bunch of dates for me! 

Finally, what does the rest of 2023 have in store for you? 
Tonnes of touring all over the United States, and then making a plan to come to the UK and EU early next year!

Huge thanks to Becca for answering our questions! We can’t wait for them to come over to the UK sometime soon!

Left Hand, the new album from Becca Mancari, is out now via Captured Tracks. Listen / order here.

Photo Credit: Sophia Matinazad