Introducing Interview: Eddie Packard

Following their debut single ‘Microplastics‘ back in 2018, South London based artist Eddie Packard released their latest offering ‘CGI‘ this spring. A electro-inspired pop-punk soundscape reflecting on how the fantasy world of video games is so much more appealing than mundane reality, it’s an uplifting slice of escapism flowing with a lilting emotion.

We caught up with Eddie to find out more about the track, their inspirations and the industry at the moment… Have a read!

Hi Eddie, welcome to Get In Her Ears! Can you tell us a bit about yourself?
Hi! I’m Eddie Packard and I’m an independent artist from South East London. I love writing songs, it’s my passion. Writing down lyrics onto paper (or more often a notepad application on my computer) really resonates with me in ways I can’t explain. 

What initially inspired you to start creating music?
It was May/June 2012 and I was listening to ‘Love Story’ by Taylor Swift while watching the music video. Something clicked in my preadolescent brain. All the instrumentation and songwriting really just ignited something within me. I then swiftly (haha, get it?) told my parents I would like a guitar. They were very impressed by my enthusiasm and so my mum and I went out to my local guitar shop and I was bought a lovely guitar. I then learnt a whole bunch of chords and I loved the way they sounded when put together. It wasn’t until a few years later though that I actually realised this is what I want to do as a career and started constructing songs.

You’ve recently released your vibrant single ‘CGI’ – can you tell us a bit about this? Is it focused on any particular themes?
‘CGI’ is a whimsical pop-rock song that is inspired by the concept of escapism which can be defined as “the tendency to seek distraction and relief from unpleasant realities, especially by seeking entertainment or engaging in fantasy...”  It really reminds me of the song I talked about earlier (‘Love Story’) thinking about it now, as they are both quite whimsical sounding and both have elements of escapism (‘Love Story’ was inspired by Shakespeare’s Romeo and Juliet, my song ‘CGI’ is inspired by daydreaming and video games). I really wanted the listener to feel like they’re immersed in a different world when they are listening to the song, so I had this idea of implementing a lot of ambient atmospheric sounds, like rain for example, and I think it works really well.

We love your colourful alt-pop sounds, but who would you say are your main musical influences?
As you might have guessed – Miss Taylor Alison Swift is the main one! But also Katy Perry and Marina Diamandis. Katy Perry in particular is a huge inspiration to me – her hugely commercially successful album Teenage Dream really blew my mind when it came out. Songs like ‘Firework’ I remember singing at the top of my lungs while skiing down snowy Italian mountains on a school ski trip and really connecting with the message of the song. But also that ‘California Gurls’ music video! I honestly did not understand the appeal of a California girl… Daisy Dukes? Cool I guess? But the music video is one of my most favourite things in this world. The way she holds her hand out while singing “you could travel the world, but nothing comes close” really strikes a chord with me. Katy Perry had a very religious upbringing and I did as well going to Catholic schools nearly all my life. I always felt this horrible feeling of social exclusion and being left out. I remember leaving my catholic confirmation group and crying to one of my friends’ mother because I just felt so unwanted by my fellow peers. I feel connected to her in this way.

How do you feel the music industry is for new artists at the moment – would you say it’s difficult to get noticed?
I would say that it is quite good at the moment due to the power of social media. I think the power dynamic between record label corporations and artists was a little one sided fifteen years ago and artists probably needed a record label. But now you have completely independent successful musicians who don’t care about signing a record contract. However, for me, I would love to sign a record deal – I’ve been dreaming of it for years now.

Has there been anything/anyone specific that has been inspiring you, or helping to motivate you, throughout these strange times? 
I’ve been looking inwards since graduating from school and have been realising that I have a lot of shame based around my own character. I’m not a very masculine guy and I’ve always felt so much pressure to not be feminine. I’ve realised that shame is blocking me from achieving my own happiness. There’s an American show called Queer Eye that has really been a source of happiness and comfort for me; seeing five LGBT guys who are all so confident and portrayed in a good light, and not negatively as a joke, has really helped with my confidence. 

Finally, what does the rest of 2021 have in store for Eddie Packard?
I want to keep releasing music and make a name for myself. I have big dreams and I’m not going to stop until I make them come true!

Massive thanks to Eddie for answering our questions! Watch the video for their single ‘CGI’ here:

Comic Review: ARXX – ‘Not Alone But Not With You’

The latest in our ‘Comic Reviews’ feature – where illustrator Sally-Anne responds to a new release with her wonderfully unique drawings – we check out the brand new single from total faves, Brighton duo ARXX. Following acclaim from the likes of John Kennedy, BBC Radio 1’s Jack Saunders and BBC 6Music’s Steve Lamacq for latest catchy alt-pop anthem ‘Deep’, they have now shared another gritty, yet reflective, and unapologetically honest offering – ‘Not Alone But Not With You‘.

Arxx

Of the track, vocalist/guitarist Hanni explains:

You know that sadness or guilt you feel when you’re surrounded by people you love but you are just missing that other person? Maybe it’s a loved one you’ve lost, maybe it’s a friend, maybe it’s a partner. This last year has been different for everyone but we’ve all had people we’ve missed.” 

‘Not Alone But Not With You’ is out now. Catch ARXX on their upcoming UK tour – tickets here.

Sally-Anne Hickman
@sallyshinystars

Photo Credit: Bridie Florence

LISTEN: GIHE on Soho Radio with Fears 28.07.21

Tash, Kate & Mari were back on the NYC & Culture channel on Soho Radio‘s airwaves for their third GIHE show! They played a mix of golden oldies – including a tribute to the late Amy Winehouse – and new music tunes from some of their favourite women, non-binary and LGBTQ+ artists.

Irish musician & Tulle Collective co-founder Fears aka Constance Keane also joined them to talk about the reaction to her beautiful debut album Oíche, her upcoming gig plans, and how watching Love Island and Mary Kate & Ashley’s 2002 rom-com When In Rome have helped her through periods of lockdown & Covid-induced isolation.

Listen below:

Tracklist
Amy Winehouse – Me & Mr Jones
Babeheaven – Lovefool (The Cardigans Cover)
Abra – Roses
Evil House Party – Head Held High
Maria Uzor – Innocence
Witch Prophet ft. Stas THEE Boss – MUSA (Remix)
Alewya – Sweating
Denise Chaila – 061
Seraphina Simone – Skin
PET Wife – Sword
Smoothboi Ezra – Without Me
My Idea – Stay Away Still
WILLOW ft. Travis Barker – transparentsoul
Fears – Fabric
**Interview with Fears**
Pixie Cut Rhythm Orchestra – I Didn’t Love You When I Said I Did and I Don’t Now
F.R.U.I.T.Y – U.P.S
Tirzah – Tectonic
Gazelle Twin – Changelings
Bad Waitress – Strawberry Milkshake
Pretty Happy – Sudocream
Catherine Moan – Drop It!
Crisp&Classy – Boom Bay
BAXTR – In Pop We Trust
Sugababes – Same Old Story (Blood Orange Remix)
Planningtorock – Gay Dreams Come True

Introducing Interview: Nghtfall

Having spent the last few years garnering streams and fans for their emotion-strewn alt-pop offerings, Toronto based non-binary artist Bradley Milosevic-Hill, aka Nghtfall, has recently shared their heartfelt new single ‘I’ll Be Fine‘. Shimmering with a twinkling musicality and a soaring, anthemic splendour, Nghtfall wears their heart on their sleeve with this raw reflection on identity and being accepted for being your true self.

We caught up with Bradley to find out more…

Hi Bradley, welcome to Get In Her Ears! Can you tell us a bit about yourself?
I’m an independent queer non-binary artist from Toronto that releases music under the name Nghtfall. 

What initially inspired you to start creating music?
I’ve loved music since a very early age and started writing songs in my head long before I knew I was going to become a musician. It’s really the only thing I’ve ever been this passionate about.

You’ve recently released your poignant new single as Nghtfall, ‘I’ll Be Fine’, can you tell us a bit about this? Is it focused on any particular themes? 
This song is about coming to terms with how people’s view of me has changed since I came out as non-binary. There’s a lot of my fears and anxieties in the lyrics. Especially the feeling that a lot of people’s love is temporary when you know one detail about you would change their view of you completely. I feel so free in being able to express this in my music now, because it’s something I’ve struggled with for a while.

We love your heartfelt, anthemic pop sounds, but who would you say are your main musical influences?
It ranges from modern artists like Nothing,Nowhere and Halsey to stuff I grew up with like Fall Out Boy. Though honestly I get inspiration from all kinds of music.

You’re based in Toronto – in ‘normal’ times, how is the music scene there? Is it a good place for an emerging musician?It’s definitely a great place to watch live music, but I wouldn’t say it’s a super good place for emerging artists. It’s so competitive and a lot of the live music in the city is dominated by established US artists that often play there as their only show in Canada for that tour. I don’t really think about the local scene when it comes to my own music that much, but it is a great place to go to shows.

How have you been connecting with your audience and other musicians during the pandemic?
Maybe it’s because everyone’s been inside but I feel like I’ve made more connections than ever through social media this year. I do a lot of remote collaborations even before the pandemic so this past year or so has almost been better for a lot of what I do in a weird way. Plus it’s given me more time to find ways to connect with new audiences online.

And has there been anything/anyone specific that has been inspiring you, or helping to motivate you, throughout these strange times? 
I’m a huge movie & tv nerd so I’m always getting inspired by that. I’ve gotten really into David Lynch’s movies over the pandemic & recently read his book on creativity. I just find him such an incredible and inspiring artist. Also, I bring her up all the time, but Savannah Brown is someone whose writing and poetry I am such a huge fan of and find super inspiring. I wish I could write as well as her!

How do you feel the music industry is for new artists at the moment – would you say it’s difficult to get noticed?
It definitely is, and a lot of the conversations I have with other artists reflects that. However, there’s so many cool things you can do outside of “the industry” with social media to connect with an audience. You just have to be creative with it.

As we’re a new music focused site, are there any other upcoming artists that you’d recommend we check out?
There’s this local band Softcult that I discovered recently that makes super great music with a lot of feminist messages in it. I’ve had the chance to talk with them a bit on social media and they’re super nice too.

Finally, what does the rest of 2021 have in store for Nghtfall?
I’m going to be releasing regularly till at least the end of the year, so just expect a lot more music!

Massive thanks to Bradley for answering our questions!

Listen to Nghtfall’s latest single ‘I’ll Be Fine’ here: