Introducing Interview: Alice Mary

Following her last single ‘Too Much’, London based artist Alice Mary has now shared the second of four singles to be released this year. Reflecting on the mix of feelings that can overwhelm the mind after a break-up, ‘Mystery‘ offers a jangly slice of swirling indie-pop. With shades of the uptempo danceability of the likes of Blondie, it showcases Alice’s sweeping vocals alongside funk-tinged hooks and a scuzzy energy.

We caught up with Alice to find out more… !

Hi Alice, welcome to Get In Her Ears! Can you tell us a bit about yourself?
Hello! I’m a singer-songwriter, producer and guitarist and I make indie pop music which combines my love of classic pop from the ’80s and ’90s with modern production and introspective lyrics.

What initially inspired you to start creating music?
I started having guitar lessons when I was eleven – I would bring along tapes and CDs of songs I wanted to learn and my teacher would work them out by ear and teach me how to play them. It sort of forced me to develop a music taste because I had to bring something every week to learn and luckily I lived in a house with three older siblings whose record collections I could raid! Then, after I’d been learning for about a year, my teacher said “I think you should start writing your own music now”. I wasn’t very good and I thought you had to be good at playing music before you were allowed to write it, but he just gave me the permission to go ahead and start. After that I never really stopped writing music!

You’ve just released your twinkling new single ‘Mystery’, can you tell us a bit about this? Is it focused on any particular themes?
The lyrics are about this back and forth I do in my head where I can be a bit all or nothing. It’s looking back on a break up and thinking – “I have to completely forgive this person and be their best friend”, or “I have to hate them and we’ll never speak again”, or “am I still in love with them?”. I could get stuck in this black and white thinking and struggle to make decisions, but I am a bit better at seeing the nuance and the in-between solutions now! After all the back and forth in the verse and pre chorus the clarity comes in the chorus: “I don’t really like you, you’re just what I’m used to / I’m happy that we’re done, I just miss having someone.”

We love your shimmering, heartfelt dream-pop sounds, but who would you say are your main musical influences?
Hmmm, so many! For these latest songs probably St Vincent, Prince, Radiohead and Joni Mitchell.

You’ve previously charmed us with your beautiful live set at The Amersham Arms a few years ago – but can you tell those who may not have had the pleasure of seeing you what to expect from your live shows?
I have two different kind of live shows – one with a bassist and drummer where I play electric guitar and sing and have some electronic sounds I playback on an iPad, and one where I play and sing solo with special arrangements on the acoustic guitar.

And, although we are still far from ‘normality’ at the moment, do you have any plans to gig in the near future? And if so, where/when?
I feel like I’m not supposed to say this but: I haven’t missed playing live that much! I’m wondering if when I start to do it again that’s when all the pain of missing out on it this last year will hit me, but I don’t know. I find playing live very stressful and although I enjoy it once I’m up there, all of the organising and psyching myself up beforehand is quite hard. All of that is to say I don’t have any gigs booked and I’m quite ok with it! If I get offered anything good (and safe!) I’ll go with it, but I’m not making any effort to book anything right now.

How have you been connecting with your audience and other musicians during the pandemic?
Instagram! I’ve been lucky to be quite creative during the last year and have enjoyed sharing my experimentation via videos on my instagram stories. I also joined a Facebook group for women and gender minorities working in music production called ‘2% Rising’, which has been great for learning and sharing ideas.

And has there been anything/anyone specific that has been inspiring you, or helping to motivate you, throughout these strange times?
I started having Zoom piano lessons a year ago and I’m still learning now – I love it and I’m so surprised! Not being able to play the piano was always a secret shame of mine, but now I can and it’s given me so much confidence in myself.

How do you feel the music industry is for new artists at the moment – would you say it’s difficult to get noticed?
The music industry is still a complete mystery to me, and I think that’s by design. There are amazing people who aren’t getting noticed and not very good people who have managers and agents. It’s a business, so they play it safe because they don’t want to lose money. So in answer to your question: yes, it is hard to get noticed by gatekeepers in the industry, but do we even need them anymore when you can reach fans directly through social media? That’s its own kettle of fish – it seems almost completely random to me what gains success online, but in a weird way that has helped me because I feel free to just try anything. There isn’t one way to find success, so you may as well just try things out and see who connects with it – if no one does, then try something else!

As we’re a new music focused site, are there any other upcoming artists that you’d recommend we check out?
I always want to shout out my friends, so I have to say: Hayley Ross, Semi Precious and James Chapman And The Blue Moon.

Finally, what does the rest of 2021 have in store for Alice Mary?
I have a re-release of an old song coming out for Bandcamp Friday in September. Then two more singles coming out in the autumn, and some recording this summer which I’m excited about. I’m also hoping to produce and mix some other artists.

Massive thanks to Alice for answering our questions!

Listen to Alice Mary’s new single, ‘Mystery’, here:

Photo Credit: Ben Peter Catchpole

Track Of The Day: Argonaut – ’13’

“Where’s this song coming from?”, my two-year-old shouts excitedly as Argonaut‘s latest single plays through my phone’s tinny speaker, like something magical has just happened. And I don’t blame her. ’13’ has a beautiful, haunting quality.

The song opens with a dark, dirty bass, which makes singer Lorna’s bittersweet, bubblegum vocals and dreamy melodies even more affecting. “Carefree and young, I remember it well”, she sings, as though casting a longing glance back at her childhood. It’s melancholic, grown-up pop music with a real punk rock sensibility, reminiscent of Blondie, The Primitives or The Waitresses.

A fuzzy, downbeat dream of a song, ’13’ feels like the perfect soundtrack for a lockdown winter. As the days get colder and darker, and we spend even more time away from our friends and family, it’s a lush, lovely thing to get wrapped up in.

 

Vic Conway

 

LISTEN: About Bunny – ‘Special’

A fuzzy, racing guitar tune that smoulders with riotous attitude, London-based four piece About Bunny have shared their debut single ‘Special’. Self-released via Kartel music, the track is full of buzzing bass lines, grungy guitars and sardonic yet sweet vocals, inspired by the likes of Garbage and Blondie.

Formed of Jemma Mckenzie-Brown (vocals), Alex Malseed (bass), Karl Hopkins (guitar) and Luke Coare (drums), About Bunny met in London and bonded over a mutual love of Debbie Harry, dancing and pre-pandemic nights out. The group managed to play their first show earlier this year opening for VUKOVI at their Banquet Records gig, just before the Covid-19 pandemic put a stop to live music.

Undeterred by the current state of affairs, About Bunny have shared ‘Special’, providing listeners with all the beats and riffs they need to rock out in the safety of their own homes. It’s the first offering from the band’s upcoming EP which is set for release in 2021, and it’s an exciting glimpse into their punk-infused, intensely catchy sounds.

Listen to ‘Special’ below.

Follow About Bunny on Spotify, Twitter & Instagram for more updates.

About Bunny’s bassist Alex was also a guest on our Hoxton Radio show last year talking about her work with Girls Rock London. You can listen back to our chat with her here.

Kate Crudgington
@KCBobCut

Five Favourites: Bugeye

Having just released their explosive debut album, Ready Steady Bang, GIHE faves Bugeye have fast been building a reputation for their wonderfully unique colourful pizazz, with recent acclaim from the likes of John Kennedy, Amazing Radio and God Is In The TV Zine. And rightly so, the album is like nothing you’ve heard before; a vibrant fusion of disco, punk and everything in-between, all fused together with magnificent energy into a relentlessly riotous and utterly uplifting collection.

We think one of the best ways to get to know a band is by asking what music inspires them or influences their writing. So, we caught up with Angela from Bugeye to find out her “Five Favourites” – five albums that have influenced her writing and Bugeye’s current sound. Check out her choices below, and make sure you listen to the new album asap!

Altered Images – Happy Birthday
I can’t quite remember when I discovered the Scottish band Altered Images. It may have been on one of those punk comp albums, but it was a band that would be one of my main influences for Bugeye’s music. I love the way they blend new wave punk tones with disco, cover dark themes but with upbeat musical accompaniments. It’s certainly what we try to do with Bugeye and although we don’t sound like Altered Images, their album Happy Birthday has been a big influence on my writing style.

Blondie – Parallel Lines
Another incredible band that merges disco and new wave punk in such a
seamless way. I have always been a huge Blondie fan from an early age, and this was one of my dads’ favourite albums. It’s spiky pop in its finest moments and is one of those albums that made me want to pick up a guitar and play. Whenever I need inspiration to write, I listen to Blondie.

Blur – Modern Life Is Rubbish
Probably an unexpected choice but I was rediscovering the beginnings of Brit-Pop before it all went south and this was an album I played a lot. It’s lyrically witty, wise, catchy, dark, light and everything in between. The music is simplistic but smart, and I think it was a great album that perfectly captured a mood, social change and the political climate. We wanted to write something that looked at the world today so surrounding ourselves with important records to inspire us to take a long hard look at the world was key. This was one of those albums.

Kraftwerk – The Man-Machine
Exciting synths and exploring the impact of technology upon humanity,
this album was the perfect atmospheric inspiration for our own writing on this subject. Synths have become such an important part of Bugeye’s sound and what better place to explore possibilities than with the work of Kraftwerk?!

Donna Summer – Best Of
Queen of the dance floor and a big influencer on dance music, Donna Summers’ music is pop, disco, soul and funk. It has a brutal futurism to it with icy electronics pulsing in a dark but fun way. We loved the way she mixed styles and sounds and we wanted to capture some of this with our album. You’ll hear arpeggiators and big disco sounds across our album as a salute to Donna Summer.

Massive thanks to Angela for sharing her Five Favourites!

Ready, Steady, Bang, the new album from Bugeye, is out now via Reckless Yes. Download or buy the CD on Bandcamp, or find one of the few remaining vinyl copies at selected independent record shops.