Track Of The Day: Softcult – ‘Perfect Blue’

A swirling, emotive reflection on a time laced with frustration, Canadian duo Softcult have shared their latest single ‘Perfect Blue’. Taken from their forthcoming EP Year of the Snake, which is set for release on 4th February, the track is an introspective take on how compromising your creativity to please others can lead to emotional burnout.

Formed of Ontario-based twins Phoenix and Mercedes Arn Horn, Softcult cut their teeth playing live shows in their local town of Kitchener, before moving on to bigger audiences on the North American tour circuit. Their experiences of playing and working within a male-dominated industry formed the foundation for their current sound, which is born from the desire to reject toxic standards of femininity and embrace a more equal world. Latest single ‘Perfect Blue’ reaffirms this narrative, lulling listeners with its soft dual vocals and intoxicating shoegaze-y riffs.

“We wrote ‘Perfect Blue’ about a time in our lives when we felt like nothing was in our control,” explains Mercedes. “In our previous project, we were signed to a label that butted heads with us creatively and wasn’t allowing us to express ourselves authentically. They weren’t interested in the music we were creating at the time, so we became unhealthily obsessed with trying to please them to release anything at all.”

“It felt as though we were putting on an act to survive,” Phoenix adds. “We didn’t feel like our art was representing us. There was a lot we wanted to say, but it was being stifled. We felt like we’d lost our integrity. The song is a reminder to empower yourself by standing up for what you believe in, or risk losing yourself altogether.”

The track is accompanied by a captivating video, produced and directed by Mercedes. “I wanted the viewer to feel like they are entering the mind of someone who is watching themselves transform, powerless to stop their metamorphosis,” she explains about the visuals. “I clearly remember times in my life when I felt pressure to become a version of myself that others wanted me to be, but that version wasn’t authentic to who I was. I felt like I was losing my integrity and my sense of self. I’d look at myself in the mirror and be disgusted at what I saw, unattached to who I had become. There’s a vibe of health anxiety, dysphoria, dissociation, a little horror element in there that I wanted to capture with the visuals. The skin peeling scenes are meant to elicit those feelings, like a snake shedding its skin.”

Watch the video for ‘Perfect Blue’ below.

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Softcult UK Tour Dates 2022
Thursday, February 17th – Crofters – Bristol
Friday, February 18th – The Victoria – Birmingham
Saturday, February 19th – Heartbreakers – Southampton
Sunday, February 20th – The Key Club – Leeds
Tuesday, February 22nd – The Garage (Attic Bar) – Glasgow
Wednesday, February 23rd – The Deaf Institute – Manchester
Thursday, February 24th – Camden Assembly – London

Kate Crudgington
@KCBobCut

LISTEN: Sweeping Promises – ‘Pain Without a Touch’

An irresistible slice of punk-infused synth-pop, Kansas-based duo Sweeping Promises have shared their latest single ‘Pain Without A Touch’. Released via Sub Pop and Feel It Records, the track is a rush of brooding riffs, punchy electronics and crystalline vocals, designed to get listeners moving on to their next adventure.

Formed of Lira Mondal and Caufield Schnug (and live touring drummer Spenser Gralla), Sweeping Promises came to life in a “disused and reverberant concrete laboratory” just before the COVID-19 pandemic struck. The pair released their debut single ‘Hunger for a Way Out’ in 2020 – which was mixed in mono and with their “self-devised single-mic technique” – and now they’re back with the vibrant ‘Pain Without a Touch’. With shades of Le Tigre and Yeah Yeah Yeahs thanks to Mondal’s clear-cut vocals, the track fizzes with a euphoric energy, driven by infectious beats and chant-worthy lyrics.

Sweeping Promises will be touring the UK and Europe in 2022, so make sure you catch them live in a city near you. Listen to ‘Pain Without a Touch’ below.

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Sweeping Promises UK Tour Dates 2022
Tue. May 24 – Brighton – Hope & Ruin
Wed. May 25 – Bristol – The Exchange
Thu. May 26 – Glasgow – Hug & Pint
Fri. May 27 – Leeds – Hyde Park Book Club
Sun. May 29 – Manchester – YES (Basement)
Mon. May 30 – Birmingham – The Hare and Hounds
Tue. May 31 – Portsmouth – Wedgewood Rooms

Photo Credit: Jackie Lee Young

Kate Crudgington
@KCBobCut

Track Of The Day: Momma – ‘Medicine’

A melodic reflection on the power of romantic infatuation, New York City four-piece Momma have shared their latest single ‘Medicine’. Released via Polyvinyl Record Co. & Lucky Number (Dream Wife, Sunflower Bean and Hinds), the track is an aural headrush centered around the passionate emotions that come with an all-consuming crush, full of hazy vocals and infectious guitar riffs.

Formed of Etta Friedman (guitars/vocals), Allegra Weingarten (guitars/vocals), Aron Kobayashi Ritch (bass) and Zach Capitti Fenton (drums), Momma create sounds inspired by the 90s pop and alternative scenes. Blending soft dual vocals with grunge-tinged guitars, the band seamlessly craft heady, swirling anthems focused on their observations on life and love, with new single ‘Medicine’ being a delightful combination of both.

Produced and mixed by bassist Aron Kobayashi Ritch, the single was written during a time when most of the band members were free from heartbreak. “We wanted to write about that feeling of just being addicted to someone and how someone else’s company can really feel like a drug,” the band explain, capturing this rapturous feeling via yearning lyrics and strung out riffs. The carefree accompanying visuals for the track, shot on VHS-C and directed by Hailey Heaton, reflect this heady optimism too.

Listen to ‘Medicine’ below.

Follow Momma on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Cooper Winterson

Kate Crudgington
@KCBobCut

LISTEN: Brimheim – ‘hey amanda’

An ode to friendship in all its bittersweet glory, Danish alt-pop artist Brimheim has shared her latest single ‘hey amanda’. Taken from her upcoming album, can’t hate myself into a different shape, which is set for release on 28th January via W.A.S Entertainment, the track is a celebration of platonic love, brimming with nostalgic lyrics, warm guitar sounds and tender vocals.

“Obviously there are plenty of great romantic love songs, but for some reason there aren’t a lot of love songs about friendships, even though they’re often just as crucial and formative as any crush or relationship,” Brimheim aka Helena Heinesen Rebensdorff explains about the context of her new single. “Amanda and I became best friends when we were 10 and it is one of my closest relationships to this day. The impact our friendship has had on my life is hard to overstate – especially because we grew our shared interest in art and music together at a very formative time in our lives. I feel like that’s pretty special – to have grown into the adult versions of ourselves and still be friends.”

Brimheim recalls her teenage memories of talking on the landline for hours and biking over to Amanda’s house with genuine warmth, earnestly admitting “in my heart we’re still kids messing around / just like we used to.” Emerging from the shadowy grandeur of her previous single ‘poison fizzing on a tongue‘, the buoyant ‘hey amanda’ is a gentler, but equally as emotive track that showcases Brimheim’s talent for capturing a moment in its purest form.

Listen to ‘hey amanda’ below.

Follow Brimheim on bandcamp, SpotifyInstagram & Facebook

Photo Credit: Sofi Hellberg Olsso

Kate Crudgington
@KCBobCut