NEW TRACK: Seraphina Simone – ‘Liverpool’

A bittersweet reflection on the beauty and brutality of romantic love, Seraphina Simone has shared her latest single ‘Liverpool’. Written solely by the London-based artist and co-produced by Jay Chakravorty, the track is a tender rumination on a past relationship, underscored by cinematic synths, meditative beats and Seraphina’s elegiac lyrics.

After a year spent on tour as part of Self Esteem’s live band, and following on from the release of her debut EP, Milk Teeth (2022), Seraphina Simone is now preparing to share more of her shimmering alt-pop sounds. On ‘Liverpool’, she carefully traces over moments of pure euphoria – “I saw you at the bus stop / you were looking at the floor / eyes as wide as oysters / thought I couldn’t love you more” – and contrasts them with snapshots of unfiltered pain – “Ghosts have their own agendas / and memories don’t want to die / so you’ll haunt my sentences / as long as we are both alive.” The result is a delicately delivered, but sharply observed contemplation on the duality of romance, which Seraphina has coined as “the best song she’s ever written.”

“‘Liverpool’ is a memento mori to love and a eulogy for the power of relationships,” the songwriter explains about the track. “Love is savage and beautiful and a time capsule and a time traveller, and love can fade and the people we love can fade away. But the marks we make in each other last forever like striations in landscapes changing with time, and it can be both wonderful and exhausting.”

Listen to ‘Liverpool’ below.

Follow Seraphina Simone via her Official Website, Spotify, Twitter (X), Instagram & Facebook

Kate Crudgington
@KCBobCut

ALBUM: Grrrl Gang – ‘Spunky’

Upbeat from the opening bars, Indonesian rising stars Grrrl Gang’s debut album, Spunky!, lures you in with a colourful, bouncy mood, only to blindside you with darkly reflective lyrics. Given the first track is called ‘Birthday Blues’, this shouldn’t come as too much of a surprise, but the depth of the emotional journey this band takes you on can still feel like a sucker-punch.

The album is a case study in dissatisfaction with early adulthood. The first few tracks are all high energy and exciting; at a glance, they are the perfect picture of a fun party lifestyle, but the lyrics deliver a different picture. The birthday is unsatisfying – no longer a celebration, but ageing into a directionless adulthood. Bar-hopping feels like shallow entertainment, business school doesn’t afford the opportunities it once promised… A fight breaks out in a karaoke bar. The joy in these songs are surface level, and reality rudely forces itself on you no matter how hard you try to stay optimistic.

The single ‘Cool Girl‘, with its absolute encapsulation of isolation in a crowd, sits comfortably in the middle of the album, marking a turning point for the whole mood. The preceding tracks sow the seeds of doubt about a life being lived because it’s what is expected, building up to a breaking point with ‘Cool Girl’.

From this point onwards, Spunky! shifts its tone dramatically, becoming abruptly vulnerable. The next track, ‘Better Than Life’, cuts through all the pretend optimism. It hits you with the upfront “I feel caged in my body/I’ve been flirting with death” delivered in a direct and deadpan style, whilst the rebellious, self-destructive appearance of previous tracks drops away in exchange for a brutally honest depiction of how the world tears at your mental health. This is followed by ‘Tower Moment’, a moody instrumental piece that makes you sit with the feelings the album so far has raised.

The mood shifts again with ‘Mother’s Prayer’; a poignant moment of reflection. The sense of isolation lingers on this track, despite it being specifically about the people who care – “My mother’s prayers/Can only get me so far”. There’s a realisation that demands a moment of quiet to digest, before the understanding comes that the only actual choice you have is to carry on.

Spunky! draws to a close with a sense of hope to it. ‘Blue-Stained Lips’ in a love song; the liveliness of the music has a lot more body to it than the counterparts at the beginning of the album. Insecurities still linger, but they are gentler now, acknowledged but overruled by the brighter tunes. The album ends with ‘The Star’, which addresses the work required to get to a truly healthy place, but with a firmly optimistic attitude – you can’t help but be convinced that things are about to get better, that moving past the struggle is not only possible, but getting closer every day. Some of the most wholesome moments in this track are also the simplest – “I look in the mirror/And I like what I see”.

Having been featured in the likes of NME and Spin, with Spunky Grrrl Gang showcase their ability to fuse together their empowering riotous punk energy with a poignant raw honesty and relatable fizzing emotion. Uplifting and cathartic in equal measure.

Spunky!, the debut album from Grrrl Gang, is out now via Trapped Animal, and via legendary label Kill Rock Stars in America. Order here.

Kirstie Summers
@ActuallyKurt

Photo Credit: Tiny Studio

WATCH: Charlotte Carpenter – ‘You’re My Reason Why’

To celebrate the release of her new album A Modern Rage, East Midlands singer-songwriter Charlotte Carpenter’s latest single ‘You’re My Reason Why‘ is accompanied by a cinematic video telling a dystopian gay love story. Charlotte Carpenter has previously released a string of successful EPs, which have garnered attention from tastemakers such as The Line of Best Fit, through to rock bible Classic Rock, and has received airplay from the likes of BBC 6Music, BBC Radio 2 and Virgin Radio.

‘You’re My Reason Why’ is a beam of light amongst a collection of darker-edged songs on the album. It has a sad, yet resolute, feeling, evidenced in the slow piano keys at the start – “Even if the world will fall apart, I’ll still be here falling down for you”. A burst of guitar builds towards the emotional chorus, as the uplifting message that love will sustain any disaster oozes through the shimmering musicality. Reflecting on Carpenter’s fond memories of spending time with her wife in a rural cottage during lockdown, it offers a heartfelt twinkling emotion and stirring grace.

Full of references to older technology, and harking back to a more innocent time – whilst exuding a subtle sense of foreboding – the video offers the perfect accompaniment to this comforting yet poignant ballad. If you require an “end of the world love letter to your other half”, this song is the one. 

Of the meaning behind the track, Carpenter explains:

I can honestly say, they were some of my favourite times together. It put so much into perspective for me. I had stripped away all of those routines and expectations, and I found what I truly valued in life, which is love and time.”


A Modern Rage, the new album from Charlotte Carpenter, is out now.

Fi Ni Aicead
@gotnomoniker

Photo Credit: Fraser West

ALBUM: REWS – ‘Meridians’

A raucous ode to persevering in the face of adversity and making yourself stronger in the process, Northern Irish songwriter Shauna Tohill aka REWS has created a gritty lament to hard-earned resilience on her latest album, Meridians. An empowering blend of heavy riffs, defiant vocals and pop-rock melodies, Tohill effortlessly delivers her assertive, cathartic energy across each of the album’s eleven tracks.

The follow up to 2020’s full length record Warriors, the independently released Meridians rings out with REWS’ trademark passion, mettle and charisma. A reflection on her experiences as a woman in the music industry, the pitfalls along the way and the strong mindset that’s born from carving out your own path, Tohill’s songs chime with a complimentary mix of relatable strife and carefree infectious attitude.

Kicking the album off with the driving beats and grinding riffs of ‘The World That You Left Behind’ and ‘Pretty Face’, Tohill asserts herself with two riotous statements of self autonomy. This is something which permeates Meridians. The album’s title alludes to both “a circle of constant longitude passing through a given place on the earth’s surface” and a practice in acupuncture referring to the “set of pathways in the body along which vital energy is said to flow”. Tohill has evidently been mindful of this, as Meridians flows with her vibrant, tenacious spirit.

This is best observed on cathartic anthems ‘Breathe Into Me’, ‘Not Your Soldier’ and ‘Lock Your Horns’, on which she overcomes feelings of exhaustion, burnout and indecision and transforms them into brooding pop-rock melodies. The songwriter’s vocals are the lifeblood of the album, her voice as commanding in its quieter moments as it is at full volume, highlighted at several points on the record. Tracks like ‘Misery’ and ‘Tears Of A Lion’ fluctuate between vulnerable lyrics in verses and powerful riff-heavy choruses, which makes for invigorating listening. The aptly named ‘On My Back (Giant’s Roar)’ sees Tohill flex her vocal range superbly, and will no doubt be a highlight when heard in a live setting.

Fuelled by the desire to liberate herself and encourage listeners to reject the expectations of others in order to live an authentic life, Meridians marks a new era of independence for REWS. Tohill has always provided her fans with with hefty riffs and chant-worthy choruses on her previous records, and the anthems on Meridians flow in that same vital vein.

Buy your copy of REWS’ new album Meridians here

Follow REWS on SpotifyTwitterFacebook & Instagram

REWS UK Tour Dates 2023
Wed 25th Oct: The Forum, Tunbridge Wells
Thurs 26th Oct: Bear Cave, Bournemouth
Fri 27th Oct: West End Centre, Aldershot
Sat 28th Oct: The Exchange, Bristol
Sun 29th Oct: Bodega, Nottingham
Mon 30th Oct: The Grace, London
Tues 31st Oct: Deaf Institute, Manchester

Wed 1st Nov: Zerox, Newcastle
Thurs 2nd Nov: Classic Grand, Glasgow
Fri 3rd Nov: Key Club, Leeds
Sat 4th Nov: The Live Rooms, Chester
Sun 5th Nov: The Asylum 2, Birmingham

Photo Credit: Shona Cutt

Kate Crudgington
@KCBobCut