Track Of The Day: A.A. Williams – ‘Evaporate’

A heavy, graceful musing on the darker side of the emotional spectrum, London-based songwriter and multi-instrumentalist A.A. Williams has shared her latest single ‘Evaporate’. Taken from her upcoming second album, As The Moon Rests, which is set for release on 7th October via Bella Union, the track is a brooding blend of dramatic volume fluctuations and Williams’ effortless vocals, which mirror the raw sensitivity of her introspective lyrics.

Following on from her exquisite debut album Forever Blue (2020) and her lockdown inspired covers EP Songs From Isolation (2021), A.A. Williams’ second album looks set to be another stunning collection of cinematic, intense sounds. “Traditionally, your second album is the worry; where there’s the weight of expectation,” Williams comments, “but I must create music I like myself, and I’ve had more time on this record; I’ve felt more confidence and conviction. As The Moon Rests is both heavier and softer, there’s more texture and weight, and a string ensemble. It’s Forever Blue times ten!”

‘Evaporate’ is the first hint at what’s to come from the new record, and it’s a poetic, heavy rumination on the overwhelming nature of ones inner thoughts when they’re eventually  brought to the surface. Williams prefers not to be prescriptive about the exact emotions that inform her tempestuous tracks, allowing her listeners to extrapolate on their own terms. “It’s all part of an overriding arc,” she explains about her music. “With hindsight, some songs I figure things out, others I disappear into a hole. For example, in ‘Evaporate’, I’m trying to keep a lid on fizzy complicated thoughts, which just explode. Other times, I’m more relaxed. Mostly, writing is more retrospective, not about the here and now. The lyrics are the place where I figure things out.”

Williams’ intuition for writing elusive, tender lyrics alongside powerful, instinctive volume shifts is what makes listening to her music so enthralling. Accompanied by a monochrome video directed by Fraser West, ‘Evaporate’ is a dramatic, urgent return to form for A.A. Williams who looks set to be at the top of our ‘Albums of 2022’ list already.

Watch the video for ‘Evaporate’ below.

Follow A.A. Williams on bandcamp, Spotify, Instagram, Twitter & Facebook

Photo Credit: Thomas Williams

Kate Crudgington
@KCBobCut

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Track Of The Day: Tan Cologne – ‘Topaz Wave’

A captivating, soothing reflection on a memory of “surfing in a red tide algea bloom”, New Mexico based duo Tan Cologne have shared their latest single ‘Topaz Wave’. Taken from their upcoming new album which is set for release later this year via Labrador Records, the track is a peaceful, hazy musing on the natural phenomenon of phosphorescent algae, explored through atmospheric guitar twangs, gentle percussion and lullaby-esque vocals.

Formed of interdisciplinary artists Lauren Green and Marissa Macias, Tan Cologne are deeply influenced by the “sonic modalities…of earthly and otherworldly landscapes.” They create sounds that are inspired by their natural surroundings in New Mexico, and in 2020, the duo released their debut album Cave Vaults on the Moon in New Mexico, a collection of beguiling, experimental soundscapes that focused on the theme of growth.

With their latest single ‘Topaz Wave’, the band continue to reflect on the power of nature, with a sound that shimmers and meanders like the natural phenomena it’s based on. “The song carries a memory of surfing in a red tide algea bloom with the waves flickering and illuminating the ocean energy,” Tan Cologne explain. “We wrote the song beside an arroyo, a dry river bed, in Ranchos de Taos, New Mexico. The sides of the arroyo walls are shaped like curved waves – reflecting the experience of tidal and earth transformation, and how the desert land was once ocean.” The arroyo can be seen in the track’s accompanying video, directed by Carly Short.

Watch the video for ‘Topaz Wave’ below.

Follow Tan Cologne on bandcamp, Spotify, Twitter & Instagram

Photo credit: Marissa Macias

Kate Crudgington
@KCBobCut

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Track Of The Day: VERO – ‘Cupid’

An intoxicating blur of urgent vocals and buzzing riffs, Stockholm-based trio VERO have shared their latest single ‘Cupid’. Taken from the band’s upcoming debut album Unsoothing Interior, which is set for release on 6th May via PNK SLM, the track is a raw exploration of lust and control, punctuated by discordant guitar noises and brooding lyrics.

Formed of teenage friends Julia Boman & Amanda Eddestål and Clara Gyökeres who they befriended whilst DJ’ing on the Stockholm nightclub circuit, VERO create music inspired by an eclectic range of influences. Their main purpose, aside from creating anthems with shades of 90s alternative icons Sonic Youth, is to challenge the idea of what a modern guitar band is supposed to be. That challenge started with previous singles ‘Beg!’ and a cover of Shame’s ‘Concrete’, but now the trio have further proved their ability to antagonise and intrigue listeners with their new single ‘Cupid’.

“‘Cupid’ was the first song we wrote that made the album” the band explain. “We had made a couple of demos before, but we weren’t loving them. They all sounded a bit too pretty and safe, so when the drums for Cupid were done, we took a guitar and started making these wheeling, chaotic noises, and that was it. That was the sound that set the tone for our album. The lyrics are a bit dream-like, it’s about lust and control.”

With their refreshingly candid approach to making music, VERO’s debut album is set to be a cathartic listen. “We don’t want to be super musicians,” bassist & vocalist Julia Boman explains further. “We want to write the best fucking songs and just have the best energy and show people that we’re having fun.” With ‘Cupid’, the band have certainly achieved that.

Listen to ‘Cupid’ below.

Follow VERO on bandcamp, Spotify, Twitter, Instagram & Facebook

Pre-order VERO’s debut album Unsoothing Interior here

Photo Credit: Dan Kendall

Kate Crudgington
@KCBobCut

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ALBUM: Cate Le Bon – ‘Pompeii’

You awake, eyes wild, dreams of Pompeii still flashing through your mind. It’s dark outside, what time is it? A rhythm shuffles over the horizon, an unidentified pulse of percussion and a shambling couple of wind instruments. Pompeii, Cate Le Bon’s sixth album, has begun, with ‘Dirt on the Bed’.

Yet again, she has created a remarkable, singular work. Pompeii is continuously rewarding, an album to return to again and again until it swallows you into its world. Like its artwork, a version of the Tim Presley painting that served as the central inspiration for the entire project, it possesses an aged, grainy feel in spite of its fresh originality. The sound is science fiction. As if from a parallel 80s, it is drenched in synths while evading the worn conventions of synth pop, instead assimilating those sounds into the Cate Le Bon style.

The brilliant ‘French Boys’ is punctuated by a beautiful steel pan hook that is mechanical and melancholy, creaking with the sad nostalgia of an abandoned oil rig in some post-apocalyptic landscape. Later tunes like the momentous ‘Cry Me Old Trouble’ develop walls of synths that provide epic and strange backdrops to the lyrics, complementing their tone perfectly.

Le Bon’s writing builds on the vocabulary of the ancient and the spiritual which she introduced to her work on her previous album, Reward. It constitutes perhaps the best example to date of her ability to create affecting lyrics out of abstract emotive language. Lines like “cry me old trouble”, “my heart broke a century”, “raise a glass in a season of ash and pour it over me”, they have that Symbolist combination of familiarity and mystery. Like a dream, her writing makes some unconscious sense even when individual elements evade comprehension.

Recent Cate Le Bon albums have felt terrestrial in their experimentation, each album conveying a kind of landscape. Crab Day was shingly, coastal, Reward was mountainous and sublime. By comparison, this album feels like it takes place on a swampy exoplanet, with thicker air and a slightly stronger gravitational force. In other words, Cate Le Bon has broken loose from Earth and is operating from a world of her own, free from any obvious external reference point and working according only to her original logic.

The closer, ‘Wheel’, provides a cyclical end to the album, an approximate reprise of ‘Dirt on the Bed’ with a palette expanded on the basis of all that we’ve gained through the 9-song track list. Only Le Bon can bound this sound-world, can make sense of it and condense it into an ordered and beautiful album. She is yet to make a bad record, and this might well be her finest work yet.

Order your copy of Cate Le Bon’s new album Pompeii here (released 4th February)

Follow Cate Le Bon on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Cate Le Bon

Lloyd Bolton
@franklloydwleft
@lloyd_bolton

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