WATCH: Serena Isioma – ‘King’

An intoxicating blend of smooth vocals and jangly guitars, Chicago-based musician Serena Isioma has shared their latest single ‘King’. Full of seductive beats and brooding bass lines, the track is a shimmering reflection on the problematic friendships 20-year old Isioma has found themselves in.

“’King’ is about remembering your worth,” the songwriter explains. “I used to have a lot of rich friends. I would do anything to please them so they would let me live their lifestyles. After cutting those friends off then going through a period of isolation, I saw history repeating itself when I got in a new entanglement.” Isioma unravels these ties through catchy melodies and empowering lyrics.

‘King’ is accompanied by a beautiful set of visuals, directed by Michael Del Rosario. “I’m sick of seeing white cisgender people dominate the alternative world simply because there is nothing alternative about that,” Isioma explains. “I’m so happy that I was able to showcase black femmes as the stars of the ‘King’ music video. Black femmes deserve the world.”

Watch the video for ‘King’ below and keep your eyes peeled for Isioma’s new EP The Leo Sun Sets, set for release later this year.

Follow Serena Isioma on Spotify & Facebook for more updates.

Kate Crudgington
@KCBobCut

Get In Her Ears w/ ZAND 15.10.20

Tash & Kate were back in the Hoxton Radio studio this week with loads of new tunes from some of their favourite female, non-binary and LGBTQ+ artists. Highlights included tracks from Circe, Babeheaven, Celaviedmai, ARXX, Serena Isioma, Sans Soucis and Witch Prophet.

They also caught up with “ugly pop” artist ZAND to talk about how they’ve been coping with the on-going Covid-19 pandemic and resulting lockdowns. They’ve been busy working on their new music, which includes their latest single ‘Slut Money’ and their upcoming EP UGLY POP. ZAND also spoke about how they first got into making music and being featured in British Vogue’s ‘I Feel Pride’ campaign back in 2019.

Listen back:

Tracklist
The Selecter – On My Radio
Isabelle Brown – In Your Head
Laura Fell – Cold
CIRCE – Ruined Your Sons
Babeheaven – Craziest Things
Nuala Honan – Day To Day
Rosie Shaw – Temporary Love
Opal Onyx – Lover’s Toil
Pao Pestana – Quiero Verte
Morgan – Alien
Celaviedmai – Reckless
Tamar Aphek – Show Me Your Pretty Side
Serena Isioma – King
Witch Prophet – TESFAY
ZAND – Slut Money
**ZAND Interview**
Rachael Lavelle – Perpetual Party
Sans Soucis – Air
Seagoth – Dreamworld
ARXX – Call Me Crazy
Moglii ft. LissA – Skoda
JEEN – Idols
Swallow Cave – Cold Moon
Tolu Makay – Don’t Let Go
Bugeye – When The Lights Go Out
Winifred Atweel – The Black and White Rag

EP: Stef Fi – ‘Girlhood’

A poignant reflection on grief, growth, and grappling with the repercussions of a racist world; Stef Fi has shared her debut EP, Girlhood, via Sistah Punk Records. Best known as the vocalist & guitarist of black feminist punk band Big Joanie, Stef Fi (aka Stephanie Phillips) has shared four alt-punk tracks that provide “sketches of a girl” resisting hate, and trying to find hope in the harshest of realities.

Mellow opener ‘What Remains’ broods with quiet intensity, setting the pensive, yet resistant tone of the EP. “Open wide and swallow divine” Stef directs, over steady beats and ominous guitar riffs. Her punk attitude breaks through on following track ‘Nowhere’. The quiet, uncertain lyrics of the verses contrast well with the distorted riffs and defiant words in the chorus.

“This town will be the death of me”, muses Stef on the eponymous ‘Girlhood’. The song was inspired by the footage of police attacking a young black girl at a Texas pool party in 2015. Extrapolating on what the victim may have felt, Stef delivers the line “I had spoken then I saw, I knew it was my time to fall” with calm resignation and maturity, powerfully contrasting with the violence the young girl experienced. It’s a jarring listen, but one that’s delivered with care and gentility.

‘The Garden’ closes the EP, with its rolling riffs, rumbling percussion, and more of Stef’s yearning vocals. Despite being rooted in inequality, Stef Fi’s Girlhood is a considerate, tender offering that showcases her talent as a songwriter, and as a woman who is dedicated to spotlighting the struggles of others.

Order your copy of Stef Fi’s debut EP on bandcamp. Follow her on Twitter for more updates.

Photo Credit: Nick Paulsen

Kate Crudgington
@KCBobCut

INTERVIEW: Amaroun

We were first introduced to the sultry beats of London-based artist Amaroun in 2017, and we’ve been following her ever since. Her personal, instinctive song-writing and her blurring of musical genres has kept us intrigued with each new release. Tash Walker caught up with Amaroun to ask about her latest single, how she’s coping during the current lockdown, and her cathartic song-writing process…

Hello Amaroun, it’s been awhile since we last caught up. How have you been?
I’ve actually been great considering the times we are in. Music is the ultimate escape and it’s been keeping me balanced and grateful just like it always does in hard times.

We’ve been fans of yours here at GIHE for a while now, and we’re loving your new sound! Can you tell us more about the music you’ve started releasing?
I’ve always written music that just follows my instincts and isn’t about over thinking, so I’m taking that attitude with my releases. This new sound is a new found confidence I have in trusting my own decisions, and putting loving what I do at the heart of the creative process.

You’re releasing a track a month this year. Three months in, how’s that going?
I love it! If I had it my way I’d release weekly. I love to capture the feelings of any given moment. Like a musical photograph. It’s an absolute buzz for me to make music and share it as the moment unfolds. It’s deeply cathartic.

We love your track ‘Perish’. Its stripped back style reminds me a bit of Tirzah. What would you say has been influencing this slightly different direction?
Along with trusting the sounds that a pouring out of me is a process of pure experimentation and feeling a vibe.

Your music is very personal, would you say the writing process is almost cathartic?
It it total catharsis. I write for fun, for therapy, for the people I love and it’s actually habitual now.

Can you tell us a bit more about the themes that we can hear in your music and what you draw from your own experiences?
My writing draws from my experiences of growing up in a fiercely religious environment where being queer was not acceptable, and explores the challenges I faced and continue to in establishing what it means to be an out queer black British Jamaican woman. I come from a long lineage of courageous women that have found ways to share their story and I feel very passionate about sharing mine.

Your releases so far have been picked up and played by Radio 1, 6 Music, and you’ve been to a countless number of festivals! How’s that been? Quite the whirlwind?
It’s exactly what brings me joy so it’s been great. I did have a break from the whirlwind over the past couple of years. I went through a process of hibernation and development to get where I am now, the team around me has changed, I have changed and so has the sound. I’m really glad to be back to releasing music, I played a my first sell out gig of the year back in February, and I can’t wait to perform some more once we are out of isolation.

Do you have any particular highlights so far?
My highlight will always be Glastonbury. The energy there is electric. Cant wait for it to make a come back in 2021, and I need to get back there!

We saw the raw version of your latest release ‘Rosey’ on your IGTV (which was beautiful). How did that moment come about?
I met one of my good friends Adam Cleaver (Dyvr) to do a collaboration and catch up. Boris Le Chaixe joined us, who I worked on ‘Rosey’ with. We ended up at Peckham Levels, it used to be a car park, the acoustics are unreal. My girlfriend found the perfect spot and started filming. Adam and I covered ‘Losing You’ by Solange, and Boris and I just felt the vibe and had to let ‘Rosey’ flow out too. The whole thing was really relaxed and natural, I love when things just fall in to place like that.

We’re really looking forward to hearing what’s to come, music is our survival at the moment. How you are feeling about the lockdown situation right now?
It feels music is more important now than ever. Music connects us, it’s how we communicate, it’s how we unite. People all across the music industry are being so heavily impacted, but it’s amazing to see how people are getting around these with live streams and sharing the music they’ve already made. It’s a really tough time for the industry, but seeing how people have responded as reminded me what I love about the spirit of musicians.

For me, it’s really fueled my writing. I’ve channeled all my anxieties and fears into creating, and with extra time on my hands I feel like I’ve been really productive. Being or feeling isolated in one form or another has often pushed me on to a path where I do my best writing. All this being said, my heart goes out to everyone affected by the global crisis. I really hope we can come together and overcome this tough time.

Thanks to Amaroun for answering our questions. Follow her on Spotify & Instagram for more updates.