WATCH: GHLOW – ‘Not Fit For This’

A visceral blend of distorted guitars, energetic beats and commanding vocals, Russian-Swedish heavy duo GHLOW have shared a video to accompany their latest single ‘Not Fit For This’. Taken from the band’s debut album Slash and Burn, recently released via PNK SLM Recordings, the fast-paced visuals reflect the track’s intense rhythms and jagged riffs.

“’Not Fit For This’ is a manifesto embracing raw power, materializing the energy that grows out of frustration and boredom,” the band explain about the track. “We wanted the video to translate the energy of the music and worked with our amazing friends over at Gonz TV who kept it fast paced and punky.”

Formed of multidisciplinary artists Emille de Blanche and Nikolay Evdokimov, GHLOW fuse their lived experiences and passion for genre-blending sounds into their intense, driving soundscapes. They divide their labour equally; de Blanche handles vocals, bass and the band’s art direction, while Evdokimov takes on on guitar, synths, drum machines and production duties. Through experimentation and a desire to test themselves, the pair trusted their instincts and created an album that burns with raw, ambiguous fury, and ‘Not Fit For This’ is another corrosive offering that glows with the band’s trademark electro-punk angst.

Watch the video for ‘Not Fit For This’ below.

Follow GHLOW on bandcampSpotify & Instagram

Kate Crudgington
@KCBobCut

Track Of The Day: Noha Saré – ‘Lost’

An evocative alt-pop tune that embraces vulnerability and smoulders with assertiveness, Amsterdam-based songwriter Noha Saré has shared her latest single ‘Lost’. Taken from her upcoming EP which is set for release later this year, the track fuses elements of R&B and electro-pop alongside Noha’s soulful vocals to reflect the way in which our moods shift when we’re contemplating our future.

“Everybody has their own demons and it’s okay to talk about it,” Noha explains. “Almost everyone has struggled with not knowing who they are, what they really want in life or where they’re headed. I got better in finding peace with who I am, including all the ups and downs, by accepting that it is okay to be scared and insecure and it’s okay to not know where you’re heading”. Through her atmospheric beats and smooth vocals, Noha makes a musical truce with her inner turmoil and leans into the unknown with impressive flair.

‘Lost’ is also accompanied by a striking set of visuals, directed by Noha’s best friend and visual artist Izak Berman. “My internal fight is embodied by 8 female performers,” she explains. “Two of them engage in a game of attraction and repulsion. The video shows an enchanting oscillation between pleasure and pain, past and future, hope and disbelief. Within a surreal composition, which seems to be somewhere between a dream and reality, showing the obscure side of my world.”

Watch the video for ‘Lost’ below.

Follow Noha Saré on Spotify, Instagram & Facebook

Photo: Kick van Doorn

Kate Crudgington
@KCBobCut

ALBUM: pink suits – ‘political child’

Having first formed back in 2017, Margate based queer punk-rock duo pink suits incorporate politically driven rage, dance and even theatre into their work, exploring issues of sexuality, mental health and a resistance of binary gender. Blasting into our ears at the end of last year with their raging single ‘Fake Great Britain’, they are now set to release their debut album political child later this month. 

A collection of thirteen tracks, each as poignantly charged as the last, the album sets out pink suits’ manifesto with a raging, angst-driven energy. With just drums, a guitar and the riotous force of their voices, Lennie and Ray offer an inclusive Feminist rebellion to bring about radical change. Truly a soundtrack for these times; a rallying cry to make our voices heard and fight for an upheaval of a neoliberal society. 

Kicking off with ‘My Old Man’s A Dustman’, the album starts as it means to go on: with a seething, all-too-poignant social commentary on the increasingly terrifying state of the UK right now. As intense beats and whirring hooks provide the backdrop for gritty blazing vocals, an impending sense of doom is created, reflecting the way many of us are feeling right now and the urgency felt in the need to “… strip authority from all abusive powers”. 

Continuing in a similar vein, ‘Decades Back’ and ‘Salute To The Sun’ ooze the duo’s quirky, playful energy as swirling punk-rock riffs race with an impassioned, riotous zest. Next up, stand out single ‘Fake Great Britain’ pretty much epitomises the message of political child as a whole. Propelled by a frenzied power and scuzzy hooks, it hits you with its raw, punk-fuelled lyricism raging against austerity and the fake ‘great’ ideals of a post-Brexit UK. With a ferocious passion, it’s a rallying cry against this government and the intolerance it promotes, its lies and the detrimental effects it’s had on all of our mental health. A perfect queer punk anthem inciting us to fight fascism with all our might. 

Perhaps more uptempo in sound, ‘We Can Shout’ reflects on the power of protest and the need to stand up to authority. With the seething cry “we can break it from the inside out”, pink suits seem to assert the importance of spreading information and discrediting the fake news we are so often fed by the right wing press. Touching on a theme that is particularly resonant right now – with the government trying to take away our right to protest – the track manages to firmly lodge its important message in your ears with its catchy refrains and buoyant energy.

The next three tracks seem to stand alone as their own entities, stepping away from the trademark punk-driven force of the rest of the album, showcasing the many different sides to pink suits and their eclectic sonic capabilities. Whilst ‘Gold Girl’ treats us to a Riot Grrrl reminiscent angst-driven power as penetrating screams blast out across the scuzzy soundscape, ‘Be The Best’ is propelled by steady marching beats offering a tongue-in-cheek commentary on toxic masculinity, and addressing the damaging importance that the government places on the military and arms trade, as well as the dangerous patriotism rooted in the desire to fight against other nationalities. And then there’s ‘3AM’: what appears to be a soothing respite from the seething rage of other tracks as the duo take a twinkling moment of personal reflection. 

Returning to their vibrant fist-clenching energy, the next two tracks awaken the senses with a racing force. Following ‘This Hole’, ‘Anarchist Wisdom’ offers a raging reflection on the prejudice that’s so rife in society – name-checking some of those responsible for spreading hatred, going against both morality and humanity. As a ferocious screech of “be a Feminist” blasts into the ears, I feel a shiver down my spine; with this immensely powerful sonic storm, pink suits just seem to magnificently capture the burning anger, frustration and sadness that so many of us are feeling right now.

Drawing the album to a close, the final three tracks continue with a similarly empowering energy. Following the seething statement of intent of the collection’s title track, ‘Scarred’ is propelled by a driving punk energy as it builds in tempo to a wonderfully frenzied climax. Finally, ‘Pink Suits Everyone’ may appear more melodic in sound than the majority of the album, but is no less pressing in its stirring intent. Offering a vibrant message of inclusivity and hope, here the duo urge us to come together and unite against the powers that seek to contain us. 

With political child, pink suits have not only created a completely necessary and ferociously poignant listen, but have done so whilst oozing an infectious vibrant energy and colourful charisma, cementing each of their raging, yet catchy, offerings firmly in our ears, leaving us longing to catch their colossal, swirling power live (we may have news on that this week…).

political child offers a perfect riotous catharsis; an immense formidable force, coated in a rousing cacophony, calling us to arms in these truly terrifying times. 

political child is out 16th April. It was recorded, mixed and mastered by Aim4 Recording, Canterbury.

Mari Lane
@marimindles

Photo Credit: Kathryn A Betts

LISTEN: Natalie and the Monarchy – ‘Envy the Villain’

A lavish reflection on the emotional toll a dual identity can take on your wellbeing, Liverpool-based American born artist Natalie and the Monarchy has shared her latest single ‘Envy the Villain’. Inspired by her own experiences as a professional dominatrix, the track is a “dark cabaret” of Natalie’s thoughts about her own struggles, with a riot grrrl, grunge-infused twist.

“The song’s title is referring to the self-destructive behaviour I experienced when taking on the role of ‘Mistress Veronica’ as a professional dominatrix,” Natalie explains. “It’s about wanting to be that confident and intimidating character 24/7 and the identity struggle that a lot of sex-workers have between the fantasy and the real world.” Marking her first release since her 2019 EP Pretty little Flower, ‘Envy the Villain’ is a playful dissection of the self, as well as a personal take on what it means to conceal, or reveal your true identity in a world that tries to “other” the experiences of women and of female sex workers.

The track is accompanied by a video, shot and edited by Jenn Cliff-Wilcocks and Richard Garland, which shows Natalie contrasting her “weaker, submissive” side against the devilish flair of Mistress Veronica, who is personified as a devil in latex leisurely eating cake.

Watch the video for ‘Envy The Villain’ below.

Follow Natalie and the Monarchy on bandcamp, Spotify, Twitter, Instagram & Facebook

Kate Crudgington
@KCBobCut