LISTEN: GIHE x Morning Glory takeover on Soho Radio ft. NYX Drone Choir and Brenda (21.09.23)

Tash and Kate were back on Soho Radio’s airwaves for a second time this month, taking over their Morning Glory show – LIVE from the studio! They played an eclectic mix of new music from some of their favourite female, non-binary and LGBTQIA+ artists and Mari offered some of her “musical musings” too. The pair also had a “spotlight” section dedicated to tunes from bands and artists who have been a part of the GIHE journey from the early years, featuring ARXX, Big Joanie, Nova Twins, Problem Patterns, Fraulein and Maria Uzor.

There were two guests on the three hour takeover show. In the first half, Tash played her chat with Glasgow newcomer Litty, who fronts Brenda. Litty spoke about the inspiration for the band’s recent single ‘Pigs Pigs Pigs’ and shared many funny anecdotes about how they originally came together to form Brenda.

In the second half of the show, Alicia and Philippa from the NYX electronic drone choir came into the studio to chat live on air. They spoke to Kate and Tash about their collaborative album Deep England, their contribution to the Diablo IV video game soundtrack, and the instinctive ways in which they use technology to enhance the power of the human voice. They also set aside plenty of time to fangirl over Gazelle Twin too.

Listen back to the show below:

 

We’ll be back on Soho Radio on Monday 16th October from 12-2pm!

Tracklist
Jackie Shane – Sticks and Stones
Rainy Miller ft. Mica Levi – Maybe Time To Lay Down The Arms
1000 Beasts & Tomike – Cherry Delight
Midwife ft. Nyxy Nyx – it’s okay 2 lie 2 me
NewDad – Angel
Pixie Cut Rhythm Orchestra – Empty Envelope
Baby Rose – Stop the Bleeding
Mitski – my love mine all mine
Brenda – Pigs
**Interview with Litty from Brenda**
Erasure – I Want To Be With You
Bee Asha – Shy Guy
Baby Cool – The Sea (Qubuz Track Of The Day)
Afromerm – held
Nova Twins – Choose Your Fighter
Problem Patterns – Lesbo 3000
Problem Patterns – Poverty Tourist
ARXX – Ride Or Die
Fraulein – Big Cool
Big Joanie – Fall Asleep
Maria Uzor – Sometimes They Look At You
CIRCE – Riot Of Sunlight
AVR – A Closer Touch, A Plan Of Art
Trouble Wanted – Lonely Cowgirl
CMAT – Stay For Something
SPRINTS – Up And Comer
Hot Wax – Phone Machine
Lauren Auder – The Ripple
Gazelle Twin & NYX Drone Choir – Deep England
**Interview with Alicia and Philippa from NYX Drone Choir**
Gazelle Twin – Black Dog
TSHA ft. Ell Murphy – Bloom
Yay Maria – L’Appel Du Vide
Small Crush – Rumblin’ Tummy
Panic Pocket – Get Me
The Vanity Project – Eureka!
Julia-Sophie – dial your number
And Is Phi – Double Pink
Scrounge – Starve
O Hell – I Watch The Women
Noga Erez – NAILS

LISTEN: GIHE on Soho Radio with Mykki Blanco (18.09.23)

Tash and Kate were back on Soho Radio’s airwaves playing loads of new music from some of their favourite female, non-binary and LGBTQIA+ artists! Mari offered some of her “musical musings” too. Artists featured on the eclectic playlist included Tirzah, Coolgirl, Maria Uzor, O Hell, CLT DRP, Divorce, English Teacher, Brenda and Touch Excellent.

Tash also caught up with queer pioneer and innovative artist Mykki Blanco to talk about their upcoming EP, Postcards From Italia, which is set for release via Transgressive Records on 22nd September. Fresh from celebrating Copenhagen Pride, Mykki spoke to Tash about the context of their new record, how the music industry has changed over the last decade, their queer inspirations and more.

Listen back to the show below:

 

We’ll be back on Soho Radio this Thursday 21st September, LIVE in the studio covering the Morning Glory show from 9am-12pm. Make sure you tune in via www.sohoradiolondon.com

Tracklist
Sinead O’Connor – Mandinka
Tirzah – F22
Maria Uzor – Sometimes They Look At You
O Hell – hard times
Coolgirl – High Altar
CLT DRP – I See My Body Through You
Say She She – Astral Plane
Brenda – Microscopic Babe
shaene – june
Whitelands – The Prophet and I
English Teacher – The World’s Biggest Paving Slab
Separatr – Deadstock
Divorce – Scratch Your Metal
Maria BC – Amber
Ideal Host – The Resolution
NESS NÖST – MAID 4 U
Gabriella Cohen – Clever Cheese
Mykki Blanco – Holidays in the Sun
**Interview with Mykki Blanco**
ZHU, Devault – Take My Soul
Touch Excellent – Couch Song
Becca Mancari – Over and Over
Louisa Rowley – Love Me For All of My Flaws
Yeah Yeah Yeahs – Maps

INTERVIEW: ALT BLK ERA

Formed of sisters Nyrobi and Chaya, genre-defying duo ALT BLK ERA create tenacious alternative tunes designed to showcase their vivid personalities. Inspired by the likes of Ashnikko, Hacktivist, The Prodigy and Billie Eilish, they blur the boundaries of pop punk, nu-metal, rap and electronic music to form their riotous sounds.

By combining jagged electronics, heavy riffs and racing beats with raging lyrics, the pair have created an alternative statement of self autonomy on their debut EP, Freak Show, which perfectly showcases their antagonistic, youthful spirit. We caught up with Nyrobi and Chaya to talk about their new release (out on 1st September), their recent performances at Reading & Leeds and Glastonbury, and the love they’ve received from fans who have discovered their music…

 

For anyone who doesn’t already know, can you explain how you came to be ALT BLK ERA?

We’re sisters from Nottingham and we have been singing together for as long as I (Nyrobi) can remember. It became a regular daily feature when we would do our chores, washing up, with music blasting from our Apple iPod. This is where we learnt how to harmonise so easily with one another.

I’m the chief song-writer (Nyrobi) however, I work best with my sister Chaya by my side. She’ll add key parts, change things or say a straight no – so it’s a dual process. We sound so different, and we have such different personalities that we have to work closely together throughout the creative process.

Your own music is a blend of lots of different genres (nu-metal, rap, pop punk, electronic/rave) – talk us through your process of combining these styles and merging them into your songs…

We grew up on Reggae, Soul and R&B – so these elements are at our core. However, we stumbled upon the world of Metal and DnB when we were trying to express something harder and edgier than what we knew.

We haven’t got a step-by-step process. We sit with a beat. We have a song title and theme and then we ride the creativity wave. If we hit a wall – we write something else and then come back to it later down the line. There’s no pressure. We have fun making our music and if we want to throw in a bit of opera – we do exactly that. If we want to throw in a few bars of rap, we do that. There are no rules. This works for and against us because the industry wants to give a title to what we do. At one point we felt pressured to label our music genre – but it isn’t one thing so we generally call it ‘Alternative’.

You’re gearing up to release your debut EP, Freak Show, on the 1st September. What are you most proud of about this release?

We love that the EP is a story of where we started from. Our feelings of sitting outside of the mainstream. It feels like we’re getting a lot off our chest and we’ve found that so many others relate to what we’re singing about. We’re still really young, so the school experience has been a major area of our lives. What’s amazing is how many older listeners share with us that they wish they had us around when they were growing up. This is what we are most proud of – being able to connect with a range of people who identify themselves in our music. All the songs have a slightly different twist on them, and there are a range of energies that we share – from defiance to empowerment, to encouragement and love of yourself and others.

Do you have a favourite track on the EP? If so, why?

We of course love every track on the EP, but Chaya holds a special place in her heart for the title track, ‘Freak Show’ and I am loving ‘I’m Normally Like This’ – but this could change. It depends where we’re at emotionally as each track can speak strongly to you at different times.

Your music and your aesthetic both make a strong statement about individuality and not being afraid to express yourself. How has this message impacted your listeners? Have people reached out to talk to you about these things?

It’s been so wonderful to see the reaction. Our music is about celebrating who we all are which we especially see when we perform live. We’re tired of the pressures to conform. There have been a few haters that can’t help but share their thoughts about us and what we stand for – but we forgive them because they maybe haven’t heard our lyrics where we say “We don’t give a damn if you like it!”

People are always reaching out to us. We talk about some deep issues in our music, including violence against women. We get so many comments and private messages from people who have or who are struggling with their mental health and self-love – who say our music is helping them. Parents and grandparents introduce our music to their children and grandchildren. People from marginalised communities reach out to us and thank us for making them feel safe and heard.

Older true Metal Heads tell us how much they love our music. Rap artists tell us that they love the music we are making. What’s also beautiful is how many people from the Black community reach out to us too. Either they’ve never liked Rock/Metal music before or they have not seen enough representation. This is clear in our live shows when there are so many people from different walks of life join us in one room.

You performed at Glastonbury and Reading & Leeds Festival this year! Talk to us about these sets… 

OMGosh! Glastonbury was a dream. We have so much love for Earache Records for taking a risk on two teenage girls and putting us on their Takeover of the Truth Stage at Shangri-la. The highlight was when we looked over at each other in the middle of our set and we both knew what the other was thinking… “It’s really happening!” We were so happy.

We headlined the BBC Introducing stages at Reading & Leeds Festival. Again, another dream come true. We just wanted the audience to enjoy themselves and feel part of something new. We had people screaming back at us and joining in the chants it was spectacular. We’re still processing the experience.

You played live for Get In Her Ears supporting STRAIGHT GIRL in July and we loved your set. What do you enjoy most about playing live?

We love seeing the energy of the crowd. We love how we take them through different mood states and how we all experience it together. From soft, weird, to full out moshing. Live is the most wonderful thing! Thank you for having us! (see pics of the night here)

What does the rest of 2023 hold for ALT BLK ERA?

We have a few things lined up. We will be supporting Lord Of The Lost at the O2 Shepherd’s Bush Empire – this is another massive step for us and we’re so excited for this. On the 3rd November we have our headline show in Nottingham, where we will also be sharing music that we plan to release in 2024. It’s going to be a full on party!

Finally, as we’re a new music blog, we always ask for new music recommendations. Is there a band or artist who you’ve been listening to lately that you’d like to give a shout out to?

We have three we’d like to mention: PleasePretty Lea, Gender Crisis and Ruena. Do not sleep on these artists!!!

Follow ALT BLK ERA on bandcampSpotifyTik TokTwitter (X)Instagram & Facebook

Photo Credit: Fabrice Gagos

Kate Crudgington
@KCBobCut

NEW TRACK: O Hell – ‘hard times’

Following on from their previous single ‘It Heals So Quick‘ – a compelling extrapolation on sexuality, ritual and sacrifice – Brighton-based artist and producer Lucy Sheehan aka O Hell has shared their latest offering, ‘hard times’.

Influenced by a love of the eclectic sounds of PJ Harvey, Massive Attack and Mark Lanegan, O Hell’s music sees them explore and deconstruct themselves over brooding electronics, twitchy beats and crystalline vocals. On ‘hard times’ they continue this dismantling, taking cues from the often restricting views we have about love and the way in which it evolves over time.

“I have a hard time forgiving you sometimes / and a hard time loving you less” confesses Sheehan in the chorus, their simplistic words made more potent by their clear, emotive vocals. Underscored by atmospheric beats, evocative synths and idiosyncratic samples, O Hell tenderly navigates the uncertain territory between romantic and platonic love, dismissing the idea that we need to burn bridges, whilst also acknowledging that we need time to recover from the end of a relationship in order to remain close to someone.

“I wrote the chorus in about five minutes, but then George and I kicked it around for weeks before he moved to San Diego,” O Hell explains about the conception of ‘hard times’. “Ben and I visited him there in North Park a few months later, and maybe it needed a bit of that Californian sunshine, ‘cus we finished it as soon as we got back. We started adding on little samples and field recordings that started to provide the verses’ glazed fairground atmosphere. One is a phone recording of when my friend and stylist Abi were being accosted by some council bloke trying to fine us. That’s on there…the sound of Brighton in the summer. That adult fairground atmosphere is definitely there lyrically too, maybe in response to San Diego itself, all the gas station watermelon and donuts.

“The whole thing is a bit of a collage,” Sheehan ultimately reflects. “What I wanted to say in the chorus is: get back to what love really is, ‘cus it’s way bigger and better than the bullshit possessiveness we’re told it needs to centre around. It might change state, it might morph between romantic and platonic, or everything in between – but fuck all the drama off, if you love someone, let that love take its course. It was always bigger than the first label you smacked on it anyway.’

O Hell’s poignant message is enhanced by the accompanying DIY road trip video for ‘hard times’, which Sheehan, filmed, directed and edited by themselves. Watch it below.

Follow O Hell on SpotifyTwitterInstagram Facebook

Kate Crudgington
@KCBobCut