ALBUM: THICK – ‘Happy Now’

Raging against the patriarchy by writing about their experiences of being women in what used to feel like a doomed music scene, Brooklyn-based pop punks THICK have forged their own path on their latest album, Happy Now. Filled with thrashy instrumentals and anthemic crowd-pleasers, the band – formed in 2014 and comprised of Nikki Sisti (guitar/vocals), Kate Black (bass/vocals) and Shari Page (drums/vocals) – embrace and further their potential throughout their most recent effort.

Upbeat guitars and energetic vocals characterise this concise yet assertive album, which tackles lighter topics compared to their previous record, 5 Years Behind (2020). The first single from the release, ‘Loser’, is a standout. The trio’s vocals are the defining feature of the song, particularly the fade between the solo yelling verses and the group harmonies in the chorus. Their trademark agro-punk overlaid with emotional honesty is blatant here. The single reclaims the term loser: “In music, it’s so easy to feel like a loser and a f*ck up”, comments drummer and vocalist Page. “We want people to know that it’s okay to mess up and that everyone’s a loser sometimes. It’s really the best way to live”. Page’s sentiment is embodied by the track’s lyrical wit: “I love when people tell me I should quit.”

Hints of the band’s early influences have always lent themselves to their releases. The vibrant introduction to ‘Her Chapstick’ wouldn’t feel out of place on a blink-182 record, while several other tracks feel riot grrrl-infused, especially the Le Tigre-esque ‘I Wish 2016 Never Happened’ and the Sleater-Kinney inspired ‘Your Garden’. The latter is a fast-paced song and the crux of the album, compounding the best of the swirling vocal rounds and roaring guitars that the remaining body of the tracks are dominated by.

‘Happiness’ is the perfect opener. The track is rapid in pace, complete with punk rant choruses and melodic collective verses. ‘Tell Myself’ expresses the group’s musical muscle in a slightly more stripped back way. End track, ‘Something Went Wrong’ is another highlight. Its well-paced bass riff is a moment of shine, which shows THICK are as strong instrumentally as they are lyrically. This finale is buoyant, leaving listeners on an upbeat note.

Ultimately, THICK’s sophomore effort is packed with moments of promise. It expresses viable growth from their debut, feeling less like a laundry list of things they’re exasperated at and more like a cohesive story, all without abandoning the perfect blend of guitar solos and layered vocals the group are celebrated for.

Follow THICK on bandcamp, Spotify, Twitter, Facebook & Instagram

Photo Credit: Jessica Gurewitz

Sarah Bennett
@sarah_benn3tt (Twitter)
@zasbennett (Instagram)

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Track Of The Day: Aderyn – ‘Playground’

‘Playground‘ is the latest single from South Wales indie-pop artist Aderyn, recent ‘Artist Of The Week’ on BBC Radio Wales. It’s a fun, summery and infectious pop song with a rock edge, recorded in LA with Bobby Bloomfield (who’s previously worked with the likes of 50 Cent and Linkin Park). 

The production is clean and polished with many engaging pop hooks and a cool, fizzing musicality propelled by the tight and energetic rhythm section. Aderyn sings blunt and playful lyrics following a recent breakup, delivered full of attitude and sass; sometimes sung so fast she’s almost rapping. She’s mastered immersive lyrical storytelling, allowing you to picture the scene in your mind – a story that many will relate to and cathartically sing along with in the chorus.

Musically, the song is built around fuzzy, slightly distorted riffs giving it a rocky edge, bringing to mind artists like Olivia Rodrigo, Soccer Mommy and Pale Waves, whilst incorporating swirling guitar chops, synth hooks and vocal harmonies.

Of the track, Aderyn explains:

“Playground was written just after a break-up. I was definitely in the ‘anger’ state of mourning the relationship when I wrote this song. I often joke at my gigs that singing this song live is a form of free therapy for me”. 

‘Playground’ is accompanied by a vibrant music video, showcasing Aderyn’s cheeky charisma and colourful energy as she sings directly into the camera at a sunny seaside theme park, at one point holding a pink smoke flare to amp up the attitude and fun. Watch here:

You can catch Aderyn live at  Sŵn Festival, Cardiff on the 22nd October. Find info about this and other tour dates via her Instagram .

Ella Patenall
@ellapatenall

Photo Credit: Hannah Tottle

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Track Of The Day: Aiko – ‘Restless’ (ft. Boy Jr.)

Having previously received acclaim from the likes of Elle and Harper’s Bazaar, in an electrifying unravelling, Moscow born/Czech raised and London based Aiko brings honesty, energy and spunk in her latest single. Casted by the shadow of art-pop and electro-driven indie vibes, ‘Restless‘ serves as a track that is suited for both the dance-floor and a night-time solo drive.

With a dark, yet lively, disposition, the unique soundscape Aiko fosters is filled with motivation. ‘Restless’ spins its own wheels to the point of instability and – although things may get unbearable – the spirit of the track accepts this phenomenon with resilience: “I’m scared to bits, but won’t call it quits.”

The gentle vocals that float throughout the verses of ‘Restless’ are reminiscent of Canadian alt-poppers Dizzy while the track’s banging chorus calls on the spiritual fire of acts like MUNA and Maggie Rogers.

Pulsing electronic drums draped in cinematic synths and curious samples make for a sonically dense mix that creates its own breath. Each verse of ‘Restless’ feels like a reflection, while each chorus explodes in revelation. Aiko has created an emotional push and pull both lyrically and musically that is relatable and invigorating.

Jill Goyeau
@jillybxxn

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Track Of The Day: Deux Furiueses – ‘Know The Score’

Violence against women is a topic you wouldn’t typically expect to lend itself to upbeat, catchy rock songs. But duo, vocalist and guitarist Ros Cairney and drummer Vas Antoniadou – aka Deux Furieuses – have done just that with their new track, ‘Know The Score‘.

The song kicks off with strumming guitars throwing out bouncy riffs over upbeat drum lines; promising the kind of classic rock melodies that take root in your head and don’t leave. The lyrics challenge the patriarchy head on from the first couple of lines, quickly referencing a “Another vigil on the streets of our cities tonight” – this alone evokes a painfully recent tragedy that immediately leaves you with no doubt about the seriousness and importance of the subject.

Referencing familiar experiences – keys in a fist, an easily accessible personal alarm, the need for both on a late night walk home – in a way that focuses on how terrifying it is that these things are so normal, these poignant words are platformed by the howling guitars and throbbing drums ramping up to a solo that screams with all the rage and sadness inherent in confronting these elements of society. The universality of it is boiled down into two simple, repeated lines: “Every girl grows into a / woman who knows the score”. The bluntness of it is heartbreaking; causing you to reflect on all the children whose innocence will be cut short by the selfishness of those granted power by the patriarchy.

The song fades to a close with the repeated line “say her name, say her name”. Deux Furieuses don’t have to say whose name for one to come to mind – whether it’s one that was recently in the news, or one from long ago that has stayed with you -, the fact that there are so many lends this refrain its power. The thought that listening to this song again in a year’s time will evoke an entirely new, as yet currently unknown, name is more powerful still. It has a terrifying timelessness to it.

Ultimately, ‘Know The Score’ forces you to confront the darkness that women face and powerfully acknowledges the need for change. It demands not only to be listened to, but for action to follow. Of the track, Deux Furieuses explain:

“We wrote this song about the shadow pandemic of violence against women. The song is a pounding strut of confidence on a big stage. It is bravado on a deserted street as we reach for our personal alarm… This is a song in solidarity with women who all know the score.”

Songs From Planet Earth, the upcoming new album from Deux Furieuses, is due for release on 11th November via Xtra Mile Recordings. Pre-save here.

Kirstie Summers
@actuallykurt

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