ALBUM: The Paranoyds – ‘Carnage Bargain’

Fuelled by 1970s punk and cult horror movies, Southern California garage punk quartet The Paranoyds take on the male-dominated music scene with their debut long-play Carnage Bargain; a raucous blend of dead-pan observations on modern culture and wild, left-of-centre musical influences, because “what isn’t there to be paranoid about?”

The band – consisting of Staz Lindes on bass, Lexi Funston on guitar, Laila Hashemi on keyboards, and David Ruiz on drums – released their debut After You in 2016, followed by 2017’s Eat Their Own EP; establishing themselves as purveyors of do-it-yourself, self-dependent punk rock. With their debut album, The Paranoyds have brought back a few re-recorded classics from those aforementioned releases, like ‘Ratboy’, ‘Heather Doubtfire’, and ‘Bear’, but have also brought along a whole bunch of different for their Carnage Bargain.

The opening hits you in the face with The Paranoyds’ battle cry, a piercing two-note guitar intro of alternating half-tones, leading to ‘Face First’. The opening track draws influence from the 1978 horror flick ‘Invasion Of The Body Snatchers’ and John Carpenter’s 1988 sci-fi dystopia ‘They Live’, but instead of humanity being duplicated by extraterrestrial lifeforms, predatory behaviour results from growing obsession enabled by technology: “It’s easy now / I’ve been watching you for some time.”

Attacking consumerism with title track ‘Carnage Bargain’, The Paranoyds layer Lindes’ throbbing basslines, Funston’s scuzzy guitar riffs, the punchy drum assault of Ruiz, and the aberrant keys of Hashemi over scathing lyrical observations, delivered in a rambling vocal style reminiscent of Courtney Barnett. “The grass isn’t green / It’s muddy with gasoline / There’s filth in the swimming pool / They’ve thrown away all the tools.”

Speaking of Barnett, ‘Courtney’ is another snarky stream of consciousness, further showcasing The Paranoyds’ overlapping vocal abilities – particularly from Lindes and  Funston. Whereas thrashing lead single, ‘Girlfriend Degree’ rejects the status quo with catchy surf-rock pop that empowers! “I’m not a shadow of myself / Looking good for somebody else.” 

Carnage Bargain continues to fishtail with genre-mashing tracks like ‘Egg Salad’, ‘Hungry Sam’, and ‘Laundry’; each one getting progressively weirder than the last. This can be attributed to Hashemi’s spooky key tones, which exude the campiness of 60s cult horror soundtracks. Indeed,  Hashemi’s solo on the resurrected ‘After You’ EP track, ‘Rat Boy’, is the perfect way to close this psych-punk fever-dream.

Just like their Los Angeles forerunners, X, The Paranoyds are often off-kilter in their delivery, and all the better for it. So, close your curtains, turn off the lights, and put needle to wax… Carnage Bargain is raw paranoid punk that you won’t be able to escape from. Be afraid. Be very afraid!

Carnage Bargain is out now via Suicide Squeeze Records.

 

Ken Wynne
@Ken_Wynne

Track Of The Day: Feral Five – ‘EGO’

Having previously wowed us with their unique, vibrant live show at The Finsbury, and more recently this year at Cro Cro Land, London/Kent based duo Kat and Drew, aka Feral Five, have now shared an innovative new track.

A take down and take over of monster egos everywhere, ‘EGO’ is propelled by throbbing, pulsating beats and glitchy hooks alongside its buzzing chip tune sounds and part German lyrics. A disconcerting, whirring soundscape that builds to an ’80s inspired electro-punk anthem, oozing an immersive, driving energy and seductive allure. 

Listen to ‘EGO’ here:

 

The EGO launch show is on 29th September on the Tamesis Dock. Presented by ArtHertz at the Totally Thames Festival, it features Feral Five live, a live AV ambient set by Richard Norris (The Grid / Beyond The Wizard’s Sleeve), and the Tamesis Trilogy I short film premiere – directed by Dennis Da Silva.

Mari Lane
@marimindles

Photo Credit: Garry Hensey

Track Of The Day: SASSY 009 – ‘Thrasher’

“​My music has never been a reflection on happiness​” explains SASSY 009, but her sound is far from melancholy. On new single ‘Thrasher’ she combines enchanting vocals, jagged synth textures and dense beats to create a transient, anti-party anthem.

Accompanied by a beautifully shot video directed by Andreas Bjørseth, SASSY 009 delves in to loneliness and uncertainty on her new track. Speaking about her creative process, she explains: ​”I am allowing myself to explore different directions without making too many decisions on the way. That’s how I find peace in where I’m at in my life right now. My music is absolutely an extension of that.”​

This extension is something quite remarkable, as SASSY 009’s sounds are both introverted and extroverted: they’re hard to ignore on a dance floor, but at the same time, her emotionally driven lyrics mean her tracks will linger for longer in the memory.

Watch the video for ‘Thrasher’ below and follow SASSY 009 on Facebook for more updates.

Photo Credit: Andreas Bjørseth

Kate Crudgington
@KCBobCut

ALBUM: Jenny Hval – ‘The Practice Of Love’

A confessional, intimate, emotion-spanning work; Jenny Hval‘s new album The Practice Of Love explores the spectrum of love and relationships through swirling synths and revealing lyrics. It’s a marked departure from the darkness of her 2016 album Blood Bitch, but equally as complex and memorable.

Loosely inspired by Valie Export’s 1985 film of the same name, Hval admits she’s “mostly avoided love as a topic” in her work because she views the intimacy that comes with it as “a lifelong journey”. However, it’s her desire to communicate this truth that’s fueled the creation of her new record.

Opening track ‘Lions’ is brought to life by friend & collaborator Vivian Wang’s measured voice. She guides listeners, instructing them to look across a forest landscape for a holy entity, as Hval’s ethereal vocals overlap her. The duality of the voices form separate parts of the same story, which is simultaneously off-putting and exciting.

A shimmering, textured, surreal take on creativity, second track ‘High Alice’ centers around a re-imagined version of the eponymous character from Alice In Wonderland. Here, Hval plays with the clichés surrounding what it means to be a woman who makes art. Her gentle vocals, looped beats and narrative perspective demonstrate her ability to captivate listeners with her intricate musical storytelling.

‘Accident’ (featuring Laura Jean) is a conversation between two women about birth, life, and an indifference to Motherhood. The oddly poetic line “she found stretch-mark cream in and air b&b” adds a lightness to an otherwise heavy topic. The album’s title track ‘The Practice of Love’ features the voices of Hval, Laura Jean & Vivian Wang, discussing the many strands that make up the web of love. It begs multiple listens so that each voice can be appreciated, but the overlapping of multiple different sentiments makes for a captivating listen. Self love, romantic love, platonic love – all are covered and contemplated on this piece of Hval’s puzzle of intimacy.

‘Ashes To Ashes’ is a strangely uplifting electronic affair. Hval blends gentle vocals, startling lyrics and deceptively catchy beats to communicate issues of morality. Following track ‘Thumbsucker’ (featuring Félicia Atkinson) is a pensive, curious listen that sees Hval “withdrawing word by word, back in to the rabbit hole” for safety. It’s not long before she reemerges with penultimate track ‘Six Red Cannas’ (featuring all three of her collaborators), with its catchy beats inspired by 90s trance music.

Hval closes The Practice Of Love with the humbly titled track ‘Ordinary’. It’s a charming celebration of the desire to share universal feelings, which by default makes us all very ordinary. Except, Hval’s “ordinary” isn’t quite so. Even when she strives for it, her wonderful “otherness” sets her apart from other “ordinary” artists who delve in to the same themes. That is truly worth celebrating, and practicing love for.

Jenny Hval’s new album The Practice Of Love will be released via Sacred Bones on 13th September. Pre-order your copy here.

Kate Crudgington
@KCBobCut