WATCH: Belako – ‘Truth’

Whether it’s the global nature of alternative music in the age of streaming, or possibly the cultural aftershocks of the credit crunch, it feels like there’s a new, mucho cool Spanish indie band every week. In the case of Belako – a four-piece from the Basque town of Mungia – using the word “new” might be a bit of a stretch for a band who have been releasing music since a couple of online demos in 2011 – but, whilst forthcoming LP Plastic Drama may be their fourth album, it’s their first international release on a major label. The best part?  The album’s lead single, ‘Truth’, finds them in as fiercely DIY a mood as ever.

Clocking in at a pacey (and satisfying balanced) two minutes and twenty-two seconds, ‘Truth’ lays its cards on the table pretty quickly; in a matter befitting its title, it launches into the slightly off-kilter, detuned guitar line and punchy, if tinny, sounding drums, which are consistent throughout. This is even more true of the track’s video, in some respects, which provides its viewer with the nine lines that form the song’s lyrical content.

Theirs is a stripped-back take on post-punk, consistent with some of the genre’s best voices, who have generally used a fairly simple adage: find a message, repeat it, make no compromises. There’s something of Dream Wife’s early stuff in vocalist Cristina Lizarraga’s atonal vocal style here, but you can take the combination of the persuasive thrust and wry observation all the way back to pioneers such as The Fall or Gang of Four.

The song’s shonky feel arguably gives the band a kinship with Hinds, perhaps the most widely-recognised Spanish group of recent times. Whilst lyrically, the “truth” being spoken here is that the concept of romance has been weaponised, ensuring that love keeps us “locked up”, enforcing our exploitation – essentially, it’s about as far from the usual pop content as you can get. 

For an album that “searches for the real meaning of things in a world that translates everything into assembly lines, manufacturing and the exploitation of living beings”, ‘Truth’ appears to be the ideal introduction, ahead of its release. It’s particularly encouraging to see a band, now some time into their career, embrace their ideas and apply them not only to lyrics but also to the album’s production. If there is any truth in pop music, it looks certain to come from Belako.

Plastic Drama, the upcoming album from Belako, is out 28th August via BMG.

John McGovern
@etinsuburbiaego

LISTEN: Evil House Party – ‘Wicked’

An intoxicating blend of hazy vocals and sultry synth sequences, Evil House Party have shared their debut single ‘Wicked’. Released via Third Coming, the track smoulders with the intensity of a hot summer night fuelled by Bonnie & Clyde-esque musings.

Formed of Emma Acs & Jacob Formann (Communions, Mini Esco), the duo started writing together after playing a string of shows with First Hate in the summer of 2019. Their sound has been described as both eurodance and rock and roll, and single ‘Wicked’ falls somewhere between the two. It’s “a modern murderous ballad, fleshed out in a bittersweet revenge pop anthem” that seduces listeners with its yearning vocals and heady beats.

Listen to ‘Wicked’ and find out more about Evil House Party via Third Comings here.

 

Kate Crudgington
@KCBobCut

Track Of The Day: KIN – ‘L.O.V.E’

After a compelling and emotional debut single, ‘Sharing Light’, London trio KIN follow up with a spunky second track titled ‘L.O.V.E.’ Inspired by the great British festival, KIN celebrate the euphoric feeling of being in a loving and freeing environment with good people and open spaces.

In conjunction with their previous work, ‘L.O.V.E.’ seems to set the mood of a boosting “bounce back” that follows a trying time or hardship. This song’s energy almost reflects the first night out after a break-up (or worldwide pandemic), where seeing your favourite people is equally as therapeutic as it is surreal. 

With a simple dance-infused beat and laid back sophisticated vocals, KIN’s jangly guitar parts seem to spin across the track with a unique funk-fuelled energy that is catchy and encouraging. Sun-strewn indie-pop riffs and quirky rhythms pull listeners in for musical fling, for a glistening cathartic couple of minutes. 

It is hard not to bop along to ‘L.O.V.E’ as it truly inhabits its lightweight and restorative “walking on a cloud” essence, both sonically and lyrically. Its twinkling uplifting energy an invite for some well deserved solace that we all should accept. 

Watch the homemade, festival-inspired, video for ‘L.O.V.E’ here:

‘L.O.V.E’ is out now. Listen on Spotify or buy on Bandcamp.

Jill Goyeau
@jillybxxn

EP: Despicable Zee – ‘Atigheh Reimagined’

A captivating, left-field electronic exploration of dual heritage, motherhood and self-autonomy, Oxford-based drummer and producer Despicable Zee (aka Zahra Haji Fath Ali Tehrani) released her third EP Atigheh in 2019. Now, with the help of an eclectic mix of collaborators, Zee has shared a remix of the recording titled Atigheh Reimagined.

Released today (7th Aug) and available to buy on limited edition cassette on bandcamp, the remixes on Atigheh Reimagined are equally as compelling as the original tracks. Keeping the hypnotic qualities of the original, Tiiva’s treatment of opener ‘We Won’t Stop’ fuses smooth, breathy vocals together with dense yet ambient beats. Tiece’s layered vocals on ‘Counting Cars’ are beautifully atmospheric, while Jack Goldstein’s treatment of ‘Sidhe’ is an experimental cacophony of manic beats and synth textures.

The EP fluctuates from chaos to calm, as GIHE favourite Planningtorock gives the poignant ‘Clay Grouk’ an energetic, dance-worthy beat whilst still allowing space for the “silence” towards the close of the track. Dense beats and warped voice samples permeate Young Knives’ remix of the eponymous ‘Atigheh’, ending the record with a cathartic burst of intense noise.

“Atigheh has helped me delve into my identity as a second generation immigrant” explains Zee. What started as a personal journey on her third EP has now evolved into a fascinating collection of varied identities on her Reimagined release.

Follow Despicable Zee on bandcamp & Spotify for more updates.
Zee also runs the Young Women’s Project (YWMP) which you can check out here.

Kate Crudgington
@KCBobCut