PLAYLIST: October 2018

The dark winter nights are creeping in, but our brand new October playlist is filled with bright, vibrant new sounds from a range of unusual and inspiring new artists. If our selections are anything to go by, the October 5th is THE date to release a record, and we’re excited to share our track selections with you. Take some time to scroll through our words and hit play on the Spotify link at the bottom of the page…

Health (feat. Soccer Mommy) – ‘Mass Grave’
I’m obsessed with this new track from L.A. noise rockers HEALTH, which features the divine vocals of Soccer Mommy. Produced by Corin Roddick (Purity Ring), ‘Mass Grave’ is a haunting fusion of alarming synths, apathetic vocals and spaced out percussion. (Kate Crudgington)

Kill J – ‘Strange Fruits of the Sea’
Kill J’s latest offering tackles issues of immigration and racism, with a subtle nod to Billie Holiday’s  iconic ‘Strange Fruit’ (1939). Speaking about the track, Kill J explains: “It’s a protest song about boarders, walls, barbed wire fences, and people trying to survive on small boats crossing the Mediterranean Sea. While some people dream of just surviving their journey across the boarders, others dream of wealth and power at the expense of others”. I’m a big fan of Kill J’s defiance, which she explores through hypnotising electronics. ‘Strange Fruits of the Sea’ is taken from her upcoming album Superposition, released 5th October via Nettwerk. (KC)

Pip Blom – ‘Come Home’
Catchy AF, ‘Come Home’is the latest single from Amsterdam favourites of mine Pip Blom, taken from their upcoming EP Paycheck which is out on 5th October. I had the pleasure of seeing these guys support The Breeders earlier in the year at the Roundhouse, an abundance of energy and an abundance of hair. Catch them if you can, they’re playing all over the UK this November including The Lexington on the 22nd. (Tash Walker)

Big Joanie – ‘Fall Asleep’
‘Fall Asleep’ is the latest single from Get In Her Ears faves Big Joanie, I only heard this for this first time a week or so ago but it’s firmly got into my head.  They’ve recently announced their debut album Sistahs is going to be released this November by The Daydream Library Series, and I can’t wait to hear the record in full! (TW)

Gold Baby – ‘What Party?
Having charmed us with their with their twinkling charisma and catchy offerings live at The Finsbury, East London’s Gold Baby have now shared new single ‘What Party?’. Reflecting on self-induced boundaries and the limits we often place on ourselves, ‘What Party?’ is propelled by a scuzzy, sparkling energy. Catch Gold Baby live at The Shacklewell Arms on 5th October. (Mari Lane)

Mammoth Penguins – ‘When I Was Your Age’
Having finally been lucky enough to catch Cambridge-based Mammoth Penguins supporting Adult Mom at The Shacklewell Arms last week, my love of their 2015 album Hide and Seek has been freshly revived, and I once again cannot stop listening to it. Fronted by Emma (also known for playing bass for GIHE faves Suggested Friends, and being part of the wonderful Indietracks Festival team), live the band ooze an utterly infectious, shimmering energy, with a highlight being the highly relatable (and seemingly appropriate – it’s Emma’s birthday) ‘When I Was Your Age’. Reflecting on the common pressures of growing up and habits of people to constantly compare themselves to each other, it’s a twinkling slice of impassioned indie-pop, fitting perfectly into the band’s collection of dreamy, scuzzy, emotion-filled delights. A totally uplifting set that stands me in good stead for crying the night away (in a good way) to the lush sounds of Adult Mom. (ML)

Chorusgirl – ‘No Goodbye’
Following 2015’s wonderful self-titled debut, GIHE faves Chorusgirl have now announced their long-awaited new album Shimmer And Spin, and we couldn’t be happier for them. Taken from the album, new single ‘No Goodbye’ is filled with jangly hooks and sunny uplifting beats, despite perhaps a lingering dark undercurrent. As Silvi’s distinctive, lush vocals soar throughout, effervescent harmonies and impressive driving riffs flow, creating Chorusgirl’s utterly unique, shimmering sounds. Another truly dreamy slice of sparkling garage-pop, ‘No Goodbye’ proves that it’s impossible to listen to Chorusgirl and not feel instantly better. Shimmer And Spin, the upcoming new album from Chorusgirl, is out 16th November via Reckless Yes. (ML)

Praa – ‘Y’
This new single from Praa was released at the end of September, and it’s all about questioning our human connection with virtual relationships maintained via our screens. I think it’s a beautiful example of modern neo-soul. Thank you Praa. (TW)

Hazel Iris – ‘A Prince’
‘A Prince’ by classically trained Hazel Iris, is a totally enchanting piece of music, loaded with emotion and fusing classical, indie folk, and a bit of jazz. Her debut album Nine Sisters is due out on 26th October and she’ll be performing at St Batholomew-the-Great in Smithfield’s on the same date, which will no doubt be a mesmerising show. The track’s not up on Spotify just yet, but you can listen to it below (TW)

Ah! Kosmos – ‘June’
Taken from her new album Beautiful Swamp (due 5th October via Compost Records), ‘June’ is another example of Ah! Kosmos’ stunning ability to create powerful, rapturous soundscapes. Born in Istanbul and now based in Berlin, Ah! Kosmos (aka Başak Günak) is a sound designer, producer and multi-instrumentalist – and I can’t wait to review her new record for the website this week. (KC)

Aisha Badru – ‘Splintered’
Following the lush, enveloping sound of previous single ‘Bridges’, New York’s Aisha Badru returns to charm our ears with a sparkling new offering. A call for people to take control of their lives‘Splintered’ flows with the beautiful, sweeping splendour of Badru’s delicately emotion-strewn vocals. Oozing a majestic grace, alongside twinkling melodies and a soaring musicality, it’s filled with a raw emotion that’ll send shivers down the spine on first listen. Pendulum, the latest album from Aisha Badru, is out now. (ML)

Varley – ‘Lonely Were The Days’
Reflecting on the ever-growing demands of today’s society from the effects of social media and the pressure this puts on a whole generation to “be something”, ‘Lonely Were The Days’ is an instantly infectious slice of dreamy alt-pop from Berlin-based Varley. As pulsating beats propel the track alongside the shimmering splendour of front woman Claire-Ann’s vocals, a captivating soundscape is created, leaving you no choice but to bask in its glorious, glistening glow. Catch Varley playing for us live at Notting Hill Arts Club on 1st December alongside Alyss, Elsa Hewitt and Temples Of Youth! (ML)

Art School Girlfriend – ‘Distance (Blank)’
Art School Girlfriend is the moniker of producer & multi-instrumentalist Polly Mackey. Her latest single ‘Distance’ is taken from her recent EP Into The Blue Hour, which was influenced by her move from London to the seaside town of Margate. I love her calm vocals and subtle, yet grand use of synthesizers on this track. She makes being “in over [your] head” sound so, so appealing. (KC)

TAYNE – ‘Sacrifice’
This TAYNE track dropped in to my inbox in January, and it’s been swirling around my head ever since. I’ve also been singing the lyrics incorrectly for the last nine months (the chorus is “I want hope”, not “I want her” as I initially thought) – but I’m not going to let a blip like that stop me from praising this synth-laden, noise-pop gem. TAYNE are celebrating the release of their debut album Breathe at The Old Blue Last on Thursday 4th October (with support from Birthmarks & Volkova Sisters). It’s a free gig, and you can pick up a copy of the clear magenta vinyl (which features ‘Sacrifice’) on the night, ahead of its official release on 2nd November. Us Get In Her Ears girls will all be there, so we’ll see you at the bar! (RSVP here). (KC)

Track Of The Day: Aisha Badru – ‘Splintered’

Following the lush, enveloping sound of previous single ‘Bridges’, New York’s Aisha Badru returns to charm our ears with a sparkling new offering, ‘Splintered’.

A call for people to take control of their lives‘Splintered’ flows with the beautiful, sweeping splendour of Badru’s delicately emotion-strewn vocals. Oozing a majestic grace, alongside twinkling melodies and a soaring musicality, it’s filled with a raw emotion that’ll send shivers down the spine on first listen. With shades of the twinkling fragility of Daughter, it’s another simply spellbinding creation from this innovative artist.

Of the track, Badru explains:

We often find someone else to blame. We are afraid to take responsibility, reclaim our power, and heal ourselves. Splintered encourages people to face the dark spots within us in order to find the light.”

Pendulum, the latest album from Aisha Badru, is out now. Catch her live at her first UK appearance on 18th September at Oslo, Hackney.

Mari Lane
@marimindles

Introducing Interview: Aisha Badru

New York artist Aisha Badru has been charming our ears for the last few months with the sweeping emotion of her unique folk-tinged electronica. Previous single ‘Bridges’ blew us away with its heartbreaking beauty, whilst latest track ‘Fossil Fuels’ is another captivating offering.

With her debut album out this week, we caught up with Aisha to find out more…

Hi Aisha, welcome to Get In Her Ears! Can you tell us a little about yourself?
I’m a singer-songwriter from Yonkers, New York, but deep down I’m really just a poet masquerading as a musician.

How did you initially get into creating music?
I was in college and depressed because, like many of my peers, I wasn’t doing something that truly gave my life purpose and meaning. During my third year of school I decided to withdraw from my classes, buy a guitar, and teach myself how to play as a way to express what I had been keeping inside. I’ve been creating music ever since.

We’re loving your new single ‘Fossil Fuels’ – what’s the meaning behind the track?
‘Fossil Fuels’ is a personal recount of a one-sided relationship, but it’s also symbolic of how we treat the earth in a unsustainable way. If you observe closely, reciprocation is a natural law of the universe. When you don’t give back, whatever you are taking from eventually becomes depleted.

Who would you say are your main musical influences?
There is no one specific that I can say has influenced by style, but I have definitely been influenced the most by folk music, particularly folk music from the UK.

Your debut album Pendulum is out next week, which is super exciting! Can you tell us a bit about what went into making it? And are there any themes running throughout it?
I worked with a producer that I’ve never met in person. His name is Chris Hutchison and he lives in the UK. I would send him a very stripped demo of my song and he would send back a fully produced masterpiece. As for the lyrical content, Pendulum explores the swing between the light and dark aspects of life. This swing is an inevitable and under-appreciated part of existence. Eastern philosophical themes can be found in songs like ‘Splintered’ and ‘Dreamer’.

How do you feel the music industry is for new artists at the moment? Would you say it’s difficult to get noticed?
It’s an exciting time for new artists because the internet has become a platform where you can do everything yourself and you can target and engage your fans directly without a middleman. With that being said, there is also a dense saturation of music online, so you really have to try to set yourself apart in order to be noticed. It can be difficult, but I believe there is a market for everyone, you just have to be persistent and creative enough to find ways to tap into it.

As we’re a new music focused site, are there any other new/upcoming artists at the moment that you’d recommend we check out?
Check out ‘Legends‘ by Lannds. You won’t be disappointed.

Finally, what does the rest of 2018 have in store for you?
I’m looking forward to traveling more. I want to create short documentary films to remind people that we’re all connected, even though it’s easy to disconnect from the issues that exist all over the world. In addition to that, I’m writing again and working on a new EP!!

Huge thanks to Aisha for answering our questions! 

Pendulum, the debut album from Aisha Badru, is out 27th April.

 

Photo Credit: Neda Bridgeman

Get In Her Ears talks Time’s Up

For their first show of 2018, Kate and Mari played the usual selection of fantastic new music including tracks from Moon Palace, Aisha Badru, Bamboo Smoke, JAAYNS and Table Scraps.

They also had a bit of a chat about the recent #TimesUp campaign, with massive love for Oprah Winfrey’s incredibly powerful speech at the Golden Globes.

Listen back to the show here: