LISTEN: Aunty Social – ‘Cortex’

Overcoming nasty memories with the help of an unlikely fictional character, Aunty Social‘s latest single ‘Cortex’ is a gentle, upbeat offering. The song is lifted from her upcoming debut EP, The Day My Brain Broke, which is set for release on 6th March.

The Toronto-based bedroom-pop artist chose to look to 90s game Crash Bandicoot to help work through her trauma. Aunty Social (aka Daniela Gitto) explains further: “I decided to imagine the person who caused a lot of trauma in my life as the fictional enemy of Crash Bandicoot, named Cortex. When I was a child, I was so encompassed by the game that I would imagine all my peers as characters from it. My best friend would be imagined as CoCo Bandicoot, and anyone that did me harm would be Cortex. The song is bright and uplifting, so I decided to challenge that by masking the negative subject matter with childlike innocence.”

Gitto’s dark context on ‘Cortex’ contrasts well with her buoyant beats and video game analogies, giving the track a nostalgic glow. It’s laced with her soft vocals and summery synth sounds, easing the complex feelings explored in her lyrics.

Listen to ‘Cortex’ below, and follow Aunty Social on Facebook and Spotify for more updates.

Kate Crudgington
@KCBobCut

ALBUM: POLIÇA – ‘When We Stay Alive’

A sound that was formed in the flux between injury and recovery; When We Stay Alive, the fourth album from Minneapolis band POLIÇA, proves that mental and physical wounds can be galvanized in to beguiling soundscapes that acknowledge the impact of personal trauma.

When vocalist Channy Leaneagh fell off her roof while clearing ice in early 2018, she broke her L1 vertebrae and severely damaged her spine, leaving her in a brace with limited mobility for months. Half the tracks on When We Stay Alive were written prior to Leaneagh’s accident, and half were crafted during, and after her recovery. Together, bandmates Ryan Olson, Drew Christopherson, Ben Ivascu, Chris Bierden and engineer Alex Proctor have crafted a cohesive album that allows space for optimism, and development in self-autonomy.

Perhaps a reflection of Leaneagh’s physical restrictions whilst making the record, many tracks on When We Stay Alive have a searching, restless feel to them. Opener ‘Driving’ has an effortless kinetic energy, whilst the shifting percussion on the buoyant ‘TATA’ reflects a communal frustration against wider forces damaging the environment. The various, overlapping synth textures on ‘Fold Up’ explore feelings of isolation – “‘cos I’m lonely in my head / Oh it’s only in my bed” – whilst the smoldering ‘Little Threads’ quietly seethes with a mixture of desire and sadness.

“I don’t want to deny something happened – this is not about repression – it’s about taking the power back from the past, holding the power in the present, and creating a new story for myself,” explains Leaneagh. Her meditative nature shines through on ‘Feel Life’, as her pensive vocals lilt over a cautious soundscape, gently awakening her senses. The brooding ‘Be Again’ builds upon this, with its dense beats and echoing synths.

Familial and romantic relationships are explored on ‘Steady’ and ‘Forget Me Now’. On the first, Leaneagh takes a moment to “see herself” without the support of her wider family. One the second, she dissects what makes two people bring out the worst in each other. Colourful synths permeate penultimate track ‘Blood Moon’, in contrast with final track ‘Sea Without Blue’. The painful revelations in the lyrics – “Don’t say you’ll make it up to me / you never do” – are made easier to accept by the ebb and flow of sounds, and the thoughtful spaces between verses and choruses.

In Leaneagh’s search for for self sustenance, POLIÇA have created a diligent body of work on When We Stay Alive. The music and the lyrics encourage listeners not just to “Stay Alive”, but to thrive in the face of adversity. And that’s exactly what the Minneapolis band have done here.

Order your copy of POLIÇA’s new album here. (Released via Memphis Industries)

Photo Credit: Zoe Prinds-Flash

Kate Crudgington
@KCBobCut

Track Of The Day: Pom Pom Squad – ‘Cellophane’ (FKA Twigs cover)

A stirring, grunge-inspired take on one of 2019’s most popular tracks, Brooklyn indie-punks Pom Pom Squad have shared their cover of FKA Twigs’ single ‘Cellophane’.

The band have treated Twigs’ material graciously, and frontwoman Mia Berrin’s vocals are as poignant as those on the original recording. Berrin explains more about the cover: “I know I’m not alone in saying that ‘Cellophane’ was one of my absolute favourite songs of last year. I’ve been a fan of twigs since I was in high school and heard ‘Hide’ off of EP1. She was one of the first artists that made me seen as a woman of colour occupying an alternative space, and I could immediately hear myself in the sweeping ebbs and flows of this song.”

Pom Pom Squad shared their sophomore EP, Ow, last year, with their track ‘Heavy Heavy’ making Thrillist’s ‘best songs of 2019’ list. The diversity of their “Quiet Grrrl” sound means they’re able to create their own raucous sounds, but they’re also able to cover delicate tracks like ‘Cellophane’ too. Listen to their cover of ‘Cellophane’ below, and follow the band on Instagram for more updates.

Photo Credit: Michelle Lobianco

Kate Crudgington
@KCBobCut

Track Of The Day: Cheerbleederz – ‘Disco’

Following the fuzzy, whirring energy of last single ‘Staying Up Late’, London trio Cheerbleederz have now shared another uplifting offering.

Propelled by a jangly energy, new single ‘Disco’ is filled with scuzzy hooks and sugar-sweet vocals as refreshingly angsty, wholly relatable lyrics (“I was never picked at the disco” feeling particularly resonant…) flow with a twinkling emotion. Oozing the catchiest indie-pop vibes, it’s an effervescent, wonderfully infectious reflection on everyday anxieties.

Created by Jono Ganz, watch the perfectly colourful animated new video for ‘Disco’ here:

‘Disco’ is out now via Alcopop Records.

Mari Lane
@marimindles

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