Track Of The Day: Mai – ‘Control’

An evocative electronic gem that urges listeners to surrender to the inevitability of change, Essex-based musician and vocalist Mai has shared her debut single ‘Control’. Released via Cool Thing Records, the track is a collaboration between Mai, aka Rosie Gulliver of Petty Phase and songwriter and producer Liam Watkins from A Cause In Distress.

Originally developed as a project during lockdown, Mai creates music inspired by the ethereal sonics of This Mortal Coil, Cocteau Twins and Zola Jesus, as well as the tenebrous soundscapes of Nine Inch Nails and My Bloody Valentine. On ‘Control’, her gentle vocals float over shadowy beats and urgent electronics, reflecting the track’s theme of submitting to the relentless and random changes that have an impact our lives, especially during the last year.

“The song is about accepting a lack of control and embracing the unpredictability of life,” Mai explains about ‘Control’. “Realising that you can make endless plans and fail-safes but ultimately you can never have total control, and that’s okay.” Finding catharsis via thoughtful lyrics and compelling synth textures, Mai’s debut single provides momentary relief from life’s more hectic moments.

Listen to ‘Control’ below.

Follow Mai on Spotify & Instagram

Photo Credit: Owen Stephen Foran

Kate Crudgington
@KCBobCut

LIVE: Cherym / Brand New Friend @ Paper Dress Vintage, 06.10.2021

Only my second time at a gig since the ‘Big C’ and my first north of the river, venturing to Hackney from the depths of South London proved to be most definitely worth it, once safely ensconced in the ever-kitsch, Twin Peaksy vibes of Paper Dress Vintage. 

After sampling some local pale ale downstairs, my ears were treated to the uplifting, punk-pop energy of the night’s co-headliners Brand New Friend. Announcing “we’re gonna do a rock show!” they soon kick off with an infectious jubilant charisma into the lilting, impassioned emotion of ‘She Always Comes Up Smiling’. Expressing thanks for all who’ve made it out, as well as Simba on sound and their van saviour Steve-o, the band’s endearing modesty and gratitude just makes them all the more loveable as they assure us that if we don’t like what we hear, they’ll “keep it off the second album…” 

In a beautiful kind of symmetry the band’s last gig “before ‘rona” was also with Cherym, so – as we’re left hoping there’s not another world catastrophe after tonight – they dedicate the next song to their pals as their glistening vocal harmonies and swirling hooks ooze a joyous, scuzzy energy; a comforting hug in sonic form. 

Honoured to be treated to the new, first song that Lauren’s written (it’s s good ‘un) and a taster of the new album in the form of ‘Lucky’, amongst the fizzing melodies of older favourites such as ‘I Was An Astronaut’ and ‘Girl’, and heartfelt odes to grandparents past (“… this is the part of the set where we’re at Glastonbury and it starts raining and the crowd fuckin’ erupt!”), the entirety of Brand New Friend’s set exudes a wonderfully life-affirming charm. Interweaving a raw, nostalgic emotion with a refreshing euphoric zest, it’s simply impossible not to sing and bop along to their incessantly catchy offerings and become utterly immersed in their shimmering, buoyant energy. 

And the euphoria doesn’t end there. As Derry trio Cherym take to the stage in their matching sports jerseys, they blast into the swirling driving force of ‘She’s Enough Going On’. Immediately capturing our attention with their unique blend of anthemic, honey-sweet punk-pop mixed with a gritty riotous power, I’m filled with a teenage excitement (a rare feeling for someone who’s not been a teenager for many years) to be seeing this refreshing new band – one all too deserving of the acclaim they’ve received so far from the likes of NME and Radio X’s John Kennedy. 

Continuing with the fuzzing, catchy hooks of 2019 single ‘Abigail’, and the jangling tongue-in-cheek wit and driving beats of 2018’s ‘Pretty Boys’ (dedicated to Brand New Friend’s da), each offering blasts out from the trio with a vibrant spirit and colourful, charismatic musicality; sticking in your ears instantly. Encouraging some crowd participation for personal fave, ‘Listening To My Head’, Cherym showcase their ability to create instant singalong anthems. With an uplifting, empowering energy, frenzied hooks accompany Hannah Richardson’s luscious angst-driven vocals; a sunny slice of witty lyrical storytelling (it’s inspired by the Netflix series Dirty John) combining a fierce sense of rage with a bubbling, sugar-coated nostalgia. 

Alongside the exuberant energy of songs like this and the fiery spirit of ‘Weird Ones’, drummer Alannagh Doherty takes a moment of calm to introduce the exquisite harmonies of ‘Gone Girl’, sharing with us that the track addresses domestic abuse; assuring us that we’re in a safe space here. A stirring and all-too-resonant message right now, and one that I’m grateful that bands such as Cherym are addressing openly and with such passion. 

Resuming a sizzling energy with the scuzzy, noughties-indie-reminiscent hooks of instant earworm ‘Kisses On My Cards’ and the buoyant beats of heartfelt celebration of queer love ‘We’re Just Friends’, Hannah, Alannagh and Nyree then draw the set to a close with the buzzing, elevating joy of ‘Take It Back’. A master class in pure, perfect punk-pop. 

And what a superb way for the trio to celebrate their new debut EP Hey Tori (one of my albums of the year for sure). Seeing both these Northern Irish bands has left me with a smile on my face and a spring in my step; desperate to hop across the pond to see more. 

Mari Lane
@marimindles

Photo Credit: Y-Control Photography

Track Of The Day: Robin And The Goblins – ‘Future Angel’

Having received acclaim from the likes of The 405 and Berlin In Stereo, Berlin based non-binary artist Robin Romo – aka Robin And The Goblins – has now shared a poignant new single.

Exploring themes of queer shame and alienation, ‘Future Angel‘ flows with a sweeping majestic splendour as Romo’s emotion-strewn vocals soar with a sparkling grace. Propelled by a raw, impassioned energy and swirling baroque-pop ambience, a truly stirring soundscape is created, oozing an immersive, twinkling musicality. Of the track, Romo explains:

“I wrote ‘Future Angel’ from the point of view of a guardian angel that comes to warn a kid about the dangers of isolating yourself; of course the child was me. One night I was walking home after a night out and went into a snowed-in graveyard. I fell asleep for a couple of hours and when I woke up to the sound of crows and white all around me, I thought maybe I’d died. Turns out I was just hungover, but that inspired the imagery in the song, which I like to describe as ‘Dickens meets synth-pop’.”

Listen to ‘Future Angel’ here:

Mari Lane
@marimindles

Track Of The Day: Alice Mary – ‘Surgeon’

Smooth and woozy dream-pop at its finest, Alice Mary’s latest single is the perfect tune to wind down to. Shimmering and effervescent, ‘Surgeon‘ will leave you feeling all kinds of things.

Alice Mary’s gorgeous mellow vocals draw you into the track, bringing to mind vocalists like Weyes Blood and Laura Marling; creating an immersive psychedelic musicality driven by a female voice. The opening lyric “the surgeon who loved you sewed you back together” sets the melancholic mood: beautiful, understated and effortlessly honest. Singer-songwriter, producer, and guitarist, Alice Mary explains:

“‘Surgeon’ is about something I never thought I’d write about until I did. I ended up writing the lyrics in this really simple, almost childlike style, because that’s the only way I could look back at what had happened…“

The jangling guitars, fuzzing throughout the chorus, create an instantly immersive atmosphere. It’s as though you’re floating calmly downstream. The music works as some kind of antidote to what inspired the song; any tension you might have is sure to flow away with the soothing effect of the descending chord sequences and the dark humour in Alice Mary’s vocal harmonies. The psychedelic synth textures and deep lyrical expressions contrast against the honey-sweet, catchy pop-inspired melody in a way that’s both eerie and carefree. In this way, ‘Surgeon’ is reminiscent of the brighter side of Portishead, or St. Vincent.

From dancy bops and funky riffs, to psychedelic sad girl soft-rock, Alice Mary has shown us so many sides to her witty music and we can’t wait to hear more! 

Jaz Kelly
@surfjazz

Photo Credit: Peter Catchpole