Track Of The Day: Varley – ‘Married With Bruises’

Having charmed us live at Notting Hill Arts Club a couple of years back, Berlin based Varley have now shared a courageous and vivid reveal – ‘Married With Bruises’ – taken from their 2021 album, Smalltalk and DMCs. With an impactful track title suggestive of Varley’s tender subject dive, the three-piece have found a divine formula for exposing poignant subject matter with compassion. 

As a testament to Two Thousand Years, ‘Married With Bruises’ is a raw look into generational patterns of patriarchy and misogyny. As a highlight from Smalltalk and DMCs, it is an indie-pop venture that lyrically pays testament to its delicate narrative while musically encouraging liberation with a communal, orchestral disposition. Smooth, reverberated guitar cast a stormy spell for Irish front woman Claire-Ann’s voice to dance upon as her effortless vocal authority draws listeners into the world of Varley. 

As vocal layers are intricately woven during the track’s chorus, ‘Married With Bruises’ shimmers as Claire-Ann’s frustration festers over the repeated mistreatments thrusted upon women, her “mother’s mother” and later, onto herself. The discomfort of being shoved around and controlled is felt by just listening to the honesty in her vocal delivery as it cuts through the lilting instrumentation for our undivided attention. Of the meaning behind the track, Claire-Ann expands:

“It weighs heavy on me sometimes when I see that I am being treated differently to my band mates. Is it because they have willies and I don’t? Or do I allow myself to be spoken to in a way that they would never accept? The one thing I am so grateful for is that my band mates see it too and they always have my back when they see it happening. I never really confront it but you can be sure I’m gonna write a song about it and that’s why ‘Married with Bruises’ is so special to me. It was my place to vent when I felt I was being treated differently or unfairly or being spoken to in a creepy way just because I am a woman.” 

Cinematic bass expands the universe of ‘Married With Bruises’ as the track’s bridge becomes a cathartic outro, ultimately spiralling into a thunderous soundscape filled with haunting nuances reminiscent of Angel Olson. Captured with such grace and vulnerability, it offers a captivating insight that is both singer-songwriter genuine and art-pop captivating.

Watch the stirring new video for ‘Married With Bruises’ here:

Smalltalk and DMCS, the latest album from Varley, is out now.

Jillian Goyeau
@jillybxxn

Introducing Interview: Dyan Valdés

Having been involved in the music industry for twenty years, Berlin-based Cuban-American artist Dyan Valdés has played in esteemed bands such as The Blood Arm and Die Sterne, and has now released her first solo material. Taken from her upcoming debut solo album, ‘Fade Away’ offers an immersive shimmering soundscape; propelled by layers of synth and driving beats alongside Valdés’ luscious vocals, it’s a poignant, twinkling message of hope at a time when things can feel hopeless.

We caught up with Dyan to find out more…

Hi Dyan Valdés, welcome to Get In Her Ears! Can you tell us a bit about yourself?
Hello! Thanks for having me. I’m a music industry lifer – I got together with my first band, indie rockers The Blood Arm when we were at university in 2002. After releasing five albums and two EPs, touring the world and moving to Berlin together, we went on hiatus in 2017. The singer and I formed the synth punk trio Mexican Radio in 2017, and released another two albums under that name. The band hosted a radio show on KCRW Berlin for 2 years, in which I interviewed artists such as Stereo Total, Sleaford Mods, Ian Svenonius, Allison Wolfe of Bratmobile, and many more. I’ve been playing with Hamburger Schule legends Die Sterne since 2012. ‘Fade Away’ is my debut single as a solo artist and Stand will be my first solo album.

How did you initially start creating music?
I never thought I would make my own solo music – I’ve always been a supporting player, co-writing the music and singing backing vocals. But, the pandemic changed things. At the beginning of the first lockdown, I was attacked by a strange man in broad daylight on the streets of Berlin. I recognised that my already precarious safety as a woman was even more threatened by pandemic circumstances. I arrived home, overwhelmed by my experience and by reports of increased domestic violence and the exploitation of female labour at the frontlines of the pandemic. I wrote and recorded the protest song ‘Stand’ that weekend – feeling that I needed to create something that would make me feel powerful again. This was the first time I had created a piece entirely on my own. After cancelled tours and rehearsals, I was alone in my home studio and could not fall back on my bandmates to provide a creative outlet. I stepped up and did it myself.

Throughout my music career, I have often been the only woman in the room. When I was attacked, I felt alienated and alone. I realised that on some level, I’ve felt the same way in the music industry for years – moving through spaces that are not designed to fit my body, protect my safety, or elevate my voice. What would our industry and our art look like if this model were flipped on its head? In order for the process of this album to line up with the sentiment, I employed women at every level of the project: production, artwork, video, photography, PR, styling, and marketing. 

We really love your recent single ‘Fade Away’ – can you tell us what it’s all about?
‘Fade Away’ is about looking around and saying to yourself “this isn’t good enough”, and dreaming that someday you’ll find yourself in a situation that is. I imagined this feeling of being locked in a house – either by someone else or by myself – and wanting the ceilings and walls to just disappear so that I could be free. The song is sad but hopeful – the “different day” hasn’t come yet, but I believe that it will. I dedicate the song to anyone who has ever felt trapped, marginalized or silenced. The song came to me extremely quickly – I wrote all of the lyrics, melodies and music and then recorded the basic tracks at home within about four hours from start to finish. I felt like the words and music just came through me from a place where they had already been written.

You’ve been compared to the likes of PJ Harvey and Bat For Lashes, but who would you say are your main musical influences?
Probably my life-long biggest influence is David Bowie, who was never afraid to take big swings and explore all kinds of different directions. I thought about him a lot when making this record, just in terms of pushing myself to take risks. PJ Harvey is also a big influence, as is Stevie Nicks, Kate Bush, Peaches, Courtney Love and Tori Amos (obviously – I’m a keyboard player!) I was also very influenced by books that I was reading while writing this record. I’ve been a proud feminist my whole life, but while working on the album I really did a deep-dive into a lot of feminist writing. That helped me sharpen the messages that I wanted to deliver: who benefits from the oppression of and violence against women? How is capitalist society complicit? How am I complicit? I did a lot of self-examination on this record, and I hope that comes across.

What can fans expect from your live shows?
Since I’ve been playing in bands for nearly 20 years, I wanted to do something different with my solo show. Instead of hiding behind my keyboard, I’m challenging myself to be a real pop diva and sing and dance throughout the show. I have two backing dancers with me, and one of my producers Maya Postepski (who releases music under the name Princess Century and plays drums with Peaches), will be playing drums on stage. It will be a high-energy rousing pop spectacle!

As we’re a new music focused site, are there any new/upcoming bands or artists you’d recommend we check out?
Sadly, I usually discover new bands by happening upon them live, which hasn’t been possible in the last year and a half. However, when I was hosting the radio show, I had the pleasure of discovering a lot of new and exciting bands: Sweeping Promises, Big Joanie, Special Interest, Automatic and Surfbort were a few of my favourite discoveries.

And how do you feel the music industry is for new bands at the moment – would you say it’s difficult to get noticed?
When I started, my band The Blood Arm was part of the last generation of bands that really had the “get signed, get an advance, get label support for touring and PR” trajectory. It’s very different now – in some ways, you have more direct access to fans, but because everyone else does too, you have to find a way to stand out. I think the difference is now I’m not trying to get “label attention”, but rather to reach out directly to the fans. If new artists can manage to make a direct connection with people who like their music, that can be very powerful.

Finally, what does the rest of 2021 have in store for you?
Now that live music is opening up again, I’m touring a lot with my German band Die Sterne and doing some recording with them as well. Following ‘Fade Away’, I’ve just released a second single, ‘Be My Revolution’. There will be a third single (‘Irregular’) in January and the album Stand will come out in February. We are also choreographing and developing the live show, so it will be a busy time! But, after such a lull in the industry, I’m excited to get back on stage and even more excited to share my solo music with the world.

Massive thanks to Dyan for answering our questions!

Stand, the debut solo album from Dyan Valdés, is set for release on 11th February 2022 via R.I.P Ben Lee Records.

LISTEN: People Club – ‘Francine’

A soulful offering that explores what it’s like to love someone who’s caught in the grip of addiction, Berlin-based indie band People Club have shared their latest single ‘Francine’. Taken from their upcoming EP Take Me Home, which is set for release later this year, the track navigates the difficult subject by blending lush synths and lo-fi guitars with yearning, passionate vocals.

“‘Francine’ is a song about commitment and how love can fade away leaving only wickedness behind,” the band explain. “The song speaks from the voice of a partner whose lover is helplessly addicted to drugs.” The sadness in this narrative voice is encapsulated in the repeated lyric “I often said ‘I wonder if you love me / or if you just need company,'” before the yearning chorus of the eponymous name takes hold. The five-piece gently traverse their narrator’s spiral of doubt through moody, Motown-infused grooves.

‘Francine’ is accompanied by a stylish monochrome video, shot in wintertime in Berlin and directed by Felix Spitta. “The video is a play on the old idiom of ‘being your own worst enemy’,” the band explain, “a phrase which quite beautifully captures the inner critic which we know so well, especially during the course of the pandemic.”

Watch the video for ‘Francine’ below.

Follow People Club on bandcampSpotify, Instagram, Twitter & Facebook for more updates.

Kate Crudgington
@KCBobCut

Track Of The Day: People Club – ‘Lay Down Your Weapons’

A powerful combination of emotive vocals and commanding beats, Berlin-based indie soul group People Club have shared their latest single ‘Lay Down Your Weapons’. It’s a charged offering that tackles the issues people of colour continue to struggle with in the face of police brutality, demanding peace through vehement protest.

“”Lay Down Your Weapons’ is about issues that weigh heavy on our hearts,” the band explain. “It was originally written in 2017 about issues of police brutality and the police militarisation that black and brown folks have disproportionately faced, and unfortunately we are still fighting these issues today. We are so proud of all the people on the front lines fighting for justice, for institutional reform/dissolution, for legislation, and for the safety and liberty that our BIPOC and LGBTQIA communities have long since deserved. We were asking…but now we’re demanding. We deserve justice, we deserve freedom, we deserve that our lives are valued. Black lives matter and defund the mother fucking police.”

Formed of Sarah Martin (lead vocals), Ray Sonder (bass, backing vocals), Saxon Gable (guitar, backing vocals), Pete Costello (keyboards, backing vocals) & Drew Deal (drums), People Club formed in 2018 after they each moved to Berlin in late 2017 from their respective countries (Australia, USA, UK, New Zealand). Together, they create moving, bold sounds designed to dismantle the un-nerving behaviours they witness in their own societies and the wider world.

Listen to ‘Lay Down Your Weapons’ below and follow the band on bandcamp, Spotify, and Facebook for more updates.

 

Kate Crudgington
@KCBobCut