Track Of The Day: Aisha Badru – ‘Rooted’

Enchanting folk-strewn new-age dreaminess, Aisha Badru’s latest single ‘Rooted’ is a therapeutic exploration of the feeling of home. It’s reassuring and comforting as if she was speaking directly to you, drawing you into the song. A truly stunning new offering.

‘Rooted’ is spacious and its simplicity gives the song a calming effect. Electronic and folk elements are combined to create an ethereal ambiance. Like rays of sunlight shimmering through the trees, you can hear nature seeping through the track. The atmospheric synth sounds function as a drone, creating a meditative sense of stillness. As I listen, the sweeping textures of the drone awaken an awareness of my body, giving me goosebumps. 

It feels as though the song creates a space for reflection and healing. The instrumentation is carefully layered to create calming soundscapes. Furthermore, Aisha’s voice is soft and soothing, her lullaby-like lilting melodies feel intuitive and natural. The vocals sound intimate as though it’s whispered into your ears. The simplicity enhances the heartfelt lyrics and allows you to reflect on each phrase. Aisha sings “plant your trees upon the earth, know your value, know your worth”, in a way that radiates sweet positivity. Alongside its positivity, the track seems to be both dripping with emotion whilst also being subtle and restrained in a way that is really impactful. Aisha, who has spent much of her time travelling around the world, explains that she never really had roots, but now – living in Orlando with her partner and twin toddlers – “We’re planting seeds and starting a garden. This is home. I’ve never felt this sense of home”.


Aisha Badru’s The Way Back Home EP is set for release on 3rd December via Nettwerk Records – it’s going to be a perfect way to reflect on the end of the year. You can pre-save the EP via a donation to the One Tree Planted non-profit organisation.

Jaz Kelly
@surfjaz

Photo Credit: Jeffery Trapani

ALBUM: YAY MARIA – ‘OYEZ’

YAY MARIA is the supremely talented Maria Machin – a trans and queer musician from Derby, who you probably know as the front-woman of Grawl!x. With this solo electronic pop project, Machin has created an outlet to explore her gender transition. And after listening, you’ll be grateful that she chose to invite us on the journey.

Her long-awaited debut solo album is nothing short of magical. Ambitious and accomplished, OYEZ is a DIY pop record that transcends its humble origins. Its beats, bleeps and harmonies will fill your heart and send pure joy racing around your body. It feels like a celebration of otherness; breaking boundaries with lush orchestration, samples and driving beats without losing sight of its pop sensibility.

The album feels truly immersive. The giddy dancefloor stomper ‘TRU CRUSH’ is a standout, as are ‘PLASTIK PINK’ and ‘SHOPPING CENTRE’ – both sassy, grown-up slices of electro-pop that would be killer singles. Meanwhile, Belper’s Town Crier pops up halfway through the record too, just to let us know that YAY MARIA hopes we’re enjoying ourselves in a cute little nod to Machin’s Midlands’ roots!

Yet, despite these highlights, it’s the anthemic (and brilliantly named) ‘EPIPHANY (IN A CHARITY SHOP)’ that’ll stay with me. In it, Machin reflects on YAY MARIA’s purpose. “This isn’t about me,” she says. “It’s about so much more than me.” And she’s right. At a time where the trans community faces so much hostility, I really hope this album finds its way to the ears, hearts and minds who need it.

A joyful, powerful and important album, OYEZ offers love, solidarity and the inspiring message that being queer is beautiful. Yay to that, Maria!

OYEZ is out now. Buy the digital album on bandcamp now.

Vic Conway
@thepicsofvic

Track Of The Day: CMAT – ‘No More Virgos’

A disco-tinged lament to the “little September boys” who make her melancholy, Irish pop sensation CMAT has shared her latest single ‘No More Virgos’. Taken from her debut album If My Wife New I’d Be Dead, which is set for release via AWAL Recordings on 25th February 2022, the track is brimming with CMAT’s trademark wit and yearning, country-inspired vocals, brilliantly showcasing her gift for intuitive songwriting.

Born from her desire to “marry her love of 80’s Italo disco with her hatred of Virgos,” CMAT’s playful new tune is a wry nod to her compulsive romantic decisions. “My mental health is banking on my chastity / and you’re bad for me” she jests over buoyant melodies, gently resisting the urge to circle back and repeat the same pattern of behaviour in her previous relationships.

“I’m the kind of girl who dates the same person over and over again. Specifically, every single one of my partners have been Virgos,” CMAT aka Ciara Mary-Alice Thompson explains. “I wanted to write a song that pokes fun at this aspect of my personality, and try to be a voice for all of my long-suffering friends. I just can’t help myself from making terrible decisions sometimes! Sorry!”

CMAT is set to play two sold out dates at The Troubadour in London on the 9th & 10th November and we can’t wait to hear her sparkling pop sounds, witty lyrics and lush vocals live.

Listen to ‘No More Virgos’ below.

Follow CMAT on bandcamp, Instagram, Twitter, Spotify & Facebook 

Photo Credit: Sarah Doyle

Kate Crudgington
@KCBobCut

ALBUM: She Drew The Gun – ‘Behave Myself’

Personifying the spirit of rebellion, She Drew The Gun‘s uncompromising, genre-defying third LP, Behave Myself, is a rallying cry of fuzzy psych-pop hooks and lyrical protest, unafraid to fight the social and political dystopia we find ourselves heading towards.

Founded by Merseyside-based songwriter Louisa Roach, She Drew The Gun’s musical evolution parallels the decline of our political climate; beginning with 2016’s optimistic indie rock of Memories of Another Future, through to the political dissent of psychedelic sophomore effort, 2018’s Revolution of Mind, and now the immediacy of Behave Myself‘s punk flavoured pop revolution. Opening with the infectious basslines and disorientating synth assault of ‘Origin Song’, Roach introduces her lockdown long play with a certain degree of restraint, before tearing into the persistent inequality promoted by the societal mainstream on track number 2, prompting the question: “Who do you think is ‘Next On The List'”?

The anthemic title track ‘Behave Myself’ is for everyone standing together in feminist solidarity. Exploding into a cataclysm of throbbing basslines, true shred guitar, and spoken word social commentary, Roach shows off her strong pop sensibility but does not shy away from her deep-rooted punk rock attitude – “Get ready for my dangerous soul”, You can’t control her… Louisa Roach will not behave herself! “I am the rage of all women condensed to the point of explosion.” 

The dreamy melodies of ‘Diamonds in Our Eyes’ are followed by ‘Cut Me Down’, a grungey, post-punk protest anthem inspired by the Las Tesis feminist protest song of Chile, known as ‘The Rapist Is You’ or ‘A Rapist in Your Path’. Amplified by hard-hitting drum strikes, driving basslines, and a piercing guitar solo, Roach fights “deeper, faster, harder, cheaper, stronger, further, smarter!” And her frustration doesn’t falter during the scathing lyrical observations of ‘Class War (How Much)’, a psych-pop war song on class divide and “the parasitic vampires sucking our blood.”

The shimmering electroclash of synth and spoken word stream of consciousness on ‘Panopticon’ further showcases Louisa Roach’s evolution of sound; distorting any preconceived opinion of She Drew the Gun through eclectic inspiration and experimentation. The raucous fuzzy soundscape of ‘Innerspeak’ leads into dystopian mood shifter ‘All Roads to Nowhere’ – a juxtaposition of metallic melancholy and ethereal psychedelia – before closing with the vocal warmth of ‘The Rose’s Tale’.

Produced and mixed by Ross Orton at McCall Sound Studios, Behave Myself‘s intelligent, socially-charged lyricism, justified anthemic angst, and DIY political pop amplifies the voice of dissent through punk rock rebellion with a feminist vibe. Challenging us to observe, analyse, and critique a failing system, She Drew the Gun’s unsettling, authentic record is the unstoppable soundtrack for the rebel to revolt to; the sound of collective conscience awoken.

Behave Myself is out now via Submarine Cat Records.

Ken Wynne
@Ken_Wynne