Five Favourites: Sorry Girls

Since forming in 2015, Montreal duo Heather Foster Kirkpatrick and Dylan Konrad Obront – aka Sorry Girls – have received acclaim from the likes of Pitchfork whilst consistently honing and developing their distinctive sound. Now, set to release their new album in June, they continue to charm our ears with their lilting heartfelt offerings, such as recent single ‘Prettier Things’. Reflecting on being honest with yourself, it oozes a glistening splendour as Heather’s crystalline sugar-sweet vocals ripple with a stirring emotion throughout, reminiscent of the catchy alt-folk of Jenny Lewis. An instant earworm, ‘Prettier Things’ showcases Sorry Girls’ ability to create truly blissful soundscapes, luring the listener in with their immersive twinkling grace.

We think one of the best ways to get to know an artist is by asking what music inspires them. So, to celebrate the upcoming new album, we caught up with Heather from Sorry Girls to ask about the music that has inspired her the most. So, read about her five favourite ever albums, and check out the beautifully hand-crafted video for ‘Prettier Things’ below…

Arthur Russell – Love Is Overtaking Me
This album has to be an all-time favourite for me, and Arthur Russell an ever-evolving all-encompassing HUGE influence for me musically. I’ve carried this album and all of its different songs with me across many chapters of my life. I first heard Arthur Russell in 2015 or so while I was having a nap mid-recording at one of Dylan’s (of Sorry Girls) old apartments, listening to his iTunes Library on shuffle. I heard ’That’s Us / Wild Combination’ and jumped up from my nap and was so excited and thought it was so beautiful. Then, after only really listening to World of Echo and Calling out of Context, I first heard the opening track to ‘Love is Overtaking Me’ on our first tour, where we drove and camped our way across Canada. A friend of ours picked up the guitar and played ‘Close my Eyes’ as we were all nestled around the campfire, and I was in awe because I thought he had written it. I’ve always been really attracted to country music and a sort of “classic” poem-like song and I feel like this is what Arthur Russell is amazing at, especially on this album. I’ve listened to each of the songs countless times over the years since and I don’t know if there is an album I love more than this one. Every song is beautiful, unique and captivating. 

John Prine – The Tree Of Forgiveness
Somehow I missed out on John Prine for most of my life, but this album is gut-wrenching. I love that I found him on his last album because it adds a lot to the experience of it and contextualises a lot of the themes throughout the album. And I honestly think it has some of his best songs: ‘Summer’s End’ and ‘I Have Met my Love Today’ are beautiful songs with gorgeous words on mortality, love and endings sung in his gravelly ageing voice. I think a common thread in the music I love is imagination and playfulness – songwriters that can mix poetic words with a sense of magic and absurdity. I guess, music with a sense of humour. I love the eclectic mix of genres, and I love that his music has a feeling of levity mixed with a grounding sense of emotional honesty. 

Caroline Polacheck – Pang
I am a huge fan of pop, especially of the avant-garde/ art-pop variety. I feel like this album kind of encompasses all of those influences, and seems similarly influenced by artists such as Kate Bush, Annie Lennox, Imogen Heap, Dido etc, whilst also being super grounded in the current pop sound. It presents a kinship to the old while innovating, which is something I really appreciate. This album deals a lot with the idea of transition and it carried me through a very transitional time in my life where I was dealing with carving identity and moving through heavy emotions, and I feel like this album is a perfect anthem for this kind of pursuit. Not to mention the amazing songwriting and out-of-this-world voice with seeming built-in theremin. I love.

The Complete Stax / Volt Soul Singles Vol. 2
It might be kind of cheating to feature a compilation BUT this one has two of my all-time favourite songs – ‘Love Changes’ by Charlene And The Soul Serenaders and ‘Just the Way You are Today’ by Barbara Lewis, which I found through this particular compilation. Soul music has been a huge inspiration for me and is the music that drew me in and captivated me the most as a child. I have so many memories of dancing to soul and Motown in my parents’ living room, and to this day it’s still the genre of music that moves me the most. 

Alex G – God Save The Animals
Since this album came out I have almost not listened to anything else. It’s full of so much sincerity, creativity and energy and has such a mix of genres and sounds that feel really honest, but also innovative and exciting. I feel really fired up when I listen to it and it has really set the bar for me recently as a standard for the musical integrity and vibrancy I am striving for. It’s so much fun!

Massive thanks to Heather from Sorry Girls for sharing her Five Favourites! Watch the video for ‘Prettier Things’ here:


Bravo!, the upcoming new album from Sorry Girls, is set for release on 2nd June via Arbutus Records.

Photo Credit: Japhy Saretsky

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Five Favourites: Ailsa Tully

Following acclaim for previous singles ‘Greedy’ and ‘Parasite’ from the likes of The Line Of Best Fit and Clash Magazine, Welsh artist and GIHE fave Ailsa Tully has now announced the release of her upcoming EP, Holy Isle – due out in September. Taken from the EP, recent single ‘Sheets‘ insightfully reflects on those first moments of waking, as your senses gradually start to stir whilst limbs stretch amid the crisp white linen. Combining lilting melodies with Tully’s crystalline, honey-sweet vocals, it oozes an immersive, delicate emotion and sparkling grace. With a heartfelt splendour, it offers an exquisite slice of folk-strewn indie, resonating with a glistening allure and subtle, yet stirring, sentiment. We can’t hear to the EP very soon!

We think one of the best ways to get to know an artist is by asking what music inspires them. So, to celebrate the upcoming EP, we caught up with Ailsa to ask about her “Five Favourites” – five songs that she loves the most. Check out her choices below and scroll down to listen to the uniquely captivating ‘Sheets’.

Rozi Plain – ‘Conditions’
Let’s start with this one because it’s a sonic masterpiece. I love how relaxed it is, how fluttery and flighty the synth parts are, the simple directness of the lyrics, and the grounding repetition of the bass riff. It has a wondrous quality like you are an (extremely calm) child on a day out, observing a blustery day by the beach.


Hildegard von Bingen – ‘Spiritus Sanctus Vivificans’
Hildegard von Bingen was a German Benedictine Abbess around in the 10th century and is one of the best-known composers of sacred monophony as well as being a respected writer, philosopher and mystic. I am so intrigued by her, a prolifically creative woman in the Middle Ages who was actually recognised for her work. Her music has an incredible purity and is so evocative of an ancient sacredness which I often feel I need to tap into. It reminds me of walking in the mountains in Wales where I grew up.


Joni Mitchell -‘Don’t Interrupt The Sorrow’
I listened to the album Hissing of Summer Lawns countless times with my Dad in the car. This was where I first fell in love with Joni’s lyrics and her ability to paint these incredible pictures of people and social situations. The power of her emotion and her voice just cut right through, coupled with these incredibly unusual arrangements. Every element is good enough to have made it amazing by itself. Me and Dad would talk about it on many journeys, extremely fond memories.


Sudan Archives – ‘Come Meh Way’
I am a cellist and spent a while trying to work out how to incorporate the cello into my live set up… In the end I gave up and turned to the bass. Sudan Archives made me wish I hadn’t. How she performs with a violin and how she uses it to accompany her voice is so unique to her, very mesmerising. She gets a really cool scratchy, earthy tone and puts it through loads of pedals. Catch her live if you can!

Caroline Polachek – ‘So Hot You’re Hurting My Feelings’
I listened to this song all the time when I started dating my boyfriend. It reminds me of feeling all that crazy joyful excitement. It’s just a great pop song!


Thanks so much to Ailsa for sharing her Five Favourites with us! Listen to latest single ‘Sheets’ below:

Holy Isle, the upcoming EP from Ailsa Tully, is set for release 1st September via Dalliance Recordings.

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FIVE FAVOURITES: Francis Of Delirium

Formed of 18 year old songwriter Jana Bahrich and collaborator Chris Hewett, Francis of Delirium create swirling guitar tunes that centre around Bahrich’s personal experiences. The Canadian-American duo recently released their new EP, All Change, via Dalliance Recordings and it’s full of fuzzed up, cathartic guitar sounds.

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with Jana to ask about her “Five Favourites” – five albums that inspired her song-writing techniques. Check out her choices below, and scroll down to listen to Francis Of Delirium’s new EP at the end of this post.

 

1. Nick Drake – Five Leaves Left
I can pinpoint the exact moment I heard ‘River Man’ for the first time. That song is so special, everything about Nick Drake is really special. It legitimately made me feel like my soul was lifting out of my body. His voice, the chord progressions, the string arrangements, everything adds so much. It might’ve affected me so much because it’s this singer-songwriter but it feels presented in a way that is completely new and so grounded in the earth. Both Chris and I have a special love for Nick Drake. We played this kind of brutal show and then came into the studio the next day and watched a Nick Drake documentary so there’s something comforting about him and his music, in particular this whole album.

2. Caroline Polachek – Pang
I think this is just an excellent pop record. The vocal melodies she’s choosing are so angular and unexpected but accompanied with really emotional and lush production. She has such control of her voice. There’s a KEXP session she did that was just her and a piano and I had to keep pausing the video every few seconds because I was so overwhelmed by how insane her voice is. It sounds out of this world.

3. Solange – When I Get Home
As a listener it feels like there’s so much intent with everything Solange does, maybe I’m cheating because there is literally an interlude on the album that says “do nothing without intention”. Both visually and in an auditory sense. She did a performance that was a medley of songs from When I Get Home on Jimmy Fallon and that was really important to me. I love choreography and shows that are big and planned but have a way of maintaining intimacy. I think that’s really hard to pull off. It’s something I think about a lot for our live shows. Obviously venues we play are pretty small, so it feels important to keep a closeness between the performer and the audience but I would like to incorporate something theatrical without alienating the audience so it doesn’t feel like I’m not there with them anymore. To me, Solange achieved that with her performance on Jimmy Fallon and the album is great.

4. The Microphones – The Glow pt.2
Phil Elverum’s music always centres me. It reminds me why I like Chris and I figuring out how to record music on our own and how getting it wrong but it still feeling right and ultimately that being what matters the most is really important. Phil always creates such a wonderful sense of space which makes me feel like I belong in the album he’s making, in particular this one, there’s this sense of home. Whenever I listen to him I want to go and try new recording techniques and try new things, listening to his music is like instant inspiration for me.

5. James Taylor – Greatest Hits
We grew up with a lot of “best of” albums around the house, which I never really realized until a bit recently. We had the R.E.M CD with the hand on it, the Nirvana black album, the wings best of, The Beatles one album so I really grew up on bangers only. Sometimes I want to do these huge ambitious orchestral albums and I still want to make a musical but James Taylor always reminds me, if you have something simple and pure and honest it can be just as arresting as anything else. He makes it seem a lot easier than it is and always reminds me to really check and double check if what I’m adding is serving the song.

Thanks to Jana for sharing her favourites with us! Listen to Francis Of Delirium’s EP below.

Photo Credit: Patricia Marets

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