PLAYLIST: LGBT History Month 2021

GIHE Co-founder & Switchboard Co-Chair Tash Walker has put together some poignant words to introduce our LGBT History Month Playlist:

“As a society we all have to strive to be better allies, to not make the same mistakes that we have made in the past, to learn and to evolve so that we move towards a more equal society for all. Learning more about our untold histories is essential for this. February is LGBT History Month, so we’ve created a playlist for you as the perfect accompaniment to all that learning!

But remember it’s not just about the famous names, it’s about all LGBTQIA+ people who lived, whether they were out or unable to be open, they are all part of history, they have all shaped where we are today. This LGBT History Month, have a look for those unsung heroes, lift up their stories and learn more about their hidden lives.

By delving into LGTBQIA+ history, we learn so much about the struggle and fight for equality – the discrimination, the victimisation, the love, the support, the strength – it’s all a part of who we are today, as queer people, as allies, as people. You have to learn from the past to understand what community, allyship and support really mean. The stories you discover will make you laugh and cry – from sex, to police raids, to the HIV/AIDS pandemic, to censorship – it’s all there! It’s so important that we look back, honour, remember, celebrate and mourn for all that has happened in our LGBTQIA+ history, so that we can all work together for a more equal future. A good place to start is by listening to The Log Books podcast – untold stories from Britain’s LGBTQIA+ history and conversations about being queer today.”

If you need support during LGBT History Month or at anytime in the future, you can always reach out to Switchboard LGBT+ via their website or by calling 0330 330 0630.

Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post!

 

SOPHIE – ‘It’s Okay To Cry’
With the tragic news last week of SOPHIE’s sudden passing, I felt it was necessary to pay tribute to her as we celebrate LGBT History Month. An inspirational pioneer in both electronic music and for Transgender artists, she is gone far too soon, so please don’t hold back in shedding a tear as you listen to the beautifully poignant ‘It’s Okay To Cry’. (Mari Lane)

Planningtorock – ‘Non Binary Femme’
This track is take from one of my favourite albums of all time, Planningtorock’s Powerhouse. Unarguably paving the way for not only a better understanding of what those words mean, but also leading in acceptance for transgender and gender non-conforming people. Planningtorock and their music has unquestionably helped me on my own gender identity journey and I’m sure many others. (Tash Walker)

Bishi – ‘Don’t Shoot The Messenger’
For the Southbank Centre’s 2019 Meltdown Festival, Kate and I had the privilege of meeting Bishi. An incredibly talented singer, electronic rock-sitarist, producer and performer born in London of Bengali heritage. She is also the co-founder of WITCiH: The Women in Technology Creative Industries Hub, a platform elevating Women & Non-Binary in tech through commissions, performances & panels. (TW)

JD Samson & Men – ‘Who Am I To Feel So Free’
Having been part of GIHE faves Le Tigre, genderqueer musician, artist and activist JD Samson is a constant inspiration. Taken from Men’s 2011 album Talk About Body, ‘Who Am I To Feel So Free’ offers a joyous celebration of having the freedom to be yourself. (ML)

LIINES – ‘Sorry’
Manchester post punks LIINES continually impress with their deep, intense bass lines, the gritty, commanding growl of vocalist Zoe McVeigh and Leila O’Sullivan’s consistent pummelling beats. Propelled by a thrashing sense of urgency, ‘Sorry’ will captivate the ears with its punk-fuelled bewitching allure. (ML)

Big Joanie – ‘Cut Your Hair’ & Charmpit – ‘Bad Attitude’
Putting these tracks from two fab UK based feminist punk groups together as they were shared on a split single release for iconic record label Kill Rock Stars last year. We’ve made no secret of our love for Big Joanie or for Charmpit here at GIHE, and we are all collectively inspired by the incredible work they do on and off stage. Check out Decolonise Fest and First Timers UK to see just some of the vital creative projects they’re involved in. (Kate Crudgington)

Problem Patterns – ‘Terfs Out’
Belfast Feminist punks Problem Patterns are big faves of mine and Kate’s, and with ‘Terfs Out’ showcase the true meaning of Feminism – being inclusive of ALL women, including our Trans sisters. Taken from last year’s Irish compilation album A Litany Of Failures, Vol. III, ‘Terfs Out’ rages with a seething angst-driven energy, poignantly asserting that “LGB is nothing if not for the T”. A perfect call for solidarity and one which is needed now more than ever. (ML)

Dream Nails – ‘Kiss My Fist’ 
An aural uppercut to those who antagonize the LGBT+ community, this single from GIHE faves Dream Nails is a riotous stand against homophobic violence. The band penned the track days after they saw the news that queer couple Melania Geymonat and Christine Hannigan were attacked by a group of teenagers for refusing to kiss on a London bus in 2019. Guitarist Anya Pearson spoke poignantly about how the news affected her: “As a queer woman, I live in fear of violence every day because of my sexuality and the way I look. In the UK, anti-LGBT hate crime has surged in the past five years. We released ‘Kiss My Fist’ in honour of all the queer people trying to get from A to B without getting beaten up. Our message to homophobes and transphobes is clear: ask us to kiss again and we will eat your brain.” (KC)

Gossip – ‘Standing In The Way Of Control’
This is an absolute ANTHEM that is guaranteed to get me on to any dance floor. Bith Ditto’s voice is so powerful and so defiant on this track. A proper indie banger that you can belt out whenever you’re feeling overwhelmed. (KC)

pink suits – ‘Fake Great Britain’
Margate based queer punk-rock duo pink suits incorporate politically driven rage, dance and even theatre into their work, exploring issues of sexuality, mental health and a resistance of binary gender. Propelled by a frenzied, angst-driven power and scuzzy hooks, ‘Fake Great Britain’ is a queer punk anthem inciting us to get up, make our voices heard and fight fascism with all our might. (ML)

Kermes – ‘Peeling Off The Rind’
The latest single from Leicester queercore outfit Kermes, ‘Peeling Off The Rind’ reflects on feelings of unity and togetherness, and their importance in resistance. With front person Emily’s raw, seething vocals driving the track’s poignant, impassioned power, it’s a much needed slice of uplifting catharsis. (ML)

Partner – ‘Big Gay Hands’
I’ve been a bit in love with Canadian duo Partner since seeing them live at The Victoria a few years back, supported by faves Charmpit and Suggested Friends. Taken from their latest album Never Give Up and reflecting on “a wild night on the town filled with queer desire”, ‘Big Gay Hands’ epitomises the duo’s playful sense of fun in an epic, uplifting rock anthem. (ML)

ARXX – ‘Call Me Crazy’
The latest single from GIHE faves, Brighton duo ARXX, ‘Call Me Crazy’ showcases Hanni and Clara’s more reflective side. A heartfelt reflection on mental health struggles, at a time when this topic is more resonant than ever before, it builds in emotive splendour to an epic, pop-strewn ballad. (ML)

Foxgluvv – ‘Beautiful, Dirty, Rich’ (Lady Gaga Cover)
A glamorous cover of Mother Monster’s fabulous original 2008 single, London-based queer hungover pop artist Foxgluvv has paid homage to LGBTQ+ ally Lady Gaga by crafting this funky re-working with producer by Scott Colcombe. Her cover has all the spirit and sass of Gaga’s original, with a slight disco-pop twist. It’s not on Spotify, but you can watch the fab accompanying video to the track below. (KC)

Robyn – ‘Dancing On My Own’
Robyn is an outspoken ally for LGBTQ+ rights. I think it’s important to recognise the role that allies play within LGBTQ+ history and the movement’s continued fight for equality. Being an ally is about educating yourself, it’s about listening, being visible, challenging inequality and helping to educate others. Being an ally isn’t just about LGBTQ+, it applies to any under-represented, marginalised section of society worldwide. As Stonewall says “If we want to live in a world where people are accepted without exception, we all need to be part of the solution.” (TW)

Mykki Blanco (feat. Princess Nokia) – ‘Wish You Would’
This is a song from an artist who I feel needs no introduction, a queer pioneer who is doing amazing things for LGBTQ+ rights as well as being open about their positive HIV status. Mykki Blanco is also such an incredible artist and his music is just oh so gooooood. (TW)

Tyler Holmes – ‘Actors’
I’ve only recently become acquainted with artist Tyler Holmes, but I have fast fallen in love with their poignant, affecting and utterly unique sweeping electronic soundscapes. Holmes has spent a lifetime crafting their own Black, Queer narrative by pushing the limits of their imagination, and is set to release their new album next month – I cannot wait to immerse myself in it. They have also just shared a cover of SOPHIE’s ‘BIPP’. Check it out on bandcamp now. (ML)

Hercules & Love Affair – ‘Blind’
This track is so important me, taken from Hercules & Love Affairs’ self-titled album released in 2008, which I was obsessed with. Growing up I don’t remember any out famous LGBTQ+ women in music, so seeing Kim Ann Foxman who was part of their line-up on the album -so confident in her sexuality – it made the biggest of impressions on me. The music isn’t bad either. ‘Blind’ is without a doubt the theme tune to me fully embracing my sexuality, feeling proud of who I was and strong enough to come out happily in all aspects of my life. (TW)

KERAI – ‘desire’
KERAI is the project of nonbinary/trans producer & writer Sasha Wilde and co-producer Julian Wharton. Influenced by Russian new wave, Scandinavian electronica and Lithuanian folk, the duo blend pitch-manipulated vocals, punchy beats and edgy noise to create their haunting sounds. Their debut album Show Me a Future Where I Can Live is an intense electronic exploration of Wilde’s childhood. Growing up queer in a hostile post-soviet environment, Wilde has channeled their fears and hopes into this “serious shape-shifting” record, and I’m so glad it dropped into my GIHE inbox. (KC)

Gordian Stimm – ‘Though My Love Is Always Still’
I am such a huge fan of everything  Gordian Stimm (aka Maeve Westall of itoldyouiwouldeatyou) releases. They’ve crafted so many experimental gems in the last year, from their debut album Your Body In On Itself, to this single for Amateur Pop Inc.’s compilation record, their offerings are intensely eclectic & so well produced. Definitely check out their new instrumental EP Flirty Lucre for Public Sector, on bandcamp too. (KC)

The Crystal Furs – ‘Comeback Girls’
Oregon queer indie-pop band The Crystal Furs last year released their second album Beautiful and True. Taken from the album, ‘Comeback Girls’ is a twinkling offering, flowing with uplifting shimmering synths, honey-sweet vocals and scuzzy hooks. (ML)

Rookes – ‘Liminal’
Having wowed us live more than once, London based Rookes is fast becoming known in the industry for her fearless exploration of queer-female identity. Taken from 2019’s EP of the same name, ‘Liminal’ offers a beautifully uplifting pop ballad twinkling with a dreamy warmth. (ML)

Marika Hackman – ‘Realti’ (Grimes cover)
Taken from last year’s Covers album, Marika Hackman’s rendition of the Grimes classic adds her own ethereal, soothing touch to the original, oozing a spellbinding majestic splendour. (ML)

Landshapes – ‘Drama’
One of the first guests we ever had on our radio show, Landshapes last year released their first album in five years. Taken from the album, ‘Drama’ reflects on the imbalance of emotional labour that’s often seen between men and women. Propelled by a steady, jazz-infused bass-line, it soars with a whirring synth-filled musicality as the lustrous distinctive power of Luisa Gerstein’s vocals flows.
(ML)

Bronski Beat – ‘Smalltown Boy’
Released in 1984 at the height of the AIDS crisis by openly gay Bronski Beat, ‘Smalltown Boy’ is a heart-breaking story given an empowering beat. In 2020 I worked on the second season of a podcast called The Log Books all about LGBTQ+ history, covering the years from 1983 to 1991, when the HIV/AIDS epidemic hit the UK, this seems like a brilliant way to look back and think of that time – through all the pain and loss, there was love and laughter and most importantly DANCING! Happy LGBT+ History Month! (TW)

Jackie Shane – ‘Coming Down’
We’ve played Canadian soul-singer Jackie Shane multiple times on the GIHE radio show, and included her on many a playlist and we’re certainly not stopping now! Jackie was a pioneer for transgender rights in the 60s & 70s, a time when being your true self was not always welcomed, or accepted. (TW)

Arlo Parks –  ‘Black Dog’ 
I cannot get enough of Arlo Parks and her mesmerising music, so full of emotion I get lost in every second. ‘Black Dog’ is a frank, heart-breaking insight into the the darkness of depression. Mental health awareness within the LGTBQIA+ communities is so important, especially with rising levels of isolation and loneliness. Asking for, or reaching out for help is so important and totally OK to do. The more we can look out for each other, the more we can show people that asking for help is a sign of strength not weakness. (TW)

Perfume Genius – ‘Without You’
I wanted to include the heart-string tugging ‘Without You’ on here to dedicate to anyone who’s ever lost someone. With the pandemic and the recent (rightful) attention being drawn to the effect that the HIV/AIDS crisis has had on the lives of so many in this country with the release of Channel 4’s It’s A Sin, I’ve been thinking a lot about grief and the ways to support each other through it. (ML)

Frank Ocean – ‘Chanel’
Such a great song. As you may or may not know, Frank Ocean came out back in 2012 to mixed but mainly positive responses. Although he’s not technically a hip-hop artist, he is very much part of the community and this was a positive step for LGBTQ+ artists not only in hip-hop, but also on a much wider scale. (TW)

Ma Rainey –  ‘Prove It On Me Blues’
Unarguably the mother of blues Ma Rainey, this taken from 1928, a song that is very possibly one of the first references to queer lesbian culture. Where Ma Rainey, a queer woman sings, “Went out last night with a crowd of my friends. They must’ve been women, ’cause I don’t like no men.” An essential to any LGBT History Month playlist. (TW)

Follow Get In Her Ears on Spotify to listen to our previous playlists featuring more LGBT+ artists.

ALBUM: Tamar Aphek – ‘All Bets Are Off’

Israeli artist Tamar Aphek arrives on the legendary Kill Rock Stars with an indie rock pedigree to rival some of the label’s most celebrated acts. After close to a decade playing wild guitar licks and fronting some of Tel Aviv’s most prominent rock bands, Aphek got a taste for the solo life and promptly moved to Paris to focus on her song-craft.

Stepping into her new role in style, she teamed up with fellow Israeli Yonatan Gat (ex-Monotonix) to record her first Tamar Aphek EP, Collision, released in the summer of 2014. She turned down the guitars, dipped back into the classical piano training of her youth, and started to explore the full range of her voice. Until that point she had considered herself to be more of a guitarist than a singer, though it’s hard to reconcile that fact with the confidently deadpan and sophisticated voice we encounter on All Bets Are Off. People will inevitably make comparisons with Nico but Aphek’s vocal style is less scorched and droning, though still dry enough to cut through even the knottiest of her tightly wound, jazz inflected songs.

Much of the recording for All Bets Are Off was completed some years ago with her original touring band, but Aphek has been in no hurry to release it. Instead, she has taken an intuitive yet purposeful approach to producing the album herself, re-sculpting and layering the instrumentation where necessary to best suit her stories of jealousy, injustice, anger and revenge. Take a moment to compare the Bandcamp demo of ‘Russian Winter’ (aka ‘The Second I Am Gone’, from 2013) with its stonking final form on the record to see how Aphek’s vision has paid off. Powering in on scuzzy guitars and precision drums and exiting with an out-of-nowhere farfisa final eighth, ‘Russian Winter’ sets the tone for an album that’s packed with sudden diversions and unruly intermissions.

Aphek is at her most aggressive on ‘Crossbow’, last year’s pummeling first single, boosting her villainous tale with motorik propulsion and a flashy guitar line that brings it all together. Her production skills come to the fore again on the strung-out funhouse-mirror funk of ‘Too Much Information’, turning a potential clown car of a song into a woozy mid-album set-piece of beautifully controlled chaos. Elsewhere, ‘Show Me Your Pretty Side’ is a discomfiting, sax-strewn, stalkerish track that goes heavier on the twang, recalling a more cynical Holly Golightly or early Eleni Mandell.

Aphek never wavers in her commitment to the rollercoaster approach she has adopted, though her tricks can start to wear a little thin on longer songs like ‘Beautiful Confusion’ and ‘Nothing Can Surprise Me’. For the most part, though, All Bets Are Off is a thrillingly cohesive ride that’s not afraid of ambiguities or of going to extremes. There’s a lifetime of musical experience at work here, more fully revealed with each repeated listen, confirming Tamar Aphek as one to keep a close ear on.

Listen to Tamar Aphek’s new album All Bets Are Off on bandcamp or Spotify

Follow Tamar Aphek on Twitter, Instagram & Facebook for more updates.

Alan Pedder
@_neverdoneing

#ThrowbackThursday: GIHE w/ Gold Baby 17.01.19

Due to the ongoing Covid-19 pandemic & new lockdown in London, we’re unable to make it into the Hoxton Radio studio to broadcast our weekly live new music show from 7-9pm. Instead, we’re sharing previous GIHE radio show recordings as #ThrowbackThursday sessions, so you can still enjoy 2 hours of new music tunes & chats with some of our favourite artists each week.

Today, we’ve picked our January 2019 show with the wonderful Gold Baby. Sian and former bandmate Ian joined Kate and Mari in the studio to play singles ‘Maggots’ and ‘500/1’ live, to talk about how the band first got together, and how the feeling of “starting things too late” has influenced Sian’s song-writing.

Listen back to the show here:

Tracklist
Bikini Kill – Rebel Girl
The Coathangers – Bimbo
Ex Hex – Cosmic Cave
Amahla – Dorothy’s Verses
Princess Nokia – Kitana
Feels – Awful Need
Cosey Fanni Tutti – Orenda
Maria Kelly – July
Nadia Sheikh – Toxic
Foxgluvv – Fries
BOUTS – Loves Lost Landings (Part 1)
Young Romance – Dark Of My Shadow
Novelties – Pillow Talk
Gazel – Mina’s Hymn
Panic Pocket – Mr Big
Tender – Bottled Up
**Gold Baby – Live Session & Interview**
Swallow Cave – Oceanside
Junodef – Heights
FKA Twigs – Good To Love
Bikini Kill – Feels Blind

Photo credit: Jon Mo

GIHE: Albums Of 2020

It feels strange to be celebrating anything in 2020, but the GIHE team want to shine a light on some of the brilliant music that’s been released against the odds during the last 12 months. If you, or your band managed to release a full length record, Congratulations! You should be super proud. If you didn’t manage to write anything new this year though, we fully understand and we’ll still be here to sing your praises when you feel ready to write again.

In the absence of live shows where we’d normally celebrate the release of an album, we’ve coped by dancing around our living rooms, miming underneath our face-masks and telling as many people as we can on our Zoom calls to listen to these records. So, in alphabetical order, here are ten albums that helped us get through 2020 (with some honorable mentions at the end because we’re a little bit fed up of restrictions this year…)

Bitch Falcon – Staring At Clocks
Released via Small Pond Records in November, Staring At Clocks is a blistering cacophony of grunge, post-punk and shoegaze inspired sounds from Dublin trio Bitch Falcon. Effortlessly switching from a savage scream to a sublime extended yearning, front woman Lizzie Fitzpatrick’s elastic vocal ability never fails to impress and my admiration for her natural talent swells with each listen. Her intuition is matched by Nigel Kenny’s razor sharp cymbal strikes and Barry O’Sullivan’s brooding bass hooks. Equal parts gritty and graceful, I’m properly in love with Bitch Falcon’s debut album and no, I will not stop talking about it. Listen to Staring At Clocks via bandcamp or Spotify.
(Kate Crudgington – Features Editor)

Bugeye – Ready Steady Bang
A long-standing fave of GIHE, Bugeye have previously wowed us with their vibrant live shows, including performing for us at The Finsbury and at Cro Cro Land, a festival put together by front person Angela Martin in my hometown of Croydon. They’ve also received plenty of acclaim from the likes of Radio X’s John Kennedy and BBC Introducing, and rightly so. Ready Steady Bang is like nothing you’ve heard before; a vibrant fusion of disco, punk and everything in-between, all fused together with magnificent energy into a relentlessly riotous and utterly uplifting collection. This explosive debut fizzles with a wonderfully unique colourful pizazz as the band reflect on the state of the world today. Raging with Angela’s gritty, snarling vocals and whirring electro hooks, alongside crunching riffs and poppy harmonies, each track is a total earworm. Reminiscent of nineties indie legends Elastica, with shades of the retro energy of Blondie, it’s an album oozing a sparkling majesty that’ll charge you up and leave you ready to face whatever 2021 has in store.
Ready Steady Bang is out via Reckless Yes Records, listen on bandcamp or Spotify.
(Mari Lane – Managing Editor)

Dream Wife – So When You Gonna… 
To be honest, I was a little apprehensive about the release of this year’s sophomore Dream Wife album. I had been so completely enamoured by their 2018 eponymous debut that it seemed impossible not to be disappointed, but how wrong I was. So When You Gonna… is both uplifting and poignant in equal measure. From the heartfelt and relatable stirring emotion of album closer and pro-choice anthem ‘After The Rain’ to the immersive inspirational power of ‘Validation’ and fun-filled playful energy and trademark charisma of ‘Hasta La Vista’ and the album’s title track, it proves that Dream Wife are here to stay. With this latest collection, they’ve come back more empowering, passionate and truly joyous than ever.
Listen to So When You Gonna… via bandcamp or Spotify.
(ML)

Gordian Stimm – Your Body In On Itself
I remember thinking “yessss this is a bit of me!” when Gordian Stimm’s (aka Maeve Westall of itoldyouiwouldeatyou) experimental gem of a record first dropped into my GIHE inbox in April. Released via independent Leicester-based label Amateur Pop, Stimm’s debut album is a vivid exploration of bodily autonomy. There’s an enjoyable violence underscoring their vision; a gleeful, sometimes painful dissecting of the self and the social cues that either help construct or dismantle it. At times reminiscent of early Passion Pit or Crystal Castles, Your Body In On Itself is a wonderful collection of distorted, dance-able beats that I continue to enjoy even after multiple listens. The cassette tape is cute af too.
Listen to Your Body In On Itself via bandcamp or Spotify. (KC)

Happy Accidents – Sprawling
Probably my most listened-to full album of 2020, Happy Accidents’ Sprawling follows 2018’s equally addictive Everything But The Here And Now. Since first falling in love with the band back at Indietracks of the same year, I’ve been continually seeking comfort in their sparkling creations. Now a duo made up of Phoebe Cross and Rich Mandell, Happy Accidents have showcased all there is to love about them in this latest collection. An album about “getting out of your head and allowing yourself to connect with others on a fundamental level”, it offers a perfect juxtaposition of honey-sweet vocals, swirling jangling melodies and luscious harmonies, all delivered alongside the heartfelt emotion of the reflective, relatable lyricism, making it impossible not to get utterly immersed in. With Rich and Phoebe taking turns with the lead, each track maintains the glistening warmth and twinkling uplifting charm that first drew me to the band. And now I can’t seem to stop listening; forever seeking soothing catharsis in Happy Accidents’ shimmering, Sprawling indie-pop.
Listen to Sprawling via bandcamp or Spotify.
(ML)

Hilary Woods – Birthmarks
Inspired by field recordings, images from post-war Japanese & wet-plate photography and the secret life of trees, Hilary Woods’ second album Birthmarks is a cohesive set of shadowy soundscapes that smolder with quiet intensity. Released in March via Sacred Bones, the Irish multi-instrumentalist collaborated with Norwegian experimental noise producer Lasse Marhaugher to create a record that was “of the body…a more physical record” than her previous work. She crafted eight fleshy, twisted, charged lullabies that are laced with a mix of hushed vocals, melancholy strings, saxophone sounds, distorted drone noises and Okkyung’s exquisite cello playing. Recorded over the course of two years between Galway and Oslo whilst Woods was heavily pregnant, Birthmarks feels like her most personal and powerful record to date and I’ve thoroughly enjoyed listening to it this year.
Listen to Birthmarks via bandcamp or Spotify. (KC)

Indian Queens – God Is A Woman
Described by lead vocalist & guitarist Jennifer O’Neill as “a late night record”, London trio Indian Queens’ debut album is a sublime offering, designed to dissolve uncertainty and soothe anxious minds. Released via Cool Thing Records in April, the band have written thirteen dizzying tracks that are as driving as they are delicate, providing a welcome rush of blood to the head every time they’re listened to. I love everything about this band and I’m so glad I got to hear them live again in March before the rest of 2020 got cancelled.
Listen to God Is A Woman via bandcamp or Spotify. (KC)

Nova Twins – Who Are The Girls?
Us GIHE grrrls collectively agreed that this is a stunning debut album. Nova Twins’ battle cry for equality and diversity on Who Are The Girls? resonates long after the record stops spinning. Amy Love & Georgia South are a force for fun, for fury and – most importantly – for change in an industry that still “struggles” to book women as headliners at major festivals. This album, released via 333 Wreckords in February, is a collection of thundering bass lines, uncompromising rhythms and wicked riffs. It’s an aural uppercut that proves the London-based duos talent and instinct for writing anarchic anthems. Nova Twins always have us riled, re-energised, and ready to ask for more.
Listen to Who Are The Girls? on Spotify. (KC)

Screaming Toenail – Growth
Having blown us away with the impassioned magnificence of their live show at The Finsbury last December, anti-colonial queer punks Screaming Toenail have become firm favourites here at GIHE, and their message is more resonant now than ever before. Opening with a jarring recording of reports of trafficking migrants and “swarms” of refugees coming across the Mediterranean seeking a better life, Growth starts as it means to go on: honest, politically charged and utterly necessary. Combining shades of ‘80s post-punk with the band’s raw magnetism and angst driven drive, the album covers poignant subject matter, ranging from institutionalised racism and damaging hetero-patriarchal norms, to “little old ladies shoplifting from Boots” and other inspiring female figures such as Diane Abbott and Reni Eddo-Lodge. Growth is truly a soundtrack to our times. Fuelled by a motivational cathartic rage, it starkly reminds us that on returning to “normality”, we need to create a new normal. One in which voices like Screaming Toenail’s can be amplified to the max; one in which we prioritise creating safe, queer, inter-sectional communities and spaces for people to share their art together.
Listen to Growth via bandcamp or Spotify.
(ML)

Sink Ya Teeth – Two
Long time GIHE faves who first completely took our breath away playing for us live at The Finsbury a few years back, Norwich duo Sink Ya Teeth brought some groove-laden joy to this nightmare year with their second album, appropriately titled Two. Having been booked to play our very first Get In Her Ears festival that would have taken place this summer, being able to listen to all the unique dance-punk soundscapes throughout this album offered a bit of consolation. Blowing us away with the soaring, sparkling majesty of each track, they continue to mark themselves out as truly innovative in their craft. From the synth driven glitchy hooks of ‘Somewhere Else’ to the immense funk-fuelled groove of ‘The Hot House’, everything the duo create oozes an infectious shimmering energy, showcasing Maria Uzor and Gemma Cullingford as the ultimate dream team in both songwriting and performing.
Listen to Two via bandcamp or Spotify.
(ML)

Honorable mentions:
A.A. Williams Forever Blue
Ailbhe ReddyPersonal History
ByenaryByenary
The Crystal FursBeautiful and True
Diet CigDo You Wonder About Me?
Dream NailsDream Nails
Lido PimientaMiss Colombia
MOURN – Self Worth
Nadine ShahKitchen Sink
No HomeFucking Hell
Phoebe BridgersPunisher
REWSWarriors
WaxahatcheeSaint Cloud
The Fight Is Not Over (Live album feat. Problem Patterns, Sister Ghost, Strange New Places, Gender Chores)