LISTEN: GIHE debut Soho Radio show with Noga Erez 05.05.21

After 6 years of presenting on Hoxton Radio, the GIHE team are thrilled to announce that we’ve moved over to the NYC & Culture channel on Soho Radio! For our debut show, we played a mix of iconic feminist punk anthems and new music tunes from some of our favourite women and non-binary artists.

Tel Aviv-based pop renegade Noga Erez also spoke to us about her brilliant second album KIDS, working alongside her creative & life partner Ori, and we circled back on some of the interesting things she said the first time we met her back in 2019.

Listen below:

Tracklist
Bikini Kill – Rebel Girl
Noname – Blaxploitation
PÁULA, POVOA & JERGE – Primavera
Sans Soucis – I’m On
ARXX – DEEP
Grandmas House – Always Happy
Shy Girl – Tasty
Catherine Moan – Fools (Depeche Mode Cover)
Currls – Let Down
SOPHIE – BIPP (Autechre Mx)
Tiece – Nowhere Now Here (Tiiva Remix)
Nun Habit – Righteous Jerk
Bitch Hunt – Eau Claire
Noga Erez – VIEWS
Noga Erez – You So Done
**Noga Erez Interview**
Fousheé – Deep End
Tirzah – Send Me
Fears – Fabric
Beckie Margaret – FF
Mykki Blanco – Free Ride
New Pagans – Yellow Room
Fightmilk – Overbite
pink suits – Fake Great Britain
Thigh High – Because The Night (Patti Smith Cover)
Naz and Ella – No (Doesn’t Mean Convince Me)
X-Ray Spex – Oh Bondage, Up Yours!

Track Of The Day: Beckie Margaret – ‘FF’

A stirring reflection on the strength and resilience of her own emotions, Essex songwriter Beckie Margaret has shared her latest single ‘FF’. Released via Cool Thing Records, the track is inspired by the Bob Marley quote: “I don’t have that type of richness. My richness is life, forever…” and it shimmers with a soulful splendour.

Holed up in her hometown of Southend, Beckie has spent the last twelve months recording her debut album with the help of producer, mix engineer and drummer Rees Broomfield (Youth Club) and guitarist Daryl Tattoo. The songwriter has crafted a record centres around her experiences of life and love so far, and her third single “FF” continues this rich personal narrative.

“’FF’ is a self-reflective statement, mixed with the voicing of modern themes about allowing vulnerability and love,” Beckie explains. “The disappointment of expectations and pedestals from people that have let you down emotionally, yet you still feel rich from filling your own cup.”

Opening the track with the striking lyric “I don’t settle for my lyrics like I settle for my men,” Beckie muses about her losses and gains over tentative beats, gentle keys and atmospheric riffs. Her soft, lilting voice dulls the ache of insecurity, as she admits “My self-love expired / but I swear I’m not empty.” On ‘FF’, Beckie openly acknowledges her doubts and embraces them with an intense empathy, making her latest offering shine with a poignant, poetic power.

Listen to ‘FF’ below.

Follow Beckie Margaret on SpotifyInstagramFacebook & Twitter

Photo Credit: Beckie Margaret

Kate Crudgington
@KCBobCut

PLAYLIST: Galentine’s Day 2021

Grrrls, it’s one of the best days of the year – GALENTINE’S DAY! Coined by Parks and Recreation character Leslie Knope (played by Amy Poehler) back in 2010, Galentine’s has since been recognised by girls across the globe and used as a light-hearted platform to celebrate the girls and women who enrich our lives.

To celebrate, we’ve chosen tracks from some of the many female-identifying artists who inspire us and we’ve put them all together in one big playlist. We’re all about self-love & sisterly (not just cis-terly) love today, so scroll down, press play and share the Galentine’s joy!

 

Bikini Kill – ‘Rebel Girl’
This one goes out to my GIHE gals, Tash and Kate! A song about having the coolest best friend, by ultimate heroes Bikini Kill, you should listen to it at full volume and celebrate all the “queens” of your world this Galentine’s. (Mari Lane)

Nova Twins – ‘Thelma & Louise’
An iconic duo singing about another iconic duo! The GIHE team love everything that Nova Twins are about. Not only do they make genre-defying, loud music that makes our cells scream, the pair are vocal about the lack of visibility and support for women of colour in the heavy & alternative music scenes. They’re releasing a new compilation album on Blood Records titled Voices Of The Unheardwhich aims to spotlight just some of the amazing artists of colour in the scene who deserve more recognition. Featuring tracks by Big Joanie and The OBGMs, it’s set to be a superb listen and all profits will be going to The Black Curriculum too.  (Kate Crudgington)

X-Ray Spex – ‘Oh Bondage! Up Yours!’
We are all so, so, so excited to see the new documentary Poly Styrene: I Am A Cliché that celebrates the life of the X-Ray Spex frontwoman. This track always reminds me of GIHE and  Tash & Mari when I hear it. I’m very grateful for all the hard work and friendship they put into running this platform with me. (KC)

T-Bitch – ‘Dressing Up’
Southend-based feminist punks T-Bitch deliver a much needed dose of defiant self confidence on this belter of a track. If you can’t dress up on Galentine’s Day, when can you? Underscored by a strong and necessary message of support for trans women, ‘Dressing Up’ is a middle finger to anyone who tries to stop you from being your true self. As the band put it: “It’s not about pleasing them, it’s about pleasing yourself / Fuck those insecurities, leave them on the shelf!” (KC)

The Other Ones – ‘Forever Young’
The latest single from GIHE faves The Other Ones, ‘Forever Young’ races with a swirling, euphoric energy, oozing a sunny sense of nostalgia with honey-sweet harmonies and scuzz-filled riffs. This uplifting anthem is an irresistibly catchy slice of shimmering punk-pop, reflecting on how “anything feels possible” when you have the right person with you. (ML)

Diet Cig – ‘Roadtrip’
Flowing with Alex Luciano’s luscious honey-sweet vocals, infectious jangly melodies and all the twinkling energy I need now more than ever, Diet Cig’s ‘Roadtrip’ (taken from 2017 album Swear I’m Good At This) reflects on a fun, carefree trip across the country with friends, with nostalgia-inducing lyrics and an uplifting sunny charm. What I wouldn’t give for a roadtrip with loved ones right now…! (ML)

Chastity Belt – ‘Joke’
This was one of the bands I discovered at the start of GIHE, all those years ago, and it just reminds me so much of what it was like at the start of it all. All these years on here’s to my two GIHE gals Mari & Kate, and all of the jokes we’ve had along the way. (Tash Walker)

ARXX – ‘The Cat Song’
At first listen, a song about appreciating our feline friends (which I have done LOADS throughout the last year, as any of my Instagram followers/Poppy fans will be aware), I think this cute song from our fave gal duo ARXX is also about the love we have for our friends. As Hanni sings “I’m going to hold you up like this”, I think of how my friends hold me up throughout the bad times and good. And there’s added actual cat sounds – what’s not to love?! (ML)

Vagabon – ‘Every Woman’
Over the last year, I’ve completely immersed myself in the soothing sounds of Laetitia Tamko, aka Vagabon. And this song seems the perfect ode to all the strong women in your life this Galentine’s. As Tamko’s rich distinctive vocals soar with a reassuring tenderness, reflecting on how “all the women I meet are tired…” she speaks out for all women who have been told they are not enough as they are, offering a gentle cathartic release for all of us ‘gals’ who are so tired of patriarchal norms. (ML)

Girlhood – ‘It Might Take A Woman’
Tash introduced me to the glorious sounds of Girlhood last year and we were lucky enough to have vocalist Tessa join us for a Zoom chat for one of our radio shows too. I remember the call so clearly, because Tessa’s passion for her music radiated through the screen. She was such a joy to talk to. She also paid me a very nice compliment when I was trying to pose for a promo screenshot we were taking. An absolute babe through and through. (KC)

Queen Latifah ft. Monie Love – ‘Ladies First’
After I kept going on about listening to the Slowburn Podcast about 2Pac & Biggie Smalls, Mari kindly recommended I watch Netflix’s documentary Hip Hop Evolution. It’s an epic look back at the origins and development of the genre, featuring big names and many artists who I didn’t know anything about. One name that did strike a chord though was Queen Latifah. She released this track in 1989 with Monie Love and it’s an empowering BANGER. These lyrics say it all: “Some think that we can’t flow / Stereotypes, they got to go / I’m a mess around and flip the scene into reverse / (With what?) With a little touch of Ladies First” (KC)

Aretha Franklin & Annie Lennox – ‘Sisters Are Doin’ It For Themselves’
It it even a Galentine’s playlist if this absolute classic isn’t on it? These two talented women coming together to sing about equality and independence never fails to make me feel good. It may have been released in 1985, but the lyrics are just as relevant today. (KC)

CMAT – ‘I Wanna Be a Cowboy, Baby!’
This charming slice of country-pop from Irish artist CMAT is a heartfelt, witty lament about urban isolation and wanting to be free from societies patriarchal shackles. She just wants to exist with the confidence of a cowboy, unafraid to down a whiskey at the bar and stagger home safely. “Wanna go to my first rodeo, what’s that cracked up to be? / I wanna stop relying on men who are bigger than me” she sings, pining for the freedom that’s naturally afforded to men, but rarely extended to women. I love everything CMAT releases and will continue to stalk her on Twitter for the rest of 2021. (KC)

Piney Gir – ‘Puppy Love’
With fond memories of Piney Gir charming our ears at the last gig we hosted on Valentine’s Day last year, ‘Puppy Love’ oozes a honey-sweet romanticism and shimmering catchy melodies. Nostalgically harking back to the simpler times of crushes and the pain of first (‘Puppy’) love, the track also reflects on the common metaphor for depression – the ‘Black Dog’ – its all-consuming nature, and the struggles of mental health. A poignant and infectious offering, it could just be the perfect, bitter-sweet, accompaniment to the mixed feelings that go hand in hand with the love-filled celebrations of the next couple of days. (ML)

Girl Ray – ‘Friend Like That’
An ode to friendship, ‘Friend Like That’ flows with the trio’s colourful energy as jangly syncopated beats flow alongside the distinctive soothing allure of Poppy Hankin’s vocals and funk-filled pop-inspired hooks, creating a dreamily uplifting offering. Of the track, the band explain: “This is a friendship anthem. Reminds us of a really smashing high five with great contact. In music, friend love is often overshadowed by romantic love and IT’S JUST WRONG. This one goes out to the mates of the world.” (ML)

Chromatics – ‘Girls Just Wanna Have Fun’
A great cover of a great track. ‘Girls Just Wanna Have Fun’ always reminds me of a story about this 60 year old Italian woman who walked into her local fire station as she was having trouble with her lock. When the firemen asked the woman where she lived, thinking she’d locked herself out of her house, she lifted her sweater and showed them her chastity belt. (TW)

Beckie Margaret – ‘Divine Feminine’
“’Divine Feminine’ is a song for people who stop you reaching your highest self,” explains Essex songwriter Beckie Margaret. Through her commanding sounds and effortless vocal delivery, Margaret elegantly balances her emotions as she warns those trying to silence her to “stay out of my way.” I absolutely love everything this young woman writes and I can’t wait to hear her debut album, which she’ll be releasing through Cool Thing Records at some point in the future. (KC)

Carole King – ‘You’ve Got A Friend’
Celebrating its 50th birthday this year, Carole King’s Tapestry continues to be one of my most favourite albums. It’s my mum’s favourite too, and I have many memories of singing along with this uplifting message of unity and platonic love with her over the years, both reaching for the tissues when we saw it live in the musical Beautiful. So, this heartfelt anthem goes out to her, my all time favourite gal, who inspires me every day and I miss so much right now. (ML)

CIRCE – ‘Ten Girls’
London based dark-pop artist Circe is inspired by the films of David Lynch, the brutality of Margaret Atwood’s fiction and the soundtracks to Stranger Things and Baz Lurhmann’s Romeo & Juliet. This single takes its title from a quote from The Handmaid’s Tale. Of the track, Circe explains: “[Atwood’s novel] is a poetic but disturbing view of women living in a dystopian oppressive world. This chimes with my own fractured generation of cancel culture, swipes of sex, and revenge porn.” I’m obsessed with Circe’s debut EP She’s Made Of Saints, which is full of sweeping, cinematic gems. (KC)

Robyn – ‘Dancing On My Own’
‘Dancing On My Own’, and what’s wrong with that!? Often I prefer to dance on my own. More space. Robyn is also an outspoken ally for LGBTQ+ rights, and we all know romance isn’t just for the heterosexuals out there! So whether you honour Galentine’s, Valentine’s, or even Palentine’s Day; make sure you have a good old dance. (TW)

Lady Gaga & Ariana Grande – ‘Rain On Me’
I am dying to hear this on a dance-floor at some point! Until then, I’ll settle for my new flatmate Rachel telling Alexa to play it at random intervals during the day. (KC)

Lizzo – ‘Like A Girl’
Turning the common derogatory phrase ‘Like A Girl’ on its head to create something wonderfully empowering, this is another ferociously fun offering from GIHE fave, Lizzo. With references to other powerful women of colour, including Lauryn Hill and Serena Williams, it’s the perfect ode to the power of being female and the power felt when women unite. So, this Galentine’s Day, I’ll leave you with the Lizzo’s words of wisdom: “If you fight like a girl, cry like a girl, do your thing, run the whole damn world”. An ultimate feel-good anthem for women everywhere. (ML)

Lotic – ‘Burn A Print’
With a name that means to “to inhabit rapidly moving water,” Lotic’s chaotic yet fluid soundscapes truly embody her passionate, fighting spirit. Her mission is to “live life to the fullest by not giving a fuck about what anybody thinks” and she communicates that with defiant flair on this track. (KC)

Britney Spears – ‘If U Seek Amy’
I just thought that this Galentine’s Day would be a good opportunity to show some solidarity with wonder woman Britney Spears. I’m sure most of you have heard about the new documentary ‘Framing Britney Spears’ – a film investigating the conservatorship arrangement that has been in place since 2009, declaring Spears unfit to manage her own personal affairs, and the grossly unfair ways in which she has been treated over the years. With her independence being so extremely restricted by a terrifying patriarchal system (and her own father), it highlights the awful ways that society can find to assert control over women. This Galentine’s Day, and all other days, we stand with the #FreeBritney campaign by singing along to one of her most controversial songs. (ML)

Destiny’s Child – ‘Girl’
I re-watched the video for this Destiny’s Child track recently with tears in my eyes, because they’re just so nice to Kelly in it?! The bit where Beyoncé wipes the tear from her cheek… *sobs* This 2004 banger pure girl power all the way through. (KC)

GIHE: Personal Highlights Of 2020

2020 has been a year unlike any other and we’ll be glad to see the back of it, but before we wave goodbye, the GIHE team would like to share some of their personal highlights. Thanks to everyone who has been following, reading or listening to GIHE this year. It really does mean the world to us and we couldn’t do this without you.

Shared Highlights

Seeing the GIHE name appear in a PHYSICAL BOOK was a landmark moment for the team this year. Music journalist Lucy O’Brien mentioned us in her 25th anniversary edition of She Bop, a fantastic book that explores the role of female artists and how they’ve helped to shape the music industry. You can buy your copy here.

Fellow GIHE Co-Founder Tash Walker was super busy recording & producing series 2 of The Log Books throughout 2020, a podcast which explores the history of the LGBTQ community via the phone archives of LGBT+ charity Switchboard. Tash is a co-chair at Switchboard and she is dedicated to celebrating and supporting the LGBTQ community through her work with them, and through her work with GIHE. She is one of the most resilient, informed and hilarious people we know and it’s a privilege to work alongside her and call her a friend. The Log Books are a truly necessary listen for all.

Now for some personal highlights…

Kate Crudgington (Features Editor)

GIHE usually takes up a big part of my life, but it was a lifeline for me during March of this year when the government text me (lol) telling me to shield for 12 weeks. Thanks to the magic of the internet, I was able to talk to the people who were making the music that was distracting me from the panic-inducing headlines, reminding me what a huge privilege it is to have access to this amazing platform.

As our followers already know, Lockdown 1.0 instantly put a stop to our weekly GIHE new music shows on Hoxton Radio. We had 16 weeks off air, so when it was “safe” for me to go back in to the studio in July I was buzzing with excitement (which you can hear in my voice if you listen back to the show here.)

Like most platforms during the pandemic, we embraced technology and started interviewing artists over Zoom instead of inviting them in to the studio for the usual chat and live session. We managed to get time with Jessica Winter, BISHI, Lucy O’Brien, Tessa from Girlhood, Julia-Sophie, Lizzie from Bitch Falcon, Grave Goods, Problem Patterns, ZAND, Hannah from PELA, Seraphina-Simone & Penelope Trappes. It was so lovely to see Tash in person in the studio most weeks, and while we both missed seeing Mari a great deal, her weekly track contributions to the show still made it feel like a GIHE team effort.

At the beginning of the year, I was invited by Niall Jackson, one of the hosts of Riverside Radio’s The Irish Jam, to be a contributor to their New Music Sunday section. Co-hosted by Kealan, Mel and Rob, The Irish Jam is a London based radio show that celebrates and promotes music from Irish artists. The crossover of favourite bands between GIHE & the Jam is huge and something I’ve enjoyed chatting to the team about both on and off air. They’ve introduced me to the likes of CMAT, fears, Denise Chaila, Silverbacks and Celaviedmai, whilst I’ve shared tracks by Kynsy, Party Fears and CAMI with them. Listening to their show on a Sunday evening continues to be a wonderful distraction from life.

Who could’ve predicted that bandcamp would become the musical hero of 2020? When the streaming platform announced that on the first Friday of every month they’d be waiving their fees so that 100% of profits would be going directly to artists, my newsfeeds were awash with new music recommendations. Moving home to Essex from London in March meant I actually had some expendable income to buy new records, so I was furiously typing bespoke recommendation threads on Twitter every time the date rolled around. bandcamps’ generosity meant you were able to genuinely support your friends (and the artists you secretly wish you were friends with) during a truly depressing year for music.

Normally, we’d be picking our live music highlights too, but for obvious reasons, we’ve hardly been to any gigs this year. Mari had to cancel half of the gigs GIHE she had booked pre-pandemic and it’s fucking depressing to not know when it will be (properly) safe for her to book more. That’s why I feel incredibly fortunate to have wedged in one last GIHE gig before Lockdown 1.0. GIHE worked together with Sofar Sounds to put together a special International Women’s Day gig at their Hackney HQ in March, with Beckie Margaret, Amahla and Indian Queens on the bill. It was so exciting (and nerve-racking) to host the evening with fellow GIHE pal Tash too. Even if I’d had a year full of gigs, this one still would’ve made my highlights list.

One last gloat – I published some of my all-time favourite features on our website this year. My Zoom interviews with the wonderful A.A Williams, the hilarious CMAT and the ultra talented Lido Pimienta are well worth a read.

Mari Lane (Managing Editor)

It goes without saying, most of the highlights I’d normally mention at this time of year were not able to go ahead in the void of 2020. They would normally consist of the monthly gigs that I host at The Finsbury, whereas this year I was only able to put on two before Covid hit. And, in addition to having to cancel at least seven of our regular gigs, we were pretty heartbroken to cancel what would have been our very first festival, due to take place in July. However, I did manage to fit in a couple of memorable live experiences before being confined to being permanently pyjama clad; my only weekly highlight being our regular beer delivery from Croydon’s Art & Craft bar.

The first gig I hosted this year felt particularly special. Personal Best headlined a night filled with all the best vibes. Drawing the night to a memorable close, front person Katie Gatt dedicated their set closer to the queer community. As a sea of buoyant voices joined in with “I wanna kiss you in the street / where everyone can see / ’cause this is what we look like,” the poignancy of the lyrics was overwhelming and an empowering sense of unity took hold. The night also included the shimmering folk-strewn offerings of Athabaska, the quirky energy and sparkling charisma of Nun Habit and the sun-drenched swirling anthems of Hurtling. There is nothing quite like that joyous sense of togetherness that comes from hosting gigs filled with like-minded wonderful people.

I was also lucky enough to fit in seeing one of my all time favourite bands with a few of my all time favourite people. The last time that Tash, Kate, Paul and I were all together pre-Covid was for Sleater Kinney at Brixton Academy – a pretty special night. Not only did I get to see the legendary Carrie Brownstein deliver her distinctive gritty, scuzz-filled riffs alongside Corin Tucker’s unmistakable swooning vocals in the flesh, conjuring up massive feelings of awe and nostalgia, but they were supported by one of our favourite current bands. The second time we’d seen Big Joanie on the Brixton Academy stage (the first being opening for Bikini Kill last year!), they showcased just how deserving they are of their rising success; with their unique, raw, post-punk soundscapes and poignant lyricism, they delivered an absolutely incredible set. A truly memorable night.

My last ‘outing’ before lockdown was to the BBC 6Music festival for International Women’s Day at The Roundhouse. An epic line-up consisting of some incredible women and non-binary folk that I’m incredibly grateful I got to witness before everything fell apart. In addition to the immense poignant power of Jehnny Beth, the utterly beguiling splendour of Nadine Shah (who I fell in love with there and then), and the completely mind-blowing presence of hero Kim Gordon, Kae Tempest delivered a fiercely moving, truly breath-taking headline set.

And then gigs were gone. To be replaced by online streamed “events” which I think have had mixed reviews over the last few months – they’re of course no replacement for the “real thing” and it’s hard to feel motivated to “attend” things when you’ve been on the sofa in your pjs for weeks. However, I have managed to organise a few GIHE Instagram ‘Takeovers’, featuring some of our favourite bands and artists. From ARXX’s drum and guitar lessons, LibraLibra’s quirky tele-sales style feature and Tiger Mimic’s interviews with others on the scene, to inspiring chats with Amaroun, Eckoes, Foundlings and Husk, beaut “live” sessions from Gold Baby, Scrounge and KIN, and King Hannah’s EP run through, I feel grateful that so many creatives have wanted to be involved.

It’s a strange time, no doubt, but one which is made that much better by a sense of togetherness within the community. One positive from all this really has been the mutual support and genuine care that I’ve seen musicians and those within the industry show for each other.

John McGovern (Contributor)

On the one hand, there’s been almost no gigs, no festivals, much fewer physical releases and closed record shops. On the other, BBC 6Music’s response helped me stay indoors and make the most of my furlough life. Lauren Laverne‘s show was extended to cover the late morning, running to nearly double the length of most of the other shows on the station and basically saw her appointed as chief mood-lifter for the BBC’s flagship alternative music station. Amongst the days of uncertainty, where even leaving the house offered the risk of serious illness, with no guarantee of a job at the end of the summer, having Lauren there to soundtrack breakfast/brunch made a world of difference. It produced a kind of odd stasis: the background radiation of a pandemic, but an excellent range of music, usually featuring a smattering of classics, new music and obscure gems. The only disappointment was when the schedule reverted back to usual come the end of lockdown. Hopefully, that same semblance of normality will be back for us all, soon.

Thanks to everyone who took the time to read our highlights!

You can read about our GIHE Albums of 2020 here and our GIHE Tracks Of 2020 here.

Keep an eye out for our Ones To Watch in 2021 feature next week!