ALBUM: Queen Zee – ‘Queen Zee’

Making weirdness in to wonderful, inclusive, explosive new tunes; GIHEs favourites Queen Zee have shared their debut self-titled album and it’s every bit as glorious as we’d hoped. Released via their own label Sasstone Records, the group have created ten tracks that gleefully cut down any of the forces that attempt to stand in the way of equality.

The tongue-in-cheek ‘Loner’ opens the record, and it’s an in-your-face anthem taking the piss out of being a solitary, socially inept loser. Zee’s vocals dominate the track as swirling guitar and non-stop percussion keep the riot going. It’s followed by the equally punchy ‘Lucy Fur’ and ‘Sissy Fists’, which are belting fusions of grunge & punk. The latter smashes apart any associations of weakness and is a proper hardcore two minutes of pure adrenaline.

‘Idle Crown’ is a riotously executed piece of Marilyn Manson-esque pop sleaze. The narrative centers around two LGBTQ+ characters trapped in a toxic heteronormative relationship, who are unable to live as their true selves. It’s hard to resist screaming along to the chorus of ‘Porno’ and ‘Victim Age’, both of which will have you kicking and screeching around a dance floor.

The album’s standout track is undoubtedly ‘Boy’. It’s an anthem for trans-gender rockers and their allies who refuse to be ignored, or oppressed by transphobic or homophobic attitudes. “You can try and bury my head in the sand, but that won’t make the body at the surface a man’s” sings Zee, as manic guitar and heart-pounding drums smash out for just shy of five minutes. ‘Hunger Pains’ follows with Zee’s ravenous screeching and more trademark corkscrew guitar riffs, whereas the brief interlude ‘Anxiety’ is a mellow yet candid admission to not feeling well.

Whether you admit to it or not, we can all relate to closing track ‘I Hate Your New Boyfriend’. It’s a hilariously vicious take-down of a misogynistic partner who drains your friend and by default drains you too. Turn it up extra loud anytime you know said antagonist is in the vicinity. With their punk attitude and ability to write abrasive and infectious tracks, there’s no danger of Queen Zee being melted in to a “masculine mould” – and we’re rejoicing in support of this “whipping girl born into a big man’s world”. What a debut, invest immediately.

Photo Credit: Jon Mo Photography

Kate Crudgington
@KCBobCut

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ALBUM: Le Butcherettes – ‘bi/MENTAL’

A vivid exploration of maternal relationships, enduring grief, and coping with the many faceted mental health issues encountered along the way; Le Butcherettes‘ new album bi/MENTAL is a potent infusion of almighty vocals, hefty guitar riffs, and commanding percussion. Released via Rise Records, the band’s fourth album was produced by Talking Heads member Jerry Harrison (No Doubt, Violent Femmes, KD Lang) and recorded at his home studio in Northern California.

Cited as their most personal album to date, bi/MENTAL is an ode to frontwoman Teri Gender Bender’s mother. She states that with the aid of producer Jerry, she was able to be “vulnerable and in-your-face at the same time” and that freedom permeates bi/MENTAL. Opener ‘spider/WAVES’ is six minutes of off-kilter unhinged sound, dominated by Teri’s trademark falsetto vocals and accompanied by spoken word from Dead Kennedys’ front man, Jello Biafra. It leads in to the knockout ‘give/UP’ lamenting the struggles surrounding grief. The opening line paints a morbid picture – “I’ve been putting off for days / a visitation to your grave” – but Teri’s passionate delivery and the infectious, rolling rhythms make this track a real blood-pumping tune that’s hard to sit still to.

‘strong/ENOUGH’ is an anthem of defiance and acceptance – “I’m not the kind of girl you thought I was” – whilst ‘father/ELOHIM’ explores a narrative of reckless behaviour and freedom. ‘little/MOUSE’ follows, before the scratchy nostalgic opening of ‘in/THE END’ breaks through, developing in to a retrospective ballad about faithlessness. A seething, buzzing bass line dominates ‘nothing/BUT TROUBLE’, whilst the sultry vocals of Chilean vocalist Mon Laferte take centre stage on ‘la/SANDÍA’.

Gritty guitar and psych-tinged keys meet on ‘struggle/STRUGGLE’ where pain and grief culminate in a speaking-in-tongues outro from Teri. ‘dressed/IN A MATTER OF SPEECH’ follows, before the unsettling screams and screeches of ‘mothers/HOLDS’ conquer the next three minutes of the record. Featuring the vocals of Alice Bag, ‘mothers/HOLDS’ is an example of the dark magic that’s conjured when two assertive, defiant women come together to create art.

The heady, mesmeric sounds on the penultimate ‘sand/MAN’ are followed by closing track ‘/BREATH’. It has a gentle opening, with slow guitar and a child-like voice sample interrupting intermittently like an old memory, but that’s swiftly discarded around the two minute mark. The track kicks back in in true raucous Le Butcherettes fashion, closing the record on a willful, assertive note.

Inspired by the “the death of a living mother”, the duality of life, and the inevitable strife caused by the fluctuation of mental health; Le Butcherettes bi/MENTAL is a cathartic burst of emotional rock music designed to clear the cobwebs between your ears.

Listen to bi/MENTAL on Spotify here.
Follow Le Butcherettes on Facebook for more updates.

Kate Crudgington
@KCBobCut

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ALBUM: Boy Harsher – ‘Careful’

A record to cry, kiss, or dance to; Boy Harsher’s latest album Careful is a heated, heartfelt affair. Full of beats designed to ricochet around dark dance-floors or lonely bedroom walls, the Massachusetts duo blend nostalgic 80s percussion with sharp modern production to create an immersive, magnetic listening experience.

Formed in 2014, Jae Matthews and Augustus Muller released their first EP Lesser Man in the same year, and their sophomore record Yr Body is Nothing in 2016. Country Girl followed in 2017, and now the pair explore their “morose pop sound” further on their latest release. Named after the seemingly prophetic tattoo that Matthews has across her back, Careful smolders with a brooding, lusting aggression.

Inspired by traumatic personal experiences – the breakdown of a romantic relationship, losing a parent to debilitating illness, and a chronic fear of losing control – Boy Harsher offer a momentary glimpse in to their seething world via minimal electronics. The cinematic ‘Keep Driving’ opens the record, with whispered vocals and moody stretched out synths that could score a jaded night-ride, or an escape from a crime scene.

Hazy electronics, sultry vocals and 80s inspired beats combine in hypnotic style on ‘Face The Fire’, before the elusive ‘Fate’ bleeds in. It’s four minutes of off-kilter synths, breathy vocals and dance inducing beats. Grand synthesizers announce the arrival of next track ‘LA’, whist the throbbing synths and pounding beats on ‘Come Closer’ are intoxicating. It’s easily one of the strongest tracks on the record. ‘The Look You Gave (Jerry)’ flows in the same vein, before the punchy percussion on ‘Tears’ changes the pace. The track’s buoyant rhythms contrast well with the ominous, dramatic three minute interlude ‘Crush’.

Penultimate track ‘Lost’ meanders for just shy of five minutes, before the eponymous ‘Careful’ closes the record. It’s a brief affair with a mysterious voice sample, artistically book-ending this collection of alluring, seductive sounds. Whilst at points Boy Harsher’s Careful may may feel repetitive, it’s hard to deny the record’s flirtatious, infectious nature. Make sure you catch the band at HEAVEN on 27th February.

Order your copy of Boy Harsher’s Careful here.
Follow the pair on Facebook for more updates.

Kate Crudgington
@KCBobCut

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ALBUM: Tallies – ‘Tallies’

Blending elements of shoegaze, jangly guitars and indie pop, there’s much to be excited about with the release of Tallies’ eponymous debut album. They are a Toronto-based four-piece, fronted by Sarah Cogan, with lead guitarist Dylan Frankland, bassist Stephen Pitman, and drummer Cian O’Neill. One of the themes of Tallies is the universal impact of adulthood hitting you whether you’re ready or not. It’s the band’s soundtrack for adjustment throughout a year of change.

Opening track ‘Trouble’ is a song about naivety and being unable to foresee potential danger, especially as a woman. ‘Mother’ touches on the transition from being an adolescent -dependent on your parents – to a mature, independent adult (“leave your past tomorrow, don’t leave those skulls to dry”). There is a mixture of joy, nostalgia and sweet sadness, like memories of lost childhood and adolescence put to music, in tracks like ‘Mother’, and ‘Eden’. The music may be uplifting but the lyrics offer a dark undercurrent, put to exceptional guitar lines.

A more reflective mood features in the swirling textures of ‘Trains and Snow’ and the dreamily acoustic ‘Midnight’, whereas lead track ‘Beat the Heart’ explores the lack of empathy that exists, capturing our ears with the perfect production of smooth pop vocals, melodic hooks. Similarly, ‘Easy Enough’ reflects on changing relationships, whilst ‘Giving Up’ addresses global warming (“the embers they’re burning… cover me like a white sheet…giving up, no sign of change”).

Listen to this album as you gaze out at the January moon, the dreamy memories of salad days in your ears, and you will love this album as much as I do. If you’re old enough to have danced to the likes of The Smiths, Cocteau Twins and The Sundays, then you’re in for a trip down memory lane, as Tallies rework the best of their influences into their own fresh sound. If not, then welcome to the rediscovery of a sound that remains timeless (if the music doesn’t grow old, neither will the fans!). 

Tallies is out now via Fear Of Missing Out Records.

Fi Ni Aicead
@gotnomoniker

Photo Credit: Alex Gray

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