Tracks Of The Year 2018

Despite being a pretty scary year in the grand scheme of things, 2018 has actually been exceptionally great for new music. Our ears have been filled with sonic delights of all genres, providing necessary catharsis and enjoyment. 

So, it was pretty hard to pick our 20 favourite tunes. But, from poignant punk to captivating pop-noir, here they are… 

Alice Bag – ’77’
Taken from this year’s poignant album Blueprint, punk legend Alice Bag brought together a dream team for her single ’77’. Featuring Riot Grrrl queens Kathleen Hanna and Allison Wolfe, plus an appearance in the video from Shirley Manson, it draws inspiration from Dolly Parton’s 1980 proto-feminist workplace comedy ‘9 to 5′, commenting on the gender pay gap that still plagues society. Filled with seething, punk-driven riffs, the women not only rage that “I make 77 cents and it’s not right / It’s bad for women!”, but make the point that “it’s worse if you’re not white”. As Bag poignantly sneers “… don’t pretend that we’re paid equal… You wrote the script / But I’m writing the sequel”, ’77’ is an empowering, inspiring call to arms to unite against the patriarchy and make the changes needed for equality, in the workplace and beyond.
(Mari Lane – Managing Editor/Co-Founder)

Nova Twins – ‘Lose Your Head’
A lesson in cutting loose and walking on the wild side, South East London duo Nova Twins provided us with this mind-melter of a track earlier in the year. We were lucky enough to have Amy & Georgia come into the Hoxton Radio studio for a chat, and they blew us away playing live for Loud Women at The Lexington too. Their raw, abrasive, genre-defying tunes are consistent favourites here at Get In Her Ears, and I’m sure they’ll bring the noise again in 2019.
(Kate Crudgington – Features Editor/Co-Founder)

Skating Polly – ‘Camelot’
Blasting into the eardrums with intense, pulsating basslines and the impassioned screech of Kelli Mayo, ‘Camelot’ is a seething, grunge-fuelled anthem. Oozing a thrashing power, it perfectly tears apart the misogynistic nature of American frat-boy culture with an empowering energy. This year Skating Polly released new album The Make It All Show, blew us away once again with their immense live show (with faves The Menstrual Cramps supporting), and generally proved themselves to be one of the most exciting young bands around.
(ML)

Brix And The Extricated – ‘Sleazebag’
Taken from their epic, genre-defying latest album, Brix And The Extricated’s ‘Sleazebag’ revives a classic punk energy and seething passion whilst marking Smith-Start out as an artist willing to move with the times and develop her sound. Confronting all those sleazebags in the industry that we’re unfortunately so familiar with, this track instantly grabs you with its immense, ferocious power. With swirling guitars and spiky bass, alongside Smith-Start’s distinctive soaring drawl, it’s a refreshing and riotous offering proving that Brix & The Extricated are well and truly back, and cannot be missed.
(ML)

Bad Sidekick – ‘I Ain’t Sick’
A fistful of brooding indie noise: London trio Bad Sidekick released their debut self-titled EP this year, and the snarling ‘I Ain’t Sick’ is my favourite track on the record. Vocalist Cooper (who also plays guitar in The Menstrual Cramps) is a powerhouse with her enviably cool lyrical intonation, and she’s supported by a cacophony of guitar noises and heart-thumping beats on this track.
(KC)

The Menstrual Cramps – ‘The Smash’
The Menstrual Cramps have pretty much summed up 2018 with each of their topical, tongue-in-cheek offerings and provided the perfect antidote to all that’s gone on with their empowering, feel good vibes. Taken from their incredible album Free Bleedin’, ‘The Smash’ in particular couldn’t have come at a better time. With the all-too-relatable refrain of “It’s time we took back the floor, kick the Tories out the door – we want a revolution”, it oozes an immense, politically-charged force as vocalist Emilia’s genuine, seething passion shines through. Combining activism with musical prowess, The Menstrual Cramps continue to reminds us all why we need bands like this now more than ever.
(ML)

Pink Kink – ‘You’
Although it wasn’t released as a single, this live recording from Liverpool’s Parr Street Studios showcases Pink Kink at their absolute best. A stunning mix of Warpaint style lo-fi indie, Sonic Youth switch-ups in tempo, ‘You’ is drenched in emotion, full of fired passions and stunning musicality. A band whose career was cut far, far too short for the kind of ridiculous reasons that have been an increasingly common occurrence in 2018’s dark days
(John McGovern – Contributor)

Soccer Mommy – ‘Your Dog’
I adore this song from Nashville’s Soccer Mommy, taken from her debut album Clean. Her trademark “soft anger” is executed so wonderfully, you barely notice you’re dropping expletives left, right and centre throughout the track. Written as an antidote to the feeling of being “paralyzed in a relationship to the point where you feel like you are a pawn in someone else’s world”, ‘Your Dog’ is a brilliant bite back from this talented artist.
(KC)

Snail Mail – ‘Pristine’
Laconic, bruised, wistful and sparkling – all while dealing with pop’s most frequent fixation: unrequited love – ‘Pristine’ is a brilliant introduction to the indie-pop stylings of Lindsay Jordan. If there’s been a better lyric than “It just feels like the same party every weekend, doesn’t it?” this year, then I haven’t heard it.
(JM)

Dott – ‘Like A Girl’
Activism and garage-pop collided in anthemic style on Dott’s single ‘Like A Girl’. The Galway-based band released the song ahead of Ireland’s vote to Repeal the 8th Amendment on May 25th – which resulted in the historic outcome of giving Irish women legal access to full reproductive health services, including abortion. The song features a guest appearance from Sadie Dupuis of Speedy Ortiz on guitar, and the accompanying video features members from Galway Pro Choice, Galway Parents for Choice, and Galway Roller Derby, as well as footage of recent marches for Women’s Rights in Galway.
(KC)

Wolf Girl – ‘Toast For Dinner’
Having captivated us with their sunny charm live at Indietracks Festival this year, Wolf Girl are fast becoming a firm favourite. Flowing with an infectious jangly scuzz and twinkling uplifting harmonies, ‘Toast for Dinner’ is an exquisite slice of perfect indie-pop. Propelled by a driving, vibrant energy and Healey’s luscious vocals – and with thoroughly relatable lyrics like “toast for dinner again, I’m trying to tie up loose ends” – it’s a total delight for the ears, as is the band’s latest album Every Now And Then.
(ML)

Pip Blom – ‘Come Home’
Unusually glum, but no less lively, this track marked the peak of a fantastic run of singles from the Dutch post-punk fourpiece. Its repetitive riff makes it unforgettable, rhythms make it sound like something that belongs more at a club than a gig, whilst Blom’s voice is just the right side of deadpan. Now signed to Heavenly, 2019 promises great things for PB.
(JM)

Suggested Friends – ‘Motherfucking Tree’
Although I think technically their self-titled album came out officially last year, throughout the entirety of 2018, I can safely say that Suggested Friends have been one of my most-listened to, and most thoroughly loved, bands. This track in particular showcases their perfect, immensely infectious ‘tweemo’ punk-pop to a tee. Filled with racing, catchy hooks and luscious harmonies, Faith Taylor’s witty charm and exquisite vocals (as well as spot on lyrics like “thought you had a halo, but it was just the glare from the backlight of your iPhone”) fill me with pure joy on each listen.

(ML)

Ah! Kosmos – ‘Wide'(feat. Özgür Yılmaz)
Atmospheric guitar, captivating percussion and hypnotic vocals melt together on this track from Ah! Kosmos. It’s taken from her second album Beautiful Swamp, and it sweeps me up in to a rapture every time I hear it. Her live performance supporting Zola Jesus at Omeara this year was an absolute knockout, and I can’t wait to see what she gets up to in 2019.
(KC)

Kill J – ‘Strange Fruits Of The Water’
This stunning single from Kill J tackles issues of immigration and racism, with a subtle nod to Billie Holiday’s  iconic track ‘Strange Fruit’ (1939). Taken from her album Superposition, Kill J explains: “’Strange Fruits Of The Water’ is a protest song about boarders, walls, barbed wire fences, and people trying to survive on small boats crossing the Mediterranean Sea. While some people dream of just surviving their journey across the boarders, others dream of wealth and power at the expense of others”.
(KC)

Black Gold Buffalo – ‘Lay It Down’
I’ve been hooked on Black Gold Buffalo’s mesmerising, pop-noir sounds all year, so I was thrilled to have them headline our first GIHEs night at Notting Hill Arts Club in August. ‘Lay It Down’ is taken from the band’s debut self-titled album (which I recommend you listen to) and it’s a well-crafted, smoldering gem that revolves around confronting feelings of anxiety.
(KC)

LIINES – ‘Shallow’
Having been labelled one of our ‘Ones To Watch 2018‘, Manchester trio LIINES certainly proved us right. Throughout the year, they’ve gone from strength to strength – releasing their debut album Stop-Start in May, receiving acclaim from the likes of John Kennedy and Steve Lamacq and just now announcing a support slot with Sleaford Mods for 2019. Oozing an immense, thrashing energy and the raw, commanding vocals of Zoe McVeigh, single ‘Shallow’ is filled with the band’s trademark dark, brooding power – an intense blast of perfect post-punk with shades of the likes of Savages of Sleater Kinney.
(ML)

Zola Jesus – ‘Bound’
Intriguing electro-industrial artist Zola Jesus had me spellbound from the moment I heard the hypnotic, off-kilter, heavy bouncing synths on ‘Bound’. Her penetrating vocals ring out across a demanding soundscape, and her blending of industrial and classical elements makes this track sound like a tortured but tentative hymn. Seeing her perform it live at Omeara was truly breath-taking too.
(KC)

Noga Erez – ‘Bad Habits’
Noga Erez had 2018’s shortcomings in her interrogative spotlight this year after releasing her incredible track ‘Bad Habits’. It’s a snarling tirade of anger spoken through gritted teeth, written from “a place where one feels they’ve lost all direction and meaning”. Gritty, defiant, and viciously executed – I love this track and can’t wait to hear more from the Tel Aviv renegade in 2019.
(KC)

Miss Eaves – ‘Push For The Bush’
Having previously fallen in love with Miss Eaves‘ fun-filled, empowering anthems ‘Thunder Thighs’ and ‘Hump Day’, ‘Bush For The Push’ offered another vibrant celebration of self love from Miss Eaves. With her trademark disco-punk energy, reminiscent of queen Peaches, it’s a liberating and wonderfully entertaining call to be free to have the bush you want – “It’s your body, so have a little fun…”
(ML)

Listen to our ‘Tracks Of 2018’ playlist here, and stay tuned for more of our 2018 highlights, and Ones To Watch for next year…

LIVE: Zola Jesus – Omeara, London 05.11.18

Zola Jesus stunned her sold out crowd at Omeara on Tuesday night as she appeared shrouded in red, delivering her flawless operatic vocals. Her performance embodied the promise she made during second song ‘Soak’ – “You should know I would never let you down” – and her rendition of the track made our gothic hearts bleed.

She took to the stage after Ah! Kosmos, who performed a stunning one-woman-show in an equally stunning sequin blazer. The Istanbul-born artist gave a masterclass in how to perform electronic music solo, and was the perfect warm up for Zola Jesus’ eager crowd.

Whilst on stage, the Sacred Bones signee said she was “chuffed” to be in “Blighty” and was happy to talk between songs about TV show Nathan Barley and the shortcomings of British Airways (who had lost her guitarist’s luggage earlier that day). Her set was laced with penetrating vocals that rang out across her hypnotised audience, and included an emotive dedication to her Uncle who recently survived a suicide attempt.

The blend of industrial and classical elements in Zola Jesus’ music translated well live, and she was accompanied by a violinist and guitarist for the duration of her set. Her tortured but tentative lyrics on ‘Skin’ and ‘Exhumed’ as well as the hypnotic, off-kilter, bouncing synths on ‘Bound’ provided fans with an eclectic mix of old and new material, and an opportunity for the performer to remove her red cloak, and break the fourth wall towards the close of her set.

Her lyrical lamentations about disconnection are made all the more powerful by her altruistic voice. Recorded, her vocals are striking enough – but to hear them live is confirmation that Zola Jesus truly has a divine set of lungs. If you weren’t there to hear her at Omeara, you missed out on a mesmerising performance from this warped and wonderful artist. A definite live highlight of 2018.

Follow Zola Jesus on Facebook for more updates.

Kate Crudgington
@KCBobCut

PLAYLIST: October 2018

The dark winter nights are creeping in, but our brand new October playlist is filled with bright, vibrant new sounds from a range of unusual and inspiring new artists. If our selections are anything to go by, the October 5th is THE date to release a record, and we’re excited to share our track selections with you. Take some time to scroll through our words and hit play on the Spotify link at the bottom of the page…

Health (feat. Soccer Mommy) – ‘Mass Grave’
I’m obsessed with this new track from L.A. noise rockers HEALTH, which features the divine vocals of Soccer Mommy. Produced by Corin Roddick (Purity Ring), ‘Mass Grave’ is a haunting fusion of alarming synths, apathetic vocals and spaced out percussion. (Kate Crudgington)

Kill J – ‘Strange Fruits of the Sea’
Kill J’s latest offering tackles issues of immigration and racism, with a subtle nod to Billie Holiday’s  iconic ‘Strange Fruit’ (1939). Speaking about the track, Kill J explains: “It’s a protest song about boarders, walls, barbed wire fences, and people trying to survive on small boats crossing the Mediterranean Sea. While some people dream of just surviving their journey across the boarders, others dream of wealth and power at the expense of others”. I’m a big fan of Kill J’s defiance, which she explores through hypnotising electronics. ‘Strange Fruits of the Sea’ is taken from her upcoming album Superposition, released 5th October via Nettwerk. (KC)

Pip Blom – ‘Come Home’
Catchy AF, ‘Come Home’is the latest single from Amsterdam favourites of mine Pip Blom, taken from their upcoming EP Paycheck which is out on 5th October. I had the pleasure of seeing these guys support The Breeders earlier in the year at the Roundhouse, an abundance of energy and an abundance of hair. Catch them if you can, they’re playing all over the UK this November including The Lexington on the 22nd. (Tash Walker)

Big Joanie – ‘Fall Asleep’
‘Fall Asleep’ is the latest single from Get In Her Ears faves Big Joanie, I only heard this for this first time a week or so ago but it’s firmly got into my head.  They’ve recently announced their debut album Sistahs is going to be released this November by The Daydream Library Series, and I can’t wait to hear the record in full! (TW)

Gold Baby – ‘What Party?
Having charmed us with their with their twinkling charisma and catchy offerings live at The Finsbury, East London’s Gold Baby have now shared new single ‘What Party?’. Reflecting on self-induced boundaries and the limits we often place on ourselves, ‘What Party?’ is propelled by a scuzzy, sparkling energy. Catch Gold Baby live at The Shacklewell Arms on 5th October. (Mari Lane)

Mammoth Penguins – ‘When I Was Your Age’
Having finally been lucky enough to catch Cambridge-based Mammoth Penguins supporting Adult Mom at The Shacklewell Arms last week, my love of their 2015 album Hide and Seek has been freshly revived, and I once again cannot stop listening to it. Fronted by Emma (also known for playing bass for GIHE faves Suggested Friends, and being part of the wonderful Indietracks Festival team), live the band ooze an utterly infectious, shimmering energy, with a highlight being the highly relatable (and seemingly appropriate – it’s Emma’s birthday) ‘When I Was Your Age’. Reflecting on the common pressures of growing up and habits of people to constantly compare themselves to each other, it’s a twinkling slice of impassioned indie-pop, fitting perfectly into the band’s collection of dreamy, scuzzy, emotion-filled delights. A totally uplifting set that stands me in good stead for crying the night away (in a good way) to the lush sounds of Adult Mom. (ML)

Chorusgirl – ‘No Goodbye’
Following 2015’s wonderful self-titled debut, GIHE faves Chorusgirl have now announced their long-awaited new album Shimmer And Spin, and we couldn’t be happier for them. Taken from the album, new single ‘No Goodbye’ is filled with jangly hooks and sunny uplifting beats, despite perhaps a lingering dark undercurrent. As Silvi’s distinctive, lush vocals soar throughout, effervescent harmonies and impressive driving riffs flow, creating Chorusgirl’s utterly unique, shimmering sounds. Another truly dreamy slice of sparkling garage-pop, ‘No Goodbye’ proves that it’s impossible to listen to Chorusgirl and not feel instantly better. Shimmer And Spin, the upcoming new album from Chorusgirl, is out 16th November via Reckless Yes. (ML)

Praa – ‘Y’
This new single from Praa was released at the end of September, and it’s all about questioning our human connection with virtual relationships maintained via our screens. I think it’s a beautiful example of modern neo-soul. Thank you Praa. (TW)

Hazel Iris – ‘A Prince’
‘A Prince’ by classically trained Hazel Iris, is a totally enchanting piece of music, loaded with emotion and fusing classical, indie folk, and a bit of jazz. Her debut album Nine Sisters is due out on 26th October and she’ll be performing at St Batholomew-the-Great in Smithfield’s on the same date, which will no doubt be a mesmerising show. The track’s not up on Spotify just yet, but you can listen to it below (TW)

Ah! Kosmos – ‘June’
Taken from her new album Beautiful Swamp (due 5th October via Compost Records), ‘June’ is another example of Ah! Kosmos’ stunning ability to create powerful, rapturous soundscapes. Born in Istanbul and now based in Berlin, Ah! Kosmos (aka Başak Günak) is a sound designer, producer and multi-instrumentalist – and I can’t wait to review her new record for the website this week. (KC)

Aisha Badru – ‘Splintered’
Following the lush, enveloping sound of previous single ‘Bridges’, New York’s Aisha Badru returns to charm our ears with a sparkling new offering. A call for people to take control of their lives‘Splintered’ flows with the beautiful, sweeping splendour of Badru’s delicately emotion-strewn vocals. Oozing a majestic grace, alongside twinkling melodies and a soaring musicality, it’s filled with a raw emotion that’ll send shivers down the spine on first listen. Pendulum, the latest album from Aisha Badru, is out now. (ML)

Varley – ‘Lonely Were The Days’
Reflecting on the ever-growing demands of today’s society from the effects of social media and the pressure this puts on a whole generation to “be something”, ‘Lonely Were The Days’ is an instantly infectious slice of dreamy alt-pop from Berlin-based Varley. As pulsating beats propel the track alongside the shimmering splendour of front woman Claire-Ann’s vocals, a captivating soundscape is created, leaving you no choice but to bask in its glorious, glistening glow. Catch Varley playing for us live at Notting Hill Arts Club on 1st December alongside Alyss, Elsa Hewitt and Temples Of Youth! (ML)

Art School Girlfriend – ‘Distance (Blank)’
Art School Girlfriend is the moniker of producer & multi-instrumentalist Polly Mackey. Her latest single ‘Distance’ is taken from her recent EP Into The Blue Hour, which was influenced by her move from London to the seaside town of Margate. I love her calm vocals and subtle, yet grand use of synthesizers on this track. She makes being “in over [your] head” sound so, so appealing. (KC)

TAYNE – ‘Sacrifice’
This TAYNE track dropped in to my inbox in January, and it’s been swirling around my head ever since. I’ve also been singing the lyrics incorrectly for the last nine months (the chorus is “I want hope”, not “I want her” as I initially thought) – but I’m not going to let a blip like that stop me from praising this synth-laden, noise-pop gem. TAYNE are celebrating the release of their debut album Breathe at The Old Blue Last on Thursday 4th October (with support from Birthmarks & Volkova Sisters). It’s a free gig, and you can pick up a copy of the clear magenta vinyl (which features ‘Sacrifice’) on the night, ahead of its official release on 2nd November. Us Get In Her Ears girls will all be there, so we’ll see you at the bar! (RSVP here). (KC)

PLAYLIST: September 2018

Summer’s over and so is festival season, but fear not! Our brand new September playlist is here to to brighten up your day. This month is shaping up to be something special sound-wise, and we’re excited to share our track selections with you. Take some time to scroll through our words, and hit play on the Spotify link at the bottom of the page…

 

Noga Erez – ‘Cash Out’ (feat. SAMMUS)
The idiosyncratic voices of Tel Aviv’s Noga Erez and Philadelphia rapper SAMMUS combine in superb style on this new track, which is the perfect follow up to Erez’s previous knockout single ‘Bad Habits’. Together, the pair “call out the contradicting and chauvinistic pressures piled on women through consumerist society” with defiant, seething flair. I cannot stop listening to this total T.U.N.E. (Kate Crudgington)

Basement Revolver – ‘Heavy Eyes’
‘Heavy Eyes’ is the new single from Canadian indie-rock trio Basement Revolver taken from the debut album (also called Heavy Eyes) which was released in August via Fear of Missing Out Records. The track is about feeling tired and how hard life is when you’re in that tired state…PREACH. I love the track’s rhythmic percussion with those distant vocals pushing me into that hypnotic hazy state. (Tash Walker)

Twist Helix – ‘Graphite’
Taken from their upcoming debut album, Twist Helix’s new single ‘Graphite’ is a song about the artist feeling frustration as she cannot articulate an authentic vision of her city. A sweeping, cinematic offering, it juxtaposes dynamic, synth-heavy beats with a twinkling musicality and the soaring impassioned vocals of front woman Bea Garcia. Ouseburn, the upcoming album from Twist Helix, is out 5th October. (Mari Lane)

Fears – ‘Blood’
Flitting between Belfast and Dublin, Irish musician Fears (aka Constance Keane) creates sublime electronic-based soundscapes. I first heard ‘Blood’ on The Irish Jam, and I’ve been haunted by her melancholy soundscapes ever since. I’ll definitely be keeping tabs on this talented newcomer. (KC)

Ah! Kosmos – ‘Wide'(feat. Özgür Yılmaz)
Atmospheric guitar, captivating percussion and hypnotic vocals melt together on Ah! Kosmos’ new single. The track is taken from her upcoming second album Beautiful Swamp, which is set for release on October 5th via Compost Records. Born in Istanbul and now based in Berlin, Ah! Kosmos (aka Başak Günak) is a sound designer, producer and multi-instrumentalist. She sweeps listeners up in to a rapture with her intense soundscapes filled with rhythmic guitar melodies, and her collaboration with guitarist Özgür Yılmaz on ‘Wide’ is another stunning example of this. (KC)

Koschka – ‘The Flood’
The new single from Berlin-based Koschka, ‘The Flood’ oozes a sweeping grandeur and haunting, majestic power. Inspired by themes of ephemeral love, acceptance and regret, it flows with twinkling keys as the impressive range of Koschka’s resonating vocals soar across a luscious soundscape with an effervescent grace. Truly spellbinding. (ML)

Okay Kaya – ‘Habitual Love’
Okay Kaya who hails from Norway has only recently popped up on my radar, but I’m so glad she did. Currently in the process of releasing a series of loosely-connected, slightly disconcerting music videos for her album Both – manifesting themes such as love, voyeurism and trauma as another physical body. This is my favourite of the releases so far – ‘Habitual Love’ whose gentle beats and Sade like melodies take on a life of their own when you watch the video. However you consume this…it’s fantastic. (TW)

The Menstrual Cramps – ‘The Smash’
Raw, righteous, and a rallying cry against pervasive capitalist and patriarchal oppression: The Menstrual Cramps’ released their sophomore album Free Bleedin’ at the end of August, and it drips with irrepressible anarchy and wit. ‘The Smash’ is the second track on the record, calling for a political and personal revolution. The lyric “Theresa May don’t even masturbate” is a personal fave here. (KC)

Peach Club – ‘Boy In A Band’
A gritty, raging attack on those ‘boys in bands’ that we’ve all come across – those disgusting guys who use their self-proclaimed ‘fame’ to take advantage of young women – ‘Boy In A Band’ rages with a raw ferocity, thrashing hooks and driving beats, building with a frenzied energy to a riotous anthem, blasting into the ears with a racing sense of urgency. And rightly so. We need voices like Peach Club’s now more than ever; a voice that gives motivation and inspiration to girls and women to speak out and be heard in order to prevent the damaging actions of certain boys in bands continuing to be swept under the carpet within the music industry. And we cannot wait for Peach Club to headline our Blogtober event at The Finsbury on 12th October! (RSVP here(ML)

Fightmilk – ‘Four Star Hotel’
Fightmilk have now signed to Reckless Yes and announced the release of their truly fantastic debut album Not With That Attitude (due November 2nd). Taken from the album, new single ‘Four Star Hotel’ is a scuzzy, sparkling anti-love song spiced with a tongue in cheek wit and refreshing cynicism. Another immensely catchy, instant smile-inducing slice of luscious punk-infused indie-pop at its finest. And we cannot wait for Fightmilk to play for us again at The Finsbury on 14th December! (RSVP here). (ML)

Dolls – ‘Sugar Free’
Prepare to have your bubble well and truly popped by the sound of DOLLS’ latest single ‘Sugar Free’. The London-based duo have delivered another catchy slice of grunge-pop glory, alongside the news they’ll be releasing their debut EP Pop The Bubble on September 21st. (KC)

Value Void – ‘Babeland’
I just think this is such a tune. ‘Babeland’ by London trio Value Void is taken from their upcoming debut album set for release on 26th October via Tough Love, which they’ve described as “a luxuriantly deep, shag pile-warm, analogue proto punk collection”. This particular song is about one night in a pub when everything looked grim except for two very attractive men kissing. I love the hazy dreamlike sound which for me was the perfect accompaniment to the hazy warmth of this London Summer. (TW)

Dott – ‘Wedding Song’
Taken from their recent album Heart Swell, Dott’s ‘Wedding Song’ is a poignant ode to love in all its forms, and a celebration of Ireland’s vote to legalise Same Sex Marriage in 2015. The Galway-based band will be headlining our first Get In Her Ears Night at The Five Bells on October 26th (RSVP here). (KC)

IDER – ‘Body Love’
I could listen to this song over and over and over. Such beautifully intricate harmonies, carefully weaved together over the course of ‘Body Love’, I’m left wrapped in the song’s self-affirming message each and every time. I’ve picked this track because I’m going to be seeing IDER play at The Village Underground on 2nd October, and I cannot wait. (TW)

Tirzah – ‘Gladly’
Beautifully understated, gently hypnotic and lyrically touching. I cannot get enough of Tirzah right now, and you know what, it’s not just this track…but the whole album Devotion. What can I say…I am hopelessly devoted. Cringe statements aside, please go listen if you haven’t already, your life will be better for it. (TW)

Track Of The Day: Ah! Kosmos – ‘Wide’ (feat. Özgür Yılmaz)

Atmospheric guitar, captivating percussion and hypnotic vocals melt together on Ah! Kosmos‘ new single ‘Wide’. The track is taken from her upcoming second album Beautiful Swamp, which is set for release on October 5th via Compost Records.

Born in Istanbul and now based in Berlin, Ah! Kosmos (aka Başak Günak) is a sound designer, producer and multi-instrumentalist. She sweeps listeners up in to a rapture with her intense soundscapes filled with rhythmic guitar melodies, and her collaboration with guitarist Özgür Yılmaz on ‘Wide’ is another stunning example of this.

Speaking about her upcoming album Beautiful Swamp, Ah! Kosmos explains: “Swamp as an image represents this album’s process. Sinking into the step that I’m taking, and taking the next move from that sunken space. The ground was pulling me in and this slowly let me find my sensibility, softness, flexibility and also power”. This flexibility and power has been developing since her 2015 debut record Bastards, and we can’t wait to see where it takes her sound next.

Listen to ‘Wide’ below and follow Ah! Kosmos on Facebook for more updates.

Photo Credit: Fürkan Temir

Kate Crudgington
@KCBobCut