kcbobcut – Page 60 – Get In Her Ears

LISTEN: Ailsa Tully – ‘Parasite’

A personal rumination on the pernicious power dynamics that are prevalent within the UK music industry, Welsh-born songwriter Ailsa Tully has shared her latest single ‘Parasite’. Released via Dalliance Recordings, the track is a deceptively powerful observation on the toxic behaviour Tully has experienced first hand, and a subtle warning to those who think their actions will go un-noticed.

“’Parasite’ is a confrontational song written for a controlling and manipulative person,” Tully explains. “It explores the insidious manner in which sexism takes form, particularly within the inner workings of the music industry.” Through a blend of brooding guitar sounds, enveloping vocals and the faux allure of her lyrics, Tully takes considered shots at her antagonist, effortlessly dismantling the layers of expectation that were pushed upon her because of her gender. Her gracefully repeated threat of “I could break you down / you parasite” sends shivers down the spine.

No longer intimidated by these industry peers, Tully is free to deliver her poetic alt-folk sounds with a hard earned confidence, and ‘Parasite’ is a poignant example of this. The track is accompanied by a video directed by Finlay O’Hara, which shows parasitic plants twisting around vines in tandem with Tully’s music, personifying the struggles she sings of.

Watch the video for ‘Parasite’ below.

Follow Ailsa Tully on bandcamp, Spotify, Facebook & Instagram for more updates.

Photo Credit: Finn O’Hara

Kate Crudgington
@KCBobCut

January 22, 2021

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Track Of The Day: Maria BC – ‘Devil’s Rain’

A tender reflection on the cherished summers they spent with their grandparents in northern Ohio, Brooklyn-based artist Maria BC has shared their latest single ‘Devil’s Rain’. Taken from their upcoming EP of the same name, which is set for release on 5th February via Fear of Missing Out Records, the track is a comforting realisation about how joy and melancholy can harmoniously co-exist in your memories.

“When I was little, my grandmother would sit with me on the porch during rainstorms and read me chapter books,” Maria explains. “While we sat on the porch swing one day, the sun came out while the rain kept pouring and she taught me the term ‘devil’s rain’. I think it’s a Southern expression (my grandmother grew up in Kentucky). I love the phrase, how sinister it is and the event itself — sunshine and rain, co-occurring opposites — puts you in a spiritual mood, all wonder and melancholy.”

Maria’s warm memories of being “cradled by a summer day” are reflected in their ambient guitar sounds and emotive vocals. Despite the dreamy nature of the track, Maria’s peace feels as temporary and interchangeable as the natural phenomenon they’re singing about, accepting that beliefs and emotions are as fleeting, but as awe-inspiring as the tempestuous weather.

Listen to ‘Devil’s Rain’ below.

Follow Maria BC on bandcamp, Spotify, Instagram, Twitter & Facebook for more updates.

Kate Crudgington
@KCBobCut

January 21, 2021January 21, 2021

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LISTEN: New Pagans – ‘Christian Boys’

A riotous, refreshing call for accountability and a take down of sexist double standards, Belfast band New Pagans have shared their latest single ‘Christian Boys’. It’s the first track to be lifted from their upcoming debut album The Seed, The Vessel, The Roots and All, which is set for release on 19th March via Big Scary Monsters.

Named in our Get In Her Ears ‘Ones To Watch in 2021‘ feature which we shared earlier this year, New Pagans create urgent, considered, catchy sounds that challenge the norms surrounding relationships, history and gender roles. The band take the best elements of post-punk, grunge and pop and transform them into beautifully melodic noise, and this is epitomised on new single ‘Christian Boys’.

Based on the experiences of vocalist Lyndsey McDougall’s friend – who had been having an affair with a Christian leader in Northern Ireland before his marriage to a virgin bride – ‘Christian Boys’ seethes with a righteous fury against the unfair judgement of women who are involved with hypocritical men. “This is shocking but what is more disturbing is that it hadn’t been the first-time similar stories had emerged,” the band explain about the context of the track. “When these men were confronted, they all stated that the women were to blame, it had been their fault, they were the sinners and had led the Christian men astray.”

The urgency in the repeated lyric “Christian boys are the worst I know / Christian girls should take it slow” exposes the hypocrisy underscoring the track’s narrative, calling out those who blame others for their own mistakes. “Lyndsey knows that some of the lyrics in the song could be considered controversial,” the band continue, “but she has grown up around Christian men and believes that this conversation needs to happen, it shouldn’t be off limits.”

Watch the accompanying lyric video for ‘Christian Boys’ below.

Pre-order New Pagans’ debut album The Seed, The Vessel, The Roots and All here.

Follow New Pagans on bandcamp, Twitter, Instagram, Facebook & Spotify for more updates.

Kate Crudgington
@KCBobCut

January 20, 2021

Get In Her EarsLeave a comment

LISTEN: GHLOW – ‘Hold On’

A seething slice of electro-punk, Russian-Swedish heavy duo GHLOW have shared their latest single ‘Hold On’. Released via PNKSLM Recordings, the track is taken from the band’s upcoming debut album Slash and Burn, which is set for release on 2nd April.

Formed of multidisciplinary artists Emille de Blanche and Nikolay Evdokimov, GHLOW fuse their lived experiences and passion for genre-blending sounds into their visceral, intense soundscapes. They divide their labour equally; de Blanche handles vocals, bass and the band’s art direction, while Evdokimov takes on on guitar, synths, drum machines and production duties. Through experimentation and a desire to test themselves, the pair trusted their instincts and created an album that burns with raw, ambiguous fury and ‘Hold On’ is the first taste of what’s to come from the record.

Smouldering with angst, the track is an industrial-tinged mix of buzzing synths, caustic beats and de Blanche’s distinctive vocals. “It’s always been about emotion and passion, for me,” says Evdokimov about his process when it comes to making music. “That’s more important to me than genre. I have to understand the outlook of the artist; I need to be burned by it a little bit, almost.” With ‘Hold On’, GHLOW have shared a startling snapshot of their debut album, and we can’t wait to hear it in full.