PLAYLIST: International Women’s Day 2020

Happy International Women’s Day! It’s a day to highlight and bring awareness to the issues facing women around the globe, and it’s also a time to celebrate the women we love too. This year’s theme is #EachforEqual – encouraging all of us to collectively help create a gender equal world: because an equal world is an enabled world.

At Get In Her Ears, we have only one definition of a “woman”, and that is inclusive of ALL women. Inclusivity is at the core of what we do. It’s the reason we started, it’s what drives us, and it’s something we will consistently strive for as long as we exist. To be explicitly clear, we always have and always will stand against transphobia – it is unacceptable. We send our love, support and solidarity to ALL women out there.

We’ve created a playlist of all the wxmen artists that continue to inspire, entertain, and motivate us into action. Take some time to scroll through our choices below, and make sure you hit play on the Spotify playlist at the end of the page.

Eurythmics & Aretha Franklin – ‘Sisters Are Doin’ It For Themselves’
An obvious, but essential choice for any IWD Playlist. Annie Lennox & Aretha Franklin are a dream vocal team, and I never get tired of listening to this classic. (Kate Crudgington)

Planningtorock – ‘Beulah Loves Dancing’ 
I’m forever grateful to Tash for introducing me to the lush electronics of Planningtorock. This track is all about their sister, Beulah, and her love of house music. When Planningtorock played this live at their gig at Southbank Centre last year, Beulah was in the audience, and when the two siblings embraced each other after the song, I had a tear in my eye. (KC)

The Julie Ruin – ‘Girls Like Us’
It’s no secret by now that Kathleen Hanna is the woman who has inspired me the most and pretty much the reason we started GIHE, and so it seems only right to include a track of her’s on our playlist celebrating amazing women. And this track from The Julie Ruin is just a perfect ode for womxn of all kinds this IWD. A unifying anthem for all us misfit grrrls, with relatable empowering lyrics such as “… girls like us pick up the hot handles and burn our hands and we get over it”, it never fails to pick me up and leave me feeling ready to face the world. (ML)

Big Joanie – ‘Used To Be Friends’
I think all three of us would firmly place this band on any International Women’s Day Playlist. We could not be more behind everything Big Joanie are about, having seen them countless times over the last year – their headline gig at The Moth Club was an undoubted highlight, this band just keep the good music coming. Their politics and music are inseparable, using their platform to speak to their experiences as a black, queer, punk band and the importance of intersectional feminism, it is a privilege to have had them on our radio show. (TW)

Nova Twins – ‘Bullet’
Consistent GIHE favourites Nova Twins have released their breath-taking new album Who Are The Girls, and this track is lifted from it. It’s a powerful statement against street harassment, and the myth that women are “asking for it” if they dress or act in a certain way. Amy’s lyrics are the ultimate weapon against such insults, making it crystal clear that those who touch without permission are not fucking welcome. (KC)

Jehnny Beth – ‘I’m The Man’
Though Jehnny Beth has said that ‘I’m The Man’ is “a poetic work first and foremost. Its aim is to make you feel, not think”, for me it seems to address the anger and ruthlessness surrounding toxic masculinity and the damaging effects it can have. IWD, I feel, should not only be about celebrating the brilliant women in our lives, but informing our male allies so that they can support their female peers as much as possible, and also be reassured that to be a “man” does not mean having to be aggressive or physically powerful. A poignant and powerful offering from this immense force of womankind, who I cannot wait to see live today at The Roundhouse as part of BBC 6 Music’s Festival (along with other awesome women Kate Tempest, Kim Gordon and more). (ML)

Deux Furieuses – ‘Year Of Rage’
GIHE faves Deux Furieuses last year dropped their immense album My War Is Your War – a collection of poignant, impassioned and all-too-relevant rock anthems. Taken from the album, ‘Year Of Rage’ is a seething offering addressing the #MeToo movement and the anger felt by women everywhere trying to seek justice. Delivering a message of empowerment through the raging riffs and soaring vocals of Ros Cairney and frenzied pummelling beats from Vas Antoniadou, it’s a hugely powerful and distinctly necessary listen this IWD. (ML)

The Joy Formidable – ‘The Last Drop’
I’ve lost count of the amount of times I’ve told people how much I adore The Joy Formidable. I’ve been following them for a decade now, and I am still in awe of their ability to create heavy, magnetic, alternative tracks like this one. (KC)

ARXX – ‘Intervention’
Another playlist, another ARXX track. But we make no apologies about this. ARXX have been faves for a while now, and with their “unapologetically loud”, ferocious raw power, they continue to blow us away with their unrelenting raucous sounds. This track, ‘Intervention’, taken from 2018’s EP Daughters Of Daughters, talks of social injustices, giving a shout out to the LGBT charity Stonewall, exclaiming that “you don’t get to say who we fall in love with”. A perfect, raging anthem for equality. Two of the coolest women we know, ARXX also headlined our IWD gig last year at The Finsbury, and it really was the best way to celebrate. (ML)

Amaroun – ‘Perish’
Previous guest on our radio show Amaroun has recently jumped back into the limelight with several new tracks, inclusive of this one ‘Perish’. I’m loving this next step in Amaroun’s musical journey – the beats, the vocals, the stripped back simplicity, sublime. Drawing from her experiences as a black queer woman, overcoming struggles with sexuality and the importance of emotional honesty in music, these themes stand strong throughout her songs. I can’t, and don’t want to stop listening. (TW)

Nayana Iz – ‘How We Do’
What a tune1 ‘How We Do’ is possibly one of the best debuts I have ever heard. Indian born, London raised Nayana Iz has arrived and she’s taking you with her. Eyes wide open people and get watching. (TW)

Missy Elliott – ‘She’s A Bitch’
One of the coolest, most inspiring women in the business, Missy Elliott delivers the most empowering and entertaining of offerings, just by being her incredible self. Proving that a woman can conquer a previously male-dominated genre, whilst consistently unashamedly oozing self confidence, she never fails to motivate me and put a smile on my face. Showing women that it’s ok to not fit the “feminine” stereotype that the industry so often seems to demand, and just be who you are and wear whatever the f*** you feel comfortable in (whether that’s an inflated bin bag or a scarecrow costume – check out last year’s performance at the VMAs to see this in action), she continues to push boundaries and remains a colossal force of nature. ,(ML)

Nilüfer Yanya – ‘Tears
One of my favourite tracks from Nilüfer Yanya, a slight move away from her guitar heavy tunes, ‘Tears’ released early last year captures and takes you along with its bouncing beats and sad reflective lyrics. It’s been great to watch this artist reach the acclaim she so rightly deserves, with my personal highlight seeing her play at Primavera 2019. It was the definition of sun-drenched guitars. (TW)

Shea Diamond – ‘I Am Her’
As early as transgender singer Shea Diamond can remember, she identified as a girl – and was punished for it. At age 20, she robbed a convenience store at gunpoint – desperate, she says, to fund her gender-affirming surgery. Behind bars (in a male prison), Diamond found her voice as a songwriter, and wrote this track ‘I Am Her’. I wanted to include this track today, not only because I just love its poignant, soulful groove, but because Trans Women are of of course women too and should be celebrated on International Women’s Day (and every day)! (ML)

Lido Pimienta (feat. Li Saumet) – ‘Nada’
Inspired by the birth of her daughter, Canadian-Columbian musician Lido Pimienta has penned this beautiful song ‘Nada’. Taken from her upcoming album Miss Colombia, Pimienta ruminates on the pain women experience – from debilitating period pains to giving birth – and how strong we are despite being unfairly dubbed the “weaker sex”. Watch the accompanying video for the track here(KC)

FKA Twigs – ‘sad day’
The master and the muse; FKA Twigs continues to dazzle my eyes and ears with each new release. This track is taken from her second album, Magdalene, a record which blends vulnerability and raw power in equal measure. There aren’t enough adjectives to describe how much I love the music this woman makes. (KC)

Pumarosa – ‘Lose Control’
I interviewed Pumarosa’s front woman Isabel Munoz-Newsome last year for The Line Of Best Fit (read here), and she said this was her favourite track from their latest album Devastation. She spoke candidly about how she wanted to change the narrative around “love” or “breakup” songs, and her words have stayed with me ever since. This track is a slow-burning banger. (KC)

Arlo Parks – ‘Cola’
Watching Poet, rapper, singer & producer Arlo Parks grow over the last couple of years, receiving the absolutely deserve notoriety and success that an artist of her calibre should has been our pleasure. ‘Cola’ her debut single has kept a solid place on many of my playlists, a tender, confessional and mesmerising track. If you haven’t heard of Arlo Parks yet, go check her out now. You can thank me later. (TW)

Sleater Kinney – ‘Modern Girl’
Having been left completely speechless by seeing total heroes Sleater Kinney live last week, I couldn’t not include a track by this group of inspirational women. Seeing Carrie Brownstein perform this song, with all her infectious charisma and musical magnificence, was a definite highlight. And the lyrics “anger makes me a modern girl” seem particularly poignant this International Women’s Day. (ML)

Amahla – ‘Old Soul’
Hackney-Native Amahla blew us away with this song ‘Old Soul’ at the beginning of 2019 and has just kept getting better. An artist who uses their platform for greater good talking about women’s issues, race and current political climates, has an unquestionable place on our IWD2020 playlist. (TW)

Antony and the Johnsons – ‘My Lady Story’
“My womb’s an ocean full of grief and rage.” I can’t listen to that lyric without my heart breaking a little. A strong advocate for trans rights, feminism and climate action, Anohni (formally of Antony and the Johnsons), is a necessary and powerful voice this International Women’s Day. On identifying as transgender, Anohni once said in an interview with The Guardian: “I was never going to become a beautiful, passable woman, and I was never going to be a man… It’s a quandary. But the trans condition is a beautiful mystery; it’s one of nature’s best ideas. What an incredible impulse, that compels a five-year-old child to tell its parents it isn’t what they think it is. Given just a tiny bit of oxygen, those children can flourish and be such a gift. They give other people licence to explore themselves more deeply, allowing the colours in their own psyche to flourish.” (ML)

Dolly Parton – ‘Here You Come Again’
With the recent release of the Dolly Parton podcast and BBC documentary, I’ll take any chance I can to lap up any more content from this one. Dolly, what a woman. I don’t think I need to say anything more. (TW)

Merry Clayton – ‘Love or Let Me Be Lonely’
I recently watched 20 Feet From Stardom and to my shame learned so much about this amazing woman’s history that I did not know. A long established American soul and gospel singer, she provided backing vocal tracks to so many notable performing artists, the most famous being the Rolling Stones’ ‘Gimme Shelter’. Take her voice out of that and what are you left with? Here’s a shout out to the often forgotten or overlooked backing singers from some of the best hits out there. An established and amazing recording artist in her own right, it’s never too late to get into Merry Clayton. What a voice. (TW)

Jackie Shane – ‘Any Other Way’
A Get In Her Ears playlist would not be complete without Jackie Shane, I think this track ‘Any Other Way’ has featured on so many of our playlists and radio shows, but for good reason. Kate introduced me to this artist a couple of years ago and I was sold on first listen. Jackie Shane lived her life as a woman in the spotlight, during a time when compassion and acceptance were not always reciprocated to those who identified as trans. A pioneer for trans rights in the 60s, who very much lives on in our memories today. (TW)

Girl Ray – ‘Friend Like That’
GIHE faves Girl Ray have recently released their uplifting second album, Girl, and I cannot get enough. Taken from the album, ‘Friend Like That’ is an ode to friendship flowing with the trio’s colourful energy and funk-filled, pop-inspired hooks. Of the track, the band explain: “This is a friendship anthem. In music, friend love is often overshadowed by romantic love and IT’S JUST WRONG. This one goes out to the mates of the world.” Basically a perfect, shimmering anthem to celebrate all your fantastic female peers this International Women’s Day. (ML)

Shari Vari – ‘New York City’
Since hearing their debut album, Now in 2019, I still cannot get enough of the Hamburg based alt-electro/punk/producers Shari Vari. Now out via Malka Tuti, it’s packed full to the brim of brutalist delights. From ‘Dance Alone’, which takes me back to those dark, freezing, sweaty warehouse raves to this track ‘New York City’ with warped vocals, heavy reverb and cinematic crescendos. One of my albums of 2019, I consider myself still completely hooked. (TW)

Mentrix – ‘Nature’
Born in Iran but now based in Berlin, Mentrix (aka Samar Rad) blends her experiences of eastern and western culture, along with traditional Sufi instrumentation to create her beguiling, bold soundscapes. Her extensive travels and multiple influences – from Latin and French Literature, to The Qu’ran and traditional Persian poetry – give her music a diverse and fascinating edge. I can’t wait to hear her album My Enemy, My Love, which is set for release via her own (female-led) record label, House of Strength, on 3rd April. (KC)

Gazelle Twin – ‘Anti-body’
“I’m credibly unknown, and incredibly ok with that” wrote Elizabeth Bernholz – aka Gazelle Twin – in response to a fan who suggested she should be added to the Reading Festival lineup to fill the obvious void of female bands/artists on the bill. Bernholz’s pioneering sound and vision is best experienced elsewhere though, as her avant-garde, haunting electronic soundscapes demand your full attention. This track is lifted from her second album Unflesh, and although Bernholz has said she will never return to this material (having crafted her spectacular third album, Pastoral), I always come back to it when I’m feeling restless. (KC)

FIVE FAVOURITES: Boy Harsher

We’re no strangers to the dark, heated sounds of electronic two piece, Boy Harsher. Together, Augustus Muller (synths/percussion) and Jae Matthews (vocals) have released two albums and two EPs since their inception in 2014. Their songs brim with beats designed to ricochet around smoky dance-floors or lonely bedroom walls. The Massachusetts duo blend nostalgic 80s percussion with sharp modern production to create an immersive, magnetic listening experience.

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with Jae to ask her about her “Five Favourites” – five albums that have influenced her song writing techniques. Check out her choices below, and scroll down to watch Boy Harsher’s video for ‘Send Me a Vision’ at the end of this post.

1. Annie Lennox – MEDUSA
When I was a child, during a rocky divorce, my mom would listen to this album nonstop. Luckily, I was at the age where it wasn’t lame to sing along with your mom, and boy, did we get into it! On a subconscious level, these songs (Annie Lennox in general) gave me this attachment to a contralto voice in contemporary music. DIVA and MEDUSA both got equal play, but my story with MEDUSA is a bit embarrassing. I didn’t realize the songs were all covers, so when years later I heard the originals (like Bob Marley’s ‘Waiting in Vain’ or Al Green’s ‘Take Me to the River’) I was a bit shocked.

2. Nirvana – Nevermind
A classic. I made my dad buy this CD at a garage sale, which he did – yet later took away, due to “it’s graphic nature”. A stubborn child, I found it and hid away with my new love and Walkman. ‘Something in the Way’ really rocked my core. I was a lonely pre-teenager and I remember this music kept me company in a very real way. Now, I can’t listen without getting very nostalgic.

3. Pixies – Doolittle
Okay – this one is tough. It’s a tie between this and Cat Power’s Moon Pix. Both took up the same space in high school. I would listen to ‘Debaser’, literally SCREAMING along with my first crush. Then, later when home, would listen to ‘Metal Heart’ (lol) and cry, because she would never love me. Ah, the drama. I needed a support system for understanding my sexuality and processing my Father’s death. Both albums are amazing in their ability to muster emotion; sometimes flippant or mean, often raw and always very authentic.

4. Troller – Troller
I left the Northeast for graduate school and moved South. It was the furthest I had ever been from my family. It was a really amazing, lonely time. After attending SXSW in 2013, my musical understanding totally changed. I became a devotee of label Holodeck’s projects (Thousand Foot Whale Claw, Survive, Boan, Smokey Emery) and Troller. This is the first physical RECORD that I ever bought. Listened to it over and over – it still makes me think of Savannah, the rain, smoking inside, kissing.

5. Circuit Des Yeux – Overdue
After living in Savannah for a couple years, myself and my partner starting booking shows. We focused mainly on projects that centered on experimentation, some noise, and no drums. We booked Circuit Des Yeux on their first US tour in a small dive bar in downtown Savannah. Far too few people came. It was such an amazing performance. The way Haley used her voice was really inspiring to me – startling even. I began to understand the voice and body as an instrument, a performance tool. This really impacted the way that I sought to use my voice.

Photo Credit: Zach Hart

Five Favourites: Sui Zhen

Set to release her upcoming third album in September, Melbourne artist Sui Zhen has recently captivated our ears with latest single ‘Perfect Place’. Inspired by how we exist in the digital age, the track flows with glitchy, playful beats and twinkling, ‘80s-inspired hooks alongside Zhen’s quirky, honey-sweet vocals. An instantly infectious slice of sparkling alt-pop.

We think one of the best ways to get to know a new band/artist is by asking them what music inspired them to write in the first place. We caught up with Sui to talk about her ‘Five Favourites’ – five albums or tracks that have influenced her songwriting techniques, or simply take her back to a specific feeling or time. Read about her choices here…

Strawberry Switchblade – Strawberry Switchblade 
This album has been a staple in my record bag since it was gifted to me by a friend in Koenji, Tokyo. I love how the songs are naive and saccharine but sad and melancholic underneath, expressed in a synth-pop style with layered reverberant vocals reminiscent of an upbeat Cocteau Twins. My favourite is the banality captured in ‘Who Knows What Love Is’ – it’s totally nostalgic for a crush that once was. It reminds me of the first time I smelt the pages of Dolly Mag, peeling back the ‘Sealed Section’ section. I enjoy the instrumental arrangements and danceable aspect of this kind of pop music and love to mix this in a set to get people feeling warm and fuzzy.

The Eurythmics – ‘Love Is A Stranger’
It’s really difficult to choose songs by Annie Lennox – my Mum loved her music, so her solo albums Diva and Medusa hold a very special place in my heart, but for me it would have started with The Eurythmics – ‘Love Is A Stranger’. I don’t know how many times I have listened to this song, particularly the part “And it wrenches you up and you’re left like a zombie!” when her voice is wild and so expressive, but the beat remains hard, driving yet restrained. The hooks feel so natural – it’s the kind of songwriting I aspire to make someday. I also love how the track just fades out. Like, seeya my job here is done.

Antena – Camino Del Sol
I think the first moment I properly was able to hear how I could complement my songwriting style with drum machine beats came with listening to Antena over and over. Prior to that I experimented with electronic production based on the music I enjoyed hearing at clubs, but couldn’t work out the best approach when I would go to work on something. An audience member told me to check Isabelle Antena’s music because they thought it would be a good reference point, but I couldn’t easily find it at the time (mid-2000s). It wasn’t until I started record shopping in Japan that I was able to connect more with the ‘neo-folk’ synth-pop of Antena and other artists like Anna Domino and Scribble. The bossa nova style guitar over a thumping kick is something I have carried into my productions thanks to this band.

CAN – ‘Future Days’
This is literally my go to take-off music. I listen to Can or Dunkelziffer when flying, there’s something about krautrock that settles me and helps me when drifting in and out of sleep. I find the stream of consciousness flow and spontaneity in the music so dreamlike and also very comforting, grounded in unfiltered expression. Emotion is throughout, but not the centrepiece, and I like that. There’s a free kind of optimism to this track too which makes it so listenable. 

Sugar Cubes – ‘Deus’
I absolutely slammed the Sugar Cubes in my teenage years. I had exhausted Bjork’s back catalogue from way too many listens and moved into her previous work and found I enjoyed it more on repeat listen. It had a bit more space, was a bit looser, less intensely emotional and uncomfortable. I love the pairing of male & female vocal in this track. I don’t listen to Bjork at all these days, even though at the time I thought there was no better artist. I remember trying to sing like her in the shower and Mum making fun of me for trying to do that iconic guttural thing. It was definitely around this time, aged fifteen, I subconsciously decided to pursue music.

Massive thanks to Sui for taking the time to discuss her choices. However, as she found it difficult to pick just five, we’ve also put together a little playlist of all the songs that she felt have impacted her work in some way – listen on Spotify now!

Losing, Linda, the upcoming album from Sui Zhen, is out 27th September via Cascine. Watch the video for latest single ‘Perfect Place’ below:

Photo Credit: Agnieszka Chabros

Playlist: Galentine’s Day 2019

Grrrls, it’s the best day of the year: GALENTINE’S DAY! Coined by Parks and Recreation character Leslie Knope (played by Amy Poehler) back in 2010, Galentine’s has since been recognised by girls across the globe, and used as a light-hearted platform to celebrate the girls and womxn who enrich our lives.

We wanted to celebrate it with you in the best way possible: by chucking some of our favourite female-identifying artists on a big old playlist. We’re all about self-love & sisterly (not just cis-terly) love today, so have a read about our choices, then hit play!

Aretha Franklin & Annie Lennox – ‘Sisters Are Doin’ It For Themselves’
Whenever I hear this I immediately want to get up and dance. Two talented women coming together to sing about equality and independence never fails to make me feel good. It was released in 1985, but the lyrics are just as poignant today.
(Kate Crudgington)

The Julie Ruin – ‘Girls Like Us’
I couldn’t make a playlist and not include something from queen Kathleen. And this track from The Julie Ruin seems to sum up our feelings this Galentine’s perfectly. A unifying anthem for all us misfit grrrls, it never fails to pick me up and leave me feeling ready to face the world. 
(Mari Lane)

Argonaut – ‘You Are’
With motivational lyrics such as “You rock, you can change the world, you inspire boys and girls, you can do anything!”, Argonaut’s ‘You Are’ is the perfect motivational pop-punk anthem to unite and empower you and your friends this Galentine’s.
(ML)

Honeyblood – ‘Babes Never Die’
Every time I hear Honeyblood’s Stina sing “Witch if I float, damned if I don’t” on this track it fills me with such a rush of defiance. It’s an anthem for resilience and I regularly return to it on days where I need extra motivation.
(KC)

Sleater Kinney – ‘Modern Girl’
I’m currently reading Carrie Brownstein’s memoir ‘Hunger Makes Me A Modern Girl’ (the title of which is taken from this track) and it is honestly one of the most enjoyable and refreshing reads – she just seems totally down to earth, unpretentious and incredibly witty. And one thing that particularly stands out throughout is (despite encountering various obstacles) the constant unwavering friendship and unity between Brownstein and bandmate Corin Tucker. 
(ML)

Wolf Alice – ‘Beautifully Unconventional’
I dismissed this song the first time I heard it on Visions Of A Life because it’s not as heavy or shoegazey as the majority of Wolf Alice’s other songs. However, when I heard it live and frontwoman Ellie dedicated the song to a female friend, it changed the way I listened to it. Now when I hear the track, I think of how great that gig was, and how great it is to celebrate being a “beautifully unconventional” girl.
(KC)

Panic Pocket – ‘Mr Big’
Inspired by too many formative Sex And The City marathons, ‘Mr Big’ is an uplifting ditty about desperately wanting your close friend to stop defining herself by her relationship status and focus instead on friendship. Strewn with memorable SATC quotes, highlighting the importance of friendship – “Don’t laugh at me but maybe we could be each other’s soulmates” – it’s a luscious slice of indie-pop from the duo. (ML)

Dream Nails – ‘Chirpse Degree Burns’
The mock-anxiety Dream Nails sing with as they lament about being ghosted on this track is so funny and so relatable! This is the perfect Galentine’s (and Valentine’s) Day anthem.
(KC)


The Baby Seals – ‘Guuurl’
With their uplifting charisma and triumphant wit, The Baby Seals consistently champion autonomy and body positivity with their wonderfully tongue-in-cheek offerings. Celebrating all things female and breaking gender boundaries in all the right ways, with ‘Guuurl’ The Baby Seals assure us that we can indeed pee where want to. And we cannot wait to seem them live again for us at The Finsbury celebrating International Women’s Day on 8th March!
(ML)

Miss Eaves – ‘Bush For The Push’
A vibrant celebration of self love, GIHE fave Miss Eaves’ ‘Bush For The Push’ is filled with all her trademark disco-punk energy, reminiscent of queen Peaches. An empowering and wonderfully entertaining call to be free to have the bush you want – “It’s your body, so have a little fun…” – it encourages us to celebrate and take pride in our body, whatever shape or size it may be.
(ML) 

Nova Twins – ‘Hit Girl’
Georgia & Amy share a unique talent for making riotous new music, and they’re a brilliant example of what you can achieve when you’re working alongside your best friend. They’ve yet to release a song I don’t instantly fall in love with, and I can’t wait to catch them live again later this year at Cro Cro Land.
(KC)

Lizzo – ‘Good As Hell’
I just can’t get enough of Lizzo’s joyous, body-positive spirit and immensely infectious offerings. And with motivational lyrics such as “Come now, come dry your eyes; you know you a star, you can touch the sky”, ‘Good As The Hell’ is the ultimate feel-good anthem to sing at the top of your lungs to your besties when they need cheering up.
(ML)

Cyndi Lauper – ‘Time After Time’
With Galentine’s Day originally being coined by the ever inspirational Leslie Knope from Parks And Recreation, I just had to include this classic. ‘Time After Time’ soundtracks a rare moment of unity between contrasting characters April and Ann in the series, as we see the two coming together (with an appearance from Donna!), singing this song, showing the power of music in bringing us together. 
(ML)

Alanis Morissette – ‘Thank you’
This iconic 1998 tune from Alanis is the best thing to sing to yourself on a day where things aren’t going your way, or if you need a minute to take stock of what you’re really grateful for. Whether you do that in your head, in front of your bedroom mirror, or naked in the street like Alanis does in the video is entirely up to you…
(KC)

Antony and the Johnsons – ‘You Are My Sister’
I can’t put into words just how utterly beautiful and deeply moving I find this song, so I’ll just leave it here: “You are my sister, and I love you, may all of your dreams come true.” Happy Galentine’s, sisters. 
(ML)

Listen to our special Galentine’s Day Playlist here, and give us a follow on Spotify if you fancy it: