LISTEN: GIHE on Soho Radio (16.09.24)

The whole Get In Her Ears team were back on Soho Radio this month, playing loads of new music from some of their favourite female, non-binary and LGBTQIA+ artists. Tash, Kate and Mari enthused about the eclectic tracks on the playlist, which included ARXX, Ibibio Sound Machine, Fightmilk, Berries, Hello Mary, The None, Rubie, Gazelle Twin, Wednesday, Midwife, Say She She, Circe, Cerys Hafana,Joanna Sternberg and more.

The trio also reflected on their summer of festivals. Tash spoke about their time at Green Man in Wales, Kate waxed lyrical about the power of Supersonic Festival in Birmingham and Mari shared some of her highlights from London’s All Points East.

Listen back to the show below:

 

We’ll be back on Soho Radio on Monday 14th October from 12-2pm
 Make sure you tune in via www.sohoradiolondon.com

Tracklist
Amy Winehouse – Me & Mr Jones
Ibibio Sound Machine – All That You Want
Wednesday – Quarry
Hello Mary – Down My Life
ARXX – Trouble
Lilith AI – McDonald’s Money
Say She She – I Believe In Miracles
Girlhood – Kissing You
Maple Glider – FOMO
Cerys Hafana – Tragwyddoldeb
Circe – Heaven’s The Other Way
Yellow Belly – Crux
Tiiva – Golden
Emily Wurramara – STFAFM
Joanna Sternberg – A Country Dance
Baby Rose – One Last Dance
Dear Pariah – Koko
Rubie – Death by Catgirl
Jamie xx, John Glacier, Kelsey Lu, Panda Bear – Dafodil
Gazelle Twin – Fear Keeps Us Alive (BEAK> remix)
Fightmilk – No Souvenirs
Jemma Freeman – Alien
Scrunchies – Generator
Midwife – Vanessa
The Postal Service – The District Sleeps Alone Tonight (Sylvan Esso Remix)
The None – Plow
Glixen – Sick Silent
Avril Lavigne – Losing Grip

GIHE Highlights: Supersonic Festival 2024

In her welcome note to Supersonic Festival goers in the official printed guide for this year, Artistic Director Lisa Meyer expressed her aspirations for the three day event: “I hope that Supersonic will be a space for people to find comfort in one another, catharsis in music and a celebration of an amazing community and extraordinary art.”

Get In Her Ears have been long-time admirers of Supersonic – which has been running for 21 years – so we were thrilled to finally be able to attend the Birmingham-based festival in person for the first time this year. We are also delighted to confirm that Lisa’s introductory words transcended from the page into a real life experience for us.

Described as “championing experimental and adventurous music,” we found Supersonic to be an immersive and fascinating encounter and not just because of the eclectic performances from artists on the line-up, which included Bonnie ‘Prince’ Billy, Dame Area, Senyawa, The Body & Dis Fig, Melt Banana, F*Choir, Matana Roberts, GROVE x Taliable x Toya Delazy, OXN and Daisy Rickman.

The complimentary events and workshops running alongside the festival’s live music programme – Do.om Yoga‘s guided meditation, Stuart Maconie’s Freak Zone Quiz, zine-making with Decolonise Fest – provided attendees with the opportunity to indulge their curious nature in a vibrant but low pressure environment, which is something we value highly at Get In Her Ears. We could wax lyrical about the power of Supersonic infinitely, but we’ve tried to condense our experience of the festival into eight highlights, which you can read below…

THE NONE are our new favourite band

With Kaila Whyte on vocals (Blue Ruth, Youth Man), Gordon Moakes on bass (Bloc Party, Young Legionnaire), Jim Beck on guitar (Cassels) and Chris Francombe on drums (Frauds), THE NONE are an experimental super-group in our eyes.

Formed at the start of 2023, the band bonded over hours spent in their rehearsal room making noise and discussing shared obsessions together. The elusive nature of their name reflects their creative approach; ego-less experimentation and open collaboration. This passion comes screaming through in their live performances. Their set at Birmingham’s O2 Institute was a riot of abrasive punk cacophonies that completely pulverized the senses.

The lung capacity on Kaila – who admitted she was nervous between songs whilst sipping on a can of Liquid Death – was deeply impressive. She ripped through each track, grasping her double mics, thrashing around as she unleashed her voice into them. THE NONE have recently shared their debut EP, MATTER, on bandcamp – but you NEED to hear their music in the flesh to fully appreciate its raw, tenacious spirit.

(Photo Credit: Robert Barratt)

Gazelle Twin is in a league of her own

Having already witnessed her shape-shifting Black Dog performance live at Bush Hall in London last year, we were expecting great things from Elizabeth Bernholz aka Gazelle Twin as she brought her shadowy spectacle to Supersonic. We were not disappointed. Falling somewhere between a dark lullaby and intense sleep paralysis, her varied and visceral electronic textures came with bass drops that made speakers and shoulders shudder.

With her face on full display – a first for the artist who usually veils her features – the crowd were entranced by Bernholz as she sat in her vintage armchair, her dynamic vocals untethering the atmosphere like the paranormal forces that originally inspired the inception of Black Dog. Her theatrical performance of her fourth record was an exquisitely raw, haunting exhibition of the power of intangible fear and we were completely gripped by it.

(Photo Credit: Catherine Dineley)

Maxine Peake has a great interviewing technique

Despite insisting she would “never be doing it again”, listening to actress Maxine Peake in conversation with Elizabeth Bernholz (Gazelle Twin) was a real festival highlight. A last minute change to the programming – Peake was originally supposed to be speaking with Throbbing Gristle’s Cosey Fanni Tutti, who withdrew due to a family emergency – her improvisational interviewing style and fun anecdotes gave the event its relaxed and informal atmosphere.

Peake and Bernholz have collaborated on projects together before – a stage adaptation of 1970s TV play Robin Red Breast and an installation titled We Wax We Shall Not Wane at The Horror Show exhibition at Somerset House – which meant they had a natural rapport when sharing stories about these works. What shone throughout their conversation was Peake and Bernholz’s joint commitment to authentic self-expression through art, and their desire to make the stages and institutions they work on into more inclusive and equal spaces. To simplify our thoughts: a pair of total legends.

(Photo Credit: Robert Barrett)

(Photo Credit: John Convery)

Decolonise Fest are a force for change

Get In Her Ears have been following the vital work of Decolonise Fest – a DIY collective of organisers, activists and musicians who advocate for punx of colour – for some time now, so we were thrilled to see that they were partnered with the festival, as well as hosting a workshop on the rooftop of Supersonic’s hub venue XOYO.

Titled “Decolonising Publishing Through Zine Making” the informal event was run by an inviting team who helped attendees create their own mini zines. Between the cutting, sticking, folding and drawing, Decolonise members explained that the process of zine-making has historically been vital for DIY artists of colour. It has helped them to express themselves authentically and provided an alternative means of connection and promotion in media spaces that are often biased or whitewashed.

Decolonise are hosting their own festival in London at Signature Brew Haggerston this weekend (13th-15th Sept). Spider, Cuurls, Dogviolet, Grunt, Lilith Ai, Maya Lakhani plus loads of other acts will be playing across the 3 day event. Tickets are available here.

(Photo Credit: Ewan Williamson)

 

Brìghde Chaimbeul’s experimental Celtic sounds were beguiling

Offering something completely unique to the festival’s line-up was Isle Of Sky native Brìghde Chaimbeul. Her performance at the O2 Institute was a captivating blend of immersive drone sounds, courtesy of her traditional Scottish smallpipes and her hypnotic Gaelic vocals. Her visual accompaniments – monochrome footage of a dancer in casual clothes performing a traditional Scottish dance in the empty highlands – beautifully complimented Chaimbeul’s music, which breathes new life into ancient sounds that have been in danger of being forgotten. Her music held deep resonance with the crowd, who gave her their full attention throughout the set.

(Photo Credit: Robert Barrett)

We want to form a coven with Tristwch y Fenywod

We only managed to catch three of their songs, but we were spellbound by Welsh-language gothic rockers Tristwch y Fenywod (which translates as “The Sadness Of Women”). With Banshee screams worthy of their namesake, we were deeply impressed by the delightfully discordant sounds that Gwretsien Ferch Lisbeth (Guttersnipe, Petronn Sphene), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The Courtneys) created together – led by Gwretsien’s innovative multi-stringed dual-zither.

The band released their self-titled debut album at the end of August via Night School Records and we’re looking forward to giving it the deep listening experience it fully deserves.

Emma Ruth Rundle enchanted us

American songwriter and visual artist Emma Ruth Rundle celebrated the 10th anniversary of her first official album, Some Heavy Ocean, with festival-goers at the O2 Institute. She performed the tracks from her impassioned debut with unwavering focus, her emotive vocals drifting through the busy venue. This is the first time we’ve seen Rundle live and we were moved by her rich acoustic guitar sounds and majestic-yet-melancholic voice.

(Photo Credit: Robert Barrett)

From the artists, to the fans, to the people behind the scenes – people really commit to the Supersonic experience

Circling back to the community sentiment that Artistic Director Lisa Meyer expressed in her welcome note that we cited at the beginning of this feature – it was endearing to witness an unwavering level of commitment manifest itself in so many different ways across the weekend at Supersonic Festival.

As first-time attendees, we were struck by the friendliness of everyone. This ranged from quizzing with total strangers at the Freak Zone Quiz and ultimately making friends from it, to a casual chat we had with a woman who attended the zine-making workshop, the willingness of other individuals and organisations to interact with us at networking events, through to the security guard who spotted the Nine Inch Nails logo on our t-shirt and promptly struck up a fun conversation about the band after proudly displaying his “NIN” tattoo in solidarity. Maxine Peake even mentioned how much she liked our tattoos while we were waiting for the loo. By the end of the weekend, we didn’t feel like newcomers anymore.

International acts on the bill such as MC Yallah x Debmaster (who were unable to perform last year due to visa issues), Tokyo grindcore legends MELT BANANA and experimental harpist Mary Lattimore were granted incredibly warm welcomes by their full crowds. The fluctuations in genre and volume between these eclectic acts did not deter festival-goers from giving their full attention to the stages, reiterating that Supersonic truly is a place that nurtures fan-bases that love adventurous music.

Ahead of the event, we interviewed Elizabeth Bernholz (Gazelle Twin) about her Black Dog performance and her anticipations for her return to Supersonic, where she wholeheartedly cited it as her “favourite festival in the UK” and now, we feel a similar way.

Like many arts communities, despite its passion and commitment, Supersonic is unfortunately not immune to struggle. Lisa Meyer also noted in her intro that we are living through “heavy times”, plagued by uncertainty on global and local scales. It would be awful to see the community spirit of Supersonic Festival crushed because of accelerated gentrification in Digbeth – so please consider supporting and attending the festival next year if you can.

Freak Zone Quiz (Photo Credit: John Convery)

Supersonic Networking Brunch (Photo Credit: John Convery)

Artistic Director Lisa Meyer (Photo Credit: John Convery)

MC Yallah x Debmaster (Photo Credit: Alice Needham)

Mary Lattimore (Photo Credit: Alice Needham)

The Body & Dis Fig (Photo Credit: James Thompson)

Melt-Banana (Photo Credit: Catherine Dineley)

PLAYLIST: August 2024

The Get In Her Ears team have put together another mix of eclectic electronic tracks, alt-pop tunes, indie anthems and alternative & shoegaze sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

ARXX – ‘Trouble’
The latest single from biggest faves, Brighton duo ARXX, ‘Trouble’ showcases a bit of a grittier electronic side to the duo than we may be used to. Reflecting on the mixed feelings that follow a break-up, the track oozes a Peaches-esque bass-heavy seductive allure as it builds to a soaring, anthemic pop anthem. It’s wonderful to see Hanni and Clara experimenting with their sound and flexing their creative muscles so beautifully; whatever they create, whatever its genre or influences, ends up being an instantly addictive hit without fail, and leaves me filled with excitement about what they might do next. Following an incredible summer, wowing festival crowds across the country – including their first time at Glasto – ARXX will be releasing their second album on 4th October and playing a headline tour across the UK and Europe to celebrate. We can’t wait!
(Mari Lane – Managing Editor)

Circe – ‘Heaven’s The Other Way’
Following on from her bittersweet single ‘Blue Love’, this is the latest creation from dark-pop artist Circe. She captures a moment of intense loneliness on ‘Heaven’s The Other Way’ via her poetic lyrics, seraphic vocals and glistening electronics. Circe performed this track during her set supporting The Midnight at Camden’s Electric Ballroom back in July and it sounded just as rapturous in the flesh. Read the full review of her show here.
(Kate Crudgington – Features Editor)

Tiiva – ‘Golden’
Electronic artist, producer & GIHE fave Tiiva is back with this shimmering new single. Full of their lush vocals, lilting synths and evocative beats, ‘Golden’ explores the mixed emotions that come when you’re persevering through an uncertain time. Of the track, Tiiva explains: “‘Golden’ is about holding on when things feel like a lot, a conversation between two voices kindness and feeling overwhelmed and rebuilding.” (KC)

Ideal Host – ‘Dust Collector’
Created during a four day residency in a converted water mill in Llangollen in Wales, this is the latest single from indie band Ideal Host. ‘Dust Collector’ is their poppiest offering to date and I love the way Heather’s soft vocals blend seamlessly with buoyant riffs, lilting electronics and catchy beats. (KC)

Lazy Day – ‘Concrete’
Set to release their debut album in November, London based artist Tilly Scantlebury – aka Lazy Day – has now shared shimmering new single ‘Concrete’. Rippling with a stirring twinkling emotion, the track’s somewhat disjointed structure and fluctuating musical layers reflect the poignant sentiment of its lyrics: “Concrete was a helpful metaphor… It’s strong and sturdy, as well as being extremely heavy. It was a useful framework for thinking about relationships which felt stable, but at the same time weighed me down.Open The Door, the debut album from Lazy Day, is set for release on 8th November via Brace Yourself Records. (ML)

Cuushe – ‘Faded Corners’
A euphoric slice of ambient dream-pop, ‘Faded Corners’ is the latest single from Japanese artist Cuushe. Glistening with a spellbinding delicate splendour, a beautiful lullaby is created; set to soothe even the most anxious of minds as the summer comes to an end. (ML)

Grand Pax – ‘MB BB’
The latest single from London based queer artist Grand Pax, ‘MB BB’ flows with glitchy beats and dreamy synths as the sparkling splendour of her vocals soar. A blissful soundscape reflecting on the emotions following a break-up, she says of the track that it’s about wanting to hold onto something but knowing it’s not possible. It’s the process of it leaving your body, but acknowledging it as you let it go.” Crush, the new EP from Grand Pax, is out now. (ML)

Yellow Belly – ‘Crux’
This atmospheric track by Australian-born, Cardiff based experimental musician Yellow Belly is taken from her recent album, Ghostwriter. The record is a hypnotic reflection on a difficult time for the artist, explored through her shape-shifting electronica, melancholic lyrics and hushed vocals. (KC)

Chelsea Wolfe – ‘Tunnel Lights’ (††† Remix)
The original version of this Chelsea Wolfe track – taken from her excellent seventh album, She Reaches Out To She Reaches Out To She – was already a shape-shifting, shadowy offering, but this treatment by ††† (Crosses), featuring Chino Moreno’s distinctive vocals and Shaun Lopez’s industrial beats, is equally as intense. It’s lifted from her remix EP, UNDONE, which is out now via Loma Vista. (KC)

Birthday Problem ft. HAVVK – ‘Same Face’
I have been consistently impressed by everything that Irish collaborative electronica project Birthday Problem have released this year. Formed of Matt Harris and Rocky O’Reilly, ‘Same Face’ is their fifth single, featuring vocals from GIHE fave Julie Hawk (HAVVK). Haunting synths, layered vocals and sparse beats all combine to create another disarming and unusual listen from this eclectic pair. (KC)

Nina Eba – ’13’
I love this track by Ukrainian-born, Austrian-based producer & songwriter Nina Eba, which is taken from her self-released debut album, MORPHO. Inspired by the metamorphosis of the morpho butterfly, the record reflects on Nina’s experiences to self-acceptance and unrequited love. Nina’s sound is reminiscent of FKA Twigs, Bjork and Sevdaliza. (KC)

Lollise – ‘Iron Woman’
Brooklyn via Botswana Afro-Futuristic artist Lollise tackles an important issue on her zealous single ‘Iron Woman’, which is taken from her upcoming album, I hit the water, set for release on 6th September. Through her intense electronics, driving beats and direct lyricism, she explores the plight of black women who suffer from severe fibroids who are often overlooked by the US health care system. Lollise explains the context of ‘Iron Woman’ further: “Most of my black friends with uteruses have had hysterectomies or undergone multiple myomectomies. In this song I talk about my experiences dealing with fibroids and menorrhagia going in and out of various emergency and hospital rooms. “Phallic science” talks about male dominance in science and how much money is allocated to studying men’s virility and very little is dedicated to women’s health and black women’s health specifically.” Watch the track’s accompanying video here. (KC)

Midwife – ‘Vanessa’
On this slow-burning, atmospheric track, Colorado based musician and producer Midwife personifies and pays tribute to her old tour van ‘Vanessa’. Lifted from her upcoming album, No Depression in Heaven, which is set for release on 6th September via The Flenser, it’s another disarming piece of her blissful ambient shoegaze. I can’t wait to hear the record in full. (KC)

Tanukichan ft. Wisp – ‘It Gets Easier’
I’m new to California based artist Tanukichan, but when I saw that she had collaborated with shoegaze star Wisp, I instantly became a fan. ‘It Gets Easier’ is a dreamy blend of their lush vocals, swirling riffs and their driving beats. The track is featured on Tanukichan’s upcoming EP, Circles, which is set for release on 20th September. (KC)

the IV – ‘Same Old Story’
This brooding new anthem from elusive band the IV dropped into my inbox earlier this month. Created by vocalist and drummer Ingvild Nærum, ‘Same Old Story’ reflects on our role as consumers of culture through the lens of Freud’s dream-work theory. The rumbling bass lines, atmospheric riffs and staccato drumming make for captivating listening. (KC)

Hello Mary – ‘Down My Life’
New York trio Hello Mary continue to impress me with each single they share from their upcoming second album, Emita Ox. Set for release on 13th September, the record showcases their ability to blend their quiet-to-loud vocals, grungy riffs, considered instrumentation, and bruising beats perfectly. The band will be making their London live debut at The Shacklewell Arms in Dalston on 4th September and they’ll be playing at The Windmill in Brixton on 5th September too. I’ll be there on the 5th to hear ‘Down My Life’ in the flesh. (KC)

Girl Gordon – ‘The Need’
I love the gritty, reverb-heavy intro to this sardonic anthem by Cincinnati-based DIY indie punks Girl Gordon. ‘The Need’ is taken from their recent EP, Corruptor, and it “speaks to the pressures of societal beauty standards” that are often perpetuated by social media. (KC)

Scrunchies – ‘Generator’
The latest single from Minneapolis based Scrunchies, ‘Generator’ blasts into the ears with its raw punk energy. New favourites for sure, I can’t get enough of this new riot grrrl-inspired band’s scuzzy hooks and fierce empowering allure. ‘Generator’ is taken from Scunchies’ new album Colossal, one of the last albums that the legendary Steve Albini recorded and mixed. It’s also accompanied by a fantastically fun music video, created in collaboration with Los Angeles-based “dance aerobics celebration” Pony Sweat – watch it here. (ML)

Rottweiler – ‘Sarah’
This slow-burning single from Brighton rockers Rottweiler showcases their ability to balance atmospheric riffs with powerful vocals and crashing percussion. Inspired by the likes of Jeff Beck, Smashing Pumpkins and Paramore, ‘Sarah’ is a swirling cacophony of angst-ridden noise. (KC)

Queen Cult – ‘To Be A Boy’
Having released their new EP Be Better earlier this month, our favourite Macclesfield trio, Queen Cult have been wowing us for a couple of years now with their fierce raging energy and captivating charisma. Taken from the EP, ‘To Be A Boy’ showcases all their is to love about Maisie and co; propelled by the immense gritty power of her vocals, it explores themes of gender dysphoria and expectations of AFAB people growing up in a small town with a stirring honesty and raw emotion. A band on the rise, and for good reason, we can’t wait to see what Queen Cult have in store for us next. (ML) 

Berries – ‘Watching Wax’
The latest single from long time faves Berries, ‘Watching Wax’ offers our first taste of the London-Brighton band’s new material ahead of the release of a new album, set for release in October. With the distinctive twang of the band’s trademark scuzzy riffs and front person Holly’s lush syrupy vocals, I just can’t get enough of its racing fierce energy and gritty allure. (ML)

Um, Jennifer? – ‘Went On T’
‘Went On T’ is the latest single from New York trans-punk duo Um, Jennifer? It’s another refreshing blend of the band’s quirky humour and personal reflections on gender politics. Speaking about the track, the band explain: “‘Went On T’ is the indie rock anthem calling you back home to yourself. It’s about taking your own body back from those that claim to love you. It’s a reminder not to take on anybody else’s shit.” (KC)

Fightmilk -‘No Souvenirs’
To say I’m excited about the new album from total faves and all round great humans Fightmilk may be an understatement. Set for release on 15th November via Fika Recordings / INH Records, it’s been three years in the making and promises to showcase how the band are consistently evolving their unique sound. To celebrate the album announcement, the band have now shared its title track, ‘No Souvenirs’. A beautifully poignant reflection on loss, it oozes an anthemic raw emotion and exquisite shimmering splendour. Losing a friend to suicide just over a decade ago, it’s taken songwriter Lily until now to be able to put her feelings into words: “It’s finally exactly what I wanted to say, and I think he’d have thought my band sucked, but that’s alright.Pre-order No Souvenirs here, and book tickets to the launch show at Paper Dress Vintage here. (ML)

Jemma Freeman – ‘Hoping For A Miracle’
An unexpected new single from immense songwriter and performer Jemma Freeman, ‘Hoping For A Miracle’ was written, recorded and mixed in their bedroom, causing them to be apprehensive about sharing it with the world. But we’re so glad they did! “The queer, sad, banger you need to blast through any unexpected summer break up.”, it’s propelled by fuzzy hooks as the raw, gritty power of Jem’s distinctive vocals soar. A fizzing psych-rock anthem showcasing their ability to weave together a rich musicality with their trademark frenzied energy. ‘Hoping For A Miracle’ is the b-side to fellow surprise, and beautifully vulnerable, single ‘Alien’. (ML)

Pretty Bitter – ‘Never Better’
Washington D.C based indie-pop group Pretty Bitter teamed up with fellow indie rockers Flowerbomb to release a split EP, titled Take Me Out, at the beginning of August. ‘Never Better’ is the opening track on the record and it’s buoyant mix of indie guitar twangs, catchy melodies and bittersweet vocals. (KC)

Soccer Mommy – ‘M’
Nashville indie artist Sophie Allison aka Soccer Mommy is back with this lush single and news about her upcoming album, Evergreen. Set for release on 25th October via Loma Vista, Allison has used her innately raw songwriting techniques to move through the lingering effects of deep personal loss that affected her before she began writing this new record. (KC)

Emily Wurramara – ‘STFAFM’
Having just released her new album Nara – a celebration of rebirth -, multi-award-winning lutruwita/Tasmania-based artist, activist, author and proud Warnindhilyagwa woman Emily Wurramara has now shared new single ‘STFAFM’ (stay the fuck away from me!). Propelled by her lush, soulful vocals, it offers a fiercely empowering energy; an uplifting ode to finding inner peace and motivation. (ML)

Joanna Sternberg – ‘A Country Dance’
One of my most listened-to artists of the last couple of years, Brooklyn artist Joanna Sternberg has now shared a stirring new stand-alone single. Featured in upcoming film, Between The Temples, ‘A Country Dance’ was inspired by Joanna’s close friend Sami Bronowski, who was the first person to encourage Joanna to sing in public. Showcasing the exquisite vulnerability and raw emotion of their vocals, it flows with beautifully lilting melodies, shimmering with an uplifting, heartfelt grace. (ML)

Rubie – ‘Death By Catgirl’
Following her beautifully heartfelt last single, ‘To Change’, GIHE fave Rubie has now shared ‘Death By Catgirl’ – written from the perspective of a “hot, on the rise trans woman microcelebrity, throwing off her furs and meaning business”, it’s propelled by a colourful funk-fused groove as swirling, jazz-tinged melodies ripple alongside the majestic captivating allure of Rubie’s distinctive vocals. ‘Death By Catgirl’ is taken from Rubie’s upcoming second album, Seek Sisters, which is due out on 22nd September via Pressing Up Club. (ML)

Husk – ‘Open Waters’
Very different in sound from what we might remember of Husk’s previous releases, this new single sees the Manchester based artist experiment with traditional Irish folk music, adding their own distinctive queer electronic edge. Reflecting on their first experience of swimming in the Irish sea with a sparkling energy, and switching between English and Gaelic throughout the track, they explain: “There’s some things that I needed to say, but English couldn’t do it justice, so I switch between the two; it’s a creative choice… I’m saying that the whole world is with us in that moment, a whole world was connected to us through the water. And, with, sea swimming, it’s so cold that you can only think about your fundamental instincts, and it felt elemental.” (ML)

Gossip – ‘Move In The Right Direction’
Finally getting to see Gossip at All Points East last week really did exceed all expectations. The empowering energy and fiercely immersive charisma of Beth Ditto is unmatched, and it was an experience filled with tonnes of queer joy and overwhelming emotion. “I’ll hold back tears / Move in the right direction / Face my fears / Move in the right direction” – and hearing this song live just hit particularly hard. (ML)

LISTEN: GIHE on Soho Radio with Julia-Sophie (19.08.24)

Tash and Kate were back on Soho Radio playing loads of new music from some of their favourite female, non-binary and LGBTQIA+ artists. Mari offered some of her “musical musings” too. They spoke about having a brat summer, Tash’s hectic holiday schedule and Kate’s excitement for Gazelle Twin’s upcoming appearance at Birmingham’s Supersonic Festival in September.

Kate also caught up with Anglo-French electronic artist and GIHE fave Julia-Sophie to talk about her debut album, forgive too slow. Released via Ba Da Bing Records at the end of July, Julia spoke earnestly about the challenges she faced when creating the record and the joy she felt when Sharon Van Etten reached out via Instagram to say that she had been listening to it.

Artists featured on the eclectic playlist included Problem Patterns, Lipsticism, Midwife, Berries, HUSK, Ideal Host, Maria Uzor, Moonchild Sanelly, Hello Mary and more.

Listen back to the show below:


 

We’ll be back on Soho Radio on Monday 16th September from 12-2pm
 Make sure you tune in via www.sohoradiolondon.com

Tracklist
FKA Twigs – Two Weeks
Charli xcx – Club Classics
Lipsticism – Free
Clinic Stars – Only Hinting
Maria Uzor – What You Need
Moonchild Sanelly, Self Esteem – Big Man
Sequela – Zavander
Hello Mary – 0%
Problem Patterns – I Think You Should Leave
Ms Ray – Signs
Baby Cool – The Sea
Ideal Host – Dust Collector
Nina Eba – 13
Julia-Sophie – Wishful Thinking
**Interview with Julia-Sophie**
Midwife – Rock N Roll Never Forgets
Planningtorock – Smalltown Boy
Gazelle Twin – A Door Opens (Live)
Berries – Watching Wax
Tex – Sound of You
Folk Bitch Trio – Analogue
Um, Jennifer? – Went On T
Husk – Open Waters
Desperate Journalist – Afraid
Cherry Blur – Cool About It
Portishead – Glory Box