GIHE: Ones To Watch 2022

It’s safe to say 2021 has been a tough one… But if there’s one positive to take away from this year, it’s the immense amount of incredible new music that’s been released, and the hope of even more sublime offerings from some wonderful new bands in 2022.

For our final annual end of year round-up, we’re sharing our ‘Ones To Watch’ for 2022… Just a few of the amazing bands and artists who have impressed us throughout 2021, and that we predict will be reaching ears far and wide next year… Have a read of our choices, and make sure you give them all a follow to keep track of their unmissable achievements over the next 12 months.

Cherym
Derry trio Cherym are one of my favourite discoveries of the year. Having had their EP Hey Tori pretty much on repeat over the last few months, seeing their gig at Paper Dress Vintage in October left me buzzing with a joyous sense of nostalgic euphoria – not only because it was my first gig since Covid, but because of the band’s unmatched exuberant energy and fiery spirit. Each of their songs is a perfect ​​master class in pure, perfect punk-pop – instant singalong anthems. I just can’t get enough of their empowering energy and bubbling, sugar-coated scuzz. And, having now been featured in Kerrang!, and with plans to play at SXSW this Spring, it seems they’re definitely ones to keep your eyes and ears out for in 2022! 
(Mari Lane – Co-Founder)


Pretty Happy 
I still crack up when I think of Pretty Happy guitarist Abbey Blake commenting “you’re the first person to say we have genuine talent” when I told them how great I thought their music was back in September. Together, Pretty Happy – aka art-punk trio Abbey, Arann Blake and Andy Killian – create riotous, tongue-in-cheek offerings often centred around their observations and experiences of living in their home county of Cork, Ireland. I had their EP Sluggers Bridge on heavy rotation during 2021, chanting along to ‘Sea Sea Sea’ and ‘Sudocrem’ as loudly and obnoxious-ly as possible. The band should hopefully be supporting Gilla Band on NYE if restrictions in Ireland allow, and I’m keeping my fingers crossed that they’ll make it over to the UK in 2022 so I can see them live for the first time.
(Kate Crudgington – Co-Founder)


BAXTR
Blasting out the pink, fuzzy energy we’ve so needed this year, and having received acclaim from the likes of BBC Introducing, London trio Floss, Bash and Keiko – aka BAXTR – have fast become one of my favourite bands of 2021. With sunny, uplifting singles such as ‘In Pop We Trust’ and ‘Grace On Fire’, the band showcase their knack for combining a kitsch, honey-sweet pop allure with a fierce, frenzied rock spirit, consistently delivering an effervescent, euphoric power with each frenzied, fun-filled floor-filler. A band on the rise for sure, I can’t wait to host BAXTR playing live for us at The Shacklewell Arms on 24th February, along with headliners Jenny Moore’s Mystic Business and Sheffield band Potpourri. Get your tickets on DICE now. 
(ML)


Grandmas House
Since I heard the opening riff of ‘Always Happy’ by Bristol trio Grandmas House, I have been hooked on their sardonic, thumping post-punk sounds. Formed of Yasmin Berndt, Poppy Dodgson and Zoë Zinsmeister, the band combine gritty guitars, powerhouse percussion and visceral vocals to create intensely relatable anthems. Watching them live at The WIndmill in Brixton was a real joy this year and I look forward to insisting Mari buy their last tote bag at the merch stand at more of their gigs in the future.
(KC)


Queen Cult
Following acclaim from the likes of BBC Introducing for their debut single ‘Shindigger‘, and support for explosive recent offerings ‘Show & Tell’ and ‘A Song About Consent’ from big names such as Bang Bang Romeo, Cheshire band Queen Cult have been fast making a name for themselves this year. Consisting of front person Maisie Johnson and bassist Leila Jacklin, as well as Brodie Carson on drums and Piers Jarvis on guitar, the band pride themselves on their LGBTQ+ identity and sharing their queer, politically-charged messages with the masses, and I cannot get enough of their seething, gritty energy and riotous, angst-driven power. And, with a tour with GIHE faves LibraLibra set for January, it seems as though many more people will be being lured to the band’s fierce colossal spirit and instantly catchy musicality very soon. 
(ML)


Brimheim
I have Mari to thank for bringing Danish artist Brimheim to my attention this year, after she played her shadowy, sublime single ‘poison fizzing on a tongue’ on our radio show. Brimheim’s buoyant second single ‘hey amanda’ is a gentler, but equally as emotive track that showcases her talent for capturing a moment in its purest form. I’m so excited to hear her new album, the magnificently titled can’t hate myself into a different shape, when it’s released in January 2022.
(KC)


45ACIDBABIES
Dutch garage-pop punks 45ACIDBABIES have been providing a welcome quirky, fizzing soundtrack throughout 2021. Having previously shared stages with the likes of Sleigh Bells and Blood Red Shoes, with singles such as ‘Mommy’s Favourite 1’ and ‘Only Class6 From Now On’, they have showcased their ability to create perfectly catchy, danceable anthems. With each single offering a wonderfully obscure cacophony propelled by a swirling energy and vibrant honey-sweet allure, the band have already gathered a huge fan-base in their native Holland (with over 685k streams of their music on Spotify this year), but I predict that 2022 sees them headed for world domination… Watch this space! 
(ML)

Lilith Ai
Self-described as “a singer-songwriter who performs poignant tales of modern city life,” Lilith Ai writes relatable guitar tunes exploring turbulent emotions in a humble and engaging way. She was modest, self-deprecating but incredibly warm and open to talking about all aspects of her life and art when I spoke to her about her album, Folk You Hard, earlier in the year. Loud Women also awarded her their prestigious Hercury Prize Award for the record, which is further proof she’s definitely one to watch in 2022.
(KC)


The Menstrual Cramps
Having been massive fans of raging queer punks The Menstrual Cramps since 2017’s debut album We’re Not Ovaryacting, and had the honour of hosting an epic night of them playing live for us at The Finsbury back in 2018 as well as having them as guests on our radio show, we have been wallowing in a Menstrual Cramps-less void for the last couple of years as the band were on a little hiatus. But, at the beginning of this week, just when we thought all was lost and we’d given up any hope of 2022 being better than the last two years… The Menstrual Cramps announced their return! Joining front person Emilia and drummer AJ, the band introduced two new members, Abi and Zam, and have promised new music for us. I cannot wait for more of their politically-charged, immensely empowering anthems! 
(ML)

Check out our Tracks Of 2021, Albums & EPs of 2021 and Personal Highlights now. Massive thanks to all who’ve supported GIHE this year, it really means the world. And huge thanks too to all the amazing bands and artists who’ve soundtracked it, and who will continue to soundtrack 2022!

LIVE: Cherym / Brand New Friend @ Paper Dress Vintage, 06.10.2021

Only my second time at a gig since the ‘Big C’ and my first north of the river, venturing to Hackney from the depths of South London proved to be most definitely worth it, once safely ensconced in the ever-kitsch, Twin Peaksy vibes of Paper Dress Vintage. 

After sampling some local pale ale downstairs, my ears were treated to the uplifting, punk-pop energy of the night’s co-headliners Brand New Friend. Announcing “we’re gonna do a rock show!” they soon kick off with an infectious jubilant charisma into the lilting, impassioned emotion of ‘She Always Comes Up Smiling’. Expressing thanks for all who’ve made it out, as well as Simba on sound and their van saviour Steve-o, the band’s endearing modesty and gratitude just makes them all the more loveable as they assure us that if we don’t like what we hear, they’ll “keep it off the second album…” 

In a beautiful kind of symmetry the band’s last gig “before ‘rona” was also with Cherym, so – as we’re left hoping there’s not another world catastrophe after tonight – they dedicate the next song to their pals as their glistening vocal harmonies and swirling hooks ooze a joyous, scuzzy energy; a comforting hug in sonic form. 

Honoured to be treated to the new, first song that Lauren’s written (it’s s good ‘un) and a taster of the new album in the form of ‘Lucky’, amongst the fizzing melodies of older favourites such as ‘I Was An Astronaut’ and ‘Girl’, and heartfelt odes to grandparents past (“… this is the part of the set where we’re at Glastonbury and it starts raining and the crowd fuckin’ erupt!”), the entirety of Brand New Friend’s set exudes a wonderfully life-affirming charm. Interweaving a raw, nostalgic emotion with a refreshing euphoric zest, it’s simply impossible not to sing and bop along to their incessantly catchy offerings and become utterly immersed in their shimmering, buoyant energy. 

And the euphoria doesn’t end there. As Derry trio Cherym take to the stage in their matching sports jerseys, they blast into the swirling driving force of ‘She’s Enough Going On’. Immediately capturing our attention with their unique blend of anthemic, honey-sweet punk-pop mixed with a gritty riotous power, I’m filled with a teenage excitement (a rare feeling for someone who’s not been a teenager for many years) to be seeing this refreshing new band – one all too deserving of the acclaim they’ve received so far from the likes of NME and Radio X’s John Kennedy. 

Continuing with the fuzzing, catchy hooks of 2019 single ‘Abigail’, and the jangling tongue-in-cheek wit and driving beats of 2018’s ‘Pretty Boys’ (dedicated to Brand New Friend’s da), each offering blasts out from the trio with a vibrant spirit and colourful, charismatic musicality; sticking in your ears instantly. Encouraging some crowd participation for personal fave, ‘Listening To My Head’, Cherym showcase their ability to create instant singalong anthems. With an uplifting, empowering energy, frenzied hooks accompany Hannah Richardson’s luscious angst-driven vocals; a sunny slice of witty lyrical storytelling (it’s inspired by the Netflix series Dirty John) combining a fierce sense of rage with a bubbling, sugar-coated nostalgia. 

Alongside the exuberant energy of songs like this and the fiery spirit of ‘Weird Ones’, drummer Alannagh Doherty takes a moment of calm to introduce the exquisite harmonies of ‘Gone Girl’, sharing with us that the track addresses domestic abuse; assuring us that we’re in a safe space here. A stirring and all-too-resonant message right now, and one that I’m grateful that bands such as Cherym are addressing openly and with such passion. 

Resuming a sizzling energy with the scuzzy, noughties-indie-reminiscent hooks of instant earworm ‘Kisses On My Cards’ and the buoyant beats of heartfelt celebration of queer love ‘We’re Just Friends’, Hannah, Alannagh and Nyree then draw the set to a close with the buzzing, elevating joy of ‘Take It Back’. A master class in pure, perfect punk-pop. 

And what a superb way for the trio to celebrate their new debut EP Hey Tori (one of my albums of the year for sure). Seeing both these Northern Irish bands has left me with a smile on my face and a spring in my step; desperate to hop across the pond to see more. 

Mari Lane
@marimindles

Photo Credit: Y-Control Photography

WATCH: Cherym – ‘We’re Just Friends’

Following their luscious and totally infectious last single ‘Listening To My Head’, and receiving acclaim from the likes of John Kennedy and Frank Turner, Derry trio Cherym have now announced their upcoming new EP, Hey Tori, set for release in September. And, ahead of the EP’s release, they have now shared a vibrant new video.

Propelled by buoyant beats and jangling hooks, ‘We’re Just Friends‘ is a heartfelt reflection on life and love, particularly from the perspective of non-heteronormative couples. Oozing a swirling, danceable energy and all the honey-sweet punk-pop vibes you could ever desire, it’s a wonderfully fuzzy burst of bubbling, sugar-coated nostalgia. Another instantly catchy, and utterly uplifting, offering that harks back to my favourites of the early noughties in all the best ways.

Of the track, drummer Alannagh Doherty explains:

This is a song we wrote after spending some time thinking about life and some of the positive aspects of it, like relationships we’ve had that we can look back on, or the relationships that have yet to come. It’s a cheesy tune about being in a very wholesome relationship with your soul mate… There is a wee bit of irony in the title because in most wlw (woman-loving-woman) relationships—or any non-heteronormative relationships—people will always presume you’re ‘just friends’ so that’s where the idea came from.”

Watch the super cute animated video for ‘We’re Just Friends’ now:


Hey Tori, the upcoming EP from Cherym, is set for release on 30th September via Alcopop! Records. Pre-order here. Catch them live on their UK tour in October – more info here.

Mari Lane
@marimindles

Photo Credit: Y-Control Photography

Track Of The Day: Cherym – ‘Listening To My Head’

Having received acclaim from the likes of NME, John Kennedy at Radio X and Tom Robinson on BBC 6Music, as well as recently landing themselves on Spotify’s The Punk List, Derry trio Cherym have now bounced back into our ears following previous single ‘Kisses On My Cards’ with a brand new offering.

Inspired by the Netflix series Dirty John, ‘Listening To My Head’ is a sunny, jangling slice of punk-pop. Propelled by driving beats and an uplifting, empowering energy, swirling hooks accompany luscious angst-driven honey-sweet vocals. An instantly catchy offering harking back to my favourites of the early Noughties, its vibrant, lilting refrains will stick in your ears on first listen, demanding multiple plays and frenzied dances around the living room. Of the track, the band explain:

“This is a song we wrote after Hannah watched the Netflix series Dirty John. It’s written from the point of view of Betty Broderick, wife of Dan Broderick, a successful business man who used Betty to gain his success, tormented her life, left her penniless in the divorce settlement, took full custody of their children, and abused her throughout their relationship. In the end she ended up killing him…and his lover, but that’s beside the point. This is Betty’s song…”

Oozing a wonderfully fuzzy sense of nostalgia as the tongue-in-cheek wit of the lyrical storytelling and a colourful charismatic musicality flows, ‘Listening To My Head’ is guaranteed to put a smile on your face, a clench in your fist and a spring in your step in the face of cheating men everywhere. And it has secured Cherym as a new favourite band for sure.

‘Listening To My Head’ is out now via Alcopop! Records. Catch Cherym live with labelmates (and GIHE faves) cheerbleederz throughout October. Tickets and details here.

Mari Lane
@marimindles