PLAYLIST: July 2025

We’re publishing our July Playlist slightly later than planned…but our eclectic mix of Riot Grrrl anthems, indie and alt-folk tunes, punk bangers, evocative electronics & instrumentals, alt-pop gems and grungy riffs should still see you through the summer! Make sure you take some time to scroll through our recommendations below.

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we will be moving away from using Spotify as a streaming platform in the near future, so we’ve included YouTube or bandcamp links for all of the tracks in this feature. You can still access the playlist via our GIHE profile on Spotify – but we are in the process of choosing a different platform to share new music with you.

As always, we encourage you to follow the artists below on social media, sign up to their mailing lists, go to their gigs and buy their records from bandcamp.

WENCH! – ‘Yeti Legs’
I love it when an email lands my inbox with something as exciting as this from Hull’s queer riot grrrls WENCH! Taken from their new (and wonderfully titled) EP, Relaxing Rain Sounds For Baby Sleep, ‘Yeti Legs’ offers an immense retaliation against everything that marginalized genders are constantly told to tolerate. Building the tension with a hauntingly dark, Kyuss-reminiscent bassline, the track blasts into the ears with a fierce, raging energy, racing riffs and a relentless, impassioned power. The band explain – “WENCH are done with pretending all is OK & determined to not be complicit in their own discomfort.” New faves for sure. (Mari Lane – Managing Editor)

UPCHUCK – ‘Forgotten Token’
This track from Atlanta-based punks UPCHUCK is particularly poignant for vocalist KT, as it addresses the sudden loss of her sister during the time that the band were recording their new album, I’m Nice Now (due on 3rd October via Domino.) ‘Forgotten Token’ is a reminder to not undervalue those closest to you. “You can lose things easily and not care, thinking you’ll just get another one. But people aren’t objects,” KT shares – a valid point and one we should all take note of. (Kate Crudgington – Features Editor)

Hot Wife – ‘No You No Problem’
The latest single from South London grunge-rockers Hot Wife, ‘No You No Problem’ offers a raging revenge anthem, propelled by racing fuzzy hooks and a raw angst-driven power. Of the track, the band explain – “The track tears into a toxic relationship marked by ghosting, gaslighting, and emotional no-shows… CIA missions, alien abductions, or maybe they’re just an asshole? It’s a reclamation of power; you can disappear but it’s no problem at all. We’re better off without you.” (ML)

Sprints – ‘Rage’
‘Rage’ is part of a double single release from GIHE faves SPRINTS, alongside track ‘Beg’. The Dublin four-piece’s potent new offering is taken from their second album, All That Is Over, which is set for release on 26th September via City Slang and Sub Pop. Speaking about the inspiration behind ‘Rage’, vocalist & guitarist Karla Chubb shares: “I think in the world today, it’s a lot easier to be angry than it is to help facilitate change. People are fatigued, disillusioned – it’s understandable, but we shouldn’t be pointing the finger at those already marginalised and making them shoulder the blame. The world is full of false prophets and false promises; it’s time we call them out. Don’t let the rage bait fuel the fire and burn us all in the process.” (KC)

PROJECTOR – ‘It Surely Has Been Hell’
Described as one of their most “hateful” songs to date, this urgent new track from Brighton trio PROJECTOR is catharsis incarnate. It’s taken from the band’s upcoming second album, Contempt, which is set for release on 3rd October 2025 via Alcopop! Records. Speaking about PROJECTOR’s new record, bassist Lucy Sheehan explains: “In some ways, Contempt is us consolidating and accepting what we are: aggressive and stupid and weird, as well as carefully devoted to melody and harmony. We’ve always been aware of the dissonance in us and our music. Probably like most cynical musicians we love beautiful things but can’t really enjoy them without tearing them apart.” (KC)

LOBSTERBOMB – ‘Nightbird’
‘Nightbird’ is the latest single from Berlin−based post−punk outfit Lobsterbomb – who our Digital Editor Tash first introduced me to. The band describe the track as their “nocturnal anthem – a call to the sleepless, the restless, and the creatively haunted.” It’s a deliciously gloomy offering from these exciting newcomers. (KC)

TTSSFU – ‘Call U Back’
I’m such a big fan of Manchester-based indie artist Tasmin Stephens aka TTSSFU! Taken from her New EP, Blown, set for release on 29th August via Partisan Records, this track ‘Call U Back’ is about having an intense crush on someone, chasing them too intensely and ultimately making a fool of yourself. Tasmin says “When you listen to it, imagine you’re drunk on a night out at the point that things slowly start to just feel awful.” – we’ve all been there. (KC)

Cowboy Hunters – ‘Perfect (Exceeder)’
Having finally got to witness their immense, instrument-swapping live show at Deer Shed festival last weekend (read more in our review of the weekend), I can’t get enough of the raw gritty power of Scottish punk duo Cowboy Hunters. Their latest offering, a riotous rendition of Princess Superstar’s ‘Perfect (Exceeder)’ showcases all there is to love about the band: their fiercely seething energy and playful charisma will immerse the ears instantly and leave you wanting more. (ML)

Pinkshift – ‘Vacant’
Ahead of the release of a new album later this month, Maryland punk-rockers ‘Pinkshift’ have recently shared fierce new single ‘Vacant’. Propelled by an immense sense of urgency and fuzzy grunge-tinged hooks, the track showcases the raw gritty emotion of front-person Ashrita Kumar’s vocals and the band’s ability to create modern day rock anthems. Earthkeeper, Pinkshift’s second album, is set for release on 29th August via Hopeless. (ML)

Fortitude Valley – ‘Oceans Apart’
With their new album, Part Of The Problem, released last Friday, Fortitude Valley continue to warm my heart with their gloriously scuzzy, beautifully heartfelt indie-pop anthems. Reflecting on the feelings that accompany “growing up, moving away across oceans and trying to be happy and successful off your own back”, ‘Oceans Apart’ pays homage to an album of the same name by Aussie legends The Go-Betweens as front-person Laura Kovic’s honey-sweet vocals flow alongside the band’s perfectly catchy jangly melodies. Catch Fortitude Valley live this Autumn, tickets here. (ML)

Jessica Winter – ‘Big Star’
It was such a joy to catch up with alt-pop sensation Jessica Winter on our Soho Radio show in July! This track is taken from her debut LP, My First Album, released via Lucky Number. We’ve been following her musical journey since 2020, so to see her take such pride and feel such confidence in the eclectic collection of pop sounds she’s crafted so meticulously was a real privilege. Listen to her new album here. (KC)

sugarglaze – ‘wishing’
I was intrigued by this hyper-pop tune from London based musician and kawaii/alt-artist sugarglaze when it dropped into my inbox earlier this month. I particularly liked the context she provided for her artist name, explaining that as a “serial people pleaser” who constantly feels like she’s failing to do just that, sugarglaze personifies the feeling of needing to sugarcoat yourself and your feelings – but the sickly sweet nature of it can also rot your teeth! This duality is explored on her upcoming album, wishing megamix, which she will be releasing in the near future. (KC)

CMAT – ‘EURO-COUNTRY’
When I interviewed CMAT for GIHE back in 2020, I knew she was a pop legend in the making. She was so funny and her single at the time ‘I Wanna Be a Cowboy, Baby!’ was rightfully gaining her a loyal and adoring fan base. Fast forward five years, and the Irish songwriter is now gearing up to release her third highly-anticipated album, EURO-COUNTRY, on 29th August vial AWAL Recordings. This is the title track and as expected, it’s full of CMAT’s trademark wit and charm. Speaking about the concept of her new record, she explains: “I have certain phrases that reverberate around my head over and over again – and EURO-COUNTRY was one of them…and it means three things to me: It’s the kind of country music I make; the fact that Ireland is a European country run by the euro; and that capitalism is one of the worst things to ever happen to us.” (KC)

BERTY – ‘Jelly Fish’
A bewitching blend of folk and alt-pop, this new single from independent songwriter BERTY is a reflection on life, growth and the intuitive power of the natural world. Based in The Forest Of Dean, BERTY filmed the accompanying music video at Woorgreens Nature Reserve with the help of collaborators Rosie Redwood and Lewis Sayce. The visuals feature the artist clothed in an impressive hand-made jelly fish costume, which was lovingly stitched together by her own Mum! (KC)

Sijya – ‘Do I Know’
South Asian composer, producer and graphic artist Sijya is new to me, but I’m very glad to have discovered her in my GIHE inbox earlier this month. I love the idiosyncratic blend of atmospheric and gritty synth textures alongside her drifting vocals on this track. ‘Do I Know’ is lifted from Sijya’s upcoming EP, Leather & Brass, which is set for release via One Little Independent Records on 12th September 12th. I can’t wait to hear it in full. (KC)

Blue Loop – ‘Cycles’
‘Cycles’ is the follow-up to London-based electronic artist Emma Hall aka Blue Loop’s recent shadowy single ‘The Knife’, and the title track from her upcoming debut album. Set for release on 7th November, Emma describes the record as “a miniature-epic song cycle about resilience, grief and defiant joy,” inspired by her experience of breast cancer and her journey through recovery and into remission. This track ‘Cycles’ ripples with vulnerability and a soft sensuality, showcasing Emma’s ability to create captivating and intuitive electronic soundscapes. (KC)

WOOM – ‘Slow You’
This is such a beautiful offering from South London vocal ensemble WOOM. Born from “hours of looping and experimentation,” ‘Slow You’ is a tender lament to facing your fears, letting go of the things that haunt you and finding your own pace in an ever-changing, demanding world. The track is taken from their new EP, To Slow You, which is set for release on August 28th via House Anxiety. WOOM will also be playing a headline show London’s ICA on 26th September. (KC)

Lōwli – ‘Woven’
This lilting piano instrumental from Irish composer Lōwli is beautiful. I’ve mentioned before that she’s one of my favourite new music discoveries this year, and this single only impresses that upon me further. ‘Woven’ will feature on her debut album which will be released later this year. Speaking about her new single, Lōwli explains: “For me, this piece is all about connection and is inspired by the natural world and seasonal change. I wanted to evoke that hopeful feeling we experience when the longer, lighter days of spring and summer return once again; representing those moments in our lives when we feel things are changing for the better.” (KC)

Hockeysmith – ‘Butterflies’
This is the final release from Falmouth-based electronic artist Hockeysmith before she moves on to a new musical project. ‘Butterflies’ is a quirky blend of her off-kilter beats, experimental synths and playful vocals, all of which are a fitting ode to her time as Hockeysmith. Catch her live one last time this summer at Rock Oyster festival in the South West of England. (KC)

Wyldest – ‘All It Would Take Is A Phonecall’
‘All It Would Take Is A Phonecall’ is a vulnerable and emotive reflection on familial estrangement from London-based songwriter Wyldest. Her raw but earnest offering soothes the sting of losing touch with a family member, eased by her gentle vocals and soft guitar sounds. Speaking about the track, Wyldest explains: “This song is about the loss of communication in relationships – particularly with reference to family ties…I think it’s important to put this idea of ‘blood ties’ aside within our society and open ourselves up to love and care for people whether we were assigned to at birth or not.” (KC)

Folk Bitch Trio – ‘Hotel TV’
Having just released their debut album, Melbourne band Folk Bitch Trio have been charming us with their lilting folk-strewn musicality, dreamy harmonies and playful charm over the last year. Their latest single ‘Hotel TV’ showcases their ability to tell vivid stories with a raw, honest emotion through their beautifully crafted songwriting. Now Would Be A Good Time, the debut album from Folk Bitch Trio, is out now via Jagjaguwar. (ML)

Bonniesongs – ‘Strangest Feeling’
Having just released her second album, Australian songwriter and multi-instrumentalist Bonniesongs combines fuzzy ‘90s-inspired Americana hooks with a lush, lilting musicality and emotion-rich crystalline vocals. The album offers an eclectic collection, showcasing her ability to interweave dreamy soundscapes with a shimmering, playful energy. Strangest Feeling, the album from Bonniesongs, is out now via Impressed Recordings. (ML)

Ren Harvieu – ‘The Becoming Of You’
The latest single from Manchester alt-folk artist Ren Harvieu, ‘The Becoming Of You’ offers a twinkling ballad, soaked in an emotion-rich musicality and sweeping cinematic splendour. A captivating offering from this innovative artist, it oozes shades of Kate Bush and a quirky mystical charm. I’m looking forward to catching Ren Harvieu live at Folk In The Park on Saturday 16th August in Sutton, alongside the likes of The Tom Robinson Band, Ashley Campbell (Glen Campbell’s daughter!), Eddi Reader and Richard Thompson. Tickets still available here. (ML)

Tamara & The Dreams – ‘Fleetwood Mac’
Having been a fan of Australian artist Tamara & The Dreams since becoming pretty obsessed with her perfectly named single ‘Successful Bisexual’, my fandom continues to grow with latest release ‘Fleetwood Mac’. Showcasing her playful energy and catchy uplifting charm, it offers a glistening, tongue-in-cheek reflection on “…the bubbling and broiling emotions and relationships and roller coasters of disappointment and obsession and triumph that go on in studios and bandrooms and bedrooms.” (ML)

cheerbleederz – ‘i deserved better’
Ahead of the release of a new EP in September, indie-pop supergroup and long-time faves cheerbleederz have shared a catchy new single. An uplifting ode to knowing your self-worth, ‘i deserved better’ offers all the sparkling, jangly melodies and scuzzy emotion you could ever need, plus a perfect singalong chorus – as Kathryn from the band says, “The chorus doesn’t even have any real words, but sometimes you don’t need em!”. prove me wrong, the upcoming new EP from cheerbleederz, is set for release on 5th September via Alcopop! Records. (ML)

Superchunk – ‘Stuck In A Dream’
Originally formed back in 1989, North Carolina legends Superchunk are now making a triumphant return to our ears. Now, with touring drummer Laura King joining Mac McCaughan, Jim Wilbur and Laura Ballance, the band are gearing up for the release of their new album later this month, and continue to maintain all the fuzzy hooks, catchy refrains and swirling, visceral energy we’ve come to know and love, with a revived raw punk spirit. Songs In the Key Of Yikes, the upcoming new album from Superchunk, is set for release on 22nd August via Merge Records. (ML)

Ruby Doomsday – ‘Blood and Thunder’
Formed of Joey Julliard (Picture Parlour) and Courtney McMahon (Rats-Tails), South London duo Ruby Doomsday describe themselves as “the house band at the Last Chance Saloon.” In their minds, their debut single ‘Blood and Thunder’ should be the score to “a rainy apocalyptic fairy tail, observed through the night bus window on a journey home through central London.” Their theatricality is infectious and I’m excited to hear more from them in the near future. (KC)

Ducks Ltd. ft. Lunar Vacation – ‘Lloyd, I’m Ready To Be Heartbroken’
Joining Toronto duo Ducks Ltd, Gep Repasky from faves Lunar Vacation offers their distinctive luscious vocals on this gorgeous rendition of the Camera Obscura classic, ‘Lloyd, I’m Ready To Be Heartbroken’. A jangle-pop fan’s dream. Catch Ducks Ltd live in the UK over the next month – more info here. (ML)

Beauty Sleep – ‘Big + Bad’
Ahead of the release of their upcoming second album, Derry duo alt-pop duo Beauty Sleep have recently shared a string of sparkling new singles. Encapsulating the defiant and proud ethos of the album, partners in music and in life Cheylene and Ryan assert that “We’re not the cherry on top – we’re the whole damn cake.”, and this seems to perfectly sum up the effervescent spirit and empowering energy that flows through their colourful offerings – each one an ode to self-worth; a blissful celebration of being too loud, too queer, too much. The Whole Damn Cake, the upcoming album from Beauty Sleep, is set for release in October via Alcopop! Records. (ML)

Charlies Flat – ‘Bayfront’
Having just released their debut EP via Cry No More Recordings, Kellie Bennett and collaborator Clayton Chipper aka Charlies Flat create old-school sound system inspired soundscapes, layering glistening atmospheric textures whilst reflecting on introspective themes. A simmering slice of euphoric trip-hop, EP track ‘Bayfront’ fuses together a rippling funk-inspired lilting musicality and dubwise beats with hazy sugar-sweet vocals, creating the perfect summer anthem. Here’s hoping the British weather picks up to match its glorious sun-drenched spirit. The Charlies Flat EP is available on bandcamp now. (ML)

Tanita Tikaram – ‘I See A Morning’
With 1988’s Ancient Heart being one of the first albums I remember being completely obsessed with – listening to it over and over, both singing along with my dad in the car and stealing the CD to immerse myself in the unique deep rich vocals and intense musicality – I was very excited to hear that Tanita Tikaram is releasing a new album, Liar (Love Isn’t A Right), in October. Not only that, but she will be donating proceeds from a limited edition rainbow disc to the LGBTQIA+ support line Switchboard (where I volunteer). It seems she’s lost none of her coolness over the years, evidenced too by latest poignant single ‘I See A Morning’ offering a moving sense of hope in the these turbulent times. Of the track, she explains: “We are living in a time when fundamental freedoms are under threat all over the world, characterised by a frightening normalisation of violence, extreme inequality and authoritarian government.” Liar (Love Isn’t A Right), the new album from Tanita Tikaram, is out on 10th October. Pre-order here. (ML)

Baileigh Jane – ‘We Change’
The latest single from Brooklyn-based queer artist and community builder Baileigh Jane, ‘We Change’ offers an uplifting reflection on the bittersweet feelings that can follow the end of a relationship. Rippling with sparkling hooks, soulful vocals and blissful danceable beats, it’s a colourful testament to Baileigh Jane’s ability to create colourful electro-pop anthems. (ML)

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PLAYLIST: June 2025

The Get In Her Ears team have put together another eclectic mix of indie musings, alt-folk tunes, punk bangers, immersive electronics and some grunge & shoegaze anthems for your listening pleasure. Take some time to scroll through our recommendations below.

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we will be moving away from using Spotify as a streaming platform in the near future. You’ll see that we’ve included YouTube or bandcamp links for all of the tracks in this feature. We have included the link to our GIHE profile on Spotify this time too – but next month, we’ll be using a different platform to share new music with you.

As always, we encourage you to follow the artists below on social media, sign up to their mailing lists, go to their gigs and buy their records from bandcamp.

Whitelands – ‘Heat Of The Summer’
Despite its buoyant, dream-pop sound, this single from London-based shoegazers & GIHE faves Whitelands is inspired by a range of unsettling pieces of media that vocalist Etienne was affected by last year; including Trump coming back into power, the shooting of a CEO by Luigi Mangione and Spike Lee’s film, Do The Right Thing. ‘Heat Of The Summer’ is his reflection on rising tensions and how community and coming together can help to overthrow tyrants. Whitelands will be playing a headline show at London’s Corsica Studios on 20th November – tickets are on sale now.
(Kate Crudgington – Features Editor)

Starling – ‘I Can Be Convinced’
Having recently released their new EP, Forgive Me, Los Angeles based Starling’s latest single offers a fizzing ode to all-consuming love. As Kasha Souter Willett’s sugar-sweet sumptuous vocals flow alongside fuzzy hook, ‘I Can Be Convinced’ builds with an anthemic energy and twinkling allure. Watch the ballerina-filled new video for ‘I Can Be Convinced’ here and make sure you treat your ears to a listen of the full EP.
(Mari Lane – Managing Editor)

Daffo – ‘Habit’
I’ve been a fan of Daffo since their 2023 EP Pest, and was so pleased to be able to catch the beautiful energy of their live set at The Great Escape last month – standing in the crowd alongside faves like ARXX and Comic Sans was a definite highlight of the festival. Now, I’m super excited to hear that the LA based artist will be releasing their debut album in September, and has released a new single to celebrate. Propelled by scuzzy reverb-soaked hooks, ‘Habit’ reflects on songwriter Gabi Gamberg’s struggle with Obsessive Compulsive Disorder with a sparkling heartfelt emotion. Where The Earth Bends, the upcoming debut album from Daffo, is set for release on 26th September via Concord Records.
(ML)

Lipstick Teef – ‘Sink Or Swim’
Not only do I love the name of Liverpool-bred, London-based alt-rock band Lipstick Teef, I also love the angst-ridden sound of their debut single ‘Sink Or Swim’. Formed in 2021 by vocalist Lucy Pengelly and guitarist Jennifer Hall, Lipstick Teef are “on a mission to deliver surf inspired grunge from across the cosmos, straight to your eardrums.” Inspired by the Riot Grrrl movement and their love of psych-punk, the band have now fleshed out their own fuzz-fuelled sound on their debut offering. (KC)

The Dead Zoo – ‘Bruise’
Ahead of releasing their debut album next month, post-punk faves (and guests on our latest radio show) have shared a blistering new single. Reflecting on both the pain and triumph of transformation, ‘Bruise’ combines swirling atmospherics with ‘80s-inspired dark basslines to create the sonic equivalent of a nocturnal drive through a Lynchian landscape. As the resonant fierce power of front woman Kaoru Sato’s vocals glistens throughout, it showcases The Dead Zoo’s ability to create pulsating, multi-layered soundscapes that will immerse your senses on first listen. We’re super excited to be hosting The Dead Zoo’s album launch this Friday, 4th July, at New River Studios with support from shoegaze supergroup Water Deer and mother-daughter punk duo (coming all the way from Texas!), The Mothermold – tickets on Dice now and cheaper in advance. (ML)


SPRINTS – ‘Descartes’
Dublin four-piece SPRINTS are back with a BANG with new single ‘Descartes’. Along with this incendiary new track, the band have shared the news that they’ll be releasing their second album, All That Is Over, on 26th September via City Slang and Sub Pop – the first Irish band to be signed to the iconic American label! ‘Descartes’ is inspired by the ideas of the French philosopher of the same name. I was lucky enough to attend SPRINTS’ album-listening party a few weeks ago, where I heard this track and others from their upcoming record for the first time. No spoilers – but you’re in for an absolute treat. (KC)

Problem Patterns – ‘I’m Fine and I’m Doing Great’
It’s always an exciting time for us here at GIHE when Belfast punks and total faves Problem Patterns release new music. So, to hear that a new EP is on the way later this year, is very welcome news, and a angst-driven new single is just what we need right now. A seething reflection on burnout, ‘I’m Fine and I’m Doing Great’ races with a fierce, fizzing energy, oozing the band’s trademark perfect fusion of righteous impassioned energy with a searing tongue-in-cheek wit. Of the track, bassist Ciara King explains: “This song is an ode to every single burnout episode that any creative has ever had… I wanted to contrast that with how grateful we are for all of our achievements. I do feel like I’m well and truly living the dream… This song is addressing that feeling of the love/hate relationship involved in doing music full time and still working full time. This one goes out to all our burnt out pals. Keep going.”

Boring Songs For Boring People, the upcoming new EP from Problem Patterns, is set for release on 12th September via Alcopop! Records and we CANNOT WAIT to celebrate the new release with them when they headline our special 10th birthday all-dayer event at The Cavendish Arms on 27th September, along with other faves Fightmilk, The Baby Seals, Ray Aggs, Jemma Freeman and The Cosmic Something and more! Very limited tickets left here.
(ML)

Shallow Honey – ‘What You Made Me Do’
Having been lucky enough to catch Brighton-based Shallow Honey’s immersive set at Cro Cro Land earlier this year, I was very happy to hear that they’ve been releasing new music. Reflecting on the frustration around not being heard, ‘What You Made Me Do’ seethes with a fierce energy as the impassioned vocals of front woman Rai blast out alongside gritty, grunge-inspired hooks. (ML)

Porcelain Doll – ‘Self Destruct’
Another Brighton-based band, Porcelain Doll blew us away playing live for us at The Cavendish Arms earlier this year, and since been busy releasing new music. Recent single ‘Self Destruct’ showcases the band’s ability to create swirling rock anthems with a raw emotion. Speaking about the track, front woman Freja explains: “I wrote the song while struggling with chronic pain and depression, it’s about feeling as if my body and mind are both working against me.” (ML)

STRANGE WOMAN – ‘FAKE VALENTINE’
‘FAKE VALENTINE’ is the raucous debut single from Scottish-born, Manchester-based queer hard rock artist STRANGE WOMAN. Described as “an ode to failed love” and “an expression of frustration in trying to navigate romance as a queer, gender non-conforming, young person,” STRANGE WOMAN’s sound is inspired by the fiery sounds of Måneskin, Yungblud and Cassyette. (KC)

Your Heterosexual Violence – ‘House Outside The World’
‘80s cult punks Your Heterosexual Violence are back – after imploding in 1988, they reformed just before the pandemic, with the addition of GIHE fave, Jemma Freeman, on bass and vocals. Marking their re-entry into the world, they’ve announced a new album and have shared a catchy new single. Propelled by a driving punk energy, ‘House Outside The World’ reflects on themes of loneliness, alienation alongside the sparkling power-chords and a singalong chorus; an instant earworm set to cement this established band as firm favourites once more. Some People Have Too Much To Say, the upcoming new album from Your Heterosexual Violence, is set for release on 26th September via Trapped Animal / Ferocious Doge records. (ML)

Twin Rains – ‘Magic Mountain’
I was thrilled to see another email from Toronto dream-pop duo Twin Rains in my GIHE inbox earlier this month. I’ve really enjoyed listening to the band’s heady electronic creations and this new single is no exception. Described as “their most pop and dance orientated song yet” ‘Magic Mountain’ is full of intoxicating riffs, dreamy vocals and driving beats. (KC)

Tiiva – ‘you and i’
‘you and i’ is the title track from Tiiva’s debut album, which they released via Moth Day Records last month. We’re big fans of Tiiva’s idiosyncratic electronica here at GIHE and this track showcases Tiiva’s talent for seamlessly blending pulsing beats, soft vocals and ambient electronics to create their immersive and emotive sonics. Congratulations on crafting such a superb album Tiiva! (KC)

Aether Speaker – ‘That’s For The Nosebleed’
This is the dreamy second single from London-based four piece Aether Speaker. Recorded on the Summer Solstice last year at Strongroom Studios – where the Spice Girls recorded their iconic single ‘Wannabe’ – ‘That’s For The Nosebleed’ is about “going after what you want, even if it’s bad for you”. I love the band’s blend of lush vocals, ambient riffs and gentle percussion on this track. (KC)

Bleach Lab – ‘Close To The Flame’
“I was heavily inspired by bands like slowdive and my bloody valentine when writing the lyrics and melody for ‘Close To The Flame’,” shares Bleach Lab’s vocalist Jenna Kyle. “I wanted it to feel like the end scene of a coming-of-age romance film…it’s about an all consuming relationship, where you’re so obsessed with someone you almost want to merge into one and become them.” Full of Kyle’s lush vocals and the band’s fuzzy, dream-pop riffs, ‘Close To The Flame’ is the title track from Bleach Lab’s upcoming EP, which is set for release on Friday 18th July. (KC)

Midwife – ‘Signs’
Another gauzy piece of ambient shoegaze here from GIHE fave Colorado-based multi-instrumentalist & producer Midwife. ‘Signs’ was a b-side from her album No Depression In Heaven, which I’ve had on repeat since it was released in 2024. (KC)

SOFIA ISELLA – ‘DOG’S DINNER’
The music of 20-year-old violinist, songwriter, producer and poet Sofia Isella is inspired by a myriad of dystopian influences. The L.A-based artist cites Trent Reznor, Ethel Cain and Beck, as well as Sylvia Plath, Margaret Atwood, Mona Awad and Anne Sexton as her inspirations. The result is an eclectic, beguiling sound steeped in theatricality. This track ‘DOG’S DINNER’ is lifted from her recent EP, I’m camera., which she released in May. SOFIA will be playing live in the UK this summer, including a show at Camden’s Electric Ballroom on 26th August, as well as slots at Reading and Leeds Festivals. (KC)

Lydia Night – ‘Gutter’
Having founded LA punk-rockers The Regrettes at the age of fifteen, Lydia Night is now branching out on her own. Ahead of the release of her debut solo album in August, she has now shared a brand new single. Fizzing with a sultry allure with shades of the electro-clash energy of Peaches, ‘Gutter’ offers a playful, synth-driven slice of art-pop reflecting on feelings of lust and longing. Parody Of Pleasure, the debut solo album from Lydia Night, is set for release on 8th August via Warner Records. (ML)

The Noisy – ‘Twos’
Founded by award-winning poet Sara Mae, Philadelphia-based synth-poppers The Noisy have shared a sparkling new single. Flowing with a glistening, cinematic soundscape, ‘Twos’ offers a perfect fusion of honey-sweet pop sentiment with scuzzy grunge-inspired hooks. The track is accompanied by a wonderfully queer, silent movie-esque new video – Sara Mae explains: “The music video literalizes the too much-ness of the story, Buffy the Vampire Slayer meets Grey Gardens meets two dates to the prom.” (ML)

Automatic – ‘Is It Now?’
Returning to our ears after forming nine years ago, LA trio Automatic have announced the release of a brand new album, which is due for release this autumn, and have now shared the lead title track. Shimmering with synth-driven hooks and a glitchy energy, the playful call-and-response refrains ooze shades of the party-punk vibes of Le Tigre whilst maintaining a unique celestial splendour. Drawing on the conflict between being rebellious and engaging in mass culture, the track raises the question: “how do you have a sense of joy while the world seems to be collapsing, and you feel so powerless?” (ML)

Little Simz – ‘Venom’
I was lucky enough to catch the legend Little Simz live at Royal Festival Hall last week in the closing performance of the annual Meltdown Festival that she had curated. Accompanied by the Chineke Orchestra, it seemed to be a beautiful culmination of not only the past week’s events, but of her career’s achievements so far. With the orchestra’s sweeping majestic splendour accompanying the innovative artist’s gritty energy and stirring narrative, it was a pretty epic experience to be a part of. And a particular highlight of the set was the immense introduction of ‘Venom’ – Little Simz conducting the orchestra before turning to the crowd as she rapped with stoic conviction: “Never givin’ credit where it’s due ’cause you don’t like pussy in power. Venom.” Read our full review of the night here. (ML)

Blue Loop – ‘The Knife’
I’m so pleased that I unearthed this shape-shifting gem of a track from London-based electronic producer Emma Hall aka Blue Loop in my GIHE inbox. Emma has recently recovered from breast cancer (and is now thankfully in remission) and she’s ready to share new music with her loyal followers. She describes her shadowy single ‘The Knife’ as “an imagined letter to my surgeon written in the lead-up to my mastectomy. It’s a visceral scream from an impossible situation and has a darkness to it in the vein of Massive Attack/Warpaint.” The track is lifted from her upcoming debut album, Cycles, which she describes as “a miniature-epic song cycle about resilience, grief and defiant joy, weaving together unflinching, intimate vocals, analogue synth-scapes and diverse musical collaborations” including guitarist Karin Grönkvist (Junodef), bassist Alex Malseed (About Bunny) and strings composer Amy Chalmers (Bill Ryder-Jones). (KC)

Sontag Shogun x Lau Nau – ‘Tropic Movements’ (Amulets Rework)
I’m so glad I found this collaboration between Finnish musician Lau Nau and Brooklyn-based trio Sontag Shogun buried in my GIHE inbox! It’s taken from their recent album, Päiväkahvit, which is a follow-up to their critically-acclaimed record, Valo Siroutuu (2022). The new project includes 9 tracks that the artists worked on during their sessions together in Finland back in 2019, as well as four interpretive reworks including this one by Amulets – who I am a big fan of! Incorporating field recordings, tape, as well as acoustic and electronic instruments, ‘Tropic Movements’ is just one captivating example of the immersive body of work these talented collaborators have managed to create. (KC)

The New Eves – ‘Cow Song’
The GIHE team have been waxing lyrical about Brighton folk-punk four piece The New Eves since we caught them at The Great Escape Festival in May. Their dynamic blend of classical instrumentation and punk spirit is a fascinating live phenomenon. This track ‘Cow Song’ features on their debut album, The New Eve Is Rising, which is set for release on 1st August via Transgressive Records. We’ll definitely be at their London headline show at Hoxton Hall on 7th October. (KC)

Goat Girl – ‘Sleep Talk’ (chamber ensemble)
Another band I was lucky enough to catch at this year’s Cro Cro Land, longtime South London faves Goat Girl are now sharing something quite different from what we may be used to. A year on from the release of their latest album, Below The Waste, they are now sharing four reimagined renditions of its tracks. Scored and arranged by the band, these classical compositions were played live in the room with a DIY chamber ensemble made up of rising young musicians and artists in their own right, Aga Ujma & Slow Cooked. Flowing with sweeping strings, ‘Sleep Talk (chamber ensemble)’ showcases Goat Girl’s beautifully resplendent harmonies in a newly majestic light. (ML)

Jacob Alon – ‘Fairy In A Bottle’
I’ve actually been pretty late to discover Jacob Alon, or ‘Cob’ as I think they prefer to be known. I’d been hearing the name for a while, but recently listened to an episode of the Sidetracked podcast with Annie Macmanus and Nick Grimshaw where they spoke to them, and Cob just seemed like such a thoughtful, sensitive soul and wonderful creator. So, I immediately listened to their album In Limerence and was completely spellbound. And since then I’ve not stopped listening, the whole collection is just exquisite – really beautiful. Having recently supported Yeah Yeah Yeahs at Royal Albert Hall, and played Glasto this weekend, I  can’t wait to finally see them live at Deer Shed festival next month! (ML)

Kathryn Williams – ‘Personal Paradise’
Set to release her fifteenth (!) album in September, Kathryn Williams has now shared the first taste from the collection. Inspired by a poet-led writing session, ‘Personal Paradise’ twinkles with delicate, folk-strewn melodies and Williams’ distinctive luscious vocals, offering a heartfelt reflection on her old dog and its perceptions of what might constitute heaven. A beautiful insight into the vulnerability and personal reflection that shimmers throughout the upcoming album, Mystery Park, which is set for release on 26th September via One Little Independent Records. (ML)

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PLAYLIST: May 2025

We know our May playlist is a little delayed…(we were at The Great Escape Festival hosting our showcase on The Beach Soundwaves Stage!) but it’s still stacked full of new music from some of our favourite female, LGBTQ+ and non-binary artists.

We’ve put together another eclectic mix of indie musings, alt-folk tunes, punk bangers, immersive electronic sounds and some grunge & shoegaze anthems for your listening pleasure. Take some time to scroll through our selections below and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to see all of our previous playlists too. As well as streaming these tunes, we encourage you to follow the artists we’ve featured on social media, sign up to their mailing lists, go to their gigs and buy their records from bandcamp if you’re able to.

 

Jasmine.4.t – ‘Elephant’
I’ve made no secret of my love of Jasmine.4.t over the last year or so, and it was so wonderful to see her live for the second time, playing an exquisite set to a sold out Lexington last week. Following the success of her debut album, You Are The Morning, a jam-packed UK tour and a tour supporting Lucy Dacus across the US, the Manchester-based artist has now shared a special acoustic EP to raise money for AKT, a charity supporting young LGBTQIA+ people through housing emergencies.

Having been homeless and sleeping on the floors and sofas of queer friends herself when she wrote her album, it’s an organisation close to her heart: “The people who supported me during that time became my family and the muses for my album. This is such a beautiful full circle moment for me, to be in the privileged position of being able to pay that debt forward. Thank you all so much for your support. I love you.”

The EP features beautifully stripped back versions of three songs from her album, showcasing the heartfelt raw emotion and vulnerability that went into writing them: “We were originally gonna use the actual demos that got me signed by Phoebe, but my voice has changed a lot since then and I wanted to redo them, but in exactly the same way: with two vocal tracks and two guitar tracks, recorded in my bedroom on tape. You Are The Morning is an album about queer love and hope and solidarity, and so I wanted to share these tracks in that spirit.” Listen to the EP and donate on bandcamp now.
(Mari Lane – Managing Editor)

Ghostwoman – ‘Alive’
Set to release their new album in September, Belgium/Canada based duo Evan Uschenko and Ille van Dessel aka Ghostwoman have shared this anthemic new single. Propelled by Uschenko’s fuzzy hooks which he played on a 12 string guitar, along with van Dessel’s fierce caustic beats, it offers an impassioned ode to continuing to find joy in the art of creation in spite of the dark times we’re living in. Welcome To The Civilized World, the upcoming album from Ghostwoman, is set for release on 5th September via Full Time Hobby. (ML)

Slung – ‘Limassol’
Congratulations to Brighton rockers Slung on the release of their excellent debut album, In Ways. Released via Fat Dracula, the record showcases the band’s instinctive ability to blend raging riffs, powerhouse percussion and compelling vocals into songs about inequality, generational trauma and ruminations on what could have been. This track ‘Limassol’ is a shining example of the latter, inspired by fading memories of lost love. Check out the accompanying video here. (Kate Crudgington – Features Editor)

Anna Younger – ‘Girl Guts’
This is the latest single from Scottish independent musician Anna Younger and it simmers with relatable angst. Her grungy guitars and potent vocals combine to create a foreboding soundscape, as she uses the lyrical metaphor of fruit “to explore the challenges, transitions and pain of the female existence.” (KC)

M(h)aol – ‘I Miss My Dog’
I’ve been following Irish post-punks M(h)aol since they released their powerful single ‘Laundries’ back in 2020. Their lineup has changed and their sound has developed significantly since then, which has culminated in the trio’s excellent new album, Something Soft. ‘I Miss My Dog’ is lifted from the record, released via Merge Records & TULLE. It’s an ode to drummer & vocalist Constance Keane’s late canine companion Poppy, who passed away in July 2024. (KC)

Problem Patterns ft. Matt Korvette (Pissed Jeans) – ‘Sad Old Woman’
Everyone here at GIHE loves Belfast DIY punks Problem Patterns, so it’s no surprise that we’re including their latest anthem on our playlist! Featuring vocals from Pissed Jeans’ vocalist Matt Korvette, ‘Sad Old Woman’ is the band’s riotous new effort that tackles ageist & sexist stereotypes and encourages listeners to dismiss these damaging anti-ageing narratives. The track is accompanied by a music video too, which you can watch here. We can’t wait to have Problem Patterns headline for us again at our GIHE 10th Birthday All-Dayer gig at The Cavendish Arms on Saturday 27th September. There are only a few tickets left – grab yours here! (KC)

Fortitude Valley – ‘Sunshine State’
Set to release their new album this summer, Fortitude Valley have been big faves of mine since their 2021 debut, and they continue to charm my ears with their glistening new single. Complete with jangly guitars and heartfelt sugar-sweet vocals, ‘Sunshine State’ offers a sparkling reflection on the mixed feelings of front person Laura Kovic’s about leaving her home country of Australia – interweaving a nostalgic sentimentality with a driving punk-pop energy. Of the track, she explains: “I was so keen to get away! From such a beautiful place! So the song is like: I’m going back to the Sunshine State to find my younger, more melodramatic self and catch-up with her.” Part Of The Problem, Baby, the upcoming new album from Fortitude Valley, is out 1st August via Specialist Subject Records. (ML)

Rival Queens – ‘Right Now’
Following her riotous, grunge-infused debut ‘Not Your Enemy’ and the more heartfelt ‘Sun Don’t Shine’, esteemed session guitarist and songwriter Sally-Anne Hickman aka Rival Queens has now shared a sparkling new single. Reflecting on feelings of burnout and workplace apathy, ‘Right Now’ oozes shades of the sparkling indie-pop of bands such as Best Coast as its swirling musicality and shimmering singalong refrains offer an insight into Sally-Anne’s ability to create heartfelt instant earworms of any genre. (ML)

Junk Whale – ‘Grief Song’
Over the last couple of weeks since the new self-released EP from Junk Whale came out, I’ve been pretty much listening to it non-stop, unable to get enough of its scuzzy raw emotion and lilting indie-pop energy. Despite covering poignant themes such as grief and mental illness, the EP as a whole oozes an uplifting effervescent spirit, each track offering an instantly catchy jangly earworm (and not a repeating chorus in sight!). The band expand: “Lyrically, this might be our darkest release yet, written under the cloud of lockdown malaise and personal setbacks. But musically, it’s probably our most upbeat and energetic.” (ML)

Strange New Places – ‘Sleep For Dinner’
The third in a series of singles released ahead of their new album, ‘Sleep For Dinner’ is the latest offering from Belfast’s Strange New Places. Juxtaposing reflections on feelings of fatigue and depression with an uptempo scuzzy energy, and the band’s trademark fiercely impassioned emotion, they’re keen for us to keep in mind that – despite its resonant subject matter, “…the track is also funny and a bop.” Another instant fave from this queer, neurodiverse band of “right on radicals with low self-esteem.” (ML)

Maya Lakhani – ‘Fall For Me’
Someone who’s wowed us with her energy-fuelled live shows on more than one occasion, and with acclaim from the likes of Radio 1’s Jodie Bryant and BBC Introducing Melita Dennett, rising star Maya Lakhani is a firm fave here at GIHE. Inspired by ‘00s teen movie prom scenes, latest single ‘Fall For Me’ flows with a soaring shimmering emotion, as jangling hooks provide the backdrop for Lakhani’s rich vocals, creating a heartfelt alt-rock anthem. (ML)

ettie – ‘The Song I Scream In The Shower’
The new single from queer pop-punk artist ettie, ‘The Song I Scream In The Shower’ offers a perfect nostalgia-tinged ‘revenge-bop’. Propelled by a fierce fun-filled energy and catchy angst-driven refrains, it reflects on the “age-old coping mechanism of getting all your feelings out in the shower.” I can’t wait to hear more catchy anthems from ettie! (ML)

Catbear – ‘Who Cares?’
Having been part of the dreamiest of weekends with us last month, supporting Roller Derby at two consecutive sold out shows in London and Brighton, Brighton-based duo CATBEAR have now shared a catchy new single. Propelled by an uplifting fizzing energy and fierce driving beats, a raw emotion shines through the lush vocals, offering a glistening slice of empowering electro-pop; a shimmering ode to the draining emotions that come with social anxiety (a sentiment I can very much relate to!). Of the track, singer/guitarist Zoe explains: “The song sounds upbeat, but underneath it’s me trying to stay grounded – reminding myself it’s okay to show up, be a bit awkward, and not care so much what anyone thinks.” ‘Who Cares’ will feature on Catbear’s upcoming second album, due for release later this year. (ML)

Beauty Sleep – ‘Radical Happiness’
Recently signed to Alcopop! Records with the announcement of the upcoming release of their second album, Derry faves Beauty Sleep have now shared a colourful new single to celebrate. Fizzing with a glitchy energy and swirling uplifting emotion, album “theme song” ‘Radical Happiness’ offers a twinkling, empowering ode to self care and embracing doing things that bring you joy. Of the inspiration behind the track, the duo explain: “Our mental health was so low and we were such people pleasers to a fault that prioritising our emotions and desires felt radical. So we embarked on figuring out how to find Radical Happiness by living it—we did all the things we thought we weren’t good enough for, things we thought we would do ‘when we were successful,’ or ‘when we had more money,’ or when the perfect conditions were just so…” The Whole Damn Cake, the upcoming second album from Beauty Sleep, is set for release in October this year. (ML)

ZAND – ‘TOES!’
I’ve been following the well deserved rise of “sewerstar” ZAND since we interviewed them on our GIHE radio show back in 2020 (listen back here) – so I was chuffed to see this gritty single ‘TOES!’ in my inbox. It’s their first piece of new music since November 2024, equally as inspired by Eminem as it is Nine Inch Nails. ZAND is currently working on their debut album, which I can’t wait to hear in full. (KC)

Twin Rains – ‘The Evil That You Know (Let It Go)’
Toronto dream-pop duo Twin Rains released one of my favourite tracks of 2023 (‘You’re The Only One’) so I was thrilled to see an email from the band (buried in my GIHE inbox) sharing new music with me! Described as “My Bloody Valentine meets Oasis in the dystopian present” this new track ‘The Evil That You Know (Let It Go)’ is full of their trademark intoxicating riffs, dreamy vocals and driving beats. (KC)

Errunhrd – ‘Don’t Drink Chemicals’
Canadian songwriter and producer Shirin Ghoujalou aka Errunhrd has shifted from dream-pop to dark electronica on her latest album, Everything I’ve Ever Known, and I am here for it! This change in musical direction was inspired by a need to explore parts of her psyche that she had previously ignored, experimenting with MIDI string orchestration, vocoders, granular synthesis and syncopated melodies to help her carve a path towards self-love and acceptance. (KC)

Venus In Noise – ‘In The Sun’
A jagged ray of sonic sunshine from London-based duo Venus In Noise here! This new single is full of the pair’s trademark dark electronics and infectious rhythms, which they’ve been sharing with crowds through their live performances – including a show at East London’s Sebright Arms – earlier this month. (KC)

Elaine Mai ft. Faye O’Rourke – ‘AIM’
Irish electronic artist Elaine Mai is gearing up to release her second album, For Us, on 19th September. This collaborative track ‘AIM’ – featuring Soda Blonde vocalist Faye O’Rourke – is an exciting taste of what we can expect from the talented producer. Inspired by “generational trauma and its lingering effects,” O’Rourke’s heartfelt vocals soar above Mai’s potent dance beats and shape-shifting electronics, showcasing her instinct for crafting melodic and surprisingly emotive dance anthems. (KC)

Nastazia Bazil – ‘Call Me Habibi’
Having released her debut album this week, Lebanese artist Nastazia Bazil never believed that she would be able be able to play music that other people would want to hear, but since forming a band at First Timers Fest a few years back she has been proved wrong; a familiar face on the London DIY live circuit, she has been frequently charming audiences across the city with their unique, immersive sounds. Taken from the album, ‘Call Me Habibi’ offers a truly stirring anthem, reflecting on feelings of being torn – knowing that she can’t move back to Lebanon due to political unrest, but feeling homesick and missing simple things such as her mum’s cooking. From Beirut To Anywhere, the debut album from Nastazia Bazil, is out now. Listen/download on bandcamp. (ML)

Lōwli – ‘Ground Above You’
“‘Ground Above You’ explores feeling lost in your sense of self, while struggling to find purpose and understanding in an often unsettling and disjointed world,” explains Irish composer and songwriter Lōwli about her latest single. A beguiling blend of lilting keys, disarming vocals and ethereal string sounds, the track beautifully showcases Lōwli’s ability to transport listeners to another realm – making her one of my favourite new music discoveries this year. (KC)

Maria Somerville – ‘Spring’
Lifted from her captivating new album, Luster, this lush track by Irish musician Maria Somerville is a tonic for tired ears. Released via 4AD, Somerville’s latest full length was written and recorded in Connemara in the artist’s home county of Galway. Energised by the fondness and familiarity of her surroundings, she created twelve tracks that shimmer with sensitivity and a serene sense of self-confidence, with this single ‘Spring’ being a perfect example of both. (KC)

The New Eves – ‘Rivers Run Red’
Team GIHE caught Brighton four-piece The New Eves live for the first time at The Great Escape Festival in May, and we were captivated by their incendiary blend of classical instrumentation and punk spirit. This track features on their debut album, The New Eve Is Rising, set for release on 1st August via Transgressive Records. ‘Rivers Run Red’ is an amalgamation of the band’s beginnings – from guitarist/violinist Violet pouring blood on to herself during early performances, to drummer, flutist & vocalist Ella’s heartfelt teenage poetry – showcasing the power and originality of the ensemble’s musical vision. We’ll definitely be at their London show at Hoxton Hall on 7th October. (KC)

Nadah El Shazly – ‘Laini Tani’
Egyptian, Montreal-based producer, vocalist, composer and actor Nadah El Shazly has released her highly anticipated second album, showcasing her immersive, genre-defying sounds and ability to fuse traditional Arabic influences with a more avant-garde improvisational instrumentation. Title track ‘Laini Tani’ offers a mesmerising insight into the sounds El Shazly is able to create; flowing with a delicate, twinkling musicality, it builds with a subtle soaring power and glitchy energy into a truly spellbinding ballad. Laini Tani, the new album from Nadah El Shazly, is out now via One Little Independent Records. (ML)

Lightheaded – ‘The View From Your Room’
Formed back in 2017, New Jersey’s Lightheaded are set to release their second album later this month, and to celebrate, they’ve shared this shimmering new single. ‘The View From Your Room’ ripples with a cinematic musicality and lilting energy, as gorgeous sunny vibes emanate with shades of the likes of indie-pop faves Camera Obscura or Best Coast.
Thinking, Dreaming, Scheming, the upcoming new album from Lightheaded, is out on 27th June via Skep Wax. (ML)

Ailsa Tully – ‘Self Soothing’
The first single taken from her upcoming debut album, ‘Self Soothing’ offers a welcome return from Welsh artist and GIHE fave Ailsa Tully. Offering a vulnerable sentimentality, a delicate musicality glistens as Tully’s distinctive crystalline vocals flow seamlessly with a stirring raw emotion throughout. With its added immersive synth-driven layers and subtle sense of angst that ripples under its surface, a gritty edge is added to this innovative artist’s trademark heartfelt splendour. (ML)

Rats-Tails – ‘Public Domain’
Having blown us away with their unique eclectic sounds and immersive energy playing for us last year at The Shacklewell Arms, South East London faves Rats-Tails have now released their first single of 2025. Flowing with a lilting folk-strewn musicality and mystical allure, ‘Public Domain’ reflects on feelings of burn-out, the intrusive thoughts that accompany it and the tension between art and commodification. As front-person Courtney McMahon’s ethereal vocals shimmer throughout, a dreamily psychedelic soundscape is created, cementing Rats-Tails as an innovative band impossible to pigeon hole into any one genre. (ML)

Kate Nash – ‘Germ’
Amidst all the terrifying regression of policies and ridiculous attempts by those in power to curtail the rights of trans folk, being an ally is more important than ever before. So, it’s been great to hear Kate Nash use her platform to spread the word and speak out against so-called feminists who are set on excluding trans women from public spaces and inciting fear and hatred with new single ‘GERM’. With its direct lyricism taking aim at these ‘Exclusionary Regressive Misogynists’, Nash explains: “I am left uneasy as I see behaviours we would otherwise or previously label as intolerance or bullying become normalised & even celebrated by the media & in society. Dismantling systems of oppression lies at the very core of feminism. If you are transphobic, therefore, you are not a feminist. Welcome to your rebrand, GERM.” Just to clarify, as Nash states in the song, “I’ve never felt threatened by a trans person” and will continue to stand by my trans siblings today and every day. Watch the full lyric video here. (ML)

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PLAYLIST: April 2025

The Get In Her Ears team have put together an eclectic mix of indie musings, dream-pop tunes, electronic soundscapes, alt-pop gems and alternative anthems and for your listening pleasure. Take some time to scroll through our selections below and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to see all of our previous playlists too. As well as streaming these tunes, we encourage you to follow the artists we’ve featured on their social media, sign up to their newsletters and buy their records from bandcamp if you’re able to!

This month, we’d also like to give a special shout out to the eclectic community of trans artists that we support at GIHE. At a time when things are so uncertain, we would like to reiterate that we stand by our trans siblings today and every day. We promise to do all we can to continue advocating for them and uplifting their voices.

It’s important to act in other ways too. We will continue to help create safe inclusive spaces, challenge transphobia whenever encountered, attend protests, write to our MPs, share facts and resources to counter misinformation, as well as consistently listen to what the trans people in our lives have to say.

There are also a number of fundraisers currently available to donate to, including The Good Law Project and Trans Legal Clinic, as well as organisations that consistently support the community like Gendered Intelligence and Not A Phase.

STRAIGHT GIRL – ‘God’
Mari hosted the final London show for “grave-rave electronic” artist STRAIGHT GIRL at The Divine in East London last week and I’m still thinking about how brilliant it was. STRAIGHT GIRL (who does not identify as either a girl, or as straight) is such a force of nature on stage. They gave a formidable final performance that included getting the crowd to hold hands and skip in a circle, a stage massive stage invasion and an iconic impersonation of Charli XCX. Not only that, they passionately advocated for the queer and trans community throughout their set. They dedicated this track ‘God’ to all of the “queer villains” in their lives – a sentiment that we love.
(Kate Crudgington – Features Editor)

Liv Wynter – ‘Violence’
DIY artist and activist Liv Wynter captivated us with their tenacious performance supporting STRAIGHT GIRL last week. Mari and I have been long-time admirers of the work that Liv does for the DIY and queer communities both on and off stage, so to see them live and hear them advocating for change so fiercely in the flesh was really inspiring. This track ‘Violence’ is taken from Liv’s EP of the same name, which they released back in 2023. (KC)

KABEAUSHÉ – ‘These Dishes Ain’t Gonna Do Themselves’
I’ve only just discovered KABEAUSHÉ whilst trawling through The Great Escape playlist, but I’m already a huge fan of the Kenyan multi-instrumentalist, singer and producer. I love how their music gives a voice to their alter-ego, the Shé; expressing a colourful, joyous celebration of being yourself with an infectious sparkling energy. I don’t know much about them yet, but I love this bio on their Bandcamp page: “Kabeaushé isn’t interested in playing the clout game, they’re making a statement: they’re here, they’re doing it on their own, and they’re gonna be as extravagant and as cute as they want.” I was hoping to catch them live at The Great Escape, but their set actually clashes with ours… Fingers crossed I get to witness what I’m sure is a euphoric live experience one day!
(Mari Lane – Managing Editor)

Wet Leg – ‘catch these fists’
Wet Leg are back! They’ve shared their first new track in 3 years and it’s as infectious and catchy as all of their previous efforts. ‘catch these fists’ is taken from the band’s upcoming second album, moisturizer, set for release on 11th July. The track is accompanied by another distinctively Wet Leg video, which you can watch here. (KC)

Scrounge – ‘Melt’
Mari, Paul and I caught South London duo and long term GIHE faves Scrounge live at their sold out headline show at The Lexington last week, and we’ve been talking about how great they were ever since. They’ve just released their stellar new album, Almost Like You Could, and we are beyond excited to have them headline our showcase on The Beach Stage at The Great Escape Festival on Saturday 17th May! Comic Sans, Rubie, Maria Uzor and afromerm will also be joining them. We can’t wait! Grab your tickets for the festival here. (KC)

Penelope Trappes – ‘A Requiem’
Congratulations to Brighton-based Australian multi-instrumentalist and GIHE fave Penelope Trappes on her exquisite new album, A Requiem. Released via One Little Independent Records, the album is inspired by grief, generational trauma and the power of dreams and nightmares. Trappes’ ruminations on these experiences have resulted in a beautiful collection of experimental, shadowy sounds. A Requiem is also an ode to finding the light in the darkness too, which Trappes seems to achieve effortlessly too. (KC)

Dose – ‘After This’
**Trigger Warning: Mention of sexual assault**
Following on from their previous single ‘Parallelogram’, Dublin-based four-piece Dose have returned with this poignant new track. Written by Lizzie Fitzpatrick, ‘After This’ explores the narrative of a woman who is suffering from agoraphobia and isolation after surviving abuse by a man known to her community. “I wanted to explore the quiet judgment and whispers that can surround survivors,” Lizzie explains. “She’s seen almost like a clown figure, someone people talk about in hushed tones instead of supporting — ‘ah you know what she’s like, sure she’s stuck to the bed.’ The story isn’t hers alone; it’s told from the outside, by the people around her.” The band’s treatment of such an important subject is deeply impressive, leaving the track ringing in our ears long after it’s finished playing. (KC)

Otta – ‘Bump’
This is the latest release from Otta, taken from their album With Love From Everywhere released at the beginning of April – which I am loving. Give it a listen! (TW)

Stella Bridie – ‘Organ Donor’
This is the latest release from Australian musician Stella Bridie, who writes for the long walk home from the party where mind games dance. If you liked the sound of ‘Organ Donor’, she’s playing at the Waiting Room on the 9th May. She’s also playing at The Great Escape Festival in Brighton, where I will be hoping to catch her live. (TW)

peach|melba – ‘Worst Trimester’
peach|melba are an L.A./UK indie punk duo who record and mix everything themselves. They “swear on your mother’s life to release a new song every six weeks until world peace has been fully achieved” and that has culminated in this single ‘Worst Trimester’ – such a vibe! (TW)

HAAi – ‘Shapeshift’
Exploring the “duality of being both the person you are onstage and the person you are at home, in the normal world” – I love this latest release from electronic artist and producer HAAi. (TW)

Rubie – ‘To Change’
Having completely captivated us with her truly spellbinding, resonant performance headlining for us at The Divine last year, we’re super excited to have exquisite songstress Rubie playing our showcase at The Great Escape this year (along with other faves Scrounge, Comic Sans, Maria Uzor and Afromerm)! Flowing with a swirling majestic allure, last year’s Seek Sisters album was one of my favourites, interweaving her quirky jazz-tinged melodies with a soaring, heartfelt joy throughout. Opening track ‘To Change’ seems particularly poignant right now, its empowering refrain “I’ve got sisters of every gender and shape” offering a beautiful ode to female solidarity and trans sisterhood. (ML)

Jasmine.4.t – ‘Woman’
It’s been so wonderful to see the acclaim and success that total fave Jasmine.4.t has been receiving over the last few months. In addition to being one of my own Ones To Watch, she’s not only featured regularly on the BBC 6 Music ‘A List’ and been reviewed by the likes of Pitchfork, but has also supported Lucy Dacus on tour in the US. This track, taken from last year’s debut album, You Are The Morning, offers a beautiful reflection on her experiences as a woman, glistening with a stirring emotion as she shares this deeply personal affirmation as a statement of solidarity with her trans siblings. (ML)

Ezra Furman – ‘Power Of The Moon’
Taken from her upcoming new album, this new single from Ezra Furman offers a reflection on her religious beliefs with a recognition of the seemingly illogical nature of them: “I love a diffuse God, one who is everywhere, underlying everything, and who absolutely does not fit into my little consciousness with all its rational rules. My God makes no sense. That’s one thing I love about her. That’s how I know she’s much bigger than anything we could have invented.” Taking Furman five years to write, ‘Power Of The Moon’ showcases her distinctive compelling vocals with a gorgeously fuzzy psych-rock musicality. (ML)

Kat Five – ‘Switch’
The first in a string of new releases from Kat Five, who you may know from electro-punk duo Feral Five, ‘Switch’ offers an empowering ode to self-love in all its forms. Propelled by glitchy beats and an immersive energy, Kat’s soaring raw lyricism glistens with an ethereal splendour, as the track builds with a fierce sense of hope to create an enticing soundscape. ‘Switch’ is produced by fellow GIHE fave Rookes and mastered by Izzy McPhee at Weird Jungle. (ML)

Roller Derby – ‘Lights Out’
We’re such huge fans of Hamburg duo Roller Derby’s exquisite atmospheric dream-pop and cannot wait to host two headline shows for them, with support from electro-indie duo Catbear, at The Lexington on 9th May and down in Brighton at The Rossi Bar on 10th May. They delivered a beautifully immersive set for us when they sold out the Shacklewell Arms last year, and we’re so excited to witness their glistening heartfelt splendour again next week. Don’t miss out – nab tickets here now! (ML)

Nouria Bah – ‘Sawtooth Ruler’
With roots in Senegal/Guinea and having grown up in the US, the now London based artist Nouria Bah has now shared a shimmering new single, following the release of her innovative debut EP Don B4 last year. Inspired by the idea of fighting a fictitious supervillain, ‘Sawtooth Ruler’ fuses together a jazz-tinged soundscape with ethereal vocal layers, creating an immersive glistening cacophony. (ML)

Lein Sangster – ‘Library Fines’
East London-via-Liverpool artist Lein Sangster is no stranger to the music scene, having previously featured in ‘80s band KIT and created music under the moniker Bad Anorak 104. Now, set to release their debut solo album in June, they have shared a soulful new single. Reflecting on frustration and the need for recognition, ‘Library Fines’ combines jazz-tinged hooks with mariachi-inspired rhythms as Sangster’s gritty lyrical storytelling shines through. In Spite Of Everything, The Stars, the upcoming debut album from Lein Sangster, is set for release on 6th June. (ML)

The New Eves – ‘Highway Man’
Recently signing to Transgressive Records, Brighton’s The New Eves have now a fierce new single. A driving slice of raw post-punk, ‘Highway Man’ oozes the swirling gritty power of Patti Smith as a unique captivating energy and visceral sense of urgency seethes throughout. A musical retelling of the 1906 Alfred Noyes poem, this rendition centres the female character – “In the original version it’s this dude, who’s being the dude, and the girl doesn’t do anything and then dies,” says Nina from the band, “…so I was like, ‘We can’t have that.” (ML)

Squirrel Flower – ‘intheskatepark’
Continuing to be a firm favourite of mine, especially since seeing their stunning live performance at The Lexington last year, Squirrel Flower now features on a fantastic new compilation to raise money for the (sadly) much needed Trans Youth Emergency Project – an organisation helping families to navigate all the confusing legislations that are currently being put in place in the US, and offering financial and logistical support to them. True Names: A Benefit For Trans Youth also features songs from the likes of Remember Sports and Trash Girl and will be released this Friday 2nd May via Worry Bead Records. (ML)

Folk Bitch Trio – ‘The Actor’
Having been making a name for themselves over the last few years, playing SXSW and supporting the likes of Courtney Barnett and Julia Jacklin, wonderfully named Aussie band Folk Bitch Trio have now shared a twinkling new single. Documenting the highs and lows of a romantic relationship, ‘The Actor’ flows with a lilting folk-strewn musicality and delicate harmonies, alongside a gritty raw emotion. Catch Folk Bitch Trio at St Pancras Old Church on 14th May, and then at The Great Escape in Brighton on 16th May. (ML)

Strange New Places – ‘Coraline’
Following the fizzing pop-punk of last single ‘YATPYFL’, Belfast queer punks have now shared a life-affirming new single. A heartfelt ode to friendship and being there for each other when you’re struggling, ‘Coraline’ is inspired by its namesake; a friend who’s been there for songwriter Ash through the thick and thin, sharing and empathising with the bigotry they both face as trans women. Released the same week as the devastating and terrifying Supreme Court Ruling, with ‘Coraline’ Strange New Places offer a reassuring voice of solidarity and unity. (ML)

Sister Wives – ‘YnCanu’
I’ve been following Welsh band Sister Wives since being blown away by their live set at Deer Shed Festival a couple of years back, and so was excited to hear they’ve released a new single. An evocative retelling of the story of Rosina, a ghost who’s said to haunt the Wylfa Power Station, ‘YnCanu’ (translated as ‘Is Singing’) offers a spellbinding anthem that builds with an immersive, impassioned energy. Of the track, the band explain: “we wanted to capture ttwo parts of the tale: the tension between the relentless power of the nuclear station and the tranquil beauty of the surrounding landscape, mirroring the delicate balance between life and death”. (ML)

Kaput – ‘Sucker’
I’m loving this fierce new single from Chicago duo Kaput. A seething reflection on the pressures of other people’s expectations, ‘Sucker’ rages with pummelling beats and scuzzy hooks, as a ferocious driving energy propels its message into your ears. ‘Sucker’ is taken from Kaput’s recently released album, One. (ML)

Laura Reznek – ‘Yacht Rock’
Following the release of her acclaimed debut and cross-disciplinary stage show Agrimony, Canadian artist Laura Reznek has just released her new album, The Sewing Room. Taken from the album, new single ‘Yacht Rock’ reflects on the damage men can do to us in a patriarchal society as glistening folk-tinged melodies and delicate rich vocals build with a stirring sense of urgency. Of the track, Reznek explains that it’s “… a song that began in a place of fury at powerful men, but ended up mapping the quieter, more personal toll that power imbalances can take.” (ML)

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