Track Of The Day: Mumble Tide – ‘Sucker’

A charming cacophony of grungy guitars and bittersweet vocals that celebrates the feeling of moving on, Mumble Tide have shared their latest single ‘Sucker’. Marking their first piece of new music since their 2020 debut EP, Love Thing, this new offering sees the Bristol-based duo urge listeners to shrug off the weight of the world’s expectations and walk away with their heads held high.

Formed of Gina Leonard and Ryan Rogers, Mumble Tide originally met through a Gumtree ad and began making music from their bedroom under the supervision of Furbs the Furby, who nods approvingly as the pair create their casual-yet-cool sounds. Everything the band create is entirely self-produced, including their own videos and artwork, proving that all you need is good company and a comfortable atmosphere to make meaningful art.

“This one is just a super fun track we threw together. It’s about feeling confident and free and moving on, or at least trying to,” explains vocalist Gina about ‘Sucker’. “It’s about throwing the baggage off your shoulders and strutting away…but also accepting that it’s not that easy.” With its catchy chorus and rolling rhythms, Mumble Tide’s new single is a carefree slice of 90s-esque guitar music that fizzes with understated joy.

Listen to ‘Sucker’ below.

Follow Mumble Tide on bandcamp, Spotify, Twitter, Instagram & Facebook

Kate Crudgington
@kcbobcut

Track Of The Day: Solidarity Not Silence – ‘This Is Sisterhood’

“Using my platform for the greater good. I stand in solidarity, this is sisterhood.

This poignant refrain sums up all that the powerful new release from Solidarity Not Silence stands for. With members of The Tuts, Petrol Girls, Personal Best and Colour Me Wednesday collaborating, as well as a snippet of the legendary Kathleen Hanna speaking about the cause, ‘This Is Sisterhood’ sees members of the DIY feminist music community come together to raise funds for the legal costs of a group of women who are fighting a defamation claim made against them.

The Solidarity Not Silence movement was started to raise money for the legal cost for this group of women, after each of them spoke up about their accuser’s alleged abuse. A number of his former partners, as well as feminist musicians who spoke out in support, including Nadia Javed of The Tuts and Ren Aldridge of Petrol Girls, are facing a libel claim. Their case is immensely relevant in the aftermath of #MeToo and could affect legal precedent on how similar cases are treated by the law. 

And ‘This Is Sisterhood’ marks the perfect way to bring the case to people’s attention; as Nadia Javed explains: “… we’re musicians not lawyers. We can’t fight this case without the help of our lawyers, but what we can do, is use our skills and resources as musicians to tell our story, and build the momentum that we need to expand our fundraising campaign and keep covering our legal costs.”

A truly impassioned and empowering creation, ‘This Is Sisterhood’ is a totally necessary call to arms; a plea to unite in solidarity against the patriarchal norms seeking to hold us down. Starting with the glistening, honey-sweet vocals of Javed telling the story of Solidarity Not Silence, it builds with swirling riffs (courtesy of Katie from Personal Best) and a stirring energy to a rousing anthem.

As the poignant, spoken word from Ren (Petrol Girls) states some of the disturbing facts surrounding gender-based violence against the heartrending backdrop of a sweeping chorus of harmonic voices (all powerful voices from across the DIY punk community), we’re left to reflect on the track’s resonant sentiment – “When will the reputation of men stop being valued over our safety?”.

Propelled by an immense, stirring splendour, ‘This Is Sisterhood’ sends shivers down the spine with its emotion-filled sweeping power and urgent sentiment. An utterly necessary, and deeply cathartic, listen; a beautifully compelling way to bring attention to such a pressing issue, showcasing the true power of women and non-binary people coming together to unite and fight back against the powers that seek to control us.

Watch the emotive new video, created by Martyna Wisniewska and featuring footage of the community recording the track, for ‘This Is Sisterhood’ here:

Engineered by Simon Small and produced by Patrick James Pearson, ‘This Is Sisterhood’ is out now via Alcopop! Records.

Mari Lane
@marimindles

Photo Credit: Martyna Wisniewska

More information about Solidarity Not Silence and the defamation case:
The group of women has been fighting this case for over four years, and is desperately trying to fundraise enough money to maintain their legal representation. Since launching their crowdfunder – and again since identities were made public – they have received an extraordinary amount of support. It seems that their case resonates with many people who have had similar experiences of being silenced by someone with more power, fame or financial backing. 
However, they have now reached a crucial point in the case, where costs are escalating rapidly. Therefore, in an attempt to reach out beyond their usual networks they wrote and recorded this powerful single, which tells the compelling story of their legal battle, in 2019 and are now releasing it into the world. Their strategy in releasing the track is twofold: firstly they hope to raise money directly through digital downloads and merch sales, but ultimately the goal is to tell their story and get as much attention, and therefore donations, to their crowdfunder as possible. 

Track Of The Day: Clara Byrne – ‘To Rome’

A soft, nostalgic tribute to her hometown of Bray in County Wicklow, Irish musician Clara Byrne has shared her latest single ‘To Rome’. The second single from her upcoming album Handstitched, the track reflects on Clara’s trip to the ancient city and documents the thoughts she had about her hometown whilst wandering amongst its famous ruins.

“Bray, this seaside town has been there to meet me at all the different stages of my life. From my first day of school, to my first love, to my first gig, each patch of the town holds a memory,” Clara explains. “During a particularly bad slump in inspiration, a dry patch in creativity, and even a lull in passion for music, I received a lump sum of emergency tax back. Though I was a struggling student at the time I decided to head off and explore the city of Rome as a stark contrast to my little town. I brought a pen and paper for company and this song is the result of that trip.”

‘To Rome’ is the result of Clara’s journey to Italy, full of gentle alt-folk guitar sounds and her rich vocals. “The evidence of the cities previous empire is scattered on every street corner in the form of these beautiful ruins. In a strange way, it gave me hope,” Clara continues. “Those living during that time must have seen their world as I see mine; seemingly impossible to change and difficult to imagine the end of all they’ve ever known. I think the contenders for the biggest impact in your life feel like they could go on forever. Whether it’s a relationship, the current political system, a pandemic or a great empire, nothing lasts.”

Watch the accompanying video for ‘To Rome’ directed by Bray artist Ed Cleary below.

Follow Clara Byrne on bandcampSpotifyTwitterFacebook & Instagram for more updates.

Kate Crudgington
@KCBobCut

Track Of The Day: Oh Baby – ‘Cruel Intention’

‘Cruel Intention’ is the first single from synth pop duo Oh Baby’s forthcoming album Hey Genius, due for release in July. The track is a cool swagger of slick synths and drum loops with an eighties sensibility that will have you reaching for your finest pair of shoulder pads.

Lyrically, ‘Cruel Intention’ takes the perspective of a lover hopelessly doomed to return to the arms of a person determined to set everything on fire. Jen Devereaux’s vocal has hints of Alison Goldfrapp and saunters stylishly over Rick Hornby’s staccato synth basslines like a clubgoer sliding onto the dancefloor hoping to shake it all off. The despondent refrain “I knew you would” perfectly captures the lover’s expected disappointment and lingers long after the track has finished like a metaphorical earwig for the lovelorn.

The track’s synth textures are peppered with counterpoint guitar melody and build in waves throughout, culminating with the lover asking “if I go to the ocean, will you follow me?”. As the foreboding track title suggests, we all know how this one ends. The rejected lover aims for disconnection instead and the song’s instrumental outro is capped off with one final, muffled “I knew you would”.

Whilst the subject matter of ‘Cruel Intention’ isn’t overly joyous, the track is certainly no dirge. Oh Baby’s sound is reminiscent of Chvrches, Purity Ring, and eighties synth pop heroes Depeche Mode and the Human League – their sonic stylings practically drip with gold lamé and would be perfected placed on a John Hughes soundtrack. ‘Cruel Intention’ is best served with a bourbon on the rocks and a desire to detach from the one who’s no good for you. 

‘Cruel Intention’ is taken from Oh Baby’s second album Hey Genius set for release on 23rd July via Burning Witches Records.

Kate Sullivan

Photo Credit: Karen Hornby