GIHE: Tracks Of 2024

With another hard-going year behind us, we’ve continued to seek comfort in new music released by our favourite hard-working and talented artists. There’s been an immense amount of incredible new music released, so we want to shed some light on some of the tunes that got us through the hard times, accompanied the good times & generally saw us through 2024.

To start our annual end of year round-ups, we’re sharing our ‘Tracks Of 2024’ ahead of features on our favourite albums, ‘Personal Highlights’ and ‘Ones To Watch 2025’. Have a read about some of the tunes we’ve been loving the most, and make sure you hit play on the accompanying playlist to hear just how fantastic they all are! Then, please do follow the artists you love on all platforms – download their music, buy their merch, go see them live and continue to spread the word about how wonderful they are!

ARXX – ‘Crying In The Carwash’
Here at GIHE we make no secret of our immense adoration for the Brighton duo. And this year has been a pretty wonderful one for Hanni and Clara – we could not be happier for them doing so well and living their dreams. They’ve released an incredible album, played Glasto, been on tour with Fletcher and sold out a load of dates on their own headline tour of Europe. Kate and I were lucky enough to catch them at Lafayette last month, and it was such an uplifting and emotional night – they put on a fantastic show, and just seem to get more and more incredible every time we see them. We can’t wait to see what 2025 brings for these faves. Good Boy, the latest album from ARXX, is out now via Submarine Cat Records.
(Mari Lane – Managing Editor)

Circe – ‘Blue Love’
I have been OBSESSED with this song from dark-pop artist and GIHE fave Circe since she released it in March. ‘Blue Love’ is intense, candid and sultry – a BIG FEELINGS anthem that sets my cells alight every time I hear it. Circe described this offering as “Karen O produced by The Cure during their Disintegration era” and I wholeheartedly agree. ‘Blue Love’ is all about being love bombed and dealing with fuckboys, swirling in the ashes of disappointment and rising from them in defiance. I can’t get enough of it and it was a pleasure to hear it live when Circe played it at Camden’s Electric Ballroom when she supported The Midnight. Full review of the show here. 
(Kate Crudgington – Features Editor)

Tom Rasmussen ft. Romy – Never Look Back
A definite highlight of 2024 for me was seeing Tom Rasmussen finish their UK tour at KOKO, it was an incredible show and you really felt it. I also got to see Romy play at Drumsheds for the False Idols event in November, and my knees are still not back to normal. I just could not stop dancing.
(Tash Walker – Digital Editor)

Freak Slug – ‘Spells’
Freak Slug, aka Manchester artist Xenya Genovese, has definitely been one of my favourite new discoveries of 2024. Having released her debut album, I Blow Out Big Candles, in November, her music combines her glistening sultry allure with a fizzing quirky energy, and this track is an instant earworm that had me hooked on Freak Slug the first time I heard it. I’m hoping to finally catch this exciting new artist live at Moth Club on 22nd May next year. You can nab your own tickets for her Spring tour here. (ML)

Tusks – ‘Adore’
I love this evocative single from London-based electronic artist Tusks. It’s lifted from her her third album, Gold, which she released in April via One Little Independent Records. Inspired by a variety of contrasting experiences and emotions, the record is a dynamic, intricate musing on the shifting nature of love, time and change. (KC)

Blonde Maze – ‘Beside You’
I’m not sure a year goes by that I don’t include New York artist Blonde Maze on my highlights of the year, and there’s a reason for that. She continues to make truly exquisite soundscapes that never fail to soothe and captivate, and this single from March this year is no exception. There is just something about the twinkling grace, swirling energy and blissful uplifting energy that I find completely immersive and utterly cathartic. Having been a mega fan since she was one of the first guests on our radio show nearly ten years ago, I’m so grateful to all that Blonde Maze creates; euphoric sonic journeys to ease the stresses of every day life. (ML)

Ideal Host – ‘Dust Collector’
Created during a four day residency in a converted water mill in Llangollen in Wales, this single from indie band Ideal Host is their poppiest offering to date. I love the way Heather’s soft vocals blend seamlessly with the band’s buoyant riffs, lilting electronics and catchy beats. (KC)

Fears – ‘4th of the 1st’
This single from Dublin-born, London-based interdisciplinary artist Fears is a poignant reflection on emotional resilience and self-soothing. Taken from her second album, affinity, which she released in March via her own label TULLE, ‘4th of the 1st’ delicately dismantles the duplicitous and intrusive thoughts that follow in the aftermath of a complicated breakup. I’m a big fan of everything that Fears does and it was lovely to have her back in the studio as a guest on our Soho Radio show again this year. Listen back to our chat here. (KC)

Roller Derby – ‘Dreams’
Hamburg duo Roller Derby are set to release their debut album next year, and this year they’ve shared four gorgeous singles as a taster of the exquisite atmospheric dream-pop that they’re able to create, including the glistening splendour of ‘Dreams’. They headlined for us at the beginning of the year, selling out the Shacklewell Arms with such a beautifully immersive set. And we can’t wait to have them play for us again next May – at The Lexington on the 9th and at The Rossi Bar in Brighton on the 10th. Tickets here. When The Night Comes, the upcoming debut album from Roller Derby, is set for release on 28th February 2025. Pre-order here. (ML)

afromerm – ‘reciprocity’
This single from London-based artist and GIHE favourite afromerm is about the duality of balancing our inner and relational worlds; getting lost in thoughts, versus present, reciprocal care with those we love – a powerful concept that she treats with such grace and gentility. ‘reciprocity’ will feature on her debut three track EP, which is set for release in the near future. I love everything that afromerm creates and I can’t wait to hear more from her. (KC)

Breymer – ‘When I Get Through’
Having released their latest album When I Get Through in October, Minnesota born artist Sarah Walk – aka Breymer – creates sweeping indie-pop anthems, oozing a raw emotion and stirring heartfelt splendour. Exploring their relationship with gender and identity, the album marks the first since they recently changed their artist name – from Sarah Walk to the more androgynous Breymer – to reflect how they feel about themselves after their recent top surgery. Interweaving lush layered vocals and a shimmering textured musicality, it reflects on a personal journey of self-discovery with a stark honesty. A truly exquisite collection. (ML)

Dogviolet – ‘Violets’
Having played their first ever gig for us back in 2022!, this year’s ‘Violets’ was the first proper single from Dogviolet. And it was worth the wait. I love the soaring celestial splendour they are able to create and felt honoured to help them promote their special single launch show at The Victoria in October – a night of beautiful music, and beautiful scents, as they’d decorated the venue with purple flowers! I’ve been lucky enough to see them live numerous times this year – as well as their single launch show, they kindly stepped in and played at our gig at New River Studios supporting Kara Delik, I saw them at The Lexington supporting other faves Berries, and they played Croydon festival Cro Cro Land -, and I’m excited to see them many more times in 2025. (ML)

Glixen – ‘Lust’
Arizona-based shoegazers Glixen have been one of my favourite new music discoveries this year. They’ve released a string of excellent singles throughout 2024, but ‘Lust’ is the standout one for me. It’s an intoxicating blend of reverb, crashing cymbals and hypnotic vocals. I’m really looking forward to hearing their new EP, Quiet Pleasures, when it’s released in February next year. (KC)

Pink Milk – ‘You Will Follow Me to Hell’
A gorgeous piece of goth-rock-electronica from Swedish act Pink Milk here. It’s taken from their excellent album, Night On Earth, which is inspired by dystopian science fiction fantasies and marks a heavier, darker new era in sound for the band. Their gloomy, cinematic soundscapes are a real sonic delight. (KC)

Slung – ‘Fire To Burn’
I was gutted to miss Brighton four-piece Slung when they played a GIHE gig in May at Sebright Arms. They’ve released a handful of heavy, brooding singles this year and ‘Fire To Burn’ is my favourite. It’s inspired by witchcraft and more specifically, bassist Vlad’s own ancestor who was regarded as a ‘superwitch’ in her village. She was initially perceived as a healer, but eventually she faced persecution from those who once sought solace in her remedies. I Love Katie Oldham’s vocals on this track, they’re the perfect mix of gritty and theatrical. (KC)

Lambrini Girls – ‘Company Culture’
A track about being under appreciated, sexually harrassed and never able to win in the workplace as a woman or queer person, ‘Company Culture’, from punks on the rise Lambrini Girls, was one of a string of equally raging singles this year. Showcasing the Brighton band’s fierce racing energy and ferocious sense of urgency, it cements them as a true formidable force to be reckoned with. Having seen them take the music world by storm in 2024, I can’t wait to FINALLY catch Lambrini Girls live at Brixton Electric next April. (ML)

The Menstrual Cramps – ‘Abortion’
“I’ve had an abortion, no I’ve had two / If you don’t like it, then fuck you!” Straight to the point, as always, Bristol faves The Menstrual Cramps shared this raging, honest and utterly necessary pro-choice anthem at the beginning of the year. Written in response to archaic laws being imposed against women who seek abortions, both in the US and here in the UK, it showcases the band’s ability to create a perfect balance of unifying joy and rage that has never felt more urgent. (ML)

NEXT TO NADA – ‘Moths’
If you’ve ever wondered what it would look like if a punk band shot their debut music video on a narrowboat, wonder no more! London based “sludge rock” four piece NEXT TO NADA filmed the accompanying visuals for their single ‘MOTHS’ inside of one, reflecting the chaotic but ultimately enjoyable nature of modern life. The track is taken from the bands’ debut EP, WHINE // MOTHS – a collection of grinding-yet-gleeful anthems designed to release the pent up frustrations of everyday life. (KC)

Pigeon Dog – ‘Jumpy Cow’
Combining the brooding intensity of grunge with the infectious groove of post-punk, Pigeon Dog’s ‘Jumpy Cow’ is anchored by a funky, driving guitar riff, compelling you to move while immersing you in its shadowy atmosphere. The low, raspy vocals deliver a hauntingly melancholic melody that lingers long after the song ends, leaving you craving another listen. (We caught Pigeon Dog supporting Dogviolet at their single launch show in October – a new favourite for sure!) (Ella Patenall – Contributor)

Hello Mary – ‘0%’
It took me about 10 seconds of listening to ‘0%’ for me to decide that I loved New York trio Hello Mary. This track captures their dynamic blend of grungy riffs, unpredictable beats and defiant vocals perfectly. It features on the band’s second album, Emita Ox, which they released in September. I caught Hello Mary’s set at The Windmill in Brixton and I was equally as impressed by their live rendition of this track. (KC)

adults – ‘Trouble’
South London’s adults have been one of my faves for a few years now and so I was super excited about the return of their trademark jangly melodies and scuzzy energy this year, showcased perfectly in this stirring track. I was lucky enough to catch adults live supporting Fightmilk (more on them later) with Tugboat Captain at Paper Dress Vintage last month – a pretty dreamy night of live music. ‘Trouble’ is taken from …In The Big League, a split EP from adults and Oxford band Spank Hair, which is out now via Fika Recordings. And I’ve heard that there will be plenty of new music to come in 2025 – I can’t wait. (ML)

Sacred Paws – ‘Another Day’
After a five year hiatus, we were excited that London / Glasgow duo Sacred Paws returned to our ears last month. We love everything that Ray Aggs does; we were honoured to have them headline one of our gigs earlier this year, and the revival of this project with Eilidh Rogers came as a very welcome surprise. Flowing with the duo’s trademark lilting and uplifting energy and distinctive sparkling harmonies, ‘Another Day’ introduces a heartfelt folk-strewn sound with the inclusion of banjo played by Ray’s father. Apparently there’s more new music on the way next year, and we cannot wait! (ML)

Dream Phone – ‘Fogo’
Having been utterly brilliant supporting Ray Aggs for us back in April, Oxford duo Dream Phone are one of my favourite new discoveries of the last couple of years. With its playful riot grrrl-inspired spirit, ‘fogo’ showcases all there is to love about them; listening to its scuzzy layers of shimmering musicality, I feel instantly uplifted by its infectious quirky allure and blissfully danceable energy. Watch the accompanying homemade video for ‘fogo’ here and make sure you catch Dream Phone live as soon as possible! (ML)

Zamilska ft. huskie – ‘Odyssey’
I’ve been following Polish electronic artist Zamilska through GIHE for a while now, and she never fails to impress me with her eclectic soundscapes. This track ‘Odyssey’ features on her album, United Kingdom Of Anxiety, which she released in October via Untuned Records (her own label). It’s an intoxicating post-apocalyptic tinged record that totally enraptures the senses. Zamilska also supported Kim Gordon on her European tour this year. I hope 2025 is just as prosperous for her. (KC)

NikNak ft. AGAAMA – ‘Pandora’s Box’
An absolute A-STAR collaboration here between experimental producer & DJ NikNak and electronic artist & songwriter AGAAMA. ‘Pandora’s Box’ is lifted from NikNak’s album, Ireti, which she released in May via Accidental Records. I was so excited to hear new music from AGAAMA too, who’s EP, Wandering Worlds, was a favourite of mine back in 2022. Check out the accompanying Sci-Fi/AI inspired visuals for ‘Pandora’s Box’ here. (KC)

Huge thanks to all the artists and bands creating the wonderful tunes that have got us through this year! Listen to our Tracks Of 2024 playlist now, and please be sure to check them out and support their work (listen/download/buy in places other than Spotify)!

And keep an eye out for our Albums & EPs Of The Year, 2024 Highlights & Ones To Watch for 2025…

.

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GIHE: Albums & EPs of 2023

After sharing our Tracks Of 2023 last week, the Get In Her Ears team want to shine a light on some of the brilliant Albums & EPs that have been released during the last 12 months. These eclectic offerings resonated with us on many different levels and we’ll be talking about them long into the future. Huge thanks to all of the bands and artists who submitted music to us this year. These records kept us going and distracted us momentarily from the uncertain world we’re currently all living in.

So, in alphabetical order, here are our top Albums & EPs of 2023 (including multiple Honorable Mentions at the end, because we couldn’t resist…)

ALBUMS

ARXX – Ride Or Die
You all know how much we absolutely adore Brighton duo Hanni and Clara – aka ARXX – here at GIHE. Having been mega fans since they first played live for us back in 2018, the news that they were releasing their debut album this year was met with oodles of excitement from Tash, Kate and I, so I couldn’t not include Ride Or Die in this list of favourites. The album really showcases all there is to love about the utterly unique duo, and their incredible ability to fuse genres into something that is completely their own. From the catchy, pop-fuelled singalong choruses of the likes of ‘Baby Uh Huh’ and title track ‘Ride Or Die’, to the gritty energy and fierce allure of ‘Iron Lung’, and the soaring, heartfelt raw emotion of ‘The Last Time’ and ‘Never Want To Go Back’, ARXX continue to establish themselves as master creators of the freshest, most addictive and most empowering, indefinable life-affirming anthems. They truly are one of the most exciting – and completely lovely – bands in the universe, and we couldn’t be happier that they exist.
(Mari Lane – GIHE Co-Founder)

body / negative – everett
A shimmering piece of ambient shoegaze that briefly pacifies the ache of long-lingering grief, multi-instrumentalist Andy Schiaffino aka body / negative’s third album is a deeply moving listen. Released via Track Number Records and mastered by Slowdive’s Simon Scott, everett is a poetic rumination on love, loss and how they deeply affect our interactions with the world. Dedicated to Schiaffino’s late mother and father, everett features contributions from Randall Taylor (Amulets) and Madeline Johnston (Midwife). everett is a remarkable effort from an artist in acute pain. By recording through a hand-held tape recorder and filtering their vocals through a landline-style microphone, they give the record a familiar, yet far-off feeling of transience and disconnected communication. Tracing over their grief with meticulous care and tranquility, body / negative lulls listeners into a state of bittersweet calm across each of everett‘s eight tracks, with ‘persimmon’ in particular providing a glowing example of their ability to transform painful memories into sublime, ambient sounds. A truly beautiful and emotional listen that I will return to for years to come.
(Kate Crudgington – GIHE Co-Founder)

CLT DRP – Nothing Clever, Just Feelings
Released via Venn Records and full of visceral, incendiary anthems like ‘New Boy’, ‘I See My Body Through You’ and ‘Daily Affirmations’, CLT DRP’s second album is a primal, urgent reflection on heartbreak, new-found strength in vulnerability, gender fluidity and dark humour. The Brighton-based art punk trio blew us away when they performed at The Great Escape Festival earlier this year, with the album’s title track proving to be one of many highlights during their set. Fuelled by Annie’s powerful crystalline vocals, Daphne’s phenomenal percussion and Scott’s jagged, mind-melting guitar FX, Nothing Clever, Just Feelings is a cathartic statement that celebrates the act of feeling your emotions without over-analysing them. Annie’s defiance and lyrical directness is as intoxicating as the cacophony of potent noise that swirls around her. This unfiltered self-expression permeates the whole record, underscored by the desire to cut loose and dance away your distractions.(KC)

Divide and Dissolve – Systemic
“If you can imagine something ending, then it can end,” offered Divide and Dissolve‘s saxophonist and guitarist Takiaya Reed during an interview with GIHE back in 2021. Visualising a world without injustice is at the core of what Divide and Dissolve do. Their uniquely heavy sound is designed to erode the foundations of colonialism and liberate the land for indigenous communities. Since the release of their debut album, BASIC, in 2017, Reed and her bandmate percussionist Sylvie Nehill have been honing their unique form of gargantuan-yet-graceful noise in order to help cauterize the wounds of colonialism. Their fourth offering, Systemic, is equally as commanding and as poignant as its predecessors. Released via Invada Records and produced by Ruban Neilson of Unknown Mortal Orchestra, Systemic continues to push Divide and Dissolve’s essential, empowering message into the ether. Fuelled by Reed’s distinctive, doom-ridden saxophone sounds and Nehill’s phenomenal percussion, the nine tracks that make up Systemic seek to undermine the separateness that colonialism enforces, and engage listeners from all walks of life, uniting them in a sometimes blissful, but more often blisteringly heavy cacophonies of resistance. Changing the heavy music landscape one record at a time, the patience and empathy that underscores Divide and Dissolve’s sound inspires a deep sense of awe and respect. (KC)

ĠENN – unum
A dynamic, shape-shifting record inspired by feelings of otherness, Malta-via-Brighton art punks ĠENN have crafted an intricate narrative of multicultural experiences, personal anxieties and a powerful sense of togetherness on their debut album, unum. Released via their own label Liminal Collective, the record is an urgent reflection on the band’s predominantly Maltese roots, how it feels to be an outsider, and how the universal feeling of wanting to belong is more powerful than the overwhelming social, mental and political barriers that try to prevent this from occurring. Co-produced by ĠENN, Gilla Band’s Dan Fox & Tom Hill and mastered by Katie Tavini, unum – which means “oneness, unity, a sense of being whole” in Latin – is a keenly observed statement of self-autonomy and the often exhausting journey that comes with trying achieve to it. It’s a compelling, vital record that re-enforces the powerful bonds of friendship between its creators, and offers listeners a glimpse into a world of experiences they may not always be privy to; all underscored by formidable riffs and a formidable creative spirit. (KC)

Glass Isle – Vels d’Èter
Described as “music of the ether…” London-based Brazilian artist Zuleika AvTes aka Glass Isle’s sound is elusive and intoxicating. Released via Outer Reaches, Glass Isle has created a hypnotic rumination on Vels d’Èter (‘Veils Of Ether’) that becomes more affecting each time it’s listened to. Across 20 tracks, all varying in length, she takes listeners on a journey through mortality and memory, dreams and ritual, solitude and transformation; all via the medium of field recordings captured in London & São Paulo, gossamer-like drone sounds, and her stirring, far-off vocals. Flickering between the shadows of this world and the realms of another, her music casts a graceful gloom over her listeners. Vels d’Èter is not available on streaming services, but it can be bought as a digital download and on limited edition clear C74 Cassette tape via bandcamp. Listen or buy your copy here. (KC)

HAWXX – Earth, Spit, Blood and Bones
Unapologetic and aggressive, Earth, Spit, Blood and Bones is as cathartic as albums come in 2023. It is the heaviest that HAWXX has ever been, capturing all the rage that inevitably weighs down on anyone paying attention to the state of the world. The album is packed with powerful songs that channel the pain of some of the most traumatic news stories to come out of recent history. ‘Death Makes Sisters of Us All’ comes with a music video featuring a few dozen women and non-binary people all singing together in an aching lament at how dangerous the world can be for us. HAWXX is a band that doesn’t shy away from the things that are difficult to talk about and we’re all better off for having them in the world.
(Kirstie Summers – GIHE Contributor)

Hilary Woods – Acts Of Light
On Acts Of Light, her third full-length release via iconic label Sacred Bones, Irish multi-instrumentalist Hilary Woods has crafted nine shadowy fugues that smoulder and flicker across the senses. Written, recorded, mixed and produced by Woods over the two years she spent between the west coast of Ireland and Dublin, the album includes a myriad of idiosyncratic sounds. It features the hypnotic voices of the Palestrina choir together with the Galway City Chamber Choir, strings by Oslo-based musician Jo Berger Myhre and is interspersed with field recordings that Woods collected during her time spent travelling through the northwest of Spain. These elements have culminated into the nine “hypnotic dirges” which form her truly potent and disarming body of work. Whilst it is shrouded in shadow, Acts Of Light it is ultimately a hopeful record; rooted in intense nostalgia and a desire to connect the past with the present. Woods’ talent for communicating these feelings through her instrumentals commands a solemn and sublime respect. I reviewed her record for The Line Of Best Fit. Read the full article here. (KC)

Hinako Omori – stillness, softness…
An uplifting sonic delight that encourages listeners to let go of the past and relinquish feelings of doubt, this record from London-based artist and composer Hinako Omori is a true favourite here at GIHE. Released via Houndstooth Records, stillness, softness…, retains the soothing, enigmatic qualities of her stunning debut record, …a journey, but this time, Omori looks inwards and leans into a more contemporary, song-based structure. She has expanded her use of synths and seraphic vocals to gently dismantle the barriers that have held her back from finding inner peace. She surrenders herself to the unknown and acknowledges the cyclical process of healing, and how this shapes our interactions with the world and the people around us. Urging her listeners to “break free” from their own chains, Omori has delivered another captivating, altruistic piece of music on stillness, softness… that resonates further each time it’s listened to. Hearing her perform it live at London’s ICA earlier this year was a sublime experience. (KC)

Joanna Sternberg – I’ve Got Me
Probably my most listened to album of the year, I’ve Got Me is the second full release from New York based artist and multi-instrumentalist Joanna Sternberg. They masterfully play every single instrument on the record, and solely wrote each and every song, showcasing their ability to create a unique, genre-spanning collection. With an education in Classical and Jazz music, throughout the album Sternberg weaves a rich tapestry of beautifully lilting folk-strewn sounds alongside reflective narrative lyricism; all brought together with their raw, impassioned vocals. A truly exquisite listen. I was lucky enough to see Joanna Sternberg live at King’s Place last month – a beautifully intimate and really special performance. (ML)

Maple Glider – I Get Into Trouble
Australian artist Tori Zietsch – aka Maple Glider – released her second album, I Get Into Trouble, this year and I haven’t been able to get enough of its glistening musicality. Offering a poignant reflection on her Christian upbringing, reflecting on themes of shame, consent and sexuality, it’s a truly stirring collection of starkly honest, yet delicately beautiful, compositions. As the heartfelt crystalline splendour of Zietsch’s vocals ripples with raw emotion throughout, the album showcases her ability to reflect on potentially difficult subject matter with an immersive cathartic grace and shimmering majestic allure. I spoke to her about the album and personal experience of the music industry earlier this year, have a read here. (ML)

ME REX – Giant Elk
Released this year on Big Scary Monsters, Giant Elk from faves ME REX offers a cathartic journey through their trademark exquisite lyrical storytelling and glistening musicality. With a raw, impassioned energy and stirring emotion, the album addresses the violence and loneliness woven into the legacy of masculinity, exuding a poignant heart-string tugging power throughout – particularly with the twinkling splendour of personal album highlight ‘Halley’. Having ME REX headline for us at a sold out Shacklewell Arms this February was also a definite highlight of the year for me. It was a real joy to host them, and witness them delivering their blissful indie-pop goodness to a sea of adoring fans. (ML)

Problem Patterns – Blouse Club
Since they shared their debut single ‘Big Shouty’ with us back in 2020, Problem Patterns have been lighting up our musical radar with their relatable, riotous anthems. The Belfast-based DIY punks have progressed from making music together as a hobby, to becoming a personal favourite of Riot Grrrl icon Kathleen Hanna and winning a Northern Irish Music prize. These accomplishments are the product of sheer determination, authentic friendship and a shared defiance in the face of adversity. On their debut album Blouse Club, Alanah Smith, Bethany Crooks, Beverley Boal and Ciara King use their collective talents to rage against misogyny, classism and homophobia in both societal and industry spheres. Not defined by traditional band structures, they routinely switch up instruments and mic duties for their songs, which makes for a refreshing take on the subject they’re tackling. This collective instinct, raw emotion and radical resilience permeates each of the twelve tracks on their debut full length record. Named after the unofficial speakeasies that were frequented by women in the wake of World War II when they were denied the right to drink in public bars, Blouse Club is the musical manifesto of four friends whose sound refuses to remain underground. Their sold out headline show for us at Sebright Arms in November was a highlight of the year. It sounds cliché to say it, but Problem Patterns really are a band that you have to see live. They need to be appreciated in all of their riotous (and hilarious) glory. It has been a privilege to watch them flourish this year. (KC)

Ratboys – The Window
After more than ten years together, Chicago’s Ratboys released their fourth album in 2023. Another that’s been on repeat for me, The Window is filled with all the dreamy, lilting hooks and fuzzy allure I could ever need, and Julia Steiner’s vocals are just sugar sweet perfection. It was a real treat to finally catch Ratboys live at Omeara last month, along with Norwich faves SUDS. Delivering a set even more dreamy than I could have hoped for, it was captivating and comforting in equal measure; a much-needed ray of sunlight in an increasingly dark time. (ML)

Smoking Gives You Big Tits – Guts For Starters
A live acoustic version of ‘My Favourite Fact About Maggie’ put Smoking Gives You Big Tits on my radar a while ago, and I had been waiting with baited breath for anything more from them. They dropped their debut album in July and it is packed with wall-to-wall punk bangers. Their entire existence is a celebration of everything the DIY punk scene is today – they’re loud and rambunctious and they take uncensored joy in community and creativity. Their songs are upbeat and lively and proud to stand up for what they believe in – inclusivity and hope and making it clear where fascists can shove it. (KS)

EPs

Blonde Maze – I Stay Dancing With You
It wouldn’t be an end of year round up for me without including New York artist Blonde Maze, and thankfully she continues to create the most beautiful and cathartic of offerings. This year, that came in the form of covers EP, I Stay Dancing With You. Featuring her own renditions of the likes of Bruce Springsteen, Rihanna and Modern English, each track still manages to maintain Blonde Maze’s own distinct shimmering energy and unique euphoric splendour. And I remain forever grateful to be able to immerse myself in her truly blissful soundscapes. Having not see her in ‘real life’ since she appeared on our radio show for a second time back in 2017, it was also a real joy to catch up with Blonde Maze at the beginning of the year when she was briefly in the UK! (ML)

CIRCE – Drawing Wings From The Light
Inspired by the collision of her past and present, Drawing Wings From The Light is a passionate, rapturous collection of slickly produced dark pop tracks from London-based artist Circe. On her second EP, she willingly shares personal epiphanies, unfiltered heartbreaks, precious teenage secrets and cell-shaping theatrical experiences with her listeners. She celebrates the lust, frustration and chaos that comes with being a woman who refuses to be scorned, blending pop melodies with poetic lyrics, seraphic vocals and cinematic synths to celebrate the power of these unfiltered feelings. “Take my blood instead of wine” she offers on opening track ‘Riot Of Sunlight’, a disorientating blend of reverb-heavy riffs and dizzying electronics – an invitation that’s impossible to refuse.
Like her mythical Greek namesake – who was described as “a sorceress…able by means of drugs and incantations to change humans into wolves, lions, and swine” – Circe is a captivating force of nature who finds power and comfort in her dark pop fantasies. Drawing Wings From The Light is a total euphoric delight that highlights her potent, impressive songwriting talents. (KC)

Coolgirl – Failed Reboot
Created entirely in her bedroom studio, Dublin-based artist Lizzie Fitzpatrick aka Coolgirl’s debut EP is an ode to the power of our personal relationship with sound. Released via VETA Records, Failed Reboot is a vivid, cinematic collection of synths, intriguing samples and sparse vocals that transports listeners into sonic spheres which seamlessly shift like quicksilver in tone and mood. GIHE fans will recognise Fitzpatrick as the former front person of grunge trio Bitch Falcon, but under her new solo moniker, she experiments with everything from Korg synths to tin whistles and saxophone in order to create her unconventional offerings. On Failed Reboot, she takes listeners on a bittersweet, thrilling journey that traverses waves of deep melancholy, potent nostalgia and unspoken desire. She evokes a potent feeling of transience, infatuation and intrigue that often permeates electronic music, but she retains a fresh unconventional sonic perspective throughout. (KC)

Dream Phone – Dream Phone
Probably my favourite new discovery of 2023, Oxford duo Dream Phone completely won me over when they played live for us supporting ME REX in February. With every single second oozing Jen and Hannah’s sparkling charisma and vibrant energy, it was a completely unique experience, the excitement of which is not lost in their eponymous debut EP. Showcasing their ability to combine quirky voice augmentation with infectious synth-driven glitch-pop soundscapes, Dream Phone harks back to the innovative layering and sampling of Kathleen Hanna’s solo Julie Ruin record; oozing a euphoric riot grrrl inspired drive, whilst maintaining the duo’s trademark playful allure. Covering themes ranging from Buffy The Vampire Slayer to saying no to people pleasing, what’s not to love?! (ML)

Fräulein – Pedastal
Having first come across Joni and Karsten aka Fräulein via an online festival that Hanni from ARXX hosted during 2020’s lockdown, I was instantly utterly obsessed, and it’s been so wonderful to see the duo going from success to success since then. This year, they not only supported legends Big Joanie on their European tour (what a dream combo!), but released their second EP, Pedastal. Building on the gritty power of last year’s debut, it offers just under 15 minutes of fierce, grunge-fuelled splendour. These two just continue to hone their craft of creating utterly unique anthems that ooze an immense power and mysterious allure in equal measure, as well as being one of the most exciting live bands I’ve ever seen, and I’m pretty sure they’re headed for world domination very soon. (ML)

HotWax – A Thousand Times
This was the first of two EPs that the prolific Hastings trio HotWax released in 2023. Together, Tallulah, Lola & Alfie create the type of guitar music that other bands take years to master. Their sound is raw, but self assured, visceral yet melodic. Each time I’ve seen them play, I’ve felt an overwhelming rush of joy, because I know I’m witnessing something truly special. Full of blissfully bruising guitar anthems like ‘Rip It Out’ and ‘Treasure’, their debut EP is crammed with buzzing basslines, commanding beats and raucous guitar riffs, seamlessly flicking between melodic verses and riff-heavy breakdowns. Their chemistry on stage is phenomenal, and their set at The Great Escape Festival earlier this year blew us away. Championed by Courtney Love, Nova Twins and Wolf Alice, HotWax seem destined for great things. Read more about their whirlwind year in my interview with them here. (KC)

The Meffs – Broken Britain Pt. 2
Broken Britain Pt. 2 was released just 3 months after Broken Britain Pt. 1 dropped in December 2022, which is an incredibly quick turnaround for so many frantic punk tracks. Each one solidifies The Meffs as one of the bands on the forefront of the punk scene today. Rapid drums, shrieking guitars and unbridled rage make up The Meffs’ signature sound and it is impossible not to get swept up in their energy. If you’re not angry about the things they’re angry about (war, sexism, the stagnation of the economy) at the start of each song, you most certainly will be by the time they finish. (KS)

Midwife & Vyva Melinkolya – Orbweaving
From the lullaby-esque tones of opener ‘Miss America’, through to the epic twelve minutes of the all-encompassing final eponymous track, Midwife and Vyva Melinkolya’s collaborative EP Orbweaving perfectly pacifies the pain of the past. Written and recorded at Midwife’s studio in New Mexico in the Chihuahuan Desert, the five songs that form the record are a beautiful byproduct of the altruistic environment they were created in. From nights spent “herping” on empty roadsides looking for roadkill and orb-weaver spiders, to meaningful moments shared between them in the studio, Orbweaving smoulders with the residual heat of sun-scorched sands, but it’s laced with the shiver-inducing melancholy of desolate desert nights too. Whilst it may feel bleak and fragile in places, there is a truly bright, human thread that connects Orbweaving. Bathe yourself in Midwife’s trademark “heaven metal” and Vyva Melinkolya’s evocative shoegazey noise, both of which are seamlessly tethered here. (KC)

Slothrust – I Promise
I’m not sure I’ve talked enough about my obsession with Slothrust on GIHE, but – having been a fan for a few years – seeing them live in New York last year just completely took my breath away. So, I was super happy that they released a new EP this year. Consisting of no less than four different renditions of Ginuwine’s ‘Pony’, including an epic extended version (fifteen minutes of pure swirling joy), I Promise also contains two new original tracks, oozing the band’s trademark scuzzy, raw emotion and blissful allure, plus a magical cover of ‘Somewhere Over The Rainbow’. A short but sweet collection, showcasing all there is to love about Slothrust. (ML)

Yanna A – Who Knows What’s In Me, Will You Find Out?
I’ve been a massive fan of Yanna A for as long as I can remember. She has a way with a loop pedal that makes her stand out from most other solo guitarists. She doesn’t perform live very often, but if you ever get a chance to, you’ll be undoubtedly blown away by the sounds she is capable of making on her own. It doesn’t feel possible, even though you’re watching her with your own eyes. In January, she released her five-track EP, Who Knows What’s In Me, Will You Find Out?, which is a perfect introduction to her haunting, ethereal music, combining multi-layered, growling guitar with a chorus of soulful vocals. (KS)

Honourable Mentions

Ailbhe Reddy – Endless Affair
ALT BLK ERA – FREAK SHOW
boygenius – the record
cumgirl8 – phantasea pharm
Charlotte Carpenter – A Modern Rage
Chroma – Ask Angela
Dream Wife – Social Lubrication
Gazelle Twin – Black Dog
Hannah Jadagu – Aperture
Human Interest – Empathy Lives In Outer Space
Jellyskin – In Brine
Lana Del Rabies – STREGA BEATA
Lauren Auder – The Infinite Spine
Maria Uzor – Softcuts
Nyokabi Kariyuki – FEELING BODY
REWS – Meridians
Sandunes – The Ground Beneath Her Feet
shaene – time lost / time regained
Tokky Horror – KAPPACORE
Revered Kristin Michael Hayter – SAVED
ZAND – SEWERSTAR

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GIHE: Albums & EPs Of 2021

After sharing our Tracks of 2021 last week, the GIHE team want to shine a light on some of the brilliant Albums & EPs that have been released during the last 12 months. These records kept us dancing around our bedrooms/living rooms/home offices, miming underneath our face-masks and distracted us momentarily from the uncertain world we’re currently all living in.

So, in alphabetical order, here are our top Albums & EPs of 2021 (with some honorable mentions at the end…)

ALBUMS

Adult Mom – Driver
Consistently my most listened-to artist over the last couple of years, Adult Mom aka Stevie Knipe creates the most beautifully heartfelt music. Although I had thought it would be hard to follow the perfect relatable emotion of their debut Momentary Lapse Of Happily, and 2018’s Soft Spots, this year’s Driver does not disappoint. With the lilting musicality and raw emotive splendour of each track, the album has been in my ears on literally a daily basis since it came out in March; I have sought comfort in the luscious depth of Knipe’s vocals and found myself fully immersed in the album’s twinkling grace. I’m sending extra love to Stevie at the moment, as they were diagnosed with breast cancer earlier this year and are currently having to undergo treatment. I can’t wait to hear more gorgeous music from them when they’re ready. (Mari Lane – Co-Founder)

Blonde Maze – Something Familiar
I’m honestly not sure how I would have got through the last two years without the sound of Blonde Maze in my ears daily. Even before her debut album Something Familiar came out in Autumn, I had been completely addicted to her utterly dreamy creations – ever since she’d been a guest on our radio show about five years ago. To have a full LP filled with her exquisite soundscapes has been just what I’ve needed recently. Bathing the ears in shimmering ripples of dreamy reflection, each luscious track is a perfect cathartic tonic. My album of the year – it’s been the beautifully calming and delicately uplifting soundtrack I’ve so needed. (ML)

Divide & Dissolve – Gas Lit
Released via Invada Records in January, instrumental activists Divide and Dissolve’s second album Gas Lit continues their sonic mission to erode the foundations of colonialism and white supremacy. Produced by Ruban Nielson of Unknown Mortal Orchestra, the record is an aural purging of injustice, fuelled by the diversity of Takiaya Reed’s doom-ridden saxophone sounds and Sylvie Nehill’s phenomenal percussion. It flows with a unique gargantuan grace that unsettles and soothes my cells every time I hear it. I had the pleasure of interviewing Takiaya about the album earlier this year too, which you can read here.
(Kate Crudgington – Co-Founder)

Du Blonde – Homecoming
With Homecoming, Du Blonde gave us the DIY stadium rock record we didn’t know we needed. After becoming disillusioned with the music industry, they wrote, recorded and produced this album of swaggering, empowering anthems for outcasts. A bag of contradictions, it’s both silly and serious, wonderfully weird yet radio friendly. A powerful record, I love the way Homecoming embraces self-destruction and self-love. It has a proper punk energy and inspires you to get shit done on your own terms – after you’ve had a dance, of course.
(Victoria Conway – Contributor)

Fears – Oíche
An intuitive artist who has transformed her darkest moments into graceful electronic soundscapes, Fears aka Constance Keane shared her poignant debut album Oíche (meaning “night” in Irish) in May. Released via her own label TULLE, the Irish-born, London-based musician balances her intense ruminations on trauma alongside delicate synth loops and tentative beats to shine a light on a personal metamorphosis. Much like the coarse fabric she used to create her altruistic dress on the album’s artwork, Fears allows her lived experiences to take up space and permeate this record, which swells with unflinching honesty and elegance. Oíche is a collection of shadowy lullabies that span five years of emotional territory, and the result is a truly immersive and enlightening body of work. (KC)

Fightmilk – Contender
Following 2018’s Not With That Attitude, this year total faves Fightmilk released their second album Contender via Reckless Yes, and it was everything I could have hoped for. With new bassist Healey and a perhaps more ambitious musicality than previous releases, this year’s album marks a maturing in sound for the band, whilst maintaining their trademark anthemic power-pop energy. Filled with the perfect balance of jangling melodies, an endearing, refreshingly honest lyricism and shades of a raw tongue-in-cheek wit, the album covers themes from space travel and capitalism, to love, heartbreak and self-loathing, all the while oozing a raw emotion and the band’s distinctive, quirky charisma. With all the scuzzy musicality and shimmering energy we’ve come to know and love, Contender showcases a band that are continuously refining their sound and, in the process, consistently continuing to win my heart.
(ML)

Gazelle Twin & NYX – Deep England
Inspired by the tracks that formed Gazelle Twin aka Elizabeth Bernholz’s 2018 album Pastoral, Deep England is a dark fable that serves as a warning to listeners not to get swept up in national apathy. Whilst Bernholz’s unique vision of Britain’s past was brought vividly to life on her original record, with the support of the NYX drone choir her vitriol is able to take its fullest, most nerve-shredding form. Together, they present their altruistic vision of Britain in its “post-truth” sphere, embroidering a new tapestry of sound for these jarring and uncertain times. Deep England is a phenomenal artistic accomplishment; a shadowy, graceful collection of sounds that radiate with unease – truly unlike anything you’ve heard before. (KC)

LINGUA IGNOTA – SINNER GET READY
“And all that I’ve learned / is everything burns” laments Lingua Ignota aka Kristin Hayter on ‘Pennsylvania Furnace’, the fourth track on SINNER GET READY – an apt sentiment for a record that blazes with a unique orchestral agony. Released via Sargent House, Hayter’s fourth full length offering is an emotional exorcism inspired by the severe brand of Christianity in rural Pennsylvania where she currently lives. Its strictness permeates her vision to the core, with her sensational vocals remaining the lifeblood of SINNER GET READY. She uses her voice to devastating effect, harrowing up the soul with her effortless ability to switch from a soft, divine cry to a cord-ripping, desperate plea. A stunning record that I’ve returned to many times this year. (KC)

Little Simz – Sometimes I Might Be Introvert
Sometimes I Might Be Introvert is an outstanding album, ambitious and sprawling while maintaining the punchy immediacy of expression synonymous with Little Simz’ earlier work. She confidently glides between styles, from epic Scott Walker-style arrangements to afrobeat grooves, which form mere backdrops to the artist’s lyrical acrobatics. Simz enumerates the anxieties, troubles and triumphs of her life and career throughout the album’s 19 tracks – this album already has an undeniably classic quality. It is a singular expansion of the possibilities of hip-hop, of pop music more generally, and an unrepentantly fantastic album of Baroque ambition and fabulous execution. (Lloyd Bolton – Contributor)

Lunar Vacation – Inside Every Fig Is A Dead Wasp
The latest album from Atlanta-based Lunar Vacation, Inside Every Fig Is A Dead Wasp oozes a shimmering allure throughout. As each track treats the ears to whirring hooks and a sparkling musicality, I just fall more in love with Grace Repasky’s honey-sweet crystalline vocals on each listen. Floating seamlessly with an ethereal splendour, a stirring melancholy ripples on a seemingly serene surface, creating a perfectly dreamy collection. With shades of Alvvays or Best Coast, Lunar Vacation have fast become one of my most favourite bands of 2021. (ML)

New Pagans – The Seed, The Vessel, The Roots and All
An intuitive rumination on the personal and the political, New Pagans’ debut album The Seed, The Vessel, The Roots and All is a gritty, deeply poetic consideration of inequality and social injustice. Released via Big Scary Monsters, the Belfast band’s first full length record dives into the paraphernalia surrounding religion, romance and women’s pain, and resurfaces having transformed these tired archetypes into aural talismans of strength and defiance. I’m such a big fan of everything they’ve released so far and I’m hoping to hear these songs live at some point in 2022. (KC)

Noga Erez – KIDS
The GIHE team collectively adore Tel-Aviv producer & pop renegade Noga Erez’s second album, KIDS. It’s a stylish, swaggering collection of songs that explore personal growth, morality and what it means to disconnect and reconnect with the world around you. Erez has worked closely alongside her collaborative & life partner Ori Rousso to create a razor sharp, intensely catchy record that proves she’s got the musical mileage she sings of. Through her witty lyrics, slick production and commanding beats, she blazes a unique musical trail that pulses with authentic energy, spotlighting her talent as a producer, vocalist, MC and performer. What a star. (KC)

Nova Twins Presents: Voices For The Unheard
Driven by their desire to spotlight the work of underrepresented artists of colour in the heavy music scene, Nova Twins aka Amy Love and Georgia South put together this blistering collection of alternative anthems with the help of Dr Martens to showcase this eclectic range of talent. Featuring tracks by Big Joanie, Khx05, Loathe, Oxymorrons & LutSickPuppy, the record is a fun, furious blur of noise from a group of artists who have been galvanized by their individual experiences of discrimination, but who are now united in their attempts to create the music they wish they had heard growing up. A proper gem of a record that’s introduced me to some brilliant artists this year. (KC)

pink suits – political child
Having completely blown us away with their riotous, seething energy at our first gig at The Shacklewell Arms earlier this month, queer Margate duo pink suits released their debut album political child, in the Spring. With just drums, a guitar and the riotous force of their voices, Lennie and Ray offer an inclusive feminist rebellion to bring about radical change – with each powerful track on the collection, they deliver a seething, all-too-poignant social commentary on the increasingly terrifying state of the UK right now. Throughout political child, pink suits offer a perfect riotous catharsis; an immense formidable force, coated in a rousing cacophony. The duo have provided an utterly necessary soundtrack for these times; a rallying cry to make our voices heard and fight for an upheaval of a neoliberal society. (ML)

Wolf Alice – Blue Weekend
Each time I’ve tried to write about Wolf Alice’s third album, Blue Weekend, I’ve fallen short of the words to describe how profoundly comforting I find it. Emotional, but with a few grunge ragers thrown in there too – plus a lyric that everyone should adopt as a mantra “I am what I am and I’m good at it / and you don’t like me? Well that isn’t fucking relevant” – Ellie Rowsell’s magnificent, elastic vocals and poignant lyrics effortlessly stretch across the record. I listened to Blue Weekend twice a day for over a month, discovering something new every time I let its cinematic sounds wash over me. Pure musical escapism that’s rooted in real fucking feelings. Properly sublime stuff. (KC)

EPs

Ailsa Tully – Holy Isle
Long term favourite of GIHE, Welsh artist Ailsa Tully released her EP in Autumn this year. Offering four exquisite slices of stirring folk-strewn indie, Holy Isle showcases Tully’s ability to reflect on feelings of vulnerability and loss with a gently uplifting, sparkling grace. As the collection flows with a shimmering, stripped-back musicality, the juxtaposition of Tully’s crystalline, honey-sweet vocals and the gentle lilting melodies creates a delicate, captivating majesty. As the beautifully rippling instrumentation glistens with a heartfelt splendour, I can’t help but become utterly immersed in the raw emotion and poignant, resplendent charm of Holy Isle in its entirety. (ML)

Aisha Badru – The Way Back Home
Having previously charmed our ears with the soothing sounds of last year’s ‘Soil’s Daughter’ and 2018’s poignant debut album Pendulum, singer-songwriter Aisha Badru released her EP The Way Back Home earlier this month. Flowing with twinkling, folk-inspired hooks alongside Badru’s rich, soulful vocals, each track oozes an immersive, heartfelt emotion. With a gentle, lilting energy and shimmering grace, a sweeping majestic splendour soars throughout this beautifully stirring collection as it soothes the mind with its gently uplifting allure. (ML)

Bitch Hunt – Shapeshifter
Having formed at First Timers Fest in 2017, London based non-binary band Bitch Hunt have since played live for us and been lovely guests on our show on Soho Radio. This year they released their debut EP Shapeshifter, via Reckless Yes. A shimmering collection of five lo-fi, yet heartfelt, offerings, it reflects on themes ranging from nostalgia and relationships, to gender and identity, delivered with a wonderfully scuzzy musicality and twinkling energy. Treating us to their effervescent, stirring brand of unique punk-pop, Bitch Hunt have crafted a collection that is beautifully poignant, whilst offering a welcome glimmer of optimism and solidarity. (ML)

BLAB – Word of Mouth
Formed of three previously released singles and a brand new track, Southend-based BLAB‘s debut EP is the sound of a songwriter fully embracing their own choices and leaning into the raw power of each moment. Released via Cool Thing Records, BLAB aka Frances Murray combines direct lyrics with infectious guitar riffs to push past personal and political frustrations, providing her listeners with sharply observed judgements on both. (KC)

Deep Tan – Creeping Speedwells
With acclaim from the likes of NME, So Young and BBC 6Music, Hackney-based trio deep tan have been favourites here at GIHE for some time now, and we’ve been very much enjoying their debut EP Creeping Speedwells, which was released this summer. Propelled by glitchy beats and whirring, twinkling hooks, each track captivates the ears with the trio’s compelling seductive allure. Flowing with fuzzed-out shades of ’90s trip-hop, whilst maintaining a unique sparkling edge and gently haunting majesty, the whole collection offers a spellbinding, rousing splendour that’ll immerse you in its dark, psychedelic haze. (ML)

Hilary Woods – Feral Hymns
I saw the title of this EP, listened to 30 seconds of it and downloaded it IMMEDIATELY. Released via Sacred Bones, Feral Hymns by Irish multi-instrumentalist Hilary Woods captures a relatable sense of gloom across five instrumentals that she worked on with collaborator Lasse Marhaug. Woods describes her ambiguous sounds as “A collection of hymns set at dusk…Unspoken bonds, primal pain, cyclical patterns, unsent love letters.” I find her melancholy, fleshy sounds intensely moving and I can’t wait to hear the new full length record she’s currently working on. (KC)

Jenny Moore’s Mystic Business – He Earns Enough
Featuring members of Trash Kit, F*Choir and Bamboo, Jenny Moore’s Mystic Business are a six-piece choral punk ensemble who released their debut EP in October. A poignant collection covering themes such as the struggles of living in a patriarchal, capitalist society and the fears women and gender minority people face when walking home alone, He Earns Enough showcases the soaring, harmonious power of voices coming together in unity. With each track propelled by an anthemic, mystical energy, the collection offers a simple, yet stirring, message, oozing a sweeping, celestial splendour that’ll bewitch the listener instantly with its eerily enchanting allure. (ML)

M(h)aol – Gender Studies
I was blown away by the power of Irish post punks M(h)aol when I saw them perform their debut EP live at The Shacklewell Arms in November. The brooding, shadowy sounds on Gender Studies vehemently reject outdated attitudes and social constraints concerning gender, identity and equality. It’s a vital, much needed antidote to toxic patriarchal standards, providing listeners with a cathartic exhale of fury and freedom. (KC)

TOKKY HORROR – I Found The Answers And Now I Want More
GIHE writer Jay Mitra penned a great review of dance-punk trio TOKKY HORROR’s debut EP earlier this year, branding it “a cyber goth masterpiece that hits you as hard as MDMA” – and they’re not wrong. Packed full of manic electronics and pounding beats, I Found The Answers And Now I Want More is a whirlwind of EDM energy that’s impossible to sit still to. (KC)

Honourable Mentions

Alex Loveless – Phone Keys & Wallet (EP)
Arlo Parks – Collapsed In Sunbeams
BISHI –Let My Country Awake
CHERYM – Hey Tori (EP)
Elodie Gervaise – Syzergy (EP)
Elsa Hewitt – LUPA
Grace Petrie – Connectivity
Halsey –If I Can’t Have Love, I Want Power
Maria Uzor – Innocence and Worldliness (EP)
Me Rex – Megabear
Naoko Sakata – Dancing Spirits
Nun Habit – Hedge Fun (EP)
Okay Kaya – The Incompatible
Penelope Trappes – Penelope Three
SPELLLING – The Turning Wheel
Tirzah – Colourgrade
YAY MARIA – OYEZ
WILLOW – Lately I Feel Everything

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PLAYLIST: October 2021

The GIHE team have unearthed more new music gems for you to listen to on our October Playlist! There’s an eclectic mix of indie anthems, gritty guitar tunes, alt-pop tracks & immersive electronic sounds. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Boy Harsher – ‘Tower’
It’s almost Halloween (aka Goth Christmas) so this shadowy electronic tune is a great way to kick off our October Playlist. Boy Harsher are fully leaning in to their cinematic tendencies on ‘Tower’ which is taken from their upcoming album The Runner. Set for release on 21st January, the record will be a “musical counterpart” to an accompanying short film written, produced & directed by the talented duo. (Kate Crudgington)

Brimheim – ‘poison fizzing on a tongue’
The recent single from Danish alt-pop artist Brimheim, ‘poison fizzing on a tongue’ oozes a glitchy, ethereal splendour. With its soaring, other-wordly allure, it reminds me of the dark majesty of Massive Attack, which is no bad thing! Brimheim releases her debut album Can’t Help Myself Into A Different Shape in January next year. (Mari Lane)

deep tan – ‘Tamu’s Yiffing Refuge’
Following the recent release of their stirring, and utterly unique EP creeping speedwells, East London trio deep tan return with a special one-off single, taken from the label Speedy Wunderground’s new compilation. As strangely kinky as the name would suggest, ‘tamu’s yiffing refuge’ is an explicit tale of furry hedonism. Maintaining all the immersive, seductive allure that we’ve come to know and love from the band, this latest offering oozes an added dark, psychedelic haze and frenzied post-punk drive reminiscent of the likes of legends The Slits. A truly mystical, compelling soundscape that’ll peculiarly entice you into its swirling, fur-filled cacophony. (ML)

New Pagans – ‘Find Fault With Me’
I am thrilled that Belfast’s New Pagans are BACK with this brilliant new single after the release of their debut album, The Seed, The Vessel, The Roots And All earlier this year. Vocalist Lyndsey McDougall says this track is about “checking in with each other and recognising when someone around you needs support.” (KC)

Death Valley Girls – ‘It’s All Really Kind Of Amazing’
A stand alone single from LA dystopian punk band Death Valley Girls, ‘It’s All Really Kind Of Amazing‘ offers a swift glimpse of positivity. As the raw, impassioned splendour of Bonnie Bloomgarden’s vocals soar throughout, it seems to be slightly less doom-laden in tone than previous offerings, but is no less stirring. Oozing a shimmering, trippy allure and swirling, vibrant energy reminiscent of The Kinks’ ‘Sunny Afternoon’, ‘it immerses the listener in its glistening euphoric haze, reminding us to relish those rare moments of beauty that can keep us going through challenging times. A mystically captivating retreat for the ears and mind. (ML)

Laura Lee & The Jettes – ‘Craigslist Boy’
I have drummer Eilis Frawley to thank for introducing me to this BANGER from German-based band Laura Lee & The Jettes. Eilis provides the beats for this playful anthem about vocalist Laura Lee’s experience of being pursued romantically by random men on the German version of eBay. Its relatability will make you laugh and eye roll in equal measure. Check out the accompanying video here. (KC)

Wet Leg – ‘Wet Dream’
Like everyone else with ears, I am OBSESSED with Isle of Wight duo Wet Leg. I caught them at their debut London show at Omeara last week and it was a JOY to listen to their infectious indie anthems. They also walked on stage to ‘Concerning Hobbits’ from The Lord Of The Rings soundtrack, which is an iconic move in itself. (KC)

Queen Cult – ‘Show & Tell’
The latest single from Cheshire band Queen Cult, ‘Show & Tell’ builds with a gritty, swirling energy to an empowered call to arms. I just can’t get enough of its relentless, searing force. (ML)

Nghtfall – ‘Evil Eye’
Following the heartfelt release of ‘I’ll Be Fine’ earlier this year, Toronto based non-binary artist Bradley Milosevic-Hill aka Nghtfall has recently shared ‘Evil Eye’. A sweeping slice of catchy anthemic pop, it oozes swirling feelings of anticipation and desire, creating a twinkling, emotion-strewn ballad. (ML)

girlhouse – ‘boundary issues’
I love this latest track from indie artist girlhouse, taken from her recent EP which is aptly titled, the second EP, quite simply lovely stuff. (Tash Walker)

HAVVK – ‘Halfway Out’
Taken from total faves HAVVK’s epic new album Levelling, stirring single ‘Halfway Out’ oozes an ethereal splendour as the haunting, celestial power of Julie’s vocals immerses the listener instantly. The whole album intertwines this captivating, twinkling majesty with a grunge-tinged grit throughout, and I can’t stop listening to it. I had the pleasure of chatting to front person Julie about the album and more last week – have a read of the interview here. (ML)

Sprints – ‘Modern Job’
I first heard Dublin’s Sprints on The Irish Jam radio show and I’m super grateful to them for the introduction. ‘Modern Job’, which is also the title track on the band’s upcoming EP (due on 11th March) is a scathing “critique of modern existence” and “an exploration of growing up queer” according to vocalist Karla Chubb. I can’t wait to hear the record in full. (KC)

Nova Twins – ‘Antagonist’
GIHE faves Nova Twins have shared this MASSIVE anthem about believing in yourself, full of their trademark lethal riffs and powerhouse vocals. (KC)

Tiger Mimic – ‘Silence Of The Night’
Propelled by an eerie energy, ‘Silence Of The Night’ reflects on the grim reality that women have to navigate on a daily basis. As the rich, sleek vocals of front woman Jess soar with a soulful power, it builds with a stirring tension to an impassioned statement of intent. A poignant call for justice and accountability at a time when we so desperately need it. You can catch the band live at The Victoria in Dalston on 9th December. (ML)

Sister Lucy – ‘Big Kid’
The second single from her upcoming EP Big Girl Pants, Sister Lucy aka Abi Sinclair’s single ‘Big Kid’ is a lush, grunge-tinged reflection on growth and womanhood. She’ll be playing a gig at The Shacklewell Arms on the 10th November to celebrate the EP’s release. (KC)

Elodie Gervaise – ‘Free Babe’
I am so into this song! All its mixed beats, intricate synths and electronics, it’s such a visually evocative track, you can just imagine the light show watching this being performed live. French-Australian artist, Elodie Gervaise’s new EP, Syzygy – which just feels oh so good to say – is out now. (TW)

Errunhrd – ‘Ruminate (Meditate)’
Niagra Falls based artist Errunhrd has penned this buoyant new track which shifts away from her previously more melancholic sounds. ‘Ruminate (Meditate)’ is taken from her debut album You Can Be You, I Can Be Me, which is set for release on 19th November. (KC)

Blonde Maze – ‘One House’
The latest single from New York artist Blonde Maze, ‘One House’ revolves around the comfort of finding a home in someone, especially after a long time of feeling misplaced. Oozing a blissful, soulful splendour, it flows with an utterly dreamy allure as Amanda’s soothing vocals ripple alongside twinkling electro hooks. Lately, as I’ve been going through a bit of a tough time, I’ve had this pretty much on a loop, and its sweeping euphoric energy helps to calm my mind instantly. Thank you Blonde Maze for another perfectly cathartic creation. And I’m SO excited that Blonde Maze’s debut album Something Familiar is set for release next week, 3rd November – haven’t looked forward to an album this much for a long time! (ML)

Mai – ‘Control’
An evocative electronic gem that urges listeners to surrender to the inevitability of change, I love Essex-based musician & vocalist Mai’s has debut single ‘Control’. Released via Cool Thing Records, the track is a collaboration between Mai aka Rosie Gulliver of Petty Phase, and songwriter and producer Liam Watkins from A Cause In Distress. (KC)

BISHI ft. Nikesh Shukla – ‘Language Is an Ocean’
Multi-instrumentalist and GIHE fave BISHI released her third album Let My Country Awake earlier this month, which this single is taken from. The record explores dual identities and urges listeners to lean into compassion and empathy in a chaotic and disconnected world. (KC)

Desire Marea – ‘You Think I’m Horny’ (Planningtorock’s ‘Planningtobehorny’ Version)
Tash & I are still on a high after seeing Planningtorock at Scala earlier this month, so when their remix of Desire Marea’s track ‘You Think I’m Horny’ dropped into my inbox I knew it was going straight on to our playlist! A great collaboration from two fantastic, unique artists. (KC)

AZADI.mp3 – ‘NAZAR’
I’ve been listening to the We Are Lady Parts playlist on Spotify recently and the algorithms led me to AZADI.mp3 – aka Juliette Motamed who plays drummer Ayesha in the hit Channel 4 show. She has a great set of electronic tunes that I’ve been listening to ever since. (KC)

Atna – ‘Smile’
“Why why why why why” …give me bizarre warped repetitive vocals from German avant-pop duo Atna ANY DAY. (TW)

Little Simz – ‘Speed’
Little Simz has done it again, latest album Sometimes I Might Be Introvert (in my case it’s always) is a total, immense masterpiece. ‘Speed’ is my favourite track on the album, in the same vein as previous faves ‘Boss’ and ‘Offence’, it’s propelled by a gritty, driving energy and Simz’s spot on lyricism, with a touch of orchestral grandeur. The perfect motivational anthem I’ve needed lately to get me through the day. (ML)

Kay Young ft. JNR WILLIAMS – ‘I’ve Got You’
‘I’ve Got You’ by London based artist, rapper and producer Kay Young featuring JNR Williams is such a feel good song! It’s taken from her EP This Here Feels Good, released via Play It Again Sam. (TW)

Duval Timothy ft. Lil Silva & Melanie Faye – ‘Fall Again’
I am totally obsessed and in love with this song. Rhythmic piano to start, before it slowly layers and builds with hazy, gentle vocals sweeping over the top. Such a dreamy sonic soundscape that feels so good in my ears. (TW)

Anna Vincent – ‘Naxos’
Having previously charmed us fronting indie-pop outfit Heavy Heart, and as a touring member of Happyness, after two decades making music London based Anna Vincent has now launched her first solo venture. With her debut album, Under The Glass (out today on Max Bloom of Yuck’s new label Ultimate Blends), she has recently been charming our ears with a number of shimmering singles, like the beautifully heartfelt ‘Naxos’. Exuding a spellbinding majestic grace alongside the stirring heartfelt emotion of Anna’s exquisite sparkling vocals, each track offers a truly blissful, captivating soundscape. (ML)

CMAT -‘No More Virgos’
Born from her desire to “marry her love of 80’s Italo disco with her hatred of Virgos,” Irish pop sensation CMAT’s playful new tune is a wry nod to her compulsive romantic decisions. “My mental health is banking on my chastity / and you’re bad for me” she jests over buoyant melodies, gently resisting the urge to circle back and repeat the same pattern of behaviour in her previous relationships. I’m so excited to hear CMAT’s debut album, If My Wife New I’d Be Dead, which is set for release via AWAL Recordings on 25th February 2022 (KC)

 

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