WATCH: Light Emitting Dinosaurs – ‘Ambition’

Formed last year with members from Peter Cat, the rock musical The Quentin Dentin Show and vocalist Nikki Lewkowicz, Brixton band Light Emitting Dinosaurs have now released their debut single.

Propelled by the power of Lewkowicz’s soaring, soulful vocals, ‘Ambition’ emits an eerie, electronic soundscape alongside deep bass and glitchy beats, providing the backdrop for the track’s epic, sweeping splendour with shades of ’90s trip-hop. Of their unique sound, the band explain:

“We want to be on the borderline of epic and silly. Like your gran doing a surprisingly good rap.”

Accompanied by a fantastic animated video adding to its racing sense of drama and intensity, ‘Ambition’ is a stimulating delight for both the eyes and ears.

‘Ambition’ was recorded by Nick Howiantz at Brixton Hill Studios.

Mari Lane
@marimindles

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Track Of The Day: Mammoth Penguins – ‘I Wanna’

Following previous releases Hide and Seek and John Doe, and having supported the likes of Adult Mom and Swearin’, Cambridge trio Mammoth Penguins have now signed to Fika Recordings and announced the release of their third album There’s No Fight We Can’t Both Win. 

Taken from the album, new single ‘I Wanna’ is filled with all the jangly, joyous goodness we’ve come to expect, with the raw, distinctive vocals of Emma Kupa oozing a sunny charm and twinkling romanticism. With its hugely relatable lyrics for anyone that’s ever been a bit in love, alongside shimmering, dreamy melodies, it’s an instantly catchy slice of lush indie-pop that leaves me with butterflies in my stomach, longing to hear more of Mammoth Penguins’ fuzzy, scuzzy loveliness. Of the track, Kupa explains:

“‘I Wanna’ is a super simple song about how liking someone can unlock a load of creativity and energy… and suddenly there are so many possibilities and so much potential, and life becomes way more fun.”

 

There’s No Fight We Can’t Both Win, the upcoming album from Mammoth Penguins, is out 26th April via Fika Recordings, pre-order here. And you can catch them live for yours truly at The Finsbury on 12th April – we can’t wait!

Mari Lane
@marimindles

 

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Track Of The Day: Mint Field – ‘Jardin de la Paz’

A soothing tonic for minds that are scarred from the stresses of modern life; Tijuana-based psych trio Mint Field have shared their new single ‘Jardin de la Paz’. Translating roughly as ‘Peace Garden’, the track is taken from the band’s upcoming EP Mientras Esperas, set for release on 1st March 1st via Innovative Leisure.

Following the success of their 2018 debut Pasar de la Luces, and now with bass player Sebastian Neyra on board; Amor Amezcua and Estrella del Sol Sánchez continue to make thought provoking music with a shoegaze, dream-pop feel. Their new EP focuses on themes of connection with the modern world and how our own well-being is affected by it.

On new track ‘Jardín de la Paz’, the trio tackle these feelings with understated vocals and melodic guitar sounds, helping listeners to acquire the peace of mind the group are searching for. Listen to the new single below and follow Mint Field on Facebook for more updates.

Photo credit: Adriana Tangassi

Kate Crudgington
@KCBobCut

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ALBUM: Desperate Journalist – ‘In Search Of The Miraculous’

I’ve gone In Search of the Miraculous later than others; in fact, this retro-feel record is my first dance with Desperate Journalist (however much I might relate to their name). Although it may only be my first, this album is the third outing from the London band whose tunes, at least now, echo the ’80s of The Cure and the most underrated A Flock of Seagulls.

Similarly, In Search of the Miraculous also conjures the nation’s feelings on what’s going on with the country and beyond. Though in songs such as ‘Cedars’ lead singer and songwriter, Jo Bevan, sings of interconnectivity, there’s still something about the songs that reads as political, as prophetic; both comparative to the era before Morrissey outed himself as too much of a dick and dissonant.

Where ‘Cedars’ speaks of love, ‘International Waters’ holds nothing back on the state of the world. Furthermore, the clear influence of the heady gothic edge of the ’80s on In Search of the Miraculous is full of current sounds. Full of influence from London as it is under 40 and maybe above, maybe below, but always in the shadows of the 1%.

For me, the clear winner of the record comes with the closer. And trust me, it’s hard to pick a winner from a batch of great songs. That said, there’s a lot in the spangling Pearl Thompson-esque riffs of closing track ‘To Be Forgotten’ to make the record feel like the closing of a journey that you’ll only want to start over again.

Bevan’s vocals are the highlight of the album, but it’s impossible to say anything other than the fact that Desperate Journalist works as a fourpiece and, was any of those pieces displaced, it would disrupt the ‘Ocean Wave’. Desperate Journalist’s newest album is as much a must for hardcore ’80s enthusiasts as those who’ve never even heard of a Smith.

In Search Of The Miraculous is out now via Fierce Panda. Catch Desperate Journalist live:

14th March: Birmingham – Hare and Hounds
15th March: Manchester – Deaf Institute
16th March: Glasgow – Broadcast
21st March: Bristol – Exchange
22nd March: Nottingham – Bodega
23rd March: Leeds – Lending Room
5th April: London – The Garage

Em Burfitt
@fenderqueer

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