Track Of The Day: Amaroun – ‘Floating’

Having previously received acclaim from the likes of BBC 6Music and BBC Music Introducing, and having charmed our ears with luscious offerings such as ‘Rise’ and ‘Scarlet‘, GIHE fave Amaroun has now announced the release of her upcoming debut album, and we could not be more excited!

Taken from the album, latest single ‘Floating‘ flows with the effervescent emotion of Amaroun’s vocals alongside twinkling keys to create an utterly euphoric soundscape. Floating into the ears with a soothing, stirring splendour, it offers a short – but exceedingly sweet – taste of what’s to come from the upcoming album. If you need a blissful interlude to the stresses of every day life, then look no further; immerse yourself in the shimmering, soulful sounds of this truly heavenly creation.

‘Floating’ will be followed by three more singles before Amaroun’s debut album, Mars, is released on 3rd June. Of the album, Amaroun explains: “Mars is a trip into my experience navigating this mad world as a black queer woman, it’s about feeling down, getting up and coming out.“

Mari Lane
@marimindles

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Track Of The Day: VERO – ‘Cupid’

An intoxicating blur of urgent vocals and buzzing riffs, Stockholm-based trio VERO have shared their latest single ‘Cupid’. Taken from the band’s upcoming debut album Unsoothing Interior, which is set for release on 6th May via PNK SLM, the track is a raw exploration of lust and control, punctuated by discordant guitar noises and brooding lyrics.

Formed of teenage friends Julia Boman & Amanda Eddestål and Clara Gyökeres who they befriended whilst DJ’ing on the Stockholm nightclub circuit, VERO create music inspired by an eclectic range of influences. Their main purpose, aside from creating anthems with shades of 90s alternative icons Sonic Youth, is to challenge the idea of what a modern guitar band is supposed to be. That challenge started with previous singles ‘Beg!’ and a cover of Shame’s ‘Concrete’, but now the trio have further proved their ability to antagonise and intrigue listeners with their new single ‘Cupid’.

“‘Cupid’ was the first song we wrote that made the album” the band explain. “We had made a couple of demos before, but we weren’t loving them. They all sounded a bit too pretty and safe, so when the drums for Cupid were done, we took a guitar and started making these wheeling, chaotic noises, and that was it. That was the sound that set the tone for our album. The lyrics are a bit dream-like, it’s about lust and control.”

With their refreshingly candid approach to making music, VERO’s debut album is set to be a cathartic listen. “We don’t want to be super musicians,” bassist & vocalist Julia Boman explains further. “We want to write the best fucking songs and just have the best energy and show people that we’re having fun.” With ‘Cupid’, the band have certainly achieved that.

Listen to ‘Cupid’ below.

Follow VERO on bandcamp, Spotify, Twitter, Instagram & Facebook

Pre-order VERO’s debut album Unsoothing Interior here

Photo Credit: Dan Kendall

Kate Crudgington
@KCBobCut

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Track Of The Day: Angela Sclafani – ‘Bell Jar’

Angela Sclafani is a New York City singer, songwriter and theatre-maker with an impressive list of collaborations and accolades. With three previous independently released EPs, including Edge of Seventeen, a re-imagining of Stevie Nicks’ classics, she demonstrates song writing at its finest, time and time again. Creative imagery and unforgettable melodies are what make her latest single so deliciously appealing. Inspired by Sylvia Plath’s 1963 novel, ‘Bell Jar’ was created to encourage the breaking free from conventions and patterns that hold you down. It’s uplifting, it’s heartfelt, and it’s slick; a potent bite of pop rock genius.

The anthemic ‘Bell Jar’ is destined to be performed in big venues. The song is so driven that it pulls you right into its energy, and before you know it you are joining in and shouting back the euphoric chorus. It’s a smooth ride – the verses build up to the chorus beautifully and every part of the instrumentation feels so confident. Sclafani’s dynamic vocals command both your attention and enjoyment, and the melodies she sings are energetic and infectious, shining above the tight backing. The production is crisp with just the perfect amount of shimmer to make the track glisten.

‘Bell Jar’, whilst predominantly a pop-rock track, contains rich flourishes of Americana and folk influences, with Sclafani’s musical style sitting alongside songwriters and artists Haim, Fleetwood Mac, Regina Spector and Taylor Swift. An truly eclectic soundscape emanating Sclafani’s unique talent for creating emotionally raw, yet beautifully uplifting, offerings.

Jaz Kelly
@surfjaz

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Track Of The Day: Petrol Girls – ‘Baby, I Had An Abortion’

Having received acclaim from the likes of Kerrang!, The New York Times and BBC 6Music, for pertinent, powerful offerings such as ‘Touch Me Again’ and ‘No Love For A Nation’, GIHE faves Petrol Girls have now shared a colossal new single.

Highlighting the truth that everyone should have access to an abortion, without shame, ‘Baby, I Had An Abortion‘ oozes a brutal, unapologetic honesty, propelled by the gritty, seething force of Ren Aldridge’s vocals. A no holds barred attack on the pressures on those with a womb to procreate, and the shame they are made to feel for terminating unwanted pregnancies, the track races with a swirling, frenzied energy as the fiercely impassioned refrains of “Shame Shame Shame!” and “Baby, I had an aborition and I’M NOT SORRY!” blast out with a commanding sense of urgency.

An immense, empowering statement reflecting on Aldridge’s own experiences of having an abortion in 2018 (having found out she was pregnant the morning that the Eighth Amendment was repealed in Ireland), ‘Baby, I Had An Abortion’ offers a poignant ode to bodily autonomy. A raging cacophony fuelled by a riotous catharsis that emits both joy and anger; urging us to fight against the confines of this damaging patriarchal society and heinous pro-life laws, whilst also recognising that abortions – although often traumatic – can come with a sense of relief and happiness, and our access to them is something to be celebrated.

Of the track, Aldridge explains:

“(‘Baby, I Had Abortion’) is first and foremost intended for upsetting pro-lifers on demonstrations. The ‘Shame Shame Shame’ lyric is totally a Game of Thrones reference, and the whole idea is intended to ridicule pro-lifers’ attempts to shame us for exercising our bodily autonomy. I wanted the song to have party vibes because I feel like abortion… can be something to celebrate. I wanted to put something joyful about abortion out into the world.“

Petrol Girls will be raising money for Abortion Without Borders with this release. They’re a network of organisations that fund and support people in Poland to access abortion in neighbouring countries or at home with pills. Abortion laws were further tightened in Poland last year making it only legal in extremely limited circumstances.

Catch the incredible force of Petrol Girls live on their run of UK dates next month. Tickets and info here.

Mari Lane
@marimindles

Photo Credit: Martyna Wisniewska

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