PLAYLIST: Galentine’s Day 2022

It’s one of the best days of the year, GALENTINE’S DAY! Coined by Parks and Recreation character Leslie Knope (played by Amy Poehler) back in 2010, Galentine’s has since been recognised by girls across the globe and used as a light-hearted platform to celebrate the girls and women who enrich our lives.

To celebrate, we’ve chosen tracks from some of the many female-identifying artists who inspire us and we’ve put them into one eclectic playlist. We’re all about self-love and sisterly – not just cis-terly – love today, so scroll down, press play and share the Galentine’s joy!

Bikini Kill – ‘Rebel Girl’
This one goes out to my GIHE gals, Tash and Kate! A song about having the coolest best friend by ultimate heroes Bikini Kill, you should listen to it at full volume and celebrate all the “queens” of your world this Galentine’s Day. (Mari Lane)

Problem Patterns – ‘Gal Pals’
Having been fans of Northern Irish band Problem Patterns for some time now, my love of them has skyrocketed since they headlined our gig at The Shacklewell Arms in December. Oozing a swirling energy and fierce, infectious passion, they united the crowd in solidarity with both their righteous anger and vibrant, joyous sense of fun. ‘Gal Pals’ offers a perfect sentiment for this Galentine’s – celebrating female friendship and the mix of feelings that comes with it. (ML)

Petty Phase – ‘Different For Girls’
Southend’s Petty Phase aka Jen, Rosie & Alyx were guests on our radio show a few years ago and they played a GIHE gig at The Finsbury back in 2018 too. We loved their riot grrrl inspired sounds and rumour has it they’re set to play some more shows this summer. Bassist Alyx has also been busy co-hosting the excellent We Wear Black podcast alongside Sophie K and Yasmine, talking about all things in the rock & alternative scenes. Definitely check it out. (Kate Crudgington)

Big Joanie – ‘Used To Be Friends’
The GIHE team are huge fans of Big Joanie who work tirelessly to make the punk scene a more inclusive and diverse space. Not only that, they’ve got a debut album full of lo-fi punk bangers that we’ve listened to many times. Check out Sistahs today and keep up to date with all the amazing work they do on and off stage by following them on Twitter. (KC)

Charmpit – ‘Bridges Go Burn’
Charmpit’s ‘Bridges Go Burn’ is not so much a celebration of friendship as an empowering ode to moving on from toxic relationships and standing up for yourself. But I think this sentiment is super important when celebrating the ones you love. As I’ve got older, I’ve realised the necessity in cutting ties with damaging people, however many fond memories you might share with them; life really is too short to surround yourself with people who don’t lift you up and make you feel good. In the words of the band: “It can take time to burn a bridge, especially when it’s guarded by a troll. You can forgive yourself for taking the time you needed to exit that toxic relationship. And when you exit it, you can write a pop banger so it ain’t so dang depressing!” (ML)

WILLOW – ‘transparent soul’
How many times am I going to say “I am living for the pop punk revival!” on a GIHE Playlist? (at least once more.) WILLOW’s debut album Lately I Feel Everything is full of emo bangers and this track featuring Travis Barker on drums is no exception. (KC)

Brimheim – ‘hey amanda’
An ode to friendship in all its bittersweet glory, I love this track by Danish alt-pop artist Brimheim. Taken from her sublime debut album, can’t hate myself into a different shape, it’s a celebration of platonic love, brimming with nostalgic lyrics, warm guitar sounds and tender vocals. (KC)

VERO – ‘Beg!’
Fuelled by the anger left behind by a flawed relationship, VERO’s debut single ‘Beg!’ is saturated with brooding bass lines, swirling riffs and stinging lyrics. I LOVE it and can’t wait to hear more from the Stockholm-based trio this year. (KC)

Softcult – ‘Gloomy Girl’
I’m a big fan of Canadian twin siblings Phoenix and Mercedes Arn Horn aka Softcult, who create swirling, grunge-infused songs about inequality & sexism within the music industry. This track ‘Gloomy Girl’ is a more introspective offering, giving listeners a glimpse behind the veil of depression. It’s a tentative musing on the ominous feeling that you’re “wasting away” whilst going through a period of poor mental health. Their recent EP Year Of The Snake is also well worth a listen. (KC)

Aye Nako – ‘Nightcrawler’
This melodic tune from Brooklyn-based queer punks Aye Nako popped into my head the other day and it’s been on a loop ever since. The song is about unpacking difficult memories, but Aye Nako deliver it in their quirky, upbeat style. (KC)

SASAMI – ‘Say It’
This industrial-tinged “rage dance anthem” from SASAMI is 100% a bit of me. Taken from her upcoming album Squeeze, which is set for release on 25th February via Domino, SASAMI explains: “I feel like when I hear this song I see a hot femme with a mystical flamethrower engulfed in emotional blue flames throwing elbows alone in an industrial dance club in outer space.” Mate, same. (KC)

M(h)aol – ‘No One Ever Talks To Us’
I was blown away by M(h)aol’s powerful post punk sounds when I saw them live at The Shacklewell Arms last year, and this track was a real highlight. Taken from their debut EP Gender Studies, it’s a brooding, much needed antidote to toxic patriarchal standards. (KC)

Self Esteem – ‘How Can I Help You’
I don’t know why chanting along to “I don’t know shit!” throughout this Self Esteem song is so cathartic, but I fully recommend doing the same. Rebecca Lucy Taylor has proved she’s an alt-pop icon twice over with her album Prioritize Pleasure, and this track in particular is my favourite. (KC)

Wet Leg – ‘Too Late Now’
Best friends Rhian Teasdale and Hester Chambers aka Wet Leg look like they’re having a blast touring their tongue-in-cheek indie bangers across the country. The GIHE caught their debut headline show at Omeara last year and knew they’d be icons from the moment they walked on to the stage to ‘Concerning Hobbits’ from The Fellowship Of The Ring soundtrack. I really, really enjoy the lyrics in this track, especially the line: “I don’t need no dating app to tell me if I look like crap / to tell me if I’m thin or fat / to tell me should I shave my rat.” Their self-titled debut album is set for release on 8th April and I can’t wait to hear it. (KC)

ARXX – ‘The Cat Song’
I couldn’t not include a song from total faves ARXX in this playlist celebrating friendship and love, as Hanni and Clara are two of the loveliest folks in the world – and their love of each other is evident in everything they do. ‘The Cat Song’ – as well as paying homage to our feline friends – is also about the love we have for our friends. As Hanni sings “I’m going to hold you up like this”, I think of how my friends hold me up throughout the bad times and good. And there’s added actual cat sounds – what’s not to love?! (ML)

Robyn – ‘Dancing On My Own’
‘Dancing On My Own’, and what’s wrong with that!? Often I prefer to dance on my own. More space. Robyn is also an outspoken ally for LGBTQ+ rights and we all know romance isn’t just for the heterosexuals out there! So whether you honour Galentine’s, Valentine’s, or even Palentine’s Day; make sure you have a good old dance. (TW)

Chromatics – ‘Girls Just Wanna Have Fun’
A great cover of a great track, need I say more? (TW)

Elodie Gervaise – ‘Free Babe’
One of my favourite discoveries of 2021: mixed beats, intricate synths and electronics from French-Australian artist Elodie Gervaise. When I first played this song I described it as some kind of audible light show. Elodie Gervaise’s EP, Syzygy (undoubtedly my word sound of the year) is great – go listen if you haven’t heard it yet! (TW)

ML Buch – ‘I’m a Girl You can Hold IRL’
This song is taken from Danish electro-pop musician ML Buch’s album Skinned which came out in 2020, but I spent a lot of the winter break listening to it so thought I’d share it with you all in 2022. I love its futuristic techno electro tones and all the FEELINGS. (TW)

Lizzo – ‘Like A Girl’
Turning the common derogatory phrase ‘Like A Girl’ on its head to create something wonderfully empowering, this is another ferociously fun offering from GIHE fave, Lizzo. With references to other powerful women of colour, including Lauryn Hill and Serena Williams, it’s the perfect ode to the power of being female and the power felt when women unite. So, this Galentine’s Day, I’ll leave you with the Lizzo’s words of wisdom: “If you fight like a girl, cry like a girl, do your thing, run the whole damn world”. An ultimate feel-good anthem for women everywhere. (ML)

Aretha Franklin & Annie Lennox – ‘Sisters Are Doin’ It For Themselves’
It it even a Galentine’s playlist if this absolute classic isn’t on it? These two talented women coming together to sing about equality and independence never fails to make me feel good. It may have been released in 1985, but the lyrics are just as relevant today. (KC)

Sheryl Crow – ‘All I Wanna Do’
Having just celebrated her 60th birthday, Sheryl Crow has been a hero of mine from a young age. With her perfectly catchy anthems, she’s been my go-to uplifting soundtrack over the years. This song reminds me of dancing around the kitchen with my oldest friend during carefree times, and it still makes me wiggle and sing-a-long on each listen, over 20 years later. (ML)

Girl Ray – ‘Friend Like That’
An ode to friendship, ‘Friend Like That’ flows with the trio’s colourful energy, creating a dreamily uplifting offering. Of the track, the band explain: “This is a friendship anthem. Reminds us of a really smashing high five with great contact. In music, friend love is often overshadowed by romantic love and IT’S JUST WRONG. This one goes out to the mates of the world.” (ML)

Fightmilk – ‘Overbite’
As the raw emotion and distinctive smooth-yet-husky charm of front-person Lily’s vocals deliver a heartwarming sentiment (“You don’t have to smile if you don’t want to darling, you’re perfect as you are”) alongside scuzzed-out riffs and an infectious, shimmering energy, Fightmilk have created the perfect, alternative fuzzy love-song. A totally joyous ode to your best pal or lover, or both, it offers another slice of blissful power-pop from one of my favourite bands. Fightmilk headline for us at The Shacklewell Arms on 25th March and we can’t wait! Tickets on DICE. (ML)

BAXTR – ‘Grace On Fire’
Reflecting on the feelings of helplessness that come with seeing someone you love suffer, ‘Grace On Fire’ is a sweeping slice of alt-pop. Propelled by an uplifting energy, it’s a wonderfully anthemic ode to looking out for your friends – as singer Floss expands: “These days, I try not to overlook those simple yet precious 3 words that did so much to help douse my own flames… ‘are you ok?’” BAXTR were due to play their first ever gig for us on 24th February, but have sadly had to pull out as one of them is currently recovering from surgery – we’re sending them all loads of love and Galentine’s wishes, and look forward to them playing for us later in the year! (ML)

Carole King – ‘You’ve Got A Friend’
Carole King’s Tapestry continues to be one of my most favourite albums. It’s my mum’s favourite too, and I have many memories of singing along with this uplifting message of unity and platonic love with her over the years, both reaching for the tissues when we saw it live in the musical, Beautiful. So, this heartfelt anthem goes out to her, my all time favourite gal, who inspires me every day. (ML)

Jackie Shane – ‘Any Other Way’
I know I’m guilty of adding this tune to multiple GIHE Playlists, but it’s so good I can’t help it! Jackie Shane’s wonderfully smooth vocals, sophisticated style and defiance in the face of transphobia in the early ’60s make her a true GIHE icon. Whenever I hear this song, I think of using it as an opening track to many a GIHE radio show, sitting next to Tash & Mari in the studio, chatting about our favourite music on air (and laughing at my penchant for sad girl bangerz off air too.) This tune is dedicated to them both and to all of our followers who keep GIHE going. We wouldn’t have it any other way. Big love. xxx (KC)

LISTEN: LOUD WOMEN – ‘Reclaim These Streets’

An uncompromising feminist anthem that centers women’s experiences of harassment and fears for their safety in public spheres, LOUD WOMEN have shared their new collaborative charity single ‘Reclaim These Streets’. Sparked by the conversations around the untimely deaths of Blessing Olusegun and Sarah Everard, LOUD WOMEN’s founder Cassie Fox invited a collection of female and non-binary musicians to rage alongside her on this vital musical statement, with all proceeds from the track being donated to UK charity Women’s Aid.

“Two women a week are killed by men. Refuge services are having to turn away one in two survivors of violence – and yet refuge funding has been cut by one quarter since 2010,” Cassie explains. “This is a song of feminist solidarity and hope – all women and gender non-conforming people have a right to walk safely on every street, and be safe in their own home.” Backed by the voices of Siobhan Fahey (Bananarama, Shakespears Sister), Brix Smith Start (The Fall/Brix & The Extricated) and Patsy Stevenson (the face of the Clapham vigil) and with instrumentation provided by members of My Bloody Valentine, Salad and T-Bitch, ‘Reclaim These Streets’ is a powerful and necessary punk offering that demands the right to exist in a world free from gender-based harassment and violence.

The track features over 60 female voices from the independent & alternative UK music scenes, including Estella Adeyeri (Big Joanie), Janey Starling (ex-Dream Nails), Nadia Javed (The Tuts), Ren Aldridge (Petrol Girls), Jo Bevan (Desperate Journalist), Siân Alex (Gold Baby), MIRI, Kat Five (Feral Five), Holly Carter (Berries), Angela Martin (Bugeye), Elis Sarv & Kelly Chard (Noise Noir) and many more.

‘Reclaim These Streets’ simmers with a palpable, justified rage and provides a cathartic burst of relief for female and non-binary listeners who have been living under the shadow of street harassment for most of their lives.

Watch the video for the track below. Download ‘Reclaim These Streets’ via bandcamp.

Kate Crudgington
@KCBobCut

Full list of ‘Reclaim These Streets’ contributors:
Abby Werth of I, Doris and Argonaut
Amber of Hadda Be
Angela Martin of Bugeye
Bec Jevons of IDestroy
Brix Smith Start
Caroline Gilchrist of Hot Sauce Pony
Cassie Fox
Charley Stone
Debbie Googe
Debbie Smith
Dungareen Jean
Elis Sarv from Noise Noir
Ella Patenall of Naz & Ella
Emily Eagle of The Pukes
Emma Sky of Slut Magic
Erika Severyns
Estella Adeyeri of Big Joanie
Gail Something-Else of Muddy Summers & the Dirty Field Whores
Gemma Cullingford of Sink Ya Teeth
Georgie Willsher of Beverley Kills
Gilan
Harriet Doveton
Helen McCookerybook
Holly Carter of Berries
Jade Ellins
Janey Starling
Jen Macro
Jo Bevan
Joyce Raskin
Julie Riley of I Am HER
Karen of Hagar the Womb
Kat Five of Feral Five
Kel of The Empty Page
Kelly Chard
Kimmi Watson
Kristina Stazaker
Lee Friese-Greene
Lilith Ai
Liz Hayward of Ode to Sleep
Lorna Tiefholz of Rabies Babies
Marijne van der Vlugt
Michelle Marti of Girls Rock Indiana
Minni Moody
MIRI
Molly Energi
Nadia Javed
Ngaire Ruth
Nicki Mirage of Brazen Hussy/KNM
Patsy Stevenson
Paul Maps – Joyzine
Penfriend
Priya
Ren Aldridge of Petrol Girls
Ros Cairney of Deux Furieuses
Roshi Nasehi
Rowanna Chown
Sam McCann of Gender Chores
Shona MacMillan
Siân Alex of Gold Baby
Siobhan Fahey
Stevie B of T-Bitch
Suteki Hegg
The Pukes
Umbilica

GIHE: International Women’s Day 2021

Happy International Women’s Day! A day to highlight and bring awareness to the issues facing women around the globe, as well as a time to celebrate the women we love too. This year’s theme is #ChooseToChallenge – and here at Get In Her Ears we take that to mean that in order to create a more equal world, we must be constantly challenging accepted ‘norms’; constantly seeking to change and improve society in any way we can. In the words of the inspirational Angela Davis: “I am no longer accepting the things I cannot change. I am changing the things I cannot accept.

At Get In Her Ears this International Women’s Day, we’re celebrating both women and non-binary folk who have inspired and motivated us throughout this particularly challenging year. We want to make clear that we are inclusive of ALL women. Inclusivity is at the core of what we do: it’s the reason we started, it’s what drives us, and it’s something we will consistently strive for as long as we exist. To be explicitly clear, we always have and always will stand against transphobia – it is unacceptable. We send our love, support and solidarity to ALL women out there, and celebrate those gender nonconforming people fighting for acceptance. 

Have a read about the consistently inspiring women and non-binary people who have been keeping us going this year, and listen to the accompanying playlist – including tunes by, or linked to, the people featured. And feel free to get in touch with us on socials about the women who have inspired you this year!

Kathleen Hanna
I couldn’t really put together an International Women’s Day feature without including Kathleen Hanna. Being a constant inspiration always, throughout the last year I’ve needed to find strength in her empowering charisma and motivating force more than ever, and treated myself to the 20th anniversary re-issue of the Bikini Kill EP on one of the amazing bandcamp days last year. As well as inspiring me with the riotous power of music, over the last couple of years Kathleen has also set up ‘Tees 4 Togo’ – a business that sells t-shirts designed by and depicting different artists, with 100% of the money raised going to Peace Sisters, a non-profit started by Tina Kampor. Peace Sisters’ mission is to provide equal education for girls in Tina’s hometown, Dapaong, Togo. Each shirt sold is $40, which is how much it costs to send a girl to school in Togo for one year. The sweatshop-free tees are collaborations between the artists and the performers who inspired them.
(Mari Lane)

Big Joanie
Is it even a GIHE feature if we don’t include Big Joanie? Authors, activists, musicians and all round punk icons, these grrrls are a constant source of inspiration to the GIHE team. From organising Decolonise Fest, continuously speaking out against racism and sexism in the alternative music scenes, to creating the perfect soundtrack to rage and rejoice to, Big Joanie are an unstoppable force for change. Their work on and off stage is remarkable. Vocalist & guitarist Stephanie Phillips is releasing her new book Why Solange Matters later this year, drummer Chardine Taylor Stone will be releasing her book Sold Out: How Black Feminism Lost it’s Soul in 2022, and bassist Estella Adeyeri is busy recording podcasts and working with the Girls Rock London team.
(Kate Crudgington)

Lucy O’Brien (author of She Bop)
Getting to interview and virtually meet Lucy O’Brien twice this year was such a pleasure. 2020 saw the release of her book She Bop in celebration of the 25th anniversary of the original publication, a book that shows how much Lucy has documented, highlighted and pushed for better representation of women, transgender and non-binary people in music through her writing. Most recently she has co-written Skin’s Memoir It Takes Blood and Guts, which was also released in 2020 (read our interview with Lucy and Skin here). Lucy O’Brien – an inspiring woman, with an inspiring career who, lucky for us, shows no sign of slowing down.
(Tash Walker)

I will never get over seeing the Get In Her Ears name in PRINT and that’s all thanks to author & music journalist Lucy O’Brien. She included us in a new chapter in the 25th anniversary edition of her book She Bop last year and I’ve been making my way through it since then. Tash interviewed Lucy for one of our radio shows and I was so impressed by her knowledge, articulation and kindness when it comes to reporting and acknowledging the often forgotten history of women and non-binary people’s contribution to popular music. Definitely pick up a copy if you’re able to. (KC)

Kae Tempest
Coming out as non-binary last year, Kae Tempest not only completely blew me away at the last gig I went to (exactly a year ago at BBC 6Music’s International Women’s Day celebration at The Roundhouse), but their recently released book On Connection has been a wonderfully insightful, and strangely comforting, read in these worrying times. Reflecting on the connection between people and the unifying feelings that art can create, they discuss how connection should be a collaborative, communal feeling. Sharing deeply personal experiences and discussing times that they’ve felt particularly disconnected, it’s such a relatable and moving piece of writing. It is also the only book I’ve managed to read properly this whole year; I’ve really struggled with just the things that they discuss throughout – with feeling focused and connected – and so to be able to read something that is both poignant but also short and simply put together, has been just what my mind has needed. (ML)

Peaches
Last year, I interviewed the trailblazing Peaches for a Nine Songs feature on The Line Of Best Fit. She spoke about her favourite music and I spent most of the time nodding enthusiastically at her reasons for loving The Runaways, Missy Elliott and Roberta Flack. One thing that’s got me through the last year – and every other year, really – is talking to people who are not just passionate about the music they make, but the music they love by other artists too. The unfiltered admiration you can have for a band or musician is so pure and so important, and it’s definitely something I have grown to cherish over the years. (KC)

Beth Cannon (LibraLibra)
International Women’s Day happens to fall in Endometriosis Awareness Month (a condition where tissue similar to the lining of the womb starts to grow in other places, causing many painful symptoms and often affecting people’s lives significantly). And, as someone who has struggled with the symptoms for a number of years, I’m always inspired by talking to other people who have gone through similar experiences. This year, I discovered that Beth from one of our favourite bands, LibraLibra, has suffered with incredibly severe Endometriosis – to such an extent that, at the beginning of this month, she has had to have a very significant and invasive operation. However, throughout all the pain, treatments, stress and life-changing decisions that she has been under this year, she has continued to fight – to be an incredible force of nature, through both the immense power of her musical creations, and her openness and effervescent strength of spirit through her inspiring and motivating social media posts. (ML)

Planningtorock
I remember being in the Hoxton Radio studio in 2018, listening to Tash talk so passionately about how Planningtorock’s fourth album Powerhouse was resonating with them. Tash’s joy was infectious and I found myself listening to the record and hearing this incredible artist dive deep into their own gender identity with such playfulness and charm. Tash & I saw Planningtorock live at Queen Elizabeth Hall at Southbank Centre in 2019 and it was marvellous. We even ran onto the stage with loads of other fans at one point, looking around in disbelief and loving every minute of it. (KC)

SOPHIE
With full acknowledgment that SOPHIE’s identity was rooted in being SOPHIE, by naming SOPHIE in this piece I am not placing any identity on SOPHIE understanding that SOPHIE asked to be identified as SOPHIE. Someone who pushed the boundaries of music, of sound, of electronica, of what it means to be queer – a person who changed music for the better, by not living and reflecting in a nostalgia but pushing, reaching for a future. A future that SOPHIE saw through SOPHIE’s lens and through SOPHIE’s music; we got a glimpse of it too and for that we should be forever grateful. (TW)

FKA Twigs
I’ve been a fan of FKA Twigs since first been utterly captivated by the innovative sweeping sounds of ‘Two Weeks’ from 2014’s LP1, but I never knew that much about her. That is until I listened to her speaking with Louis Theroux on his Grounded podcast earlier this year. Not only was hearing her speak about her latest album Magdalene and how she found its inspiration in strong women – namely Mary Magdalene and her little known strength and achievements – particularly poignant, but hearing her speak openly about her experiences of abuse was immensely moving. Her honesty and openness about what she went through with Shia LaBeouf has been incredibly inspiring and a source of strength for many who are going through similar experiences. Public figures such as FKA Twigs being vocal about the issue of abuse is essential in enabling others to feel able to do this, and I feel a huge amount of admiration and gratitude to her for telling her story; opening up this vital conversation and giving a voice to survivors who so often remain unheard. (ML) 

Divide and Dissolve
Fuelled by Takiaya Reed’s doom-ridden saxophone notes and Sylvie Nehill’s phenomenal percussion, instrumental activists Divide and Dissolve have a sound that flows with a unique gargantuan grace. Designed to erode the foundations of colonialism and liberate the land for indigenous communities, their recent album Gas Lit smoulders with a righteous fury. Not only are they immensely talented musicians, they are also incredibly kind. Each time I’ve reviewed their music for our website, they’ve been quick to message via the GIHE socials to say a sweet and sincere thank you. (KC)

Sarah Lay (co-founder of Reckless Yes)
For a few years now, the label Reckless Yes has been a source of some of our most favourite artists – currently home to the likes of LIINES, Breakup Haircut, Bugeye, The Other Ones, The Crystal Furs and more – and co-founder Sarah continues to inspire us with her hard work and consistent dedication. Working ethically with all the artists on the label, making sure they are paid and treated fairly, Reckless Yes is supported by a membership that fans can sign up to and receive benefits, and is continually working on how it can be a force for social good: not only benefitting the artists on the roster, but holding environmental values as a fundamental part of their work. A one of a kind label run by a super wonder woman, who deserves to be celebrated for the consistently exceptional work she does and the invaluable help she gives upcoming artists. (ML)

Amateur Pop Inc.
A small record label based in Leicester working exclusively with artists of marginalised identities, Mari & I are huge fans of the musical output of Amateur Pop Inc. Run by Emily & Alex, it’s been a joy to interact with them and the artists they support. I recommend listening to Gordian Stimm and Boarder, and Mari would recommend listening to Kermes too! (KC)

Babywoman Records
We had Babywoman Records founder Charlotte Carpenter as a guest on our GIHE radio show a few years ago, and it’s been wonderful to see her create her own label and platform to help other women release their music. To celebrate International Women’s Day this year, Babywoman Records are launching a special four episode podcast series celebrating women in roles across the music industry. Each day between 8th-11th March, they’ll have a guest discussing their work. Speakers include Producer Steph Marziono, Warner Brothers’ A&R rep Holly Manners, musician Eliza Shaddad and Managing Director of Palm Bay Music Kimberley Anne. Visit the Babywoman Records website for more info here. (KC)

Amaroun
A long term favourite at Get In Her Ears, Amaroun consistently delivers a stirring power juxtaposed with an impassioned energy in each of her creations, and – throughout 2020 – she released a a number of poignant and empowering reflections on being a queer woman today. As well as captivating us with her tunes, over the last year Amaroun has also shared some of her insightful inspirations and thoughts on the industry with us in two of our Instagram Live sessions, and continues to be a massive inspiration in all she does. This year, in addition to working on her debut album, Amaroun has been running Black Queer Joy – a series of queer led sessions harnessing the power of community to call upon our ancestors as we heal, reclaim and find self-acceptance. The next session is this Wednesday, 10th March – details here. You can support Amaroun and her innovative journey at her Patreon page. (ML)

Arlo Parks
Arlo Parks has already achieved so much, especially over the last year, where we saw her release her debut album, Collapsed In Sunbeams, and her songs becoming the go-to hum on everyone’s lips. But what has resonated with me above all else is the depth of her lyrics – her mastery of language that she uses to delicately tell these stories with such feeling, as the music envelopes around you. So beautiful and often so sad. (TW)

Stereo Sanctity PR
Kate & Frankie who run Stereo Sanctity PR are absolute diamonds. Not only are their press releases informative, well-written and superbly formatted, the artists they represent are some of my personal favourites too, so it’s always a good day when I see an SS email at the top of my GIHE inbox. They’re assertive without being pushy and genuinely take the time to get to know your music taste so they can tailor their pitches to you. They represent an immense amount of talent, including Noga Erez, Hilary Woods, Penelope Trappes, Debby Friday, Desire, Anna B Savage, Spellling, Jenny Hval, Lotic, Katie Gately, Skating Polly, Zola Jesus and more. (KC)

Bimini Bon Boulash
I’m sure I don’t need to go into detail about who Bimini Bon Boulash is, but I have been falling more and more in love with them (and Tayce, but that’s another story…) throughout the latest season of Ru Paul’s Drag Race UK. As someone who has watched all the previous seasons of the competition, I have found this latest UK series to be a real breath of fresh air, largely thanks to Bimini. Openly discussing their non-binary identity and how this has affected their life, as well as supporting other contestants with discussing theirs and their struggles with society’s imposed gender norms, Bimini has given a voice to many and has apparently inspired a number of young viewers of the show to come out to their parents. Innovative not only in what they stand for, but in their incredible talent on stage, and their exquisite, unique style, Bimini has opened many people’s eyes as to what drag is, and what it can be: “I consider the concept of gender as a spectrum and I float somewhere in the middle… With drag, I don’t see what I do as female impersonation or illusion, more an expression of my identity and how I feel on the inside...” (ML)

Melanie Simpson (The Irish Jam)
I’ve been contributing to The Irish Jam’s New Music Sunday section for just over a year now. Based in London but celebrating music by Irish artists, the crossover of favourite bands between the GIHE team & The Irish Jam team is huge. I’ve enjoyed chatting to hosts Kealan, Niall, Rob and Mel on and off air for a while now, but Mel in particular is always quick to join me in fan-girling over Kynsy, CMAT and Celaviedmai. From drunkenly telling her about my admiration for Taylor Swift at The Jam’s 2018 St. Patrick’s Day gig when we first met, to buying tickets to CMAT’s debut London gig this November, Mel & I are well on our way to becoming true music gal pals. (KC)

Julia Woollams and Angela Martin (founders of The Croydonist/Bugeye)
Having been ‘locked down’ for pretty much a year now, I’ve come to value my home and its surrounding area in a new light. Being limited to the local area, it has been wonderful to discover new places for my daily walk, and it is has been thanks to The Croydonist that I have discovered a number of hidden Croydon gems; I had never known about Selsdon Woods or South Norwood Lake, for example, until seeing them featured on Croydonist’s Instagram, and they are both beautiful spots, unlikely rural escapes close to home. So, thank you to Croydonist founders Julia and Angela for keeping my love of Croydon going throughout the pandemic! Angela also contributed the most essential and uplifting of soundtracks for 2020 with her band Bugeye’s vibrant, energy-fuelled album Ready Steady Bang. (ML)

Girls Rock London
I wish Girls Rock London had existed when I was a teenager. They do incredible work to support girls, trans and non binary youth who have an interest in making music, but who may not have the funds or confidence to take that interest further. Through mentoring schemes, workshops and band camps, they provide an incredible level of support whilst offering attendees an opportunity to make friends and enjoy learning a completely new skill set. Find out more about their work here. (KC)

Mary Anne Hobbs
Having to work from home for the most part of a year has had its benefits. One of which has been being able to listen to BBC 6Music during the quieter moments of the day, especially my favourite show – Mary Anne Hobbs. Playing such a diverse range of music, from obscure electro to raging metal, she exudes such a passion and enthusiasm about all the tunes she showcases that is both refreshing and uplifting to hear. Hearing someone with such a genuine love of new music and sincere dedication to promoting upcoming artists is wonderfully inspiring, and I think more people in the industry could do with being a bit more like her! So, thank you Mary Anne, for being such a positive force – a consistently elevating accompaniment to my days – at a time when I need it more than ever. Also, what’s not to love about a show that has an ‘All Queens Mix’ at the start of every week?! (ML)

You Know Who You Are…
This last year has been a challenge for everyone, of varying degrees, but what comes out of difficulties endured collectively is a strength in connection. The end of 2020 was one of the most challenging times for me, but I have never felt more loved and supported in my life. So, to all the women and non-binary people who have been there for me over this last year, from family and friends, to all those in between, as someone who has struggled to love themselves for so long, you have all shown me the way, thank you. That includes my two GIHE babes – Kate and Mari, I love you two dearly. (TW)

Mari & Tash (GIHE babes)
Typing through the tears as I think about how much I have learned from you both, and how much I’ve laughed with you both over the last five and a half years. Here’s to many more weekends of gigs, chats about our favourite music and fancy beers with names I can’t pronounce properly. I’ll love you both forever. (KC)

Cindy Crudgington (My biggest fan)
Hi Mum! Probably wouldn’t have made it this far without your eternal love, patience and support. Thanks for always listening to our radio shows, reading my reviews & interviews (you’re welcome for the Noga Erez intro) and for listening to me rant on about how many emails I have to get through every weekend. I love you. (KC)

Holly and Sarah Crudgington (My younger sisters)
Hi Twinny Pigs! Thanks for holding my hand as I get over emotional at Wolf Alice gigs, raging with me in the mosh at the Ho99o9 shows and for always taking the +1 spot on the guest list for bands that I’ve bored you to death about for years. Here’s to many more conversations about how banging the soundtracks to the first two Twilight films are. Love you both. (KC)

GIHE Super Women, Tash & Kate
I couldn’t talk about the women who’ve helped me survive the year without including these two. Not only are they the best friends I could ask for, but they really do inspire me every day. They have both overcome the many challenges this year has brought with a grace and strength that I continue to admire, and both have an unwavering commitment to what they are passionate about. Tash’s work supporting LGBTQ+ people as co-chair of Switchboard and now sharing the community’s stories with the insightful and informative The Log Books podcast is absolutely incredible, and has taught me so much. Kate’s dedication to sharing new music through her amazing writing, and managing to remain so brilliantly organised, is admirable, and being able to regularly rant and rage with her about the world is something I’m forever grateful for. Tash and Kate, you’re a dream team and I cannot wait to see you at a Get In Her Ears gig one day soon, and hatch some exciting ventures for the future!

There are so many more women – both who I know and love personally, who have supported me through this year, and more well-known (Michaela Coel, Adriene Mishler, Phoebe Bridgers, Nadine Shah, Reni Eddo-Lodge) – who I could write about here, but there are only so many hours in the day… For now, I will leave you to celebrate the amazing women in your life!
(ML)

Massive thanks to ALL the wonderful women and non binary people in our lives – we see you, and we love you!

Listen to our accompanying IWD playlist here:

ALBUM: Nova Twins Presents ‘Voices For The Unheard’

A year after the release of their debut album Who Are The Girls?, Nova Twins have returned to share Voices Of The Unheard, a charity compilation LP that’s bursting with righteous energy. Driven by their desire to spotlight the work of underrepresented artists of colour in the heavy music scene, the duo (formed of Amy Love and Georgia South) have put together a blistering collection of alternative anthems that showcase an eclectic, tenacious range of talent.

Following their ‘Voices For The Unheard’ Spotify Playlists, an open letter to the MOBO Awards and their online conversations about racism and sexism in music, Nova Twins naturally gravitated towards curating an album that followed up these narratives. Dr Martens Presents (a multi-disciplinary initiative supporting emerging creative talent) brought their idea of a record to life, providing the funding for the physical release of the compilation on limited edition vinyl via Blood Records. Voices For The Unheard is only available for pre-order until 1st March and all profits will be donated to The Black Curriculum, a charitable initiative working to get black history on the UK school syllabus. It’s a deeply political record in many ways, but it’s also a gargantuan distraction from these important issues too.

Amy & Georgia kick things off with their thunderous single ‘Taxi’, filled with Nova Twins‘ trademark distorted bass lines, jagged riffs and ferocious lyrics. Narrowing the track-list down to twelve must have been tricky, as their stellar Spotify playlists include songs by Ho99o9, Bob Vylan, Sampa The Great and Rico Nasty, but the band have tried to give a platform to artists who are rooted in their underground scenes, whether that’s in the UK or further afield.

‘All My Friends’ by Canadian four-piece The OBGMs is a manic mix of punk and garage rock, followed by the gritty charm of Connie Constance‘s ‘Monty Python’. Her track is probably the quietest on the record, but her skill for subtle song-writing punches just as hard as the the visceral metal & hip hop beats on ‘Cross Me’ by Dallas-based UNITYTX. The track burns with corrosive fury, the final lyric “This is rock music motherfucker!” epitomising what Voices Of The Unheard is all about.

The thumping beats and pulverizing synths on ‘Goatmeal’ by New Yorker LustSickPuppy and the intense punk & rap cacophony ‘Scared’ by duo Death Tour both blitz by in under two minutes. Guttural groans, strung out vocals and feverish riffs fuel ‘Aggressive Evolution’ by Liverpool-based Loathe, and their fury is matched by the genre-defying sounds of ‘Green Vision’ by New Yorkers Oxymorrons, who dominate the ear drums from start to finish.

Brit trio Pussycat and The Dirty Johnsons keep things rolling with their classic rock rhythms on ‘Ain’t No Pussy’, followed by the dense beats and incredible vocals on ‘Trouble’ by North Carolina-based queer/trans artist Khx05, who impresses more each time they’re listened to. Washington rapper Zhariah mixes glitchy beats and candid lyrics on the biting ‘Bitch Boy’ before the infectious rhythms of black feminist punk trio Big Joanie bookend this eclectic mix of rap, rock, punk, metal and electronic music. We’ve waxed lyrical about how much we love Big Joanie before on GIHE, and the infectious rhythms on their Hermitage Works live rendition of ‘Fall Asleep’ still have us chanting the chorus in unison every time.

Listening to Voices for the Unheard should rile you up and re-energise your appetite for heavy music. The album showcases a group of artists who have been galvanized by their individual experiences of discrimination, but who are now united in their attempts to create the authentic, exciting music they wish they had heard growing up. Nova Twins’ battle cry for equality and diversity was loud and clear on Who Are The Girls?, but it’s echoed long after the record’s release. The duo are a force for fun, for fury, and most importantly: for change in an industry that is still dominated by white faces.

You can choose to be part of the solution and help to change this by listening to Voices for the Unheard, following the artists on the track-list and continuing to share the conversations that initially fueled the record’s development.

Pre-order your copy of Voices for the Unheard here.

Click on the name of each artist/band to head to their individual Spotify pages.

Kate Crudgington
@KCBobCut