LIVE (Photos): Cro Cro Land, 06.04.19 (Part 2)

Last weekend saw the launch of Croydon’s brand new festival, Cro Cro Land. Organised by Croydon residents Angela Martin and Julia Woollams, the festival aimed to promote gender equality in both its line-up and staff, whilst championing a number of local bands and artists, and working in conjunction with a number of grassroots organisations and charities, including Lives Not Knives.

And what a festival it was! Paying host to SO MANY incredible bands, it was not only a day filled with all the best live music, but also a completely unmatched sense of community spirit and united joy at being part of the DIY scene. As well as all the superb bands playing on the day, we bumped into so many other bands and artists there to support their peers, as well as other key members from the community, such as Caffy from The Zine UK and staff from Croydon’s best pub, The Oval Tavern. It was like a huge family gathering, filled with all the most life-affirming vibes and, of course, the best live music.

Check out Part 1 of our review of the day here. And here’s some more fantastic photos from Jon Mo and Jamie MacMillan, who were there to capture all the action…

Following Bugeye’s impressive set, we stick around at the main Town Square stage to catch the festival’s ‘secret’ headliner – Liverpool’s She Drew The Gun. Kicking off with the politically-driven power of ‘Resister’, they treat us to an immense and utterly immersive set filled with a sincere, empowering energy.

Photo Credit: Jamie MacMillian

Photo Credit: Jamie MacMillan

Continuing the incredible performances at the Town Square stage, South Yorkshire’s Bang Bang Romeo blast into our eyes and ears with a magnificent energy. As front woman Stars completely blows my mind with her incredible compelling charisma and the soaring soulful power of her vocals, they deliver a truly breathtaking and instantly memorable set, taking full control of the huge crowd.

Photo Credit: Jon Mo

Photo Credit: Jon Mo

Rather nervous about some of my favourite bands clashing (it’s just such a perfect line-up!), I manage to fit in at least some of all the ones I’m desperate to see over the next hour – flitting between the Concrete Playground and Town Square…

From Bang Bang Romeo, I catch a good chunk of the luscious, punk-infused indie-pop of Fightmilk. With their wonderfully raucous energy, they never fail to uplift, as I find myself singing along to each of their dreamily catchy offerings – including personal highlight ‘Dream Phone’ (and yes, sadly I am old enough to remember the game!).

Photo Credit: Jon Mo

Photo Credit: Jamie MacMillan

Dashing back to the Town Square in time to catch South London duo Nova Twins, they once again succeed in completely taking my breath away with their ferocious power and biting energy. Having been following Georgia and Amy for some time now, it’s no surprise to see them achieving the success they have been (supporting Wolf Alice and Prophets Of Rage, praise from the likes of Iggy Pop, playing festivals across the world…); their truly immense, seething offerings are like nothing else I’ve heard before, and the vibrant, mighty force of their live show remains completely unmatched.

Photo Credit: Jon Mo

Photo Credit: Jon Mo

Back at the Concrete Playground, total faves Chorusgirl do not disappoint. Another band I’ve been following for the last few years, it really is wonderful to see them develop their sound, with their incredible dedication to their craft paying off with the release of last year’s truly epic second album Shimmer and Spin. A set filled with a joyous energy and front woman Silvi’s endearing modest charm, I just can’t get enough of their scuzzy, sparkling garage-rock, and may even have shed a tear upon hearing personal favourite ‘Stuck’ live for the first time; a poignant offering from the new album, that tugs at the heartstrings in all the right ways.

Photo Credit: Jamie MacMillan

Photo Credit: Jamie MacMillan

I manage to get back to the Town Square just in time to catch The Lovely Eggs. Despite a significant amp explosion moments before they’re due to start, the Lancaster duo deliver their immense punk-infused sonic fusions to perfection. With the brash, inspiring charisma and no-frills-yet-empowering presence of Holly Ross, they blast out a swirling, psychedelic cacophony and uplifting lo-fi fuzz. And, with their blunt realism and scathing retorts to all the dickheads in the world accompanying their riotous frenzied energy, they remain one of the most relevant bands around (and one of the most exciting to see live).

Photo Credit: Jamie MacMillan

Photo Credit: Jon Mo

Closing the incredible day, Blood Red Shoes deliver a headline set filled with raucous anthems new and old. Oozing their trademark whirring riffs, thrashing beats and the immense, energy-fuelled interplay between Laura Mary and Steven, they fill the room with a mass of buoyant bodies, singing along to each electrifying offering.

Photo Credit: Jon Mo

Photo Credit: Jon Mo

HUGE thanks to Angela and Julia for organising one of the best days ever; and here’s to Cro Cro Land 2020!

Photos:
Jon Mo / @jonmophoto
Jamie MacMillan / @jamiemacphotos

Words:
Mari Lane / @marimindles

 

Interview: Cro Cro Land Founders, Angela and Julia

We’re currently getting extremely excited about Croydon’s brand new multi-stage festival, Cro Cro Land!

Organised by Croydon residents Angela Martin and Julia Woollams, the festival aims to promote gender equality in both its line-up and staff, is championing a number of local bands and artists, and is working in conjunction with a number of grassroots organisations and charities, including Lives Not Knives.

Paying host to some of our current favourites, including Nova Twins, Chorusgirl, Fightmilk, ARXX, Berries, Jetstream Pony, Bugeye and many more, we’re proud to be involved in helping out at the festival, and will even be spinning a few tunes on the day!

So, prior to everything kicking off on 6th April, we caught up with organisers Angela and Julia to find out more…

Hi Angela and Julia, welcome to Get In Her Ears! Can you tell us a bit about yourselves?
Angela: I’m a member of the band Bugeye, music activist and co-founder of the Croydonist and Cro Cro Land Festival.
Julia: I’m a graphic designer mainly working in the charity and arts sector. I’m also the other founder of the Croydonist, which is a Croydon cultural blog, as well as co-founder of Cro Cro Land.
Angela: We’re also married, so partners in crime in every sense!

You’re currently organising Cro Cro Land –  Croydon’s brand new multi stage indie music festival – which is super exciting! What inspired the idea to do this?
A: Lots of things really. We’ve always been inspired by the fact that Croydon has such a rich musical history. It’s the birthplace of punk for one thing, and so many other great musical happenings such as Dubstep and Grime.
J: It used to be a place on every band’s tour schedule, but with venue closures, Croydon has sort of fallen off the map. We want to change that.
A: In recent years, we’ve seen so many people come together and form collectives for the greater good of music. DIY zines, podcasts, new promoters, dedicating their own time at no financial gain to try to impact change. There has been a real fight to improve the gender balance at festivals and ensure that women are fairly represented. This is an area that we feel very strongly about, and so we decided we wanted to get involved and create an event that took all of these things into consideration, paid artists fairly, as well as bringing together a number of grassroots collectives together under one roof.

How did you go about picking the fantastic line-up for the festival?
J: The line-up was a mixture of recommendations from grassroots collectives such as yourselves, The Zine UK, Benumu and Kick out the Jams – to name but a few – plus our own wishlist and artists applying via the festival submission page.

And what would you say has been the hardest part about organising a festival?
A: Where to start! I guess it was difficult not knowing whether we would be successful in our funding applications or not. Festivals aren’t cheap to put on after-all. However, the Arts Council National Lottery Grant was approved, and Croydon Council have also confirmed financial support, so we feel pretty blessed right now.

The line-up is filled with some of our favourites such as Nova Twins, The Lovely Eggs, ARXX, Bugeye and Chorusgirl! And what strikes me about the festival and makes it stand out at the moment is the great gender balance of the line up – was there an intentional and specific decision to do this, or did it just naturally pan out that way?
J: It came quite naturally to be honest. We did go back and look at our list of potential bookings to make sure we met this pledge, and found that we were pretty spot on from the word go.

And how do you feel about the general lack of female headliners at a lot of big festivals at the moment?
A: I think it’s quite disappointing. I totally get that if someone wants to put on a festival and pay for it, they should be able to book whoever they want, but there is still a level of responsibility that falls to promoters to address gender issues. On a positive note, the PRS Keychange initiative is making a dent in there, with a number of festivals pledging a gender balanced bill. I know there’s still a way to go on this, but the more festivals that treat this as the norm, then ultimately it pressures others to also follow suit.

It’s great that you’re hosting a festival in Croydon, somewhere that doesn’t yet have many music events, in comparison to areas in North and East London – will there be a focus on local bands at the festival?
J: There certainly is. We are supporting local talent as well as running a mentoring programme with our charity partner Lives Not Knives. The mentoring programme will be offered to those who have experienced social exclusion and/or victims of crime with a special focus on women in the community.

And for any upcoming bands/artists looking to apply for the festival next year, do you have any tips?
A: Get in early. We plan on launching the new application process a couple of months after this year’s event, so keep an eye on our socials. I guess what we look for are bands that are supportive of the scene in general, and not just focused on their own agenda. If you like other bands’ content, retweet, comment and share, then we want to hear from you. To make a difference in this industry, it’s about working together. We don’t believe in popularity contests of who has the most followers on Twitter. Because that’s kind of bullshit at the end of the day. What counts is how active you are, if we like your music, and think you have potential.

What are you most looking forward to about Cro Cro Land?
J: When it’s finished. Just kidding. I guess once the festival is in full swing we might be able to relax – hopefully!
A: I’m looking forward to the moment before the doors open and everything is in place. It’ll be a real emotional feeling, as I think everything we’ve been through to get here will really hit home.

How do you feel the music industry is for new bands and artists at the moment – would you say it’s difficult to get noticed?
A: The UK is a hard market. There’s many pros and cons. The biggest con is trying to get the big labels to listen. They want bands to have already made it to a certain level before getting involved. The pros are that a huge number of people are saying ‘fuck that’ and creating their own industry. There’s a great network of bands that all support each other, promoters who work their arses off to make shows a success and create noise about the bands. It’s working too and we’re starting to see bands breaking through at long last.

Finally, as we’re a new music focused site, are there any particular new bands or artists from Croydon that you’d recommend we check out?
A: Hmmm, let me see! There’s Jetstream Pony, The Weird Things, Bears in Trees, who are all good fun. As for other bands that we are playing non-stop, check out Tiger Mimic, Kath & The Kicks and Feral Five. We’re a bit in love with all the bands on our bill though.

Thanks so much to Angela and Julie for answering our questions, we can’t wait to see you on 6th April!

Cro Cro Land takes place at Urban Xchange, Croydon (a minute’s walk from East Croydon station) on 6th April. For tickets and line-up details, check out their website.

Listen to our Cro Cro Land favourites playlist here:

Albums Of The Year 2018

Despite being a pretty scary year in the grand scheme of things, 2018 has actually been exceptionally great for new music. Our ears have been filled with sonic delights of all genres, providing necessary catharsis and enjoyment. 

So, it was pretty hard to pick our favourite albums of 2018. But, from luscious indie-pop to thumping electro-punk and eerily dystopian soundscapes, here they are… 

Fightmilk – Not With That Attitude
Following utterly infectious singles such as ‘Pity Party’ and ‘Bank Of Mum And Dad’, this year GIHE faves Fightmilk signed to Reckless Yes and released their truly fantastic debut album Not With That Attitude. Delving deep into subject matter such as the end of relationships, summer crushes and the general feelings of anxiety that come with everyday living, each and every offering on Not With That Attitude is an angst-driven gem; a perfect antidote to life, with a nostalgic nod to the emotions of our younger selves.

I can safely say, although the album was only released last month, it’s been one of my most listened-to of 2018; I just can’t get enough of its luscious, punk-infused indie-pop gems. From the scuzzy tongue in cheek wit of anti-love song ‘4 Star Hotel’, and the jangly riffs and immensely catchy, silky smooth refrains of pop anthem ‘Dream Phone’, to the twinkling heartfelt splendour of personal favourite ‘Solving Crimes In Sweden’, there isn’t a dull moment to be found.

An utterly life-affirming, and completely addictive, collection, Not With That Attitude is not only one of my favourites of 2018, but will hold a special place in my heart for years to come.
(Mari Lane – Managing Editor/Co-Founder)

Gazelle Twin – Pastoral
A unique artist with razor sharp vision and uncompromising creativity; Gazelle Twin (aka Elizabeth Bernholz) combined glitchy beats, menacing samples and an uncanny new costume on her new album, Pastoral. Released via her own label Anti-Ghost Moon Ray, the record marked another transformation for the performer; this time she exhumed England’s “rotten past” and questioned its uncertain future.

I’ve been following Bernholz since the release of her sophomore record Unflesh in 2014, and between Motherhood and curating another two atmospheric records (2016’s Out Of Body & 2017’s audio/visual project Kingdom Come), she eventually released Pastoral – and it was totally worth the wait. Her altruistic style is one that can’t be mimicked – even though she herself is a master at adopting the traits of others, and transforming in to a new species of performer who offers brutality and intrigue in equal measure.
(Kate Crudgington – Features Editor/Co-Founder)

Anna Calvi – Hunter
Along with already being a massive fan of Anna Calvi’s music and eager to hear the follow up to One Breath, I wasn’t prepared for just how much I would love the new record. I’d like to say it’s just a personal thing. Mostly because I’m a writer and there’s a branch of us who only speak about how things make us feel (of which I’m one) but also because Hunter was, at its core, a queer and feminist record.

Hunter is the kind of album I would have given into l’appel du vide for as a teenager: a queer album by a queer artist I love, full of tracks bathed in the queer beauty of art. Of course, queerness is far from all the record is, but every track drips in it and its adjacence to the power of love and of sex and of raw, integral passion untouched by any hand and only feelings.

Because of that and the magnificence of tracks like “Wish” and “As a Man”, Hunter is undoubtedly my record of the year.
(Em Burfitt – Contributor)

Sink Ya Teeth – Sink Ya Teeth
Having marked them out as ‘Ones To Watch’ last year, it certainly seems that Maria Uzor and Gemma Cullinford – aka Sink Ya Teeth – have proved us right throughout 2018; this year has seen the Norwich duo receive acclaim from BBC 6 Music’s Steve LaMacq and The Guardian, support big names such as Chk Chk Chk and Eton Crop, and release their banger-filled debut album.

Filled with addictive, pulsating beats and ‘80s-inspired dance-pop hooks throughout, the album is an epic sonic journey from start to finish. From the pounding energy and funk-fused bass hooks of singles such as ‘Pushin’ and ‘If You See Me’, to the swirling, whirring soundscapes of ‘Glass’ and ‘Complicated’, each track is an utterly infectious slice of thumping electro-punk. And add Uzor’s smooth, soaring vocals to the mix, and what you have is something completely unique and truly exquisite.
(ML)

Haiku Salut – There Is No Elsewhere
For many it will be hard to imagine how an instrumental album can so clearly communicate a message, not just a feeling evoked by sound but a clarion call. On their third album Haiku Salut manage just this though – their most cohesive work to date There Is No Elsewhere is beautiful in sound and theme, as it reflects the dramatic landscape of their Derbyshire home and combats the societal narrative of division with a love-letter to togetherness.

The album moves their intricate and fascinating music on. Here we get a more deliberate and incredibly thoughtful play between analogue and electronic, a blurring of the line between musician and instrument as organic and digital interlock. Community is roused through the clever use of brass bands, while rhythms incite and encircle swells of feeling.

There Is No Elsewhere is a remarkable work from a band who should be considered a national treasure.
(Sarah Lay – Contributor)

TAYNE – Breathe
With a sound as distracting as the shade of pink that creator Matthew Sutton paints his lips with for their live shows; TAYNE’s debut album is a vital, abrasive, cathartic listen fuelled by abrasive synths and explosive pay-offs. TAYNE’s music is some of the most interesting and altruistic I’ve heard all year; blurring the lines between industrial, synth-pop, shoe-gaze and alternative; a visceral cacophony of synth textures and drum patterns, alongside Sutton’s hair-raising screams. It’s an emotional exorcism with a pop sheen, and I’m very glad it dropped in to my inbox at the beginning of this year.
(KC)

First Aid Kit – Ruins
It’s easy to dismiss ‘break-up albums’ as being forty minutes of wallowing in self-pity, however Ruins deals with the whole spectrum of emotions which comes with grieving a relationship without any of the bitterness – demonstrating a gentle strength which we can all relate to. Personal favourite ‘Rebel Heart’ introduces us to the darkness, before the uplifting harmonies of ‘It’s A Shame’ show the empowerment which comes with self-reflection, whilst the twinkling melodies of ‘Fireworks’ convey that common nostalgic, rose-tinted outlook with a chorus worthy of belting out in the shower.

If music reflects the journeys we all embark on in life then Ruins beautifully encapsulates the complexities of relationships. It reassures us that it is normal to feel a wide-range of emotions all at once – that it is okay to be vulnerable.
(Nicky Lee-Delisle – Contributor)

Hilary Woods – Colt
A contemplative, carefully crafted record which schools listeners in how to come undone: Hilary Woods’ debut album is an exquisitely painful exploration of grief, separation, and abandonment. The Dublin-based artist signed to altruistic label Sacred Bones to release her first full-length record, and the partnership is one I wholly approve of. Comfortably overlapping both acoustic and electronic genres, underneath all of Woods’ melancholy sounds there lurks a quiet power: a power that comes from being honest about genuine pain. When I saw her perform live at St. Pancras Old Church earlier this year, I was overwhelmed with emotion and felt too shy to approach her after the gig at the merch stand, where I bought a copy of her album. If I had, I definitely would’ve thanked her for making such a beautiful, rewarding record.
(KC)

Dream Wife – Dream Wife
It’s hard to find a band who have been as consistently brilliant in 2018 as Dream Wife, and their self-titled debut is a case in point. From Fall meets ESG psycho-drama ‘FUU’, high-school Stooges ‘Let’s Make Out’ and Toni Basil gone garage ‘Hey Heartbreaker’, you might think it’s all a blast. But the group can emote too – ‘Love Without Reason’, ‘Somebody’ and ‘Fire’ showing off their pop qualities. It’s all kept simple, and that’s Dream Wife’s genius.
(John McGovern – Contributor)

The Lovely Eggs – This Is Eggland
Ever since being completely blown away by The Lovely Eggs at Indietracks Festival this summer, I’ve been more or less obsessed with the Lancaster duo. Lucky enough to catch their utterly immersive set for a second time at The Scala this Autumn, I’ve had their This Is Eggland album pretty much on loop throughout 2018.

From the swirling, psychedelic cacophony of tracks such as ‘I Shouldn’t Have Said That’, to the uplifting lo-fi fuzz and anthemically catchy spirit of ‘Hello I Am Your Sun’ and ‘Wiggy Giggy’, the album oozes a frenzied, riotous energy and spiralling sense of urgency throughout. With Holly Ross’ blunt realism and scathing retorts to all the dickheads out there, The Lovely Eggs stand out as one of the most relevant bands around – echoing the feelings of the many, with their subtle social commentary and refreshing cynicism providing an apt accompaniment to the eccentric musicality of This Is Eggland.
(ML)

The Soft Moon – Criminal
The second Sacred Bones album to make my list this year is The Soft Moon’s Criminal. It’s a gripping, teeth-grinding, ultra-cathartic affair; and when heard live it’s a different beast entirely. I have all the time in the world for men who explore their mental states through the medium of music, and listening to Criminal feels like an exploration of this kind. The Soft Moon (aka Luis Vasquez) takes memories of childhood trauma, misplaced guilt and self-hatred, and allows himself to “cross the line” and produce a truly breath-taking collection of industrial, electronic soundscapes here. I’ve had ‘Burn’ on repeat all year long.
(KC)

Chorusgirl – Shimmer and Spin
Following 2015’s wonderful self-titled debut, this year GIHE faves Chorusgirl released their long-awaited new album Shimmer And Spin, and we couldn’t be happier for them. Chronicling a tense year, created during a period of crippling anxiety and a relentless string of bad luck and bad news, the new album is the result of immense hard work and dedication from Silvi, Faith, Udo and Michael. Of the writing process, Silvi explains: “There was barely a month without bad news on a personal and wider level, and at the end of that year, my anxiety started to spike badly. The album became a very important anchor. Every note and lyric were raked over and looked at twice; we were hacking and honing away at the songs for months, trying to craft some sort of sculpture of our state of mind.”

Despite oozing a darker undercurrent than previous offerings, Shimmer And Spin showcases Silvi’s distinctive, lush vocals throughout, as effervescent harmonies and impressive driving riffs flow, creating Chorusgirl’s utterly unique, shimmering sounds. From the sparkling garage-pop of tracks such as ‘No Goodbye’ and ‘In Dreams’ to the simply spine-tingling soaring emotion of personal highlight ‘Stuck’, this album – and the determination that went into creating it – showcases exactly why Chorusgirl are one of my favourite bands of the last few years.
(ML)

PLAYLIST: November 2018

The dark winter nights are creeping in, but our brand new November playlist is filled with bright, vibrant new sounds from a range of unusual and inspiring new artists. Take some time to scroll through our words and hit play on the Spotify link at the bottom of the page…

Temples Of Youth – ‘Darker Places’
Temples Of Youth have long been a favourite of ours here at Get In Her Ears, so we were thrilled to have them as guests on our Hoxton radio show last week (listen back here). ‘Darker Places’ is the title track of their latest EP, and I love Paul’s sweeping guitar sounds and Jo’s melancholy, but powerful vocals. We can’t wait to have them play for us at Notting Hill Arts Club on December 1st alongside Alyss, Elsa Hewitt & Varley (tickets are available on DICE. RSVP here). (Kate Crudgington)

Montauk Hotel – ‘Stains’
I poached these Dublin indie girls from Tash after she played ‘Stains’ on our Hoxton Radio show last week. I love their gentle, melodic, shimmering sound. They’re definitely ones to watch… (KC)

Scrounge – ‘Etch’
Both edgy and itchy, the appropriately named ‘Etch’ is a short, but very sweet blast of perfect scuzz-filled post-punk. A track that will indeed remain etched on your ears, demanding multiple listens, it’s propelled by Luke’s thrashing beats as Lucy’s colossal vocals rage alongside whirring hooks with a gritty sense of urgency. Oozing the duo’s epic, swirling wall of sound, with ‘Etch’ Scrounge have blown me away once again, marking themselves out as definite ones to watch. (Mari Lane)

Vulpynes – ‘2 Cents’
A song about freeing yourself from expectations, Vulpynes’ ‘2 Cents’ is propelled by the gritty, impassioned vocals of guitarist Maeve, raging with a seething energy and sublime raw power as punk-fuelled riffs are blasted out alongside intense pummelling beats. Reminiscent of the riotous force of the likes of L7 or The Distillers, it’s another storming, empowering offering from the Dublin duo, showcasing all there is to love about them. (ML)

Chorusgirl – ‘Demon Baby’
Following 2015’s wonderful self-titled debut, GIHE faves Chorusgirl have now announced their long-awaited new album Shimmer And Spin, and we couldn’t be happier for them. Taken from the album, ‘Demon Baby’ is the first song of the band’s to be released that’s written and sung by Faith Taylor (also of faves Suggested Friends). A slight change in tone from the usually guitar-driven jangly indie of Chorusgirl, ‘Demon Baby’ combines those welcome fuzz-filled hooks with a backdrop of a glitchy, electronic soundscape, filled with sparkling effects and luscious cascading harmonies. Shimmer And Spin is out 16th November via Reckless Yes. (ML)

Worst Place – ‘Square Eyes’ 
Oozing all the totally dreamy vibes we’ve come to expect from the East London band and GIHE faves Worst Place, ‘Square Eyes’ is an ode to Netflix lovers (me!) everywhere. Flowing with the scuzzy whirr of guitars alongside bassist Amy’s luscious honey-sweet vocals, it’s a simply perfect slice of sparkling, woozy indie-pop. ‘Square Eyes’ is out now on limited edition green glitter cassette, along with its double A Side ‘Soak’. (ML)

Bryde ‘On the Subject of Breathing’
Following a nomination for the Welsh Music Prize for her debut album Like An Island, London-based Welsh songwriter Bryde has share this new single ahead of her UK tour. It’s strummy, it’s seething, it’s sullen. (Tash Walker)

The Orielles – ‘Bobbi’s Second World’ 
The story of a cat named Bobbi, this new track from faves The Orielles flows with an onslaught of scuzzy, funk-fuelled hooks and groove-laden, disco-reminiscent vibes. With the noticeable addition of keys courtesy of new member Alex, ‘Bobbi’s Second World’ initially sounds a lot less ‘indie’ than previous releases – focusing on creating a poppy danceability -, but it is certainly no less innovative. It remains distinctly The Orielles; an instantly infectious anthem filled with a buoyant energy and oozing a colourful spirit. ‘Bobbi’s Second World’, along with accompanying track ‘Makes You Forget (Itgehane)’, is out now via Heavenly Recordings. (ML)

Planningtorock – ‘Much Too Touch’
I have loved Planningtorock for many a year now, having seen them for the first time in 2011.  Oh how the years fly by and the music just gets better and better. ‘Much Too Touch’ is the second track Planningtorock has shared in the run up to their very recently released album Powerhouse and the only track from the album to feature a co-producer, who is long time friend and collaborator Olof Dreijer of The Knife. Powerhouse was released last week on the 9th November via DFA records and is EXCELLENT. Go listen. (TW)

Queen Zee – ‘Hunger Pains’
Will there ever be a day when Liverpool rockers Queen Zee release something we don’t immediately love? (errr, no). ‘Hunger Pains’ is the band’s latest knockout single, and it’s accompanied by the news that they’ll be releasing their debut album in February 2019. We. Can’t. Wait. (KC)

Nasty Little Lonely – ‘Excuses Excuses’
Bristol’s Nasty Little Lonely are taking a step back from band life for the foreseeable future, but they’ve released the powerful ‘Excuses Excuses’ in to the world just before they do. Of the track, vocalist & bassist Charlie explains: “The song is about how fucked the planet is and how we all know we need to do something about it, but things need to get serious right now or it’ll be too late”. We’re definitely aware of the climate change epidemic, and we’re glad we have the riotous sounds of NLL to motivate us in to action. (KC)

Zilla With Her Eyes Shut – ‘Cut Me Boy’
‘Cut Me Boy’ is the latest single from Zilla, who now goes by the name Zilla With Her Eyes Shut. This track was created using samples of unconventional objects such as a Stanley knife, liquid iron, rocks, elastic bands and an eye mask. The results are a thick mixture of unusual beats and warped vocals. I love it. (TW)

Elsa Hewitt – ‘Invisible Threads’
I saw Elsa Hewitt at The Great Escape Festival in May and her ambient, altruistic electronics have been floating around my head ever since. This is her latest stand-alone single, and it’s full of intricate loops and hushed vocals. She’ll be playing for us alongside Alyss at our next Notting Hill Arts Club on December 1st, so grab a ticket on DICE now and come along to appreciate her talent in all its live glory (RSVP here). (KC)

CHINAH – ‘Real Thing?’
Oh-so-many sultry beats which carry the promise of more to come. ‘Real Thing?’ comes from Copenhagen’s CHINAH, and their debut LP Anyone is out now. You can read more about them in our GIHEs interview with them here. (TW)

 

Premiere: Chorusgirl – ‘Demon Baby’

Following 2015’s wonderful self-titled debut, GIHE faves Chorusgirl have now announced their long-awaited new album Shimmer And Spin, and we couldn’t be happier for them. Chronicling a tense year, created during a period of crippling anxiety and a relentless string of bad luck and bad news, the new album is the result of immense hard work and dedication from Silvi, Faith, Udo and Michael.

Taken from the album, the band have now shared brand new track ‘Demon Baby’. Inspired by those all too common feelings of anxiety and isolation, it’s the first song of the band’s to be released featuring Faith Taylor on lead vocals. As a massive fan of her other band Suggested Friends, it’s wonderful to hear Taylor’s distinctive, rich vocals shine through on this one, propelled by Chorusgirl’s trademark shimmering sounds.

A slight change in tone from the usually guitar-driven jangly indie of Chorusgirl, ‘Demon Baby’ combines that welcome scuzzy whirr of hooks with a backdrop of a glitchy, electronic soundscape, filled with sparkling effects and luscious cascading harmonies. As Taylor’s exquisite vocals float effortlessly along with a raw emotion, you could almost be transported to the soundtrack of an ’80s teen drama (which is never a bad thing!); though, alongside those fuzzy nostalgic vibes, it manages to retain Chorusgirl’s unique sense of dreamy, effervescent melancholy. A beautifully stirring and reflective offering, ‘Demon Baby’ still ultimately manages to uplift the spirit with the soaring, glistening haze that this band are consistently able to create.

Of the track, the band explain:

“It is about pathologising your own unhappiness when you lack genuine emotional support in your life. The song talks about running away, reinventing yourself, and policing your sense of discontent and isolation because you don’t think you deserve more.”

Listen to ‘Demon Baby’, for the first time here:

 

Shimmer And Spin, the new album from Chorusgirl, is out 16th November via Reckless Yes. Catch Chorusgirl live at their album launch show tonight (9th November) at The Victoria, and at the following dates:

16th November: Nottingham, Rough Trade
17th November: Sheffield, Audacious Art Experiment
18th November: Newcastle, Head of Steam
19th November: Glasgow, Broadcast
21st November: Oxford, Common Ground
22nd November: Bristol, Hydra Cafe
23rd November: Coventry, The Tin
11th January 2019: London, The Finsbury (for Get In Her Ears!)

Mari Lane
@marimindles

PLAYLIST: October 2018

The dark winter nights are creeping in, but our brand new October playlist is filled with bright, vibrant new sounds from a range of unusual and inspiring new artists. If our selections are anything to go by, the October 5th is THE date to release a record, and we’re excited to share our track selections with you. Take some time to scroll through our words and hit play on the Spotify link at the bottom of the page…

Health (feat. Soccer Mommy) – ‘Mass Grave’
I’m obsessed with this new track from L.A. noise rockers HEALTH, which features the divine vocals of Soccer Mommy. Produced by Corin Roddick (Purity Ring), ‘Mass Grave’ is a haunting fusion of alarming synths, apathetic vocals and spaced out percussion. (Kate Crudgington)

Kill J – ‘Strange Fruits of the Sea’
Kill J’s latest offering tackles issues of immigration and racism, with a subtle nod to Billie Holiday’s  iconic ‘Strange Fruit’ (1939). Speaking about the track, Kill J explains: “It’s a protest song about boarders, walls, barbed wire fences, and people trying to survive on small boats crossing the Mediterranean Sea. While some people dream of just surviving their journey across the boarders, others dream of wealth and power at the expense of others”. I’m a big fan of Kill J’s defiance, which she explores through hypnotising electronics. ‘Strange Fruits of the Sea’ is taken from her upcoming album Superposition, released 5th October via Nettwerk. (KC)

Pip Blom – ‘Come Home’
Catchy AF, ‘Come Home’is the latest single from Amsterdam favourites of mine Pip Blom, taken from their upcoming EP Paycheck which is out on 5th October. I had the pleasure of seeing these guys support The Breeders earlier in the year at the Roundhouse, an abundance of energy and an abundance of hair. Catch them if you can, they’re playing all over the UK this November including The Lexington on the 22nd. (Tash Walker)

Big Joanie – ‘Fall Asleep’
‘Fall Asleep’ is the latest single from Get In Her Ears faves Big Joanie, I only heard this for this first time a week or so ago but it’s firmly got into my head.  They’ve recently announced their debut album Sistahs is going to be released this November by The Daydream Library Series, and I can’t wait to hear the record in full! (TW)

Gold Baby – ‘What Party?
Having charmed us with their with their twinkling charisma and catchy offerings live at The Finsbury, East London’s Gold Baby have now shared new single ‘What Party?’. Reflecting on self-induced boundaries and the limits we often place on ourselves, ‘What Party?’ is propelled by a scuzzy, sparkling energy. Catch Gold Baby live at The Shacklewell Arms on 5th October. (Mari Lane)

Mammoth Penguins – ‘When I Was Your Age’
Having finally been lucky enough to catch Cambridge-based Mammoth Penguins supporting Adult Mom at The Shacklewell Arms last week, my love of their 2015 album Hide and Seek has been freshly revived, and I once again cannot stop listening to it. Fronted by Emma (also known for playing bass for GIHE faves Suggested Friends, and being part of the wonderful Indietracks Festival team), live the band ooze an utterly infectious, shimmering energy, with a highlight being the highly relatable (and seemingly appropriate – it’s Emma’s birthday) ‘When I Was Your Age’. Reflecting on the common pressures of growing up and habits of people to constantly compare themselves to each other, it’s a twinkling slice of impassioned indie-pop, fitting perfectly into the band’s collection of dreamy, scuzzy, emotion-filled delights. A totally uplifting set that stands me in good stead for crying the night away (in a good way) to the lush sounds of Adult Mom. (ML)

Chorusgirl – ‘No Goodbye’
Following 2015’s wonderful self-titled debut, GIHE faves Chorusgirl have now announced their long-awaited new album Shimmer And Spin, and we couldn’t be happier for them. Taken from the album, new single ‘No Goodbye’ is filled with jangly hooks and sunny uplifting beats, despite perhaps a lingering dark undercurrent. As Silvi’s distinctive, lush vocals soar throughout, effervescent harmonies and impressive driving riffs flow, creating Chorusgirl’s utterly unique, shimmering sounds. Another truly dreamy slice of sparkling garage-pop, ‘No Goodbye’ proves that it’s impossible to listen to Chorusgirl and not feel instantly better. Shimmer And Spin, the upcoming new album from Chorusgirl, is out 16th November via Reckless Yes. (ML)

Praa – ‘Y’
This new single from Praa was released at the end of September, and it’s all about questioning our human connection with virtual relationships maintained via our screens. I think it’s a beautiful example of modern neo-soul. Thank you Praa. (TW)

Hazel Iris – ‘A Prince’
‘A Prince’ by classically trained Hazel Iris, is a totally enchanting piece of music, loaded with emotion and fusing classical, indie folk, and a bit of jazz. Her debut album Nine Sisters is due out on 26th October and she’ll be performing at St Batholomew-the-Great in Smithfield’s on the same date, which will no doubt be a mesmerising show. The track’s not up on Spotify just yet, but you can listen to it below (TW)

Ah! Kosmos – ‘June’
Taken from her new album Beautiful Swamp (due 5th October via Compost Records), ‘June’ is another example of Ah! Kosmos’ stunning ability to create powerful, rapturous soundscapes. Born in Istanbul and now based in Berlin, Ah! Kosmos (aka Başak Günak) is a sound designer, producer and multi-instrumentalist – and I can’t wait to review her new record for the website this week. (KC)

Aisha Badru – ‘Splintered’
Following the lush, enveloping sound of previous single ‘Bridges’, New York’s Aisha Badru returns to charm our ears with a sparkling new offering. A call for people to take control of their lives‘Splintered’ flows with the beautiful, sweeping splendour of Badru’s delicately emotion-strewn vocals. Oozing a majestic grace, alongside twinkling melodies and a soaring musicality, it’s filled with a raw emotion that’ll send shivers down the spine on first listen. Pendulum, the latest album from Aisha Badru, is out now. (ML)

Varley – ‘Lonely Were The Days’
Reflecting on the ever-growing demands of today’s society from the effects of social media and the pressure this puts on a whole generation to “be something”, ‘Lonely Were The Days’ is an instantly infectious slice of dreamy alt-pop from Berlin-based Varley. As pulsating beats propel the track alongside the shimmering splendour of front woman Claire-Ann’s vocals, a captivating soundscape is created, leaving you no choice but to bask in its glorious, glistening glow. Catch Varley playing for us live at Notting Hill Arts Club on 1st December alongside Alyss, Elsa Hewitt and Temples Of Youth! (ML)

Art School Girlfriend – ‘Distance (Blank)’
Art School Girlfriend is the moniker of producer & multi-instrumentalist Polly Mackey. Her latest single ‘Distance’ is taken from her recent EP Into The Blue Hour, which was influenced by her move from London to the seaside town of Margate. I love her calm vocals and subtle, yet grand use of synthesizers on this track. She makes being “in over [your] head” sound so, so appealing. (KC)

TAYNE – ‘Sacrifice’
This TAYNE track dropped in to my inbox in January, and it’s been swirling around my head ever since. I’ve also been singing the lyrics incorrectly for the last nine months (the chorus is “I want hope”, not “I want her” as I initially thought) – but I’m not going to let a blip like that stop me from praising this synth-laden, noise-pop gem. TAYNE are celebrating the release of their debut album Breathe at The Old Blue Last on Thursday 4th October (with support from Birthmarks & Volkova Sisters). It’s a free gig, and you can pick up a copy of the clear magenta vinyl (which features ‘Sacrifice’) on the night, ahead of its official release on 2nd November. Us Get In Her Ears girls will all be there, so we’ll see you at the bar! (RSVP here). (KC)

Track Of The Day: Chorusgirl – ‘No Goodbye’

Following 2015’s wonderful self-titled debut, GIHE faves Chorusgirl have now announced their long-awaited new album Shimmer And Spin, and we couldn’t be happier for them. Chronicling a tense year, created during a period of crippling anxiety and a relentless string of bad luck and bad news, the new album is the result of immense hard work and dedication from Silvi, Faith, Udo and Michael. Of the writing process, Silvi explains:

“There was barely a month without bad news on a personal and wider level, and at the end of that year, my anxiety started to spike badly. The album became a very important anchor. Every note and lyric were raked over and looked at twice; we were hacking and honing away at the songs for months, trying to craft some sort of sculpture of our state of mind.”

Taken from the album, new single ‘No Goodbye’ is filled with jangly hooks and sunny uplifting beats, despite perhaps a lingering dark undercurrent. As Silvi’s distinctive, lush vocals soar throughout, effervescent harmonies and impressive driving riffs flow, creating Chorusgirl’s utterly unique, shimmering sounds. Another truly dreamy slice of scuzzy, sparkling garage-pop, ‘No Goodbye’ proves that it’s impossible to listen to Chorusgirl and not feel instantly better; their tunes just seem to be the perfect antidote to all life’s troubles. And the fact that the band overcame so much to create this new album just makes them all the more inspiring.

Chorusgirl honestly are one of my favourite bands of the last few years, and this latest offering – and the determination that went into creating it – showcases exactly why.

 

Shimmer And Spin, the upcoming new album from Chorusgirl, is out 16th November via Reckless Yes. Catch Chorusgirl live:

9th Nov: London, The Victoria
16th Nov: Nottingham,Rough Trade
17th Nov: Sheffield,Audacious Art Experiment
18th Nov: Newcastle,Head of Steam
19th Nov: Glasgow,Broadcast
21st Nov: Oxford, Common Ground
22nd Nov: BristolHydra Cafe
23rd Nov: Coventry,The Tin

Mari Lane
@marimindles