EP: The Famous Daxx – ‘TFD’

Very few people have the courage to describe themselves as “famous,” but in the case of The Famous Daxx – the postmodern surf grunge project making waves in London’s independent scene – the descriptor is rather prescient. In truth, with the release of her debut EP, TFD, the word “famous” feels more like foreshadowing. Intuitive quality and instrumental prowess are spread all over the four tracks, and there is little doubt Daxx will be nothing short of famous very soon.

Beyond the technically impressive nature of what’s happening within the music, the songs also demonstrate Daxx’s profound understanding of narrative. With inspiration coming from the emotions of lockdown, as well as cult documentaries and fairytales, the release crafts a story that is equal parts relatable and mystical, as old-world sounds are presented through a modern lens.

The first track and the EP’s lead single ‘Treetops‘ starts things out with Daxx on what seems to be a quiet stroll in a pleasant orchard, but with careful listening it’s actually the story of a lost soul sliding through (and almost celebrating) the absurdity of life. But fear not, despite the forlorn nature of this jaunt, her ghosts are there to provide company through Shirelles-esque backing vocals as they coast on the breezy guitar strums and light-touch drums.

As Daxx finishes her stroll, she turns around to face her starting point and finds herself in the distance, or rather ‘On Your Horizon‘, but with the solemn power in this next song, there is no way she can’t be seen or heard. The guitar slides are long and edgy, whilst the changing beats predicate huge changes in emotion and, throughout the song, there is a consistent ascension in sound that releases in the form of an epic jam in the final moments.

After such a display, all that’s left is Daxx. She put herself out there. She made her feelings known. She thinks that she has to ‘Surrender‘, but she’s not done. She still has a fire in her that explodes out of amplifiers and drum heads with the kind of flooring energy that makes you hit rewind on the song and go through the beginning and middle again, just to hear the end.

‘Surrender’ ends with so much force, it wipes the slate clean and leaves nothing but ‘White‘ (perhaps a reference to purity, or even death). Daxx is more than fine with letting you decide for yourself – just lean back and enjoy the haunting and seductive nature of her vocals and guitar.

TFD, the debut EP from The Famous Daxx, is out now.

Harry Levin
@harrylevin

New Track: lobby – ‘in the wall’

‘in the wall’ is the debut track from new London supergroup lobby – a collaboration made up of Lottie Pendlebury (Goat Girl) and Toby Evans-Jesra (leather.head), with trusted friend Josh Gormley on drums. As a fan of their two other bands, I was intrigued to hear this new project. 

‘in the wall’ opens with a clean ’90s midwest emo styled-guitar riff followed by a satisfyingly driving drum beat on the toms. It’s like a warm embrace and I’m instantly captivated. Pendlebury and Evans-Jesra’s soft honey-like vocal harmonies enter before she drops out and Evans-Jesra continues with a low vocal drawl, reminiscent of The National’s Matt Berninger, with a hint of Elliot Smith.

A beautifully atmospheric track, it blends folk and alternative rock – creating warm summer vibes with a hint of nostalgic melancholy, bringing to mind artists like Phoebe Bridgers and Big Thief. There are ethereal synth lines intertwining between the vocals and a fiddle-like violin part, giving it a folky flavour until – half way through the track – a sax and synth are introduced, offering the listener a pleasant surprise and adding to the already textured soundscape. The song becomes more chaotic, lifting it to an enchanting new dimension. 

The track was recorded and mixed by Jamie Neville Neville (Pumarosa, PVA) at Teeth Studios in South East London. On recording the songs Evans-Jesra explains:

“We recorded this song in 2021 with Jamie at Teeth Studios, a place we were really drawn to after hearing our friends in Gentle Stranger’s record. It had a really unique live improvised and kind of erratic sound that felt fitting for Lobby. It’s an old song of mine that Lottie and Josh brought a really fresh and creative energy to.” 

‘in the wall’ is a strong debut from lobby, who have already played gigs at iconic London venues like The Shacklewell Arms and Ivy House. Their music blends genres and times, and I will be keeping a close ear to the ground for their next release and future gigs. 


Ella Patenall
@ellapatenall

Photo Credit: Josh Evans-Jesra

NEW TRACK: Lunch Machine – ‘Pipedream Graveyard’

Making the most of a cynical and uneasy feeling, Belfast-based alt rockers Lunch Machine provide a cathartic exhale on their latest single ‘Pipedream Graveyard’. Marking their first piece of new music in five years, the track is a grunge-infused take on the futility of planning for the future whilst the planet is slowly collapsing around us.

Formed in Donegal back in 2017, Lunch Machine’s current lineup consists of Jude Barriscale (vocals and guitar), Pearse Owens (guitar), Robert Mulhern (bass and recording engineer) and Kieran Devlin (drums). Together, they create music that’s inspired by the lyrical wit of Courtney Barnett, the post-psych experimentation of King Gizz and the “good craic” goofiness of Ween. During the pandemic, the band lived together and jammed regularly, writing a new batch of music, performing occasional gigs and recording their upcoming material.

On ‘Pipedream Graveyard’, the four-piece blend the melodic angst of 90s grunge-pop with Barriscale’s bittersweet vocals to push past feelings of apathy. “Our generation and the ones that come after us seem doomed to sequester any dreams of a bright future,” she comments on the track. “It is exhausting knowing your road in life will end up surrounded in climate collapse, crumbling infrastructure, and regressive political ideals. Or, are we already there?” Despite this despair, Lunch Machine have created a hazy guitar tune that provides momentary relief from this reality.

The single is also accompanied by a video, shot by by Leeann Toland, which you can watch below.

Follow Lunch Machine on bandcamp, Spotify, Facebook & Instagram

Kate Crudgington
@KCBobCut

New Track: Aisha Badru – ‘Lazy River’

Having previously charmed our ears with the exquisite grace of 2021 EP The Way Back Home and her debut album Pendulum, and with acclaim from the likes of The Line Of Best Fit and Afropunk, singer-songwriter Aisha Badru has now announced the release of her upcoming new EP, due out in June.

Our first taster of the EP comes in the form of stirring new single ‘Lazy River‘. Flowing with a lilting energy, the track reflects on the journey of emotional healing and the time that this can take. Rippling with the shimmering grace of Badru’s vocals and a twinkling folk-strewn musicality, ‘Lazy River’ offers a beautifully soothing heartfelt anthem, showcasing the rich majesty of what Badru can create. A blissful interlude of cathartic calm.

Of the track, she explains:

“It’s about the healing process after loss. Emotional healing is a journey. True healing takes time and there should be no shame or urgency in any step of the process.”

‘Lazy River’ is accompanied by a beautiful new video, directed by Laura-Lynn Petrick, choregraphed by Nyda Kwasowsky and featuring dancer Amara Barner. Watch it here:


Learning To Love Again, the new EP from Aisha Badru, is set for release on 2nd June.

Mari Lane
@marimindles

Photo Credit: Jeff Trapani