PLAYLIST: August 2026

The Get In Her Ears team have put together another marvellous mix of new music for your listening pleasure! Our August Playlist features plenty of eclectic alt-pop tunes, DIY punk anthems, alternative riffs, indie & alt-folk musings, as well as some experimental and electronic sounds. We’ve also included some tributes to the late Dolly Parton and L7 bassist Jennifer Finch. Make sure you scroll through and read all about our recommendations below.

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we’ve moved away from using Spotify. We now have an account on TIDAL, so please follow us on there. We’ve also included YouTube or bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. 

CLICK HERE TO LISTEN (TIDAL)

 

Dolly Parton – ‘Coat Of Many Colours’
Like probably everyone who follows us, I was heartbroken to hear the news of Queen Dolly passing away this week. Although it may seem odd to grieve someone you never knew personally, I think it was easy to feel a connection with Dolly and a resonance to her radiant infectious joy and spirit. She really was such a huge inspiration – not only an incredible songwriter, performer and iconic woman until the very end – but such a wonderful advocate and supporter of marginalised communities. She was also the perfect example of how you don’t have to give birth to a child to be a mother figure. She cared for and actively helped so many children and young people throughout her life. I feel incredibly lucky and honoured to have seen her live at Glastonbury in 2014, a completely joyous experience and life highlight that I don’t think I’ll ever forget. She performed with such a playful energy and sweetness and her cheeky humour and incredible talent shone throughout, especially when she played the Benny Hill theme song on her mini saxophone!.
(Mari Lane – Managing Editor)

Aether Speaker – ‘Golden Hour’
A gorgeous piece of indie electro-pop here from London-based band Aether Speaker. ‘Golden Hour’ is full of front-person Yel’s soft, breathy vocals, underscored by hazy synths and gentle beats. The band explain that their psychedelic new offering is “poised between one world and the next, between soothing words and the truth” – delighting in ambiguity and lingering in the romantic ether. (Kate Crudgington – Features Editor)

Squirrel Flower – ‘Cleveland’
A beautiful ode to its namesake and the comfort of domesticity, ‘Cleveland’ is the latest single from Chicago based artist Ella Williams, aka Squirrel Flower. A song originally written with her her family band (the brilliantly named ‘uncommon rat’), it oozes a twinkling sentimentality and sense of nostalgia as Williams’ rich distinctive vocals flow, creating a heartfelt slice of Americana. Say A Prayer To The Gods Of Getting Going, the new album from Squirrel Flower, is out now via Polyvinyl Record Co. (ML)

Grandmas House – ‘Dance’
Congratulations to long-time GIHE faves Grandmas House on the release of their debut album! The Bristol band’s LP Baby You’re A Winner, released via Brace Yourself Records, is a superb amalgamation of their skill for writing urgent, cathartic anthems which reflect both the “light and dark” of the times that we live in. This track ‘Dance’ encapsulates that theme deftly, with Yasmin Berndt’s uniquely raspy vocals leading the charge as the band urge listeners to dance the pain away. (KC)

GRAVE GOODS – ‘Grit’
Based between Manchester and Dublin, experimental duo GRAVE GOODS create distinctive, primal sounds that examine the grind of modern existence. On this track ‘Grit’, Lois Macdonald (Guitar/vocals) and Sarah Grimes (drums/vocals) reflect on the the “existential disgust” that comes from separating the animalistic parts of ourselves in order to fit in with societal expectations. It’s a fascinating concoction of spoken-word-style vocals, contrasting beats and quirky riffs. The track also features the eponymous lyric of GRAVE GOODS’ upcoming album, Reality, Swallow Me., which was written and recorded to analogue tape at Analogue Catalogue Studios, with engineer and producer Julie McLarnon (Brighde Chaimbeul, The Altered Hours, Lankum). The LP is due for release on 25th September via bandcamp. (KC)

Trusselina – ‘Gastro’ / ‘Trusselina Archimboldi’
Philadelphia-based duo Trusselina are a new experimental pop project, formed of Mikaela Oppenheimer (Hello Mary) and Hayden McGarvey (Bleary Eyed). Together, they create jagged, intriguing soundscapes that blend acoustic and electronic elements, incorporating their love of ground-breaking literature, collaboration, and even their experience of food poisoning – which their double single release confidently covers. ‘Trusselina Archimboldi’ is inspired by a passage from Djuna Barnes’ acclaimed 1930s novel Nightwood, which is considered a prominent piece of early lesbian literature. The beat for ‘Gastro’ was concocted when Hayden was in the midst of an episode of food poisoning whilst on tour in France. I’m enjoying the eclectic nature of Trusselina’s sound and look forward to hearing more from the duo soon. (KC)

Emma Ruth Rundle – ‘Enough’
Another deeply emotive, powerful single from multi-instrumentalist Emma Ruth Rundle here. Inspired by both ‘The Man Who Sold The World’ and the story of Elijah – in which Emma explains she “imagines [Elijah] as an Elon Musk type figure” – ‘Enough’ is an epic reflection on modern wealth, greed, and a poetic cry for us to rise up against the powers that continue to benefit from this inequality. ‘Enough’ features on her upcoming sixth album, These Killing Times, which is set for release on 18th September via her own imprint Errant Child. (KC)

Tanzana – ‘Without A Sound’
Having been a big fan of Glasgow’s Tanzana since being spellbound by the soaring energy of last year’s ‘Covet’, I’m excited to hear that they’ll be releasing their debut EP in October. Ahead of the EP, they’ve now shared a powerful new single. Rippling with a dark majestic splendour and building with a fierce impassioned energy, ‘Without A Sound’ offers a reflection on the cathartic process of making art, as well as the frustration that can be felt when we reach our limit. An insight into the captivating and poignant genre-defying soundscapes the band are able to create. Etched In, the debut EP from Tanzana, is out on 9th October via SO Recordings & Hideous Mink Records. (ML)

Desperate Journalist – ‘Terrible Years’
Having just announced that their sixth album will be released in November, longtime favourites Desperate Journalist have now shared its lead single. Propelled by a gritty force and front woman Jo Bevan’s impassioned vocals, ‘Terrible Years’ offers a fierce post-punk anthem. Lyrically told from the perspective of someone in denial about how much they miss the excitement of youth, it captures the band’s ability to fuse a ‘90s-tinged hooks with a fresh raging energy that is distinctly their own. Gilding The Lily, the upcoming album from Desperate Journalist, is out on 20th November via Fierce Panda Records. (ML)

Rose Fatale – ‘Hole In The Head’
Belfast punks Rose Fatale embrace their softer, sapphic side on their latest single ‘Hole In The Head’. Leaning into alt-rock sensibilities, they blend impassioned vocals, earnest lyrics and driving riffs to create a melancholic whirl of noise. The band recently performed on Belfast Pride’s City Hall stage and are planning to play more gigs soon. (KC)

Team Dresch – ‘Growing Underground’
When queercore legends Team Dresch announced their return a couple of months ago, I was beyond excited, having been a mega fan since first hearing them when I was at uni 20 years ago. Now, ahead of their new album, Furthermore, which is set for release on 18th September, they’ve shared a powerful new anthem; a fierce call to action to resist the hegemonic, hateful systems which continue to oppress marginalised voices, its driving riotous energy celebrates collective, intersectional values and offers a defiant sense of unity and a hope that a brighter future is possible: “The song imagines shared communities becoming the very thing that nurtures future life. Love is embodied through chosen families, interconnected communities, and the networks that have always sustained one another.” I never thought I’d get to see Team Dresch live, and so I can’t wait to finally catch them downstairs at The Dome on 30th September. They had to move to a bigger venue than The Lexington due to high demand! (ML)

Tender Claws – ‘Tear Him To Pieces’
Having just released her debut EP, Belfast born Tess Corr aka Tender Claws creates haunting, immersive goth-inspired soundscapes, driven by a fiercely dark energy. The EP’s title track, ‘Tear Him To Pieces’, showcases her rich ethereal allure as rich, impassioned vocals soar over swirling expansive hooks. (ML)

Eilis Frawley – ‘Guilt’
We love all of the musical endeavours that drummer and songwriter Eilis Frawley undertakes here at GIHE, and we’re excited that she’s back releasing new music. This track ‘Guilt’ is the first offering from her upcoming second album, and it’s an apt reflection on the frightening and polarising times we’re living in. Led by her distinctive spoken-word vocals and gritty beats, ‘Guilt’ is an urgent reminder to engage with the world in a meaningful way and not to be desensitized by the carefully curated algorithms on our social media accounts. Eilis explains the track’s context further: “I have my own guilt, you open Instagram, in one moment you can witness a child being blown to pieces, and then the next minute someone’s trying to sell you an over priced bag or tell you how to optimise your life. I find the western world’s response petrifying to what’s happening in Gaza, and Lebanon, and Sudan, and the Congo. No reason will make a good enough reason for the amount of civilians killed, and traumatised”. (KC)

GOOD GRIEF – ‘Lucy’
Following on from their feisty debut single ‘Bait Shop’, Seattle-based duo GOOD GRIEF are back with this tender ode to unrequited love during queer adolescence. ‘Lucy’ is a track that “sparkles with curiosity – but not naivete,” reflecting on the poignancy of budding queer romantic feelings whilst softly reminding listeners of their beauty and validity. Inspired by grief, rage and love, GOOD GRIEF are currently working on their debut album, the aptly titled Not Over It, so keep your eyes peeled for more info about that in the near future! (KC)

Railcard – ‘Flanelette’
Consisting of current members of Heavenly and ex-members of Dolly Mixture and Death In Vegas, I’d definitely class Railcard as an indie-pop supergroup – and their new single is pretty super too. Showcasing their swooning honey-sweet vocals and lilting uplifting melodies perfectly, ‘Flanelette’ is taken from their upcoming debut album, Two Steps At A Time, which is set for release on 18th September via Skep Wax Records. (ML)

R Loomes – ‘The Self Demands a Reckoning’
A hypnotic offering from Sheffield-based musician R Loomes here. ‘The Self Demands a Reckoning’ is a potent piece of doom-folk that she describes as “a sort of personal prayer”, in which she attempts to sever the link between mind and body and “navigate the world [as a] free spirit.” As with her previous single ‘Passerine’, the track blends her beguiling vocals and richly atmospheric riffs to create a determined and fluid sound. ‘The Self Demands a Reckoning’ is taken from R Loomes upcoming debut album, Another Sip of the Divine Specific, which is set for release on 30th September. (KC)

Clara Mann – ‘News From Home’
A truly spellbinding soundscape, ‘News From Home’ is the new single from London based multi-disciplinary artist Clara Mann. Taken from her upcoming, literary-inspired, album Wishbone, it offers an immersive expansive musicality alongside the sparkling emotion of her resonant vocals as she reflects on how our feelings towards where we’re from can change and develop over time. Wishbone is out on 23rd October via state51. (ML)

YELF. – ‘flesh’
‘flesh’ is the second offering from London-based, British-Swedish artist YELF., who I am a big fan of. It’s a sultry reflection on lust and longing, inspired by the ebb and flow of the ocean. It’s a “neo-psychedelic ode to desire, fantasy and the brain-body connection,” as YELF. explains, underscored by her yearning vocals, immersive electronics and poetic lyricism. ‘flesh’ was also produced and mixed in Brighton (literally by the sea!) by Michael Baker and includes harp played by Fior Anderson and even the tinkling sound of glasses from Baker’s kitchen cupboards too. (KC)

Selkie – ‘Lick The Sun’
Today (28th July), Glasgow-based songwriter and producer Selkie has shared her debut EP, inWaves, which this single ‘Lick The Sun’ features on. Full of her tender vocals and considered instrumentation, she has created an atmospheric collection of tracks that beautifully melt into each other. She’ll be celebrating her debut release with a small UK tour in October and a showcase performance at Aberdeen Music Week too. (KC)

Marina Yozora – ‘Snow Heat’ (Acoustic)
We’re big fans of Japanese-born, London-based songwriter Marina Yozora here at GIHE, and we love how she’s continuing to share different evolutions of her poignant track ‘Snow Heat’. It’s a poetic rumination on a brief connection with someone that now exists only in Marina’s mind, and to honour the intensity of this fleeting moment, Marina released a lyric video to accompany the original single, and now she has shared a beautiful acoustic version of the track too. She also plans to reveal the official video for ‘Snow Heat’ on the one year anniversary of the track’s release, which we are eagerly anticipating. (KC)

Mother Church – ‘Wait To Kiss Me Until Heaven’
An unlikely collaboration between a founding member of HMLTD and an ordained priest, Mother Church create their own unique brand of alternative folk, drawing on an eclectic range of literary and theological influences. A stirring reflection on the pleasures and contradictions of virtue and temptation, ‘Wait To Kiss Me Until Heaven’ oozes a captivating mystical allure alongside its lilting folk-strewn musicality. Yolk, the debut album from Mother Church, is set for release in November via Trapped Animal Records. The band will be playing a special release show at St Pancras Old Church on 13th November. (ML)

BERTY – ‘Take For Granted’
Inspired by the power of unconditional love in our meaningful relationships, songwriter and producer BERTY penned this track ‘Take For Granted’. It’s an earnest refection on the Forest of Dean-based artist’s feelings about human connection, showcasing her intuitive nature as a songwriter. BERTY is currently working on a new EP, which she is set to release in the near future. (KC)

Brennan Wedl – ‘High Priestess’
Having just released her self-titled new album, Nashville based artist Brennan Wedl has been a favourite of mine for a couple of years now. I’m a big fan of her wonderfully self-labelled “grungetry” sound (a perfect fusion of grunge and country, in case you were wondering!) and raw Sheryl Crow-reminiscent vocals. The final single to be taken from the album, ‘High Priestess’ reflects on the otherworldly intuition of the tarot card and the thoughts and feelings that can swirl around our heads when trying to face reality head on.(ML)

The Genes – ‘Charlotte’
I first became a fan of awesome Coventry band The Genes after seeing them at Decolonise Festival in 2025, and then loved having them play for us supporting WIDGET earlier this year. Now, they’ve released their first proper single and it’s pretty great. Self-described as a “high energy punk anthem with a uniquely British story”, ‘Charlotte’ is a love letter to the Ford Transit. Inspired by years of DIY touring, late-night motorway drives and the vans that somehow survive gig after gig, the song celebrates the unsung hero that’s carried countless independent bands across the UK. I love the track’s playful tongue-in-cheek energy and scuzzy hooks and can’t wait to hear more from this unique band. (ML)

L7 – ‘Shitlist’
Another incredibly inspirational woman that we tragically lost earlier this month was Jennifer Finch, the bassist from legendary grunge-punk band L7. At just the age of 59, it seems extremely unfair that she should be gone already. Anyone who’s ever been to a GIHE gig is probably aware of how much we love L7, as I include either ‘Shitlist’ or ‘Wargasm’ on most of our pre-band playlists – their tunes have never failed to energise and motivate me, and seem like the perfect way to get people psyched up for the amazing bands who play for us. I was lucky enough to see L7 live in Camden in 2015 for their first UK gig since initially breaking up in 2001, and I remember being utterly blown away by Finch’s immense fierce energy and presence and the way her swirling life-force and booming hooks reverberated into the crowd. (ML)

Bugeye – ‘This Is What I Want’
Following the release of their recent second album, The Shape Of Things, and support slots with big names such as The Datsuns and Loose Articles, longtime faves Bugeye have now shared an empowering new single. Offering a middle finger to the outdated expectations of women that still prevail within society, ‘This Is What I Want’ oozes a sultry playful allure and danceable groove-laden hooks whilst raging against the “toxic manosphere”. Of the track, front woman Angela Martin says that it’s dedicated to “every woman who’s ever been told to know her place. Here’s the truth: your place is wherever you choose to stand. Stand tall, stand loud, and never apologise for demanding the respect you’ve always deserved.” (ML)

Four Degrees Colder – ‘Reminisce’
‘Reminisce’ is the opening track from Four Degrees Colder’s debut album, Nothing To Do. Released in July, the St. Louis-based alternative pop-rock duo take their listeners on a captivating, track-by-track journey through a decaying factory overtaken by artificial intelligence. Propelled by their clear vocals, driving riffs and electronic textures, the pair aim to inspire a sense of hope and persistence throughout their LP, ultimately refusing to succumb to the “the fear of becoming obsolete.” (KC)

Tiiva – ‘I Keep Falling In Love’
We’re big fans of producer and sound & game designer Tiiva here at GIHE, so I’m chuffed to see they’re back with a new single and a new record. ‘I Keep Falling In Love’ is lifted from the Lake District alt-pop artist’s upcoming album, This Could Be A Start, which is set for release on 25th September. It’s a euphoric swirl of buoyant electronics, floaty vocals and glitchy beats. “The story throughout the album is how we as humans navigate love, neurodivergence, AI interactions, and our desire to be everywhere all at once; in the mountains, in the city,” Tiiva explains. “Each song represents an internal character – the optimist, the party kid, the recovering addict, the loner, the nostalgic. Some of the songs could read as romantic but in reality we are all looking for connection, and we find it in not always the most obvious places.” Tiiva will be celebrating the release of their new LP with an immersive headline show at Spanners in South London on 30th September. See you there! (KC)

Sidney Packard – ‘Acer Tree’
Non-binary, alt-pop artist Sidney Packard envelops their listeners in dark atmospheric electronics and soft vocals on their latest single, ‘Acer Tree’. The London-based musician penned the track as an ode to the plant they really adore, which are more commonly known as Japanese Maple trees and are known for their distinctive leaf shape and red foliage.
Sidney will be playing a gig in London – which coincides with their birthday! – on Saturday 12th September at The Phoenix. (KC)

Maria Uzor – ‘Cyclops’
We’re super excited that GIHE mega fave Maria Uzor will be releasing her second album, Fantasyland, on 3rd September. Showcasing Uzor’s unique ability to seemingly effortlessly fuse together genres ranging from grunge to techno, the album explores notions of escapism in a world that appears increasingly unpredictable. Taken from the album, recent single ‘Cyclops’ pulsates with immense glitchy beats as the seductive power of Uzor’s vocals takes hold, and an immersive dub-inspired energy propels you onto the dancefloor. Keep your eyes peeled for a special interview with Maria on the website over the next couple of weeks. (ML)

NAMELESS TWIN – ‘Neon Machine Gun’
I love everything about this haunting new single from industrial-electronic duo Alicia Rei Kim (Dokoe) and Ryan Osterman (Holy Fawn) aka NAMELESS TWIN. They’ve only released a handful of tracks to date, but all of them have been a perfect blend of their dramatic volume shifts and dark, dreamy electronics. ‘Neon Machine Gun’ is their first new release since 2023, but I hope they’ll be sharing more of their ominous sounds in the near future. (KC)

Ladybug 2 (The Bug, Friday Night Plans) – ‘Miss U’
Under the moniker of Ladybug, UK-based producer The Bug has launched a new collaborative series via his own imprint PRESSURE. The project sees him work alongside different female vocalists to explore new sonic territory, and this track features the voice of one of his personal favourites: Japanese songwriter Friday Night Plans. ‘Miss U’ is another heady, cell-tingling offering from the eclectic collaborators, and if you can’t get enough of the original, the duo have also shared five accompanying “alternate” versions that you can sink your teeth into, available on bandcamp now. (KC)

 

 

Missperception – ‘Into The Glitch’
By combining her love of electronic music, jazz elements and cinematic soundscapes, Yorkshire-based independent artist Missperception creates an infectiously glitchy atmosphere with her music. This aptly titles track ‘Into The Glitch’ is lifted from her recent EP, Static Symphony, which she says is formed of “Four rooms…four transmissions…a signal from the edge, where melody frays into static.” (KC)

 

CLICK HERE TO LISTEN (TIDAL)

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PLAYLIST: July 2026

The Get In Her Ears team have put together another eclectic mix of new music tunes for your listening pleasure! Our July Playlist features plenty of shoegaze, grunge & dream-pop riffs, punk anthems, indie musings, emotive ballads and some experimental and electronic soundscapes too. Make sure you scroll through and read all about our recommendations below. Happy listening!

As you already know, in order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we’ve moved away from using Spotify. We now have an account on TIDAL, so please follow us on there. We’ve also included YouTube or bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. 

CLICK HERE TO LISTEN (TIDAL)

 

Twat Union – ‘TV BIKINY’
Having been a big fan of ‘feminist-feral-theatre-punks’ Twat Union for a while now, finally getting to see their wonderfully chaotic energy live at The Great Escape this year was perhaps my highlight of the festival (along with hosting our very own stage that fellow Alcopop! signees Problem Patterns headlined!). Maintaining their trademark ability to combine resonant critique on patriarchal society with a playful tongue-in-cheek attitude, the band’s new single ‘TV Bikiny’ offers a perfectly empowering alternative summer anthem. A joyous ode to doing absolutely nothing, it’s propelled by all the swirling frenzied hooks and wry, relatable lyricism that we’ve come to know and love from the band – “I don’t want to go outside, I want to stay right here and sweat from my thighs”. Catch Twat Union live (an experience like no other!) for a special joint headline show with Problem Patterns at The Lexington on 10th October.
(Mari Lane – Managing Editor)

Perennial – ‘Modernism’
I remember being told by some friends who got to see New England’s Perennial live when they were last in the UK that it was one of the best shows they’d ever seen. The band’s chaotic frenzied energy was unmatched and the way they interacted with the crowd whilst delivering their immense mod-rock anthems was unlike anything they’d seen before. So, I am extremely excited that we’re going to have them playing for us in October! Come and experience this one-of-a-kind live show for yourself at A L P H A B E T in Brighton on 9th October, along with jangly indie-pop faves Sassyhiya and more TBA. Tickets are on DICE now and they’re cheaper in advance. In the meantime, listen to latest single ‘Modernism’ (and all their back catalogue from the last few years) and get your dancing shoes ready. (ML)

Cusk – ‘Dooms banjo’
Esmé Creed-Miles and Evie Hilyer-Ziegler formed their band Cusk right here in London shortly after meeting at an improv night at cult music venue The Shacklewell Arms. I’ve only just discovered them, but the pair have been busy gigging around the city for the past few years, supporting the likes of DIIV, Geordie Greep and Tiberius B. Now, they’re gearing up to release their new self-titled EP, which is due on the 14th of August via The Bird Records. ‘Dooms banjo’ features on the EP, and credit where credit is due, not only is it an excellent track name, it’s also an urgent rush of heavy riffs and intense, brooding vocals. Cusk will be playing a live show at The Shacklewell Arms on 27th August, where you can hear ‘Dooms banjo’ and more of their stirring sounds in the flesh.
(Kate Crudgington – Features Editor)

Slothrust – ‘Ring The Bell’
Having been a huge fan of Slothrust for years (I think seeing them live in New York back in 2022 may have been the best gig I’ve ever been to), I’ve been super excited to hear they’ve got a new album coming out in September. Ahead of the album, and following recent single ‘Burn The Deck’, ‘Ring The Bell’ showcases all the swirling, immersive allure and fierce scuzzy energy that I’ve come to love so much from the LA band, whilst oozing an underlying dark sense of urgency. Lyrically, it reflects the main theme of the album as a whole: what it means to be human and live in a system designed to exploit our perceived weaknesses by means of capitalism. A perfect slice of ‘Dystopian Theatre Rock’. What They Grow In The Garden, the new album from Slothrust, is set for release on 18th September via Equal Vision Records. (ML)

That Old Quiet Lighthouse – ‘Hands Up’
Featuring Phoenix Rousiamani (Lucy Dacus, Jasmine.4.T), ‘Hands Up’ is the latest single from Manchester-based ‘indie-emo-folk’ band That Old Quiet Lighthouse. An instantly catchy anthem, it combines philosophical musings with a more tongue-in-cheek chorus; fusing together the raw honesty of early noughties American emo with a very British sense of humour and playful energy. Of the meaning behind some of the lyrics, Rousiamani explains: “… I underline the anxiety that comes with striving for conforming beauty, that is rooted in eugenics, homogeneity and smoothness. Instead I try to find a rawer and deeper beauty that is more accepting of our humanity.” (ML)

Roomer – ‘Good On My Own’
A slow-burning offering from Berlin-based dream-rock outfit Roomer here. ‘Good On My Own’ is taken from the band’s upcoming second album, Staircase Made of Rope, set for release on 18th September via Squama Recordings. The track gently explores an emotional inner conflict, through soft vocals, earnest lyricism and evocative use of reverb. “[It’s] a reflection of outgrowing the words that once felt like certainty, and the ones that prolonged goodbye,” Roomer explain. “It’s about learning to be at peace with yourself, even while feeling the quiet pull of something that might be missing.” (KC)

Celeste Madden – ‘Millennium’
A recent discovery of mine who I’m not quite sure how I hadn’t come across before, South London’s Celeste Madden creates heartfelt indie-pop soaked in a gloriously scuzzy haze – my favourite. A breakup song for people too stubborn to let go, ‘Millenium’ showcases Madden’s beautifully glistening raw emotion perfectly. I can’t wait for them to play for us at The Cavendish Arms on 10th September, supporting Gabi Garbutt with The JuOh. Tickets are on DICE now and they’re cheaper in advance! (ML)

atmos bloom – ‘It’s Enough’
I remember being impressed by the lush sounds of atmos bloom when I saw them play live at Brixton’s Hootananny, sharing a bill with faves Whitelands back in 2025. I’m a sucker for dream-pop riffs and floaty vocals, which the duo are well versed in. This track ‘It’s Enough’ is lifted from their new album, Everythingness, which they recently released via Spirit Goth records. It explores “themes of soft power and being enough for other’s demands and expectations”. (KC)

Grandmas House – ‘Blue Oblivion’
Not only is this single from GIHE faves Grandmas House one of their strongest tracks to date, it’s also accompanied by an beautifully shot, atmospheric video. ‘Blue Oblivion’ is lifted from the Bristol band’s debut album, Baby You’re A Winner, which is due on 21st August via Brace Yourself Records. It’s a disarming offering, showcasing the strength and development of the band’s songwriting, perfectly executing the quiet-to-loud dynamic which reflect the themes of “light and dark” that inspired both the conception of ‘Blue Oblivion’ and the entire upcoming album. Alongside the release, Grandmas House have also shared details of a tour of UK record stores this year, kicking off in London at Kingston’s Banquet Records on the 21st of August, and culminating in a hometown in-store at Rough Trade in Bristol on the 27th. The band have also announced a free entry listening party on July 31st at Bristol Beer Factory, which will feature limited edition Grandmas House beer cans, Grandmas House x Pizzarova specials, ‘Spin the Wheel’ prizes and the chance to meet the band’s mascot, The Headless Man from the ‘Blue Oblivion’ video, in person. RSVP here. (KC)

The Big Moon – ‘Gravity’
I was chuffed to see The Big Moon are back with brand new music, having been a fan since I caught them playing live at The Great Escape Festival all the way back in 2016! The four-piece are now gearing up for the release of their new album, Forever, which is due on 30th October via Fiction Records, and for their UK tour later this year, including their biggest headline show to date at the iconic O2 Academy Brixton on Friday 27th November. This single ‘Gravity’ is a buoyant, thoughtful offering from The Big Moon, who are masters at harnessing the joy of life’s meaningful moments (whether they’re big or small) and turning them into indie-pop earworms. Songwriter Juliette Jackson shares more about the track’s inception: “At the time I wrote this song, every time I collected my son from nursery he would run and slam into me and give me the biggest hug. I knew it wouldn’t last forever, and I savoured every one, and this song ended up commemorating that feeling. It’s about a love that you’re never really separated from, just elasticated, ready to snap back together.” (KC)

Catherine Moan – ‘Fabric’
Congratulations to LA-based artist Catherine Moan on the release of her lush new album, CM Ultra. Released via Born Losers Records earlier this month, it’s a heady collection of emotive synth-pop gems, including this latest single ‘Fabric’, a song about “clothing & heartbreak” as well as a desire for change and acceptance on a deeper level. Catherine explains these concepts in more detail: “Love and happiness can recede slowly like a sweater shrinking in the dryer or a hole in a shirt turning into a tear. And as we grow and change like a shirt too small, some things just won’t fit anymore. And fighting change, and trying to force yourself into clothing that doesn’t fit will only damage the model or attire. Existing outside of the gender binary makes it extremely difficult to know where you fit romantically and physically in society, and clothing and outward expression becomes highly significant. To most people the fabric they wear daily is trivial, but to me clothing is political, it signifies your role and place in society.” (KC)

Lido Pimienta – ‘Marea’
I vividly remember interviewing the marvellous Lido Pimienta back in 2020 about her superb album, Miss Colombia. The award-winning Colombian-born artist was such an inspiring and bright presence, so I’m excited to see that she’s now shared her fourth album, Caribenya, with the world. The record’s title is a combination of the words “Caribe” – a nod to Pimienta’s love of the Caribbean and her anti-colonial concerns – and “Enya” – a nod to the Irish singer who Pimienta listens to in order to concentrate while writing. It’s an album that addresses both the political and the personal, but it is also a joyful form of resistance, in which she provides listeners with dancing beats and pop-inspired melodies to counteract the harsh reality and injustices she sees in everyday life. On this track ‘Marea’, Pimienta explores themes of desire, love, and money from the perspective of a young woman who must hustle and sell herself to provide for her family. (KC)

MARiMARi – ‘POP SHUVIT!’
Last month I featured Maripool and now I’m featuring MARiMARi – very different artists, both with a name that really grabbed my attention… No idea why! My narcissistic fondness for her name aside, Liverpool-based hyper-pop artist MARiMARi creates danceably uplifting anthems propelled by a zestful colourful energy and glitchy beats. ‘POP SHUVIT!’ is taken from the (also brilliantly named) debut mini album, MARi Go Round. If you’re at Y Not Festival this weekend, be sure to catch MARiMARi live, I get the feeling it will be a lot of fun! (ML)

Gay Animal – ‘I’m a Gay Animal’
A defiant and incredibly catchy dance anthem that gleefully celebrates queer identity, I couldn’t resist adding this track from Austrian-born, non-binary artist Gay Animal to our July Playlist. Through their music and performance, they “engage with the theme of Queer Ecology”, using their creative processes to “open up conversations about gender and queerness from a more-than-human perspective.” Whether you’re part of the LGBTQ+ community or an ally, you can easily indulge yourself in the big beats and vibes of Gay Animal! (KC)

Black Bananas – ‘Turkey Burgers’
‘Turkey Burgers’ is the latest single from cult art-rockers Black Bananas and their first release in over 10 years! It’s taken from the band’s new album, Bad Bunch, which is set for release on 4th September via Fire Records. It’s a trippy, groove-infused blend of synths, riffs and vocals that drifts beautifully between the ears for five whole minutes. (KC)

Void Queen – ‘Power Sip’
Newly signed to Duchess Box Records (Grandmas House, Agatha is Dead!), Berlin punks Void Queen have shared this cathartic new single ‘Power Sip’. With their heavy riffs and direct lyricism, the band try to capture “the urge to transform the ordinary into something extraordinary, even at the cost of losing yourself in the process”, exploring the grey area between illusion and reality in the process. (KC)

Superfriends – ‘Moths’
Set to release their debut album, King Of The Moths, on 28th August, Brighton indie-punks Superfriends have now shared new single ‘Moths’. Showcasing the band’s tendency to wear their feelings on their sleeve, it offers a perfect example of their scuzzy, emo-tinged anthems about the chaos of everyday life, and both the anxiety and joy that can result from this. We can’t wait for Superfriends to support Fightmilk at The Pipeline in Brighton on 14th August. Tickets are on DICE now and they’re cheaper in advance! (ML)

 

Amelia & The Housewives – ‘Narcissist’
A perfect slice of jangly indie-pop, ‘Narcissist’ is the new single from Brighton ones to watch Amelia & The Housewives. Juxtaposing honey-sweet sparkling melodies with a dry, relatable lyricism, it flows with hints of uptempo ‘60s pop whilst maintaining a gloriously fresh energy. The eponymous debut album from Amelia & The Housewives is out on 2nd October via INH Records (who fast seem to be signing all our favourite bands!) (ML)

Run Remedy – ‘Dissent’
Manchester-based, New Jersey-born Run Remedy’s a brand new favourite of mine who I recently came across through a mutual acquaintance and then we both came to the conclusion that we should have already been pals. Always a nice realisation to have, and even nicer when you realise they have a gorgeous new song coming out. Flowing with delicate strummed hooks and rich melancholic vocals, ‘Dissent’ offers a reflection on those moments where being right outweighs the need to be kind, building with intricate sonic layers and a rippling emotional intensity to a subtly scathing dedication to someone you disagree with. Not At The Table, the new EP from Run Remedy, is out on 11th September. (ML)

Weather Happy – ‘It Leaks Out’
The brand new project from Holly from Berries, Weather Happy is the new rock duo you’ve been waiting for. Formed of Holly on guitar and vocals and childhood friend Harry on drums, they played their debut live show a couple of weeks back to a huge, adoring crowd at The Grace and instantly cemented themselves firmly as here to stay. Platforming Holly’s distinctive songwriting style and seemingly effortless mega riff-creating with Harry’s fierce spiky beats, ‘It Leaks Out’ combines a subtle vulnerability in openly discussing mental health struggles whilst offering a striking, empowering energy. (ML)

Skint Knees – ‘Honey Badger’
Self-described as “your favourite Sheffield girl gang best friends tearing down the patriarchy with riffs, riots and fun facts”, Riot Grrrl trio Skint Knees are a sonic force to be reckoned with. They channel their “anger, joy and defiance” into their politically charged punk anthems, with this track ‘Honey Badger’ tackling themes of stalking and misogyny from “nice guys”. The song is accompanied by a music video which perfectly showcases the band’s raw live energy and playful sense of humour too. (KC)

GRAVE GOODS – ‘REMAINS’
I remember having a great chat with post-punks GRAVE GOODS for our GIHE radio show back in 2020 (listen here), so I was pleased to see their name pop up in my inbox again sharing new music. Following on from their 2022 debut album, Tuesday. Nothing Exists., they’ve now returned as a duo – Lois Macdonald (Guitar/vocals) and Sarah Grimes (drums/vocals) – with this distinctive new single ‘REMAINS’. The multi-instrumentalists embraced their experimental tendencies during the writing and recording of this track, which explores the constant unease of contemporary existence. The single is also accompanied by a sci-fi inspired video, directed and designed by Lois, complimenting the track’s themes of surrealism. (KC)

POMELO – ‘Nasty Sauce’
This is an evocative soundscape from Amsterdam-based art-pop duo POMELO, lifted from their debut album, LORELESS. Described as a record that urges listeners to pay attention to “where you are and not where you will be”, it’s a captivating listen that showcases the band’s poignant and relatable reflections on the complexities of human existence, and this track ‘Nasty Sauce’ provides a soothing moment for you to do just that. (KC)

LADYBUG 1 ft. Dis Fig – ‘Vanishing’
Long-time musical allies The Bug (Kevin Richard Martin) and Dis Fig (Felicia Chen) have teamed up once again to share this cell-tingling, bass-heavy new offering. Under the moniker of LADYBUG, The Bug has launched a new collaborative series via his own imprint PRESSURE, through which he will work alongside different female vocalists to explore new sonic territory. He kicks off this body of work with LADYBUG 1 and ‘Vanishing’, an immersive, heady track that smoulders with emotional urgency. The track also has four accompanying “alternate” versions that you can sink your teeth into on bandcamp now. (KC)

Million Moths – ‘INNER PIECE’
I love this distinctive, kinetic soundscape from Portland-based dark electronic artist Erica von Trapp aka Million Moths. ‘INNER PIECE’ is lifted from her debut album, spun, and it’s a bewitching blend of acoustic and electronic instrumentation and her clear, intense vocals. The accompanying visuals are just as captivating as the track itself too. Check them out below. (KC)

R Loomes – ‘Passerine’
The magnetic pull of Sheffield-based musician R Loomes’ dark-folk sounds is undeniable. This track ‘Passerine’ showcases her ability to transform her inner musings on the transience of love, time and memory into a beguiling blend of rich vocals and atmospheric riffs. It’s taken from her upcoming debut album, Another Sip of the Divine Specific, which is set for release on 30th September. (KC)

Freyja Elsy – ‘Control’
A cinematic, enigmatic offering from Cardiff-based electro-pop artist Freyja Elsy here. ‘Control’ is her rumination on intrusive thoughts, anxiety and emotional overwhelm, which she explores through her questioning lyricism, emotive vocals and tentative, echoing beats. (KC)

Ayanna Witter-Johnson – ‘Pioneers’
“Itʼs an album about finding centre — personally, culturally, and cosmically — and about learning that new roots can be grown even in unfamiliar or fractured ground,” shares acclaimed composer and MOBO-nominee Ayanna Witter-Johnson about her upcoming album, New Roots. Set for release on own imprint Hill and Gully Records on 18th September, the LP is inspired by a plethora of personal and historical influences, including Ayanna’s reflections on her British-Caribbean identity and the inheritance of Windrush-era wisdom, grief and remembrance. This track ‘Pioneers’ is lifted from the album, and it showcases her remarkable talent for pairing infectious melodies alongside her poignant lyrics and considered instrumentation. (KC)

Chelsea Wolfe – ‘Cold’
The inimitable Chelsea Wolfe returns with this deeply emotive new dark ballad ‘Cold’. It’s lifted from her upcoming ninth album, aptly titled The Dark, which is due on August 21st via Loma Vista Recordings. Alongside new co-writer Jennifer Decilveo, Wolfe has created an album that centers around the notion of entering the deepest woods and evolving into the the thing that you fear most to ultimately obtain the bravery and resilience needed to move forwards. ‘Cold’ embodies this process, led by Wolfe’s uniquely powerful voice and stripped-back, compelling blend of keys and guitar. She continues to be a real favourite of mine and her commitment to shape-shifting – both emotionally and sonically – is always deeply impressive. (KC)

Georgia Gets By – ‘Dream For You’
This is a gorgeous, hazy offering from New Zealand-born artist Georgia Nott aka Georgia Gets By. I loved her track ‘Split Lip’ which featured on her 2024 EP of the same name, but this latest offering is lifted from her recently self-released album, Heavy Meadow. Her beautiful voice floats over delicate guitar, slowly developing into a fuller band sound as the track approaches its dreamy conclusion. What a talent. (KC)

Black Bordello – ‘Fugue’
Having previously shared stages with the likes of The Libertines and Goat Girl, London-based international art-rockers Black Bordello are set to release their new EP in September. Ahead of the EP’s release, new single ‘Fugue’ oozes a dark anthemic energy and mystical psychedelic allure. In the band’s words, it’s “a joyful stab into the cardboard cutouts on the set of society’s stage. It’s our gift to music nerds, inspired by Bach.” Midheaven Tempest, the upcoming new EP from Black Bordello, is set for release on 18th September. (ML)

The Schla La Las – ‘Hawaiian’
Having been queens of the indie-tease scene in the mid-2000s, The Schla La Las remain a vital force of high-octane energy, inspiring a new generation of girls to pick up a guitar, bass, or pair of drumsticks, grab a microphone and let out a rebel yell all in perfect(ish) three-part harmony. Consisting of original line-up Piney Gir, George Terry, Katrin Geilhausen, Vee Churchill and Delia Dansette, they’ve just released a wonderfully uplifting new EP filled with ‘pop and roll’ anthems which you really need to soundtrack the rest of your summer. The Schla La Las Go Wild is out now – go listen! (ML)

 

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PLAYLIST: March 2026

The Get In Her Ears team have put together another eclectic mix of new music for your listening pleasure! Our March Playlist features post punk anthems, Riot Grrrl ragers, grunge, shoegaze & dream-pop musings, indie & alt-folk tunes and some electronic & experimental sounds. Scroll through our recommendations below!

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we’ve moved away from using Spotify. We now have an account on TIDAL, so please follow us on there! We’ve also included YouTube/bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. Happy listening!

CLICK HERE TO LISTEN ON TIDAL

 

VERO – ‘Dumb It’
Stockholm trio VERO have been firm favourites of mine since they released their debut LP, Unsoothing Interior, back in 2022. Fast forward four years, and they’ve shared a brand new equally as excellent record titled Razor Tongue. The band have retained their trademark sardonic lyrics and brooding riffs, but they deliver them with a potent new confidence, something which this track ‘Dumb It’ skilfully exudes. It was such a privilege to see them playing live at their debut London show at The Shacklewell Arms this week. You definitely missed out if you weren’t there.
(Kate Crudgington – Features Editor)

steel. – ‘Kismet’
Since being captivated by their swirling dark allure at Decolonise Fest last year, I’ve been a big fan of Liverpool post-punks steel., and I’d be surprised if you’re not a fan too after listening to new single ‘Kismet’. Instantly immersing you in their brooding majestic splendour, it showcases the band as purveyors of the most spellbinding of soundscapes. I cannot wait for steel. to play for us at The Great Escape on Saturday 16th May! They’ll be part of our showcase at The Beach Stage, along with other faves Problem Patterns, The Baby Seals, YAKKIE and Jessie Mac – keep your eyes peeled on our socials for more details.
(Mari Lane – Managing Editor)

Kathryn Mohr – ‘Doorway’
Taken from her second album, Carve, due on 17th April via The Flenser, Oakland-based artist Kathryn Mohr has provided another distinctively moody offering with this single. The lyrics to ‘Doorway’ were lifted from her own notebook, giving listeners a deep insight into her thoughts as she unravels them over restless, reverb-heavy riffs. Her upcoming record is a poignant reflection on the multi-faceted nature of memory, intimacy and isolation and how these things inform our understanding of ourselves over time. I can’t wait to hear it in full. (KC)

Upchuck – ‘Last Breath’
A track that lives up to its name! The urgency that underscores Upchuck’s latest single ‘Last Breath’ is palpable. It smoulders with defiance and anarchic spirit. The Atlanta-based punk band will be returning to the UK in June this year to play gigs across the UK, including a headline show at Oslo in East London on 28th June. (KC)

CLT DRP – ‘What Is She For?’
A striking blend of jagged riffs, commanding beats and direct lyrics, Brighton-based art-punks CLT DRP have returned with this phenomenal new track. ‘What Is She For?’ dissects the notion of traditional gender roles and questions why these perspectives still haven’t shifted over time. “This single is a not-so-subtle protest to the endless requirements you have to meet as a DIY AFAB fronted band,” explains CLT DRP vocalist Annie Dorrett. Together with their bandmates, Annie is preparing to bring CLT DRP’s vital energy back to our eager ears with more new music in the very near future. (KC)

Lifeloose – ‘Lifeloose’
Described as “just two girls who want to let loose”, London-based experimental duo Lifeloose have sonically achieved just that on their debut self-titled single. Together Aldi Ho and Josie Silverman create playful, wonky electro-pop tunes shaped by their desire to overthrow their formal Guildhall Music School education and create their own sound. The result is an infectiously endearing blend of silliness and sincerity, all underscored by a really “good fucking beat”. (KC)

BIG|BRAVE – ‘the ineptitude for mutual discernment’
Capturing the complexity of how it feels to exist in the uncertainty of today’s world, acclaimed heavy trio BIG|BRAVE’s latest single is a disarming blend of gritty distortion and hypnotic vocals. ‘the ineptitude for mutual discernment’ is lifted from the band’s upcoming tenth album, in grief or in hope, which is set for release on 12th June. It’s a heavy record for heavy times, underscored by intense empathy and a desire to explore the binary oppositions of human nature. (KC)

Lauren Auder – ‘no outline’
Happy album release day to London-based composer and producer Lauren Auder! Today (27th March), she has shared her second LP, Whole World As Vigil, which this single ‘no outline’ features on. Described as “the most literal track on the record,” it was inspired by the overwhelming heartbreak Lauren endured whilst writing her new record. Her beautiful blend of tender keys, richly emotive vocals and electronic textures make for bittersweet listening. (KC)

Dose – ‘Chump Change’
I’m so pleased that Dublin four-piece Dose are back with new music! This single ‘Chump Change’ is a witty rumination on what it feels like to be left hollowed out by an unhealthy romantic connection. By deliberately incorporating elements of “slightly cheesy” rock and roll with their hazy dream-pop sounds, Dose make light of the uneasy feelings that inspired the tracks conception. ‘Chump Change’ is the first insight into what the band’s upcoming EP will sound like, due for release on Pizza Pizza Records this May. Check out the accompanying David Lynch-inspired video below, directed by guitarist & vocalist Lizzie Fitzpatrick and featuring bassist Lauren Heron. (KC)

deary – ‘Alma’
Following on from their gorgeous epic shoegaze single ‘Alfie’, London-based trio deary have shared another dreamy offering titled ‘Alma’. Lifted from the band’s upcoming debut album, Birding, which is set for release on 3rd April via Bella Union, ‘Alma’ is an airy blend of lush vocals and shimmering riffs, inspired by themes of growth, resilience and kindness. “I see ‘Alma’ as an embodiment of our band,” explains vocalist & guitarist Dottie. “It has been with us for a long time and changed with us along the way…In this song, I am talking to my younger self who made the decision to look after us and become a better person.” (KC)

Lemonade Sin – ‘Hold The Frame’
Ahead of the release of their upcoming third album, London-via-Devon supergroup Lemonade Sin have shared a dreamy new single. Reflecting on the dynamic between Baby and Johnny in the film Dirty Dancing, it ripples with a hazy Twin Peaks-reminiscent energy, as wispy vocals float over ethereal keys creating a blissful yet somewhat disconcerting soundscape. Nothing For A Pair, the new album from Lemonade Sin, is set for release on 17th April. (ML)

Misty Coast – ‘Spring’
Released to coincide with the Spring equinox, this aptly titled track from Norwegian duo Misty Coast is a breath of fresh air. ‘Spring’ is the third single the band have shared from their upcoming album, Always Sun, which is set for release on 24th April via Melodaze Records. Psychedelic riffs, soft vocals and field recordings of the duo’s winter stay in Tokyo permeate the track, providing listeners with a bright, lilting slice of psych-pop. ‘Spring’ is also accompanied by a DIY video, shot on location in Tokyo that you can watch below. (KC)

Gladie – ‘I Want That For You’
An exhilarating anthem inspired by friendship and self-compassion, ‘I Want That For You’ is the latest single from Philadelphia-based rockers Gladie. It’s taken from their recent album, No Need To Be Lonely, which they shared via Get Better Records earlier this month. Full of defiant lyrics and racing riffs, the track is a cathartic reflection on moving through times of struggle. Vocalist Augusta Koch explains the context further: “It kind of encapsulates to me the whole message of No Need To Be Lonely…I often think about how easy it is to see the beauty and wonderful qualities in someone else but how hard it is to apply that same love to yourself. ‘I Want That For You’ is basically about encouragement and wanting everyone to stick around, even when it’s really hard, including ourselves.” (KC)

IRKED – ‘Settle Down’
Described as “a garage-punk hate letter to the world,” North-East punks IRKED are gearing up to share their upcoming debut album, Grievance. Set for release on 1st May via Wrong Speed Records, it’s a deeply personal, visceral dismantling of the politics of gender, employment and class. On their latest single ‘Settle Down’, the band tackle the ingrained sexism that adds to the stresses of everyday life, that lead to women feeling exhausted and inadequate. (KC)

YAKKIE- ‘Lean Out’
Having been guests on our February Soho Radio show, and having blown us away with their immense live show on more than one occasion, epic supergroup YAKKIE have released one of the most powerful and resonant albums, not just of the year, but perhaps ever. Kill The Cop Inside Your Head really is a perfectly fierce and necessary catharsis for all women and marginalised communities, and comes complete with some of the most incredible, grunge-fuelled riffs you’ve ever heard. This track ‘Lean Out’ offers a seething retort against corporate feminism and how women’s labour has been historically undervalued, instead calling for real change which comes with community and collaboration, rising against the systems that oppress us. It’s now more important than ever to have bands like YAKKIE, not afraid to speak up for what’s right and use their platform as a real force for change. I’m extremely grateful they exist. (ML)

ScareBears – ‘Softboy Disco’
The second single from Bristol feminist punks ScareBears, ‘Softboy Disco’ explores themes of emotional manipulation and toxic masculinity as a seething sense of urgency and frenzied energy fizzes throughout. Another immense anthem from this supergroup of sorts (featuring members of The Menstrual Cramps and Mondo Wave), offering a scathing retort against that all-too-common ‘nice guy’ facade. We cannot wait for ScareBears to come and headline our next gig at The Cavendish Arms on 23rd April, with support from longtime faves Comic Sans and First Timers alumni Magpie Conspiracy (featuring Jemma Freeman). Tickets are on DICE now and cheaper in advance. (ML)

 

 

Gouge Away – ‘Figurine’
I still have Florida-based heavy band Gouge Away’s 2024 track ‘Stuck In A Dream’ embedded in my skull, but I’m glad to hear they’ve lost none of their potency on this new single. ‘Figurine’ is their first release on Run For Cover Records, and it’s inspired by vocalist Christina Michelle’s reflections on her childhood as a timid “people pleaser”. Full of her distinctive, dynamic vocals and the bands visceral beats and riffs, it’s a rallying cry for love and acceptance, whether you’re well behaved or not. (KC)

NEXT TO NADA – ‘Nan’s In a Punk Band’
London-based punks NEXT TO NADA are back with this excellently named new single. The band describe the track’s narrative as “the story of a punk band, a cannibal vicar and your nan,” which is set over fuzzy guitar riffs and off-kilter lyrics to create a devious slice of doom-pop. Recorded in a single day at Subfrantic Studios with Liam Gunning, the band used a myriad of equipment – including a Fender HodRod Deveille, an Ampeg SVT 3 Pro head and the legendary MIDAS H3000 analogue console – to bring their anarchic sounds to life. (KC)

The Empty Page – ‘A Feminine Ending’
Following impassioned recent single ‘Death On Our Side’ the latest single from long-time favourites, The Empty Page, offers a stark rejection of the beauty standards and expectations placed on women in a world largely dictated by the whims of problematic men. A searing critique of the patriarchy, the track seethes with the band’s trademark reverb-strewn hooks and fierce gritty energy. Kel from the band expands: “Women’s voices need to be louder than ever in 2026. Decades of progress driven by the feminist movement are in danger of being rapidly undone in a world of out-of-control male egos… it’s more significant than ever to criticise the pervasive and deeply concerning message that only young women are attractive, desirable, or of any value whatsoever.” (ML)

The Black Wizards – ‘Killing The Buzz’
New favourites for sure, Porto based trio The Black Wizards are storming into spring with their first new music since 2018. Propelled by relentless riffs and underscored by a fierce blues-driven groove, ‘Killing The Buzz’ offers a gloriously energised, yet impossibly cool, slice of rousing garage-rock. I can’t wait to hear more. (ML)

Black Water County – ‘People’
With the recent release of new EP, Second Best, Dorset folk-punks Black Water County trace a journey from individual alienation to a shared resistance, with each track on the collection exploring a different emotional response to the state of society right now, and ultimately celebrating the power of collective defiance. Whilst reflecting on the instinct to withdraw from the world when times are hard, focus track ‘People’ is propelled by lilting hooks and the fierce energy of front person Shan Byrom’s vocals, showcasing the band’s ability to fuse a resonant sense of rage together with their trademark uplifting spirit. An impassioned rallying cry to all who may be feeling demoralised by the world, Second Best offers a much-needed catharsis and message of hope at a time when we need it the most. The EP is out now via We Go To 11, the artist-lead sub-label of Trapped Animal Records. (ML)

Frances Murray – ‘The Woods’
Simmering with a slow-burning anger, ‘The Woods’ is the latest single from Essex-born, Brighton-based musician and producer Frances Murray (fka BLAB). Taken from her upcoming debut solo album, Dreamer, which she’ll be self-releasing on 10th April, the track begins with her deceptively steady vocals, but builds to an agitated chorus that bitterly laments a lack of self-autonomy. (KC)

Alice Mary – ‘Spiral’
Having played live for us many moons ago, songwriter Alice Mary has now shared her first single in four years. Born from the isolation of the covid lockdowns and produced by Grace Banks (Marika Hackman, English Teacher), ‘Spiral’ offers a lilting yearning for connection, oozing a raw emotion and gritty musicality. Self-described by Mary as “slow-burn indie-rock for overthinkers”. (ML)

Eleanor Hooper – ‘Every Fibre Of Me Is You’
Independent artist Eleanor Hooper provides a poignant reflection on maternal experience on this tender track. Inspired by “the first moment of separation after exclusive breastfeeding,” Eleanor uses her beautifully layered vocals, folk influences and choral textures to give this encounter the resonance she deeply feels it deserves. ‘Every Fibre Of Me Is You’ is lifted from her debut EP, FIBRES, which is available to listen to online now. (KC)

Lemoncello – ‘Articulate Animal’
I had such a lovely conversation with Irish duo Lemoncello for The Line Of Best Fit back in 2024, so I’m pleased to see that they’re sharing new music again. Released via the esteemed Claddagh Records, this track ‘Articulate Animal’ is a song that truly “gets to the heart of things” with its gorgeous vocal floating over a hypnotic cello drone. It will be the opening track on Lemoncello’s upcoming new album, Perfect Place, due on 8th May. (KC)

Modern Woman – ‘Daniel’
Set to release their debut album in May, London art-rock band Modern Woman offer an immersive, ethereal splendour with latest single ‘Daniel’. Written whilst songwriter Sophie Harris was camping near a lake in Wales, it captures the sparkling sense of calm and pastoral majesty that can be felt in nature; a raw and intimate moment amongst the quirky energy of some of the band’s other, livelier tracks. Johnny’s Dreamworld, the upcoming debut album from Modern Woman, is out on 1st May via One Little Independent Records. (ML)

Ailsa Tully – ‘Womb Room’
Having been big fans of Welsh songwriter Ailsa Tully for many years now, the GIHE team were really pleased to hear that she released her debut album earlier this month. Written in the year following her father’s death from cancer, Womb Room offers an intimate exploration of grief; raw with emotion and rippling with a desperate sense of longing and melancholy throughout, the album also shimmers with moments of hope and the comfort that love can bring us. As Tully’s distinctive resonant vocals flow seamlessly, different sonic elements are interwoven into each song; from rich keys, soaring strings and Tully’s unique bass-playing technique, to natural field recordings and even snippets of her father playing piano (‘He’s Leaving’). It’s truly an exquisite collection; a poignant and heartfelt reflection on grief and the search for a sense of belonging that can follow. An eclectic tapestry of soundscapes, each beautifully stirring in its own right. Womb Room, the debut album from Ailsa Tully, is out now. (ML)

ESYA ft. Jessy Lanza – ‘Chasing Desire’
‘Chasing Desire’ is the eponymous track from ESYA’s upcoming debut album, which is set for release on 10th April via AOK records. The solo project of Ayse Hassan (Savages, Kite Base, 180db) ESYA’s latest release features the sounds of Canadian Hyperdub artist Jessy Lanza. It’s another experimental, lilting soundscape from an artist who is committed to exploring all aspects of her sound. ESYA wants to encourage others to do the same and “demystify” the process of making electronic music by hosting Chasing Desire interactive exhibitions in London, Glasgow and Bristol in the lead up to the release. She will be at eARTH Space on Hoxton Street in London between 10th-12th April. More details here. (KC)

Gabi Garbutt ft. Jemma Freeman – ‘Radical Love’
Set to release their third album later this year, London artist Gabi Garbutt has now shared the first taste of what to expect. Featuring GIHE fave Jemma Freeman on backing vocals, guitars and synths, ‘Radical Love’ was initially inspired by writer/activist Sara Ahmed’s notion of ‘Queer Phenomenology’, as well as essays by legends such as Audre Lorde and Martin Luther King, and offers an empowering and uplifting anthem. Of the track, Garbutt explains – “[this song explores] how a radical love is urgently needed to face a world falling apart with humanitarian crisis and climate crisis.” (ML)

th’sheridans’ – ‘Painted’
After more than a decade creating music together, London-based band Adam Karenina Sherif and Julia Oertli aka th’sheridans returned to our ears with brand new music this month. Self-described as “blonking through the dystopia as best we know how”, they remain the perfect purveyors of scuzzy indie-pop; interweaving poignant issues whilst oozing an uplifting effervescent euphoria. Originally recorded back in 2023 and completely mixed and mastered by the band, new single ‘Painted’ offers a stirring resonance for right now, showcasing the band’s ability to create a sparkling sense of hope despite our fears and frustrations. ‘Painted’ is accompanied by an unlikely cover of Carly Rae Jepsen’s ‘Emotion’ as a virtual b-side. Originally commissioned by some friends to arrange the song for a wedding, the duo felt it thematically complemented their new single perfectly: whilst ‘Painted’ is rooted in reality as they experience it, ‘Emotion’ is about everything they could be doing if things were different. (ML)

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PLAYLIST: January 2026

It’s our first Playlist of 2026! We’ve put together another eclectic mix of new music for your listening pleasure; featuring punk anthems, indie bangers, electronic musings, experimental sounds & shoegazey, dream-pop tunes. Scroll through our recommendations below!

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we’ve moved away from using Spotify as our main playlist platform. We now have an account on TIDAL, so please follow us on there! You’ll see that we’ve copied all of our previous GIHE playlists over to TIDAL too. We’ve also included YouTube/bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. Happy listening!

 

CLICK HERE TO LISTEN ON TIDAL

 

YAKKIE – ‘He Sleeps Alone’
One of my Ones To Watch for 2026, mega super-group of faves Yakkie are set to release their debut album, Kill The Cop Inside Your Head, next month and I couldn’t be happier. I don’t think I’ve been this excited for a release for a long time. I just feel like it’s now more important than ever to have bands like them, not afraid to speak up for what’s right and use their platform as a real force for change, and since first seeing them live back in 2023, I’ve been desperate for more of all the rage, joy and unity that they offer. Ahead of the album’s release on 13th February, the band have shared an epic “anti fuck boy anthem” in the form of ‘He Sleeps Alone’ and I just cannot get enough of its fierce, seething energy and immense Pearl Jam reminiscent grunge-fuelled hooks.
(Mari Lane – Managing Editor)

congratulations – ‘Dr. Doctor’
Brighton art-punks congratulations blend chaotic tempos, intensely danceable beats and a foghorn sample on their latest single ‘Dr. Doctor’. Described as a song for “everyone trapped inside their own head, spiralling and catastrophising,” the track is a cacophonous, cathartic reflection on neurotic thought processes. It’s taken from congratulations’ upcoming debut album, Join Hands, which is set for release on 13th February via Bella Union.
(Kate Crudgington – Features Editor)

The Empty Page – ‘Death On Our Side’
A band who’ve played live for us more than once and continue to impress with their dark, shoegaze-tinged offerings, Manchester’s The Empty Page have previously covered topics ranging from climate emergency to house cats. Now, with their latest single that follows from their 2024 album, Imploding, they lament the woes of a generation of people with no pension plan other than to die before they need to rely on one. As ‘Death On Our Side’ ripples with a swirling reverb-strewn splendour, it offers a timely impassioned reflection on the stark reality of life in present day Britain. (ML)

Whitelands – ‘Blank Space’
It was such a bright start to the year having London-based shoegazers Whitelands in the studio with us on our January Soho Radio show (listen back here). Etienne, Jagun and Vanessa spoke to us about the deeply personal nature of the songwriting on their second record, Sunlight Echoes, set for release on 30th January via Sonic Cathedral. This track ‘Blank Space’ is a poignant reflection on grief and memory, buoyed by a seamless blend of soaring and melodic riffs. It’s further proof that Whitelands have expanded and developed their already distinctive sound on this new record. I can’t wait to have the vinyl in my collection. (KC)

deary – ‘Seabird’
I saw London-based deary perform at Sonic Cathedral’s 20th anniversary gig back in 2024, alongside fellow shoegaze icons Whitelands and Slowdive. I was really impressed by guitarist & vocalist Dottie’s diaphanous voice and the band’s lush, fluctuating melodies; both of which permeate their latest single ‘Seabird’. It’s lifted from deary’s upcoming debut album, Birding, which is set for release on 3rd April via Bella Union. (KC)

VERO – ‘100 Calls’
I am SO happy that Stockholm trio VERO are back with new music! ‘100 Calls’ is the follow up to their previous single ‘Calico’, both of which feature on the band’s upcoming second album, Razor Tongue, set for release on 20th March via PNKSLM Recordings. Their brooding, grunge-inspired riffs and sardonic vocals remind me a little bit of Sonic Youth and I feel like they’ve really lent into that influence on these new tracks. The band say that ‘100 Calls’ is the “saddest” song on the album, but it still has VERO’s trademark grit and defiance rumbling beneath the surface. (KC)

YELF. – ‘loud’
British-Swedish artist YELF. is a loyal follower of GIHE and involved in multiple musical outfits, including Aether Speaker and Pets and Doom and Gloom – so she’s a prolific talent! This track ‘loud’ is her debut solo offering; a shoegazey tune about “the electric, maddening feeling of liking someone, but being unsure whether they like you back.” Through her grunge infused guitars and yearning vocals, she personifies the feeling of being in romantic limbo perfectly. I’m really looking forward to hearing more from YELF. over the next 12 months. (KC)

Maria BC – ‘Marathon’
‘Marathon’ is the title track from Maria BC’s upcoming third album, which is set for release on 27th February via Sacred Bones – one of my favourite labels. The American artist dissects the spectrum of human emotion and how we endure and persevere through shifting moods throughout the LP, expanding their own sonic palette in the process. Maria’s distorted guitars and serene vocals on ‘Marathon’ help to communicate this experience, making it both a soothing and unsettling listen. I’m looking forward to hearing their new record in full. (KC)

Mi.el – ‘Grains Of Sand’
‘Grains Of Sand’ from London-based dream-pop band Mi.el is a lovely leftover from my December 2025 inbox. Full of atmospheric riffs and brooding vocals, the band say the track is about “positive nihilism, a reflection on finding freedom in insignificance” which hopefully provides listeners with a sense of liberation – an apt sentiment for the new year. (KC)

Alice Sloan – ‘Return The Ghost’
A brooding alt-folk contemplation on identity and people pleasing, ‘Return The Ghost’ is the debut single from Belfast queer singer-songwriter Alice Sloan. Her rich vocals and grungy ’90s inspired guitar sounds mesh together to make her first solo offering a moody and memorable affair. “‘Return The Ghost’ is trying to find yourself within the noise, when you stop trying to please everyone and realise you don’t know who you are beneath that,” she shares. “Dig deeper, you may discover the parts of yourself you tried to bury.” (KC)

Softcult – ‘Queen Of Nothing’
Since I began following Softcult in 2020, I’ve been consistently impressed with everything that the Toronto-based shoegaze sibling duo have released. They’ve shared multiple EPs over the past six years, but now they are gearing up to release their debut album, When A Flower Doesn’t Grow, on 30th January via Easy Life Records. When I interviewed guitarist and vocalist Mercedes Arn-Horn back in 2024, she hinted that Softcult had pushed their sonic boundaries whilst writing and recording their album, and this single ‘Queen Of Nothing’ beautifully showcases this development. Sharply produced and deeply resonant, the track tackles patriarchal double standards and feelings of inadequacy via dreamy vocals and hazy riffs. (KC)

Thee Soreheards – ‘I’m Not Your Fucking Sex Doll’
‘I’m Not Your Fucking Sex Doll’ is the title track from Montréal punks Thee Soreheads’ debut EP, which they released last year via Outhouse Records. It’s both a visceral and gleeful rejection of objectification and misogyny, fuelled by grinding riffs, intense beats and singer Maria’s Kathleen-Hanna-esque vocals. (KC)

HAWXX – ‘Resistance Is Justified’
Having been big fans of HAWXX since they played live for us back in 2018, I’m excited to hear that they’ve got a new album coming out this Spring. Ahead of the album, they’ve shared an immense and poignant tribute to their friend Jordan, who’s one of the ‘Filton 24’ and has been in prison for over a year without trial for allegedly destroying weapons in the Elbit Factory that were due to be sent to Israel. As they scream “Free, free Palestine!” with a fiercely impassioned grit and a raging energy that builds throughout, their message seems more necessary than ever. This song is a tapestry of collaborations from Ahmed Muin Abu Amsha, a talented music teacher in Gaza whose singing with children over drones circling above have gone viral on social media, members of the Greek Flotilla mission to Gaza (including my cousin Ploutarxos), Petrol Girls, Jasmine 4.t., Bekor, members of Choir Noir, Soren Bryce, Millie Manders, Orchestrated Discontent, Ruby Wednesday and more artists in support of the cause. There is also a sample of Jordan’s sister Brogan, giving a speech in the song. (ML)

Fightmilk – ‘Sounds Like A You Problem’
What’s been described as their heaviest song to date, Fightmilk’s new one is an absolutely perfect return to from one of my most favourite bands. As Lily’s gravelly vocals soar with a rich, sweeping power alongside Alex and Healey’s racing gritty hooks, and Nick’s thrashing beats blast consistently throughout, ‘Sounds Like A You Problem’ offers a proper “big angry song”. Reflecting on Lily’s own experiences with an abusive ex partner with a refreshing honesty, the all-too relatable and recognisable feelings of terror and frustration emanate through the song’s fierce energy, whilst a cathartic sense of empowerment comes at realising it was never your fault. A welcome new direction from a band continuing to hone their sound and show that they’re not afraid to address sensitive topics head on. (ML)

Junk Whale – ‘Lime n Soda’
Responsible for one of my favourite EPs of last year, Junk Whale have started 2026 by releasing more gorgeous new music. One half of their new double single, ‘Lime n Soda’ reflects on the contrasting feelings of being at a gig: “It can be an overwhelming sensory experience for me. It’s dark, it’s loud, it’s cramped with sweaty bodies…but as soon as the music starts, there’s nowhere else I’d rather be,” vocalist Josie explains. Offering all the gloriously scuzzy hooks and lilting indie-pop energy that we know and love from the band, I can’t get enough of its sparkling raw emotion and cannot wait to have Junk Whale headline for us at The Cavendish Arms on 19th February, along with twee queercore supergroup Tomboy Grandpa (featuring members of Fightmilk and adults) and First Timers alumni Pink Bucky. Tickets are on DICE now and cheaper in advance. (ML)

Me Rex – ‘Angel Hammer’
Another band who’ve played live for us and I’ve been very much in love with for a long time, Me Rex have continued to charm us with their previous five EPs and two albums, and have now shared the first new single to be released on their own label Pterodactyl Limited. Reflecting on vocalist Myles’ chaotic experiences that lead to him getting sober when he was 20, ‘Angel Hammer’ fizzes with an impassioned sense of vulnerability and raw immersive emotion, as the band’s trademark twinkling hooks and introspective lyricism are intertwined with a cathartic driving energy. (ML)

Scarebears – ‘Scapegoat’
“Brand new, fresh-out-of-the-oven, aggressive post-punk” is how Bristol trio Scarebears describe themselves, and I’m a big fan already. With debut single ‘Scapegoat’ they seethe against the rise of far-right rhetoric in the UK media and mainstream politics with a riotous sense of urgency, reflecting on the hypocrisy and danger of ignorant false narratives that are used to incite violence and discrimination. A fiercely defiant, brutally honest and instantly addictive slice of empowering punk, it’s the first taste from Scarebears’ upcoming EP, Worse for Everyone, which will be released in Spring 2026. I cannot wait to hear more! (ML)

 

Kim Gordon – ‘NOT TODAY’
I probably don’t need to write an intro for this exceptional new Kim Gordon track – but in case you missed it – the acclaimed Girl In A Band author is releasing her third solo album, PLAY ME, on 13th March via Matador Records. ‘NOT TODAY’ embodies the same potent conviction and self assurance that all of the former Sonic Youth bassist & vocalist’s solo offerings have radiated – only here it sounds fuller and more fluid. (KC)

Midori Jaeger – ‘exasperate’
Another of my Ones To Watch for this year, cellist and songwriter Midori Jaeger has now announced the release of her EP, (Un)planted, on 9th March. Having instantly caught my attention with their unique style of playing the cello and the soothing allure of her vocals while playing in Tanita Tikaram’s band back in October, the Japanese London-based artist creates immersive soundscapes that are truly her own, with latest single ‘exasperate’ being no exception. Swirling with angular yet beautifully smooth finger-picked hooks and Jaeger’s sumptuous vocals, it soars with an invigorating energy and I can’t wait to hear the full EP very soon. (ML)

TTSSFU – ‘Upstairs’
This stand alone single from Wigan-born, Manchester-based artist TTSSFU was released late last year, but it’s been swirling around my head ever since. Based on an unhealthy romantic infatuation, it’s a tender rumination on the disconnection and isolation that can fester with this kind of obsession. TTSSFU released one of my favourite EPs of 2025, titled Blown, so I’ll be keeping a keen eye on the new music she shares over the next 12 months. (KC)

Ailbhe Reddy – ‘That Girl’
Existing in the emotional ether of a breakup, Dublin-born artist Ailbhe Reddy’s upcoming third album, KISS BIG, is a wholehearted affair that continues to spotlight her talent for empathetic songwriting. Set for release on 30th January via Don Giovanni Records, ‘That Girl’ features on the record and is described by Ailbhe as the “emotional anchor” of her upcoming offering, full of her tender vocals and observational lyricism. She’ll be playing a London headline show at The Lexington on 21st April to celebrate her new album. Tickets are on sale now! (KC)

Tenderness – ‘The Salt Flats’
As someone who had Deep Throat Choir soundtrack me walking down the aisle, hearing the voice of anyone from that incredible collective always feels pretty special. And so the news that Katy Beth Young (also of Peggy Sue) is sharing more new music from her solo project Tenderness is very welcome to my ears. Ahead of the release of her debut album, True, on 13th March, ‘Salt Flats’ showcases Young’s gorgeously rich vocals as twinkling Americana-tinged hooks ripple throughout, reflecting with a stirring gentle melancholy on the fleeting nature of joy. I can’t wait to witness Tenderness’ beautiful offerings in the perfect setting of St Pancras Old Church on 18th March. (ML)

Charlotte Cornfield – ‘Hurts Like Hell’
Ahead of the release of her sixth album in March, Charlotte Cornfield has now shared the beautiful title track. A poignant rumination on addressing insecurities and putting yourself out there, ‘Hurts Like Hell’ flows with warm Americana-infused melodies alongside Cornfield’s distinctive rich vocals. Showcasing Cornfield’s ability for heartfelt lyrical storytelling and exposing an endearing vulnerability, its delicate grace shimmers throughout as we’re introduced to what promises to be an exquisite album. (ML)

Special Friend – ‘Breakfast’
Set to release their new album, Clipping, on 30th March, French-American Paris based duo Special Friend may be new to me but I’m already pretty obsessed with their fuzzy uptempo hooks, lilting energy and rich syrupy harmonies. A perfectly short but extremely sweet slice of sunny dream-pop, ‘Breakfast’ is our first taste of the upcoming album, and if that’s what’s on the menu, I can’t wait for lunch and dinner…(sorry) (ML)

Radhika ft. Gerard Love & Mitch Mitchell – ‘Starry Eyes’
A supergroup of sorts, featuring Gerard Love (Lightships, Ex Teenage Fanclub) and Mitch Mitchell (The Pastels) alongside vocalist Radhika Meera Dade, Radhika have started the year with an effervescent taste of their upcoming new album, Cine Pop. Interweaving a range of influences, from the films of David Lynch to her own Indian heritage, Radhika creates utterly dreamy, shimmering soundscapes rippling with a spellbinding allure. Reflecting on intergenerational connections and the passing of souls into the next realm, ‘Starry Eyes’ demands multiple listens and will draw you into the cosmic world of Radhika on first listen. (ML)

Hater – ‘Angel Cupid’
Malmö-based indie-pop band Hater said they weren’t expecting to write a bunch of love songs for their upcoming album, Mosquito – set for release on 6th March via Fire Records – but that’s what flowed from their fingertips after a long hiatus. This reluctant feeling is epitomised on the band’s latest single ‘Angel Cupid’, which sees them tenderly, yet disdainfully reject the omnipresent notion of traditional love and the archetype of Cupid, by seamlessly combining explicit lyrics and lush melodies together. (KC)

Sunflower Thieves – ‘Already Taken’
Leeds alt-folk duo Sunflower Thieves have returned with their new single ‘Already Taken’ – a poignant reflection on the emotional resilience that’s earned after enduring a difficult breakup. Full of their lush dual vocals and gentle acoustic riffs, Amy and Lily provide listeners with a calm resolution to a troubling period of time. The band will be touring the UK this year, including a London headline show at The Grace in Islington on 28th April. (KC)

Flip Top Head – ‘Porcelain Plugs’
Brighton art-rockers Flip Top Head draw inspiration from acclaimed poet Sylvia Plath on their latest offering ‘Porcelain Plugs’. Taken from their recent EP, Trilateral Machine, the track alludes to the restorative qualities of a hot bath, something which Plath notably mentioned in her 1963 novel, The Bell Jar. Flip Top Head are currently on tour across the UK in support of Independent Venue Week and they’ll be returning to London on 7th March to play one of their biggest headline shows to date at The Lexington. (KC)

Hannah Schneider – ‘In This Room’
Another artist who we’ve been fans of for a number of years now (and having played live for us as one half of the electronic duo AyOwA), Danish artist Hannah Schneider returns to grace our ears with a new album set for release on 7th February. Title track ‘In This Room’ swirls with a shimmering melancholy, reminiscent of the stirring grace of Beth Gibbons, as it offers a heartfelt meditation on the stories we tell and the memories we cherish. The upcoming album focuses on acoustic instrumentation and craftsmanship and was created in collaboration with a number of different musicians at a residency at Thorvaldsens Museum in Copenhagen. (ML)

Kee Avil – ‘itch’
Since the release of her debut album, Crease, in 2022, I have been intrigued by the glitchy, distinctive sounds of Montréal-based experimental artist and producer Vicky Mettler aka Kee Avil. Her appetite for exploring the human condition through her cell-tingling soundscapes seems to know no bounds, and these ambitions have been amplified by her upcoming project. Starting with this evocative offering ‘itch’, Kee Avil has teamed up with NNA Tapes and plans to write and record her new album, Vapor, in real time – releasing the songs in chronological order over the next 12 months. “My hope is that at the end, a natural cohesion appears, a concept reflecting a frozen moment in time, a process from start to finish,” she explains. I can’t wait to see what she comes up with. (KC)

Isabel Pine – ‘A Flickering Light’
This beautifully soothing piece of music is lifted from Fables, the upcoming debut album from British Columbia-based, classically trained musician Isabel Pine. Set for release on 20th February via kranky, Isabel recorded her new LP in a remote cabin, playing her instruments outside amongst the sounds of nature, which gives Fables a truly pensive, peaceful quality. This intuitive collaboration is deftly captured on ‘A Flickering Light’. (KC)

Sarah Pagé – ‘Spring Is Here’
This beautiful soundscape from Montreal-based harpist Sarah Pagé features on grassroots benefit compilation album, Gaza Is The Moral Compass, released digitally & on cassette via Beacon Sound and launched publicly on Radio AlHara (Bethlehem). It is one of sixteen altruistic and eclectic tracks on the record, which features contributions from Amulets, Efrim Menuck (Godspeed You! Black Emperor) and Kareem Samara. Sales of the album will benefit two Palestinian-led mutual aid groups on the ground in Gaza: Seeds Of Hope and Reviving Gaza. This is the first in a series of compilations that Beacon Sound have planned to help provide relief to the long suffering people of Palestine. You can purchase a copy of Gaza Is The Moral Compass from bandcamp here. (KC)

 

 

Noémi Büchi – ‘I was almost there’
Inspired by everything from “the dislocated bodies of Francis Bacon” to the transience of memory, physical touch and intimacy; this experimental soundscape from Swiss/French artist Noémi Büchi is deeply intriguing. It’s lifted from her upcoming album Exuvie – derived from the Latin word ‘exuviae’ meaning ‘what has been shed’ – which is due on 27th February. Through her genre-blending, idiosyncratic instrumentation, Noémi manages to truly get under the skin and conjure up a potent, emotional response to her sounds. (KC)

Hannya White – ‘Slow my mind’
Released as part of a compilation album by Metamorphika – an artist-led community-driven arts space, commercial gallery & music label – this industrial-tinged track from London-based artist Hannya White slipped into my GIHE inbox at the end of 2025. It’s an unnerving, visceral offering with its piston-like beats and breathy voicework. Definitely check out the whole compilation, Metamorphika Vol. 1, if you like what you hear from Hannya – it’s an intense amalgamation of noise, industrial textures and genre-bending sounds from an array of unusual artists. (KC)

Tanya Tagaq – ‘Foxtrot’
Having been a big fan of innovative vocalist and composer Tanya Tagaq at Get In Her Ears for a number of years now, we’re excited to hear that she’s releasing her new album, Saputjiji, on 6th March. Weaponising the military alphabet into a protest callsign, latest single ‘Foxtrot’ offers us an insight into the starkly compelling power of the upcoming album. Venturing between beautifully ambient and fiercely abrasive soundscapes, Saputjiji offers a potent counter-strike against billionaires, genocide, abuse and colonial systems, and I cannot wait to immerse myself in it fully. (ML)

 

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