EP: Why Bonnie – ‘Voice Box’

Releasing music during a pandemic creates something of a paradox – sure, people are starved for entertainment, and perfectly primed to listen to music on a stream, but launch gigs are cancelled and record shops are closed. Sympathy has to go out to Get in Her Ears faves Why Bonnie then, who’ve just signed to Fat Possum and who have just released their new EP, with a now cancelled show in New York previously part of their plans. That being said, if you absolutely have to stay indoors – or, in a garden, at best – across a sunny Easter weekend, you could do worse than have Voice Box on repeat.

Opener ‘Bury Me’ leads with an acoustic strum into mid-tempo, ’90s tinged, dream pop that’s got a Mazzy Star vocal scattered over a Crooked Rain, Crooked Rain Pavement backing. That acoustic flavour is continued in later track ‘Jetplane’, but there it’s also drenched with synths. Closer ‘No Caves’, meanwhile, is four-to-the-floor indie-rock until its guitar spirals and noodles flare into garage.

Previous single, ‘Athlete’ is a standout here, not least as it sits right in the middle of the track listing and opens with a highly inappropriate cough, right in the listener’s direction. Suitably, it’s a lot gruffer than the rest of the EP, with its itchy violins, emerging into an alt-rock stomper.

But it’s the title track that shines most here. An epic five minutes, with a chorus that’s really a middle eight, acting like a breaking off from the early uncertainty of a synth-infused hazy landscape into something with more urgency, replete with a closing guitar outro shimmer. As an introduction to the band, the tune is perfect – and that’s without mentioning the perfume infomercial style video, which the band describe as a “Carpenters-inspired dream world”.  All in all, title-track ‘Voice Box’ is the closest the EP comes to the sound of dream-pop royalty, a la Cocteau Twins – and there’s no higher praise.

Of the EP, and its title, lead singer Blair explains: “It encapsulates a disconnect between my inner and outer world, and not being able to express myself authentically because of that. But, ultimately knowing I will crash and burn if I don’t.”

Given the recent days of self-isolation, and those still ahead of us, perhaps that gap between our inner and outer worlds has become more physical than psychic – but the frustration, the need for communication and contact, and the desire for expression are just the same.  With its waves of light mirroring those of the blossoming spring weather, perhaps Why Bonnie have inadvertently made the perfect music for spending time indoors.

Voice Box is out now via Fat Possum Records.

John McGovern
@etinsuburbiaego

Track Of The Day: Gulls – ‘SHAME SHAME SHAME’

Following the punk rock energy of last single ‘Shop’, Brighton trio Gulls have now shared another infectious, raging banger.

Propelled by thrashing beats and a driving, riotous force, ‘SHAME SHAME SHAME’ could not have come to our ears at a better time. A spot on social commentary, rallying against Fascists and the insidious alt-right, it oozes a frenzied impassioned energy that we need now more than ever, asserting that we will not tolerate intolerance.

With the seething power of Rhi Kavok’s gritty lyricism backed by frenzied riffs and the soaring backing vocals of Boe Higgs, it’s a perfect slice of angst-driven punk; a truly necessary listen right now. A time when we all need to find comfort in rage – a time when we need to come together through music and unite against the increasingly scary people who seem to be in positions of power.

Watch the new video for ‘SHAME SHAME SHAME’ now:

Mari Lane
@marimindles

LISTEN: CIEL – ‘Same Old Times With U’

Full of lush guitars, soft vocals, and dreamy synths; Brighton-based CIEL‘s new offering ‘Same Old Times With U’ is tinged with romantic melancholy. The track is lifted from the band’s debut EP, Movement, released today (April 10th) on all digital platforms.

Formed of Dutch musician Michelle Hindriks, Jorge Bela Jimenez (guitar, synths), Kieran Mansfield (bass) & Lawrie Miller (drums), CIEL enlisted the help of Producer Jack Wolter (Penelope Isles) to create the atmospheric sounds on their new EP. ‘Same Old Times With U’ is an emotive track that tentatively explores personal struggle over hazy guitars, Hindriks’ pensive lyrics, and swelling percussion.

Speaking about the band’s debut EP, Hindriks explains: “It’s about moving away from a more introspective period in which I felt quite distant from other people and moving into a new phase of my life in which I was able to open up. We’re now releasing [it] in a time in which we are forced to distance ourselves from one another; but I feel more connected to the people around me now that I did before”.

CIEL have supported the likes of Hatchie, Sasami and Penelope Isles, and are set to play more of their exhilarating live shows once we’re all out of lockdown. Listen to ‘Same Old Times With U’ below, and follow the band on Facebook and Spotify for more updates.

Photo Credit: Jantina Talsma

Kate Crudgington
@KCBobCut

LISTEN: Spiritbox – ‘Blessed Be’

Self described with their tongue placed firmly in cheek as “spooky-scary, but also artsy-fartsy”, Spiritbox was formed by Courtney LaPlante and Michael Stringer to avoid stagnating creatively within their former band, the Louisiana metalcore five-piece, iwrestledabearonce.

Joined by Bill Crook, Spiritbox followed their impressive 2019 EP Singles Collection with the release of ‘Rule of Nines’ late last year; a song that was nothing less than an assault on the senses. Now, the Canadian trio have taken on a more melodic approach on their latest single, ‘Blessed Be’, but that familiar darkness still lingers… “Offer me / I have the heart of a coward…”

From the ethereal, palm-muted guitar soundscape to LaPlante’s brooding vocalisation – alternating between a layered wall of sound consisting entirely of LaPlante’s layered harmonization and her head-banging guttural growl – ‘Blessed Be’ hooks you in with its whiplash-inducing groove. It is the track’s reflection on relationships however, that has us looking inwards; analysing our own insecurities. “Serotonin like a loaded gun / I am a coward, you pull me up / into a place where there’s nothing that’s left for me / But insecurity.”

Once the bridge leads into the skull-crushing breakdown, Spiritbox have decimated the scene, conjuring an infectious combination of electronic instrumentation and progressive – almost mechanical – djent-inspired guitar riffs. LaPlante admirably shreds her vocals during this emotional climax – alternating between beautiful melodies and aggressive vitriol – reaffirming why Spiritbox are one of the most exciting progressive metal bands emerging from the underground.

Spiritbox are have recently toured Europe with After the Burial, Make Them Suffer and Polar on the Behold the Crown Tour (which sadly had to be cut short).

Ken Wynne
@Ken_Wynne