LIVE: Björk’s Cornucopia Tour – The O2 Arena, London 19.11.19

An opulent, self aware, stunning two hour performance: Icelandic icon Björk was able to “weave a matriarchal dome” over the heads of her transfixed crowd during her Cornucopia live show at London’s O2 Arena. The music pioneer brought her Utopian vision to life through pitch perfect vocals, beautifully orchestrated collaborative sounds, and breath-taking visuals.

Before the show began, a polite audio recording requested that fans refrain from filming or photographing the show, as this would be distracting to Björk. Surprisingly, the majority of fans respected her wishes, and immersed themselves in listening to the aural grandeur of the Icelandic choir who opened the Cornucopia show against a curtain backdrop laced with tropical flowers.

When Björk’s altruistic vocals broke through the airwaves and the stage curtain parted; it felt like straying into a Midsummer Night’s Dream. Dressed in a unique ensemble and accompanied by performers who were both decorated like, and sounded like birds of paradise; Björk delivered a passionate rendition of ‘The Gate’. A flute ensemble led her in to ‘Utopia’, followed by the divine sounds of ‘Arisen My Senses’ with live harp accompaniment and more stunning visuals.

With a clear focus on her two most recent studio albums – 2017’s Utopia, and 2019’s Virtual Reality record Vulnicura – Björk’s set list, shape-shifting animations and optics truly transcended the fourth wall between fans and performer. The set’s sensuality was heightened by so many elements – the incredible stage design, the affluent costumes – as well as Björk’s willingness to experiment with new forms of sound during live shows. At one point in the set, she sings next to a percussionist who is pouring water over pebbles, with the crowd so entranced that it almost feels like every water drop is audible.

With only a handful of older songs making the cut for this performance (most notably ‘Venus As A Boy’ and a partial rendition of ‘Pagan Poetry’), whether this was your first time seeing Björk, or your fiftieth time; Cornucopia is an audio & visual force unlike any other. Björk’s artistic vision is uncompromising in so many ways, which is made especially clear towards the latter part of the show.

Her elaborate spectacle is underscored by a sincere desire to highlight the current climate crisis we are all witnessing. A series of words were projected on to the veil-like stage curtain, urging all to imagine a brighter future under that “matriarchal dome”, with the final statement – “Imagine a future. Be in it” – prompting applause from the crowd. There was a video message from climate crisis activist Greta Thunberg during the finale too, further encouraging fans to practice what Thunberg passionately, and necessarily preaches.

A performance that – despite this review – transcends the barriers of language; Björk’s Cornucopia show deserves to be seen in all its live glory. Its potent message about protecting the earth, and each other, still rings true long after the spotlight fades out. Björk’s vision serves as a reminder to all that altruism and ingenuity mean nothing if there’s not a planet for us all to share, and experience them on.

Kate Crudgington
@KCBobCut

ALBUM: Sea Change – ‘Inside’

Peel away your inhibitions and join Norwegian electronic artist Ellen Sunde aka Sea Change as she navigates a personal metamorphosis on her new album, Inside. Alongside co-producer and mixer Andrew Murray, Sunde has crafted seven ethereal sounding, club-inspired tracks that make her sound like she could be the introverted distant relation of Fever Ray.

Eponymous track ‘Inside’ may be brief, but in the space of two minutes Sunde outlines the direction of her album. Sparse synth sounds and hyper-conscious, introverted lyrics – “Come with me inside / my skin feels too tight” – alert listeners to the beginning of her journey towards breaking out of her shell. This idea is taken to a different level on following track ‘Stepping Out’. Through a fusion of disjointed beats and atmospheric synth textures, Sunde navigates the idea of transforming into an animal.

“Let me possess you / Let me destroy you” she delicately threatens on ‘Something Else’, a captivating four minutes of altruistic synth patterns and soft, reverb-strewn vocals. A quiet anger permeates following track ‘Scratch That Itch’, with the opening percussive clicks acting as a subtle nod to the itch in the song’s title. Sunde softly sings “I have a white hot anger / I’m slowly setting it free” over mellow synth textures and looping beats that sit in contrast to the emotion she’s expressing. This contradiction in sound and lyricism is what makes Sunde’s music so compelling.

The intimate ‘What Makes’ is truly intoxicating. “I wear my body inside out for you” she muses, over drifting beats and ambient synths. ‘The Bed’ is an emotive lament about the “skin and dirt” that sullies the sheets and the memories of stale love. Closing track ‘Flown’ is a breath of fresh air, a four minute rumination on freedom and letting go.

“When I made this record I tried to channel the same state of mind I have when I go clubbing” Sunde explains. “Not overthinking everything, like I usually do, but instead embracing my impulses; working intuitively, almost anti-intellectual.” This approach has resulted in an impressive collection of instinctive, immensely enjoyable sounds that could fill busy dancefloors, or soundtrack private moments of introspection in dimly lit bedrooms.

Photo credit: Fotini Chora

Kate Crudgington
@KCBobCut

Track Of The Day: Pet Crow – ‘What We Doin’

This Pet Crow is wearing its dancing shoes, and maybe even a tiny leather jacket! The latest single from the Derby band is a proper anthem in the making. An ode to hopelessness and feeling a little lost without feeling sorry for itself, ‘What We Doin” is poppy, rock ‘n’ roll perfection.

Big, bouncy guitars lift the melancholic vocal, which ask, “who knows what they’re doing?” while the spiky, post-punk riffs make you want to move rather than mope. It’s fun and energetic.

From the opening bars, you can hear nods to a huge range of influences; think Sonic Youth, Gang of Four and Vivian Girls. But ‘What We Doin'” feels as fresh as it is familiar.

Taken from Pet Crow’s forthcoming album, Take The Edge Off, ‘What We Doin” is an exciting taster of what’s to come. I’m looking forward to hearing what more the band can do.

‘What We Doin” is out now. Pet Crow’s new album, Take The Edge Off, is out in February 2020 on vinyl and digital download. 

Vic Conway

ALBUM: Bishop Briggs – ‘Champion’

“I hope you like it. And if you don’t, please don’t tell me. I’m far too sensitive to hear that” jests Bishop Briggs about her single ‘Jekyl & Hide’, lifted from her sophomore album Champion. Whilst she’s speaking about a specific track, her sentiment is one that can easily be applied to her new record, which explores her strength and vulnerability as an artist, and as a woman, across ten vibrant tracks.

Her 2018 debut album, Church of Scars, was featured in the Top 10 on the Billboard Album Chart in the same year. Following up that success can be tricky, but Briggs has kept things simple on Champion, focusing on emotive lyrics and catchy beats to get her message of self-empowerment across.

The brief, confessional ‘I Still Love You’ acknowledges the fight between the heart and the head. Briggs’ struggle to let it go is explored through gentle piano sounds and slow atmospheric percussion. ‘Can You Hear Me Now?’ follows, with its buoyant beats and Briggs’ defiant vocals breaking through in the chorus. Briggs sets a solitary scene in the opening verse to eponymous track ‘Champion’ – “alone in my car / I’m in a parking lot” – but she offsets this with an empowering chorus of extended vocals and foot-stomping beats.

Disappointment and heartache permeate ‘Tattooed On My Heart’, as Briggs laments about a relationship full of fake promises and lacking in closure. It’s a relatable listen filled with more of her clear vocals, supported by a backing choir which makes the song an unexpectedly uplifting listen. The melancholy ‘Someone Else’ follows, with Briggs expressing a desire for space and solitude over tentative piano.

Co-written with K. Flay and produced by Joel Little, ‘Jekyll & Hide’ (incorrectly spelled for a reason) coins a new dating phrase – “Are you Jekyll & Hide-ing me?” – as a way to describe the chaotic feeling of dating someone who appears to be two-faced. It’s followed by the revealing ‘Lonely’, which flows in the same vulnerable vein as previous track ‘Someone Else’.

On ‘Wild’ Briggs finds solace in running full pelt in to the unknown, her voice races across layers of sharp beats and powerful backing vocals. The funky ‘My Shine’ spotlight’s Briggs’ breakthrough in the aftermath of a relationship that dimmed her light and dulled her confidence. ‘I Tried’ closes the record, a demo that documents the exhaustion and the relief of leaving behind someone who drained you of your energy and efforts.

Acknowledging the many ways in which a woman can be strong, even when tangled up in a bad romantic relationship seems to be Briggs forte. At times times repetitive, but always relatable; Champion is an uplifting record fueled by the desire to overcome the forces that hold us down.

Listen to Champion on Spotify below. Follow Bishop Briggs on Facebook for more updates.

Kate Crudgington
@KCBobCut