ALBUM: Jo Passed – ‘Their Prime’

Living in the city with nowhere to rent? No time outside of employment, and no realistic expectations to live up to? Then you should invest in Jo Passed‘s debut album, Their Prime. Released via Sub Pop Records, the Vancouver-based four piece have written a record that encompasses these anxieties – but most importantly – uses a combination of melodic noise and grunge-inspired sound to break through them.

Comprised of Jo, Elliot, Bella & Megan-Magdalena, Jo Passed’s new record is the amalgamation of front-man Jo’s fears and frustrations at not being where he thought he’d be in his 30s. Jo has been part of the DIY music scene since his late teens along with high school best friend Elliot, both of whom thought they were “freaky music weirdos” when they began writing their own tunes. Now, with the multi-talented Bella & Megan-Magdalena on board, Jo’s fear of missing out has been neutralised and channelled into songs like hazy album opener, ‘Left’. It’s three minutes of reverb-heavy riffs that cloud the ears with gentle anger.

Second track ‘MDM’ hosts noise-rock riffs and floaty, quietly furious vocals, before ‘Glass’ and ‘Undemo’ pass by in steady fashion. The brief ‘Facetook’ bleeds in with its distant vocals and diluted guitar sounds, before ‘Repair’ pushes things in a more positive direction. Breathy, laid back vocals are mirrored in the gentler percussion and guitar parts, preceding the cathartic pay off which comes three minutes and twenty seconds in.

The guitars on ‘R.I.P’ drift dreamily above more pensive vocals, before the relatable ‘Millennial Trash Blues’ punches its way through with more noise and feedback, ricocheting between loud & quiet. ‘You, Prime’ rings out in similar fashion, as does following track ‘Sold’ with its manic riffs and driving percussion. Ambient interlude ‘Another Nowhere’ provides space for reflection, before the spacey ‘Places Please’ closes this journey through uncertainty and finding your identity.

Jo Passed’s debut record is a strung-out, melodic tonic for those pushing through the fear of missing out, or indeed, being past Their Prime. You can purchase your copy here.

Follow Jo Passed on Facebook for more updates.

Kate Crudgington
@KCBobCut

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Track Of The Day: Gurr – ‘Hot Summer’

Contrary to its title, Gurr‘s latest single ‘Hot Summer’ was conceived on a grey day in London town. The Berlin duo tried to capture “that feeling of despair when everyone around you is happy, but somehow you just don’t feel it,” and the result is a frustratingly catchy “anti-summer” anthem.

Produced by Richard X (Roisin Murphy, Goldfrapp, Kelis,) ‘Hot Summer’ is the first taste of new material from the band since the release of their debut album In My Head, which won the IMPALA European Album of the Year Award in 2016. Gurr – comprised of Laura Lee & Andreya Casablanca – wanted to explore the idea that as the temperature rises, so does the pressure to enjoy and partake in all things summer related.

“Summer is such an iconic time of year and something we long for so often, but it ends up having very little to do with reality,” the band explain. “We wanted to write a song that sounds like you want to get fucking crazy to it, but also shout: Shit, maybe the condom did break? Or shit, did I forget to take the pill? Or shit, why is everyone around me doing ok and I feel like I need therapy? It’s a celebration of the imperfect summer, and everyday neurosis.”

The duo are gearing up for their Hot Summer Festival Tour which will see them grace the stages of over 20 European festivals this year, including performances at Rock Am Ring, Melt and Lollapalooza Berlin. They can also exclusively announce a headline show at The Garage on November 29th, their biggest show in the UK capital to date.

Listen to ‘Hot Summer’ below and follow Gurr on Facebook for more updates.

Photo Credit: Rowan Allen

Kate Crudgington
@KCBobCut

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ALBUM: Dott – ‘Heart Swell’

A shimmering blend of optimism and adrenaline, Galway band Dott‘s sophomore record Heart Swell lives up to its name. Released via Grave Face Records, from start to finish the album make your garage-pop loving heart palpitate with glee.

Upbeat single ‘Bleached Blonde’ opens the record, and it’s the perfect soundtrack for those who love sunshine, surfing and intensely singable choruses. If you’ve ever tried to surf on an ironing board (watch the video below, you’ll understand), you’ll sympathise with guitarist & vocalist Anna’s struggle when it comes to catching waves.

Activism and garage-pop collide in anthemic style on second track ‘Like A Girl’. The band released the song ahead of Ireland’s vote to Repeal the 8th Amendment on May 25th, but it rings out with truer intensity now the “yes” result has been confirmed. The song features an impressive guest appearance from Sadie Dupuis of Speedy Ortiz on guitar too.

The unapologetic, carefree ‘Not Sorry’ transitions gently into the restless bass lines and riffs on ‘Floating Arrows’, whic will keep your feet twitching and heads bopping. ‘Swim’ paints an enviable picture of losing yourself by the seaside, with Anna’s clear vocals as bright as the sun she sings of here. The eponymous ‘Heart Swell’ is a wonderful ode to finding love, a genuinely satisfying aural head-rush. It flows into the gentle sounding ‘Self-Help’ which shimmers with sensitivity. “I try to live my life without forgetting anyone,” sings Anna, a poignant and admirable sentiment.

‘How Do I Feel?’ is another joyous offering of buoyant guitar and feel-good lyrics, before listeners are urged to reject the “double standards” that girls are subject too on ‘You Don’t Have To’. The age of independence and ambition is reminisced about on ’18’, which fades effortlessly into penultimate track ‘Do Ya?”. The beautiful ‘Wedding Song’ closes the record on a reassuring note. Anna’s lyrics systematically strip away the traditions and expectations that come with wedding ceremonies, revealing the only thing that truly matters when you consider spending the rest of your life with someone: Love.

If you’re searching for the soundtrack to Summer 2018, invest in Dott’s second album Heart Swell now. Download it here.

Follow Dott on Facebook for more updates.

Photo Credit: Alison MW

Kate Crudgington
@KCBobCut

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Track Of The Day: Anna Calvi – ‘Don’t Beat The Girl Out Of My Boy’

Introducing the first track from her first album in four years, Anna Calvi describes ‘Don’t Beat the Girl Out of My Boy’ as being beyond definition. The song is beyond definition because queerness is, and the track isn’t a departure from her previous records, it is an extension; an unleashing; an entirely honest, boundary-breaking, binary-destroying hit of truth.

‘Don’t Beat the Girl Out of My Boy’ is about the defiance of being happy. It’s about pleasure without shame, allowing yourself to be exactly who you want to fucking be, and being proud because you’re you. It’s about the primal rage of being human and the joy when a tiny piece of it, of yourself, makes sense.

Not only is it a queer song from a queer album, Anna Calvi isn’t breaking free from or out of anything, she’s embracing everything that she is and we are with every fiber of her spirit.

If you’re not yet aware of Anna Calvi and her work, you will be soon. She’s been nominated for the Mercury Prize twice, a Brit award or two (I forget, mostly because the Brits like to highlight ginger guys with loop pedals, and that’s not a language I know how to speak, je ne parle pas Ed-whatever), and has collaborated with Marianne Faithfull, Amanda Palmer and David Byrne. She’s also toured with the likes of Grinderman and the lead singer from The Smiths.

When I name my top three guitarists of all time, Anna Calvi will be there. While ‘Don’t Beat the Girl Out of My Boy’ lacks the “traditional” sound (in quotes, because traditional is the antithesis of a wild word) of her former albums, the sneak peaks and roaring covers she’s been posting to social media in the run-up promise a little of everything.

And it was within those, in her manifesto, where she said it best:

I’m hunting for something – I want experiences, I want agency, I want sexual freedom, I want intimacy, I want to feel strong, I want to feel protected and I want to find something beautiful in all the mess.

I want to go beyond gender. I don’t want to have to chose between the male and female in me.

I’m fighting against feeling an outsider and trying to find a place that feels like home.

I believe that gender is a spectrum. I believe that if we were allowed to be somewhere in the middle, not pushed to the extremes of performed masculinity and femininity, we would all be more free. I want to explore how to be something other than just what I’ve been assigned to be. I want to explore a more subversive sexuality, which goes further than what is expected of a woman in our patriarchal heteronormative society. I want to repeat the words “girl boy, woman man”, over and over, to find the limits of these words, against vastness of human experience.

I believe in the female protagonist, who isn’t simply responding to a man’s story. I go out into the world and see it as mine – I want something from it, rather than just being a passive product of it. I’m hungry for experiences. Sometimes things seem clear, and other times I feel lost. I feel strong and yet vulnerable; I wear my body and my art as an armour, but I also know that to be true to myself is to be open to being hurt.

The intent of this record is to be primal and beautiful, vulnerable and strong, to be the hunter and the hunted.

Hunter, the upcoming album from Anna Calvi will be released 31st August. Tickets for the European tour go on sale on today, 8th June. 

Em Burfitt
@fenderqueer

 

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