PLAYLIST: August 2026

The Get In Her Ears team have put together another marvellous mix of new music for your listening pleasure! Our August Playlist features plenty of eclectic alt-pop tunes, DIY punk anthems, alternative riffs, indie & alt-folk musings, as well as some experimental and electronic sounds. We’ve also included some tributes to the late Dolly Parton and L7 bassist Jennifer Finch. Make sure you scroll through and read all about our recommendations below.

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we’ve moved away from using Spotify. We now have an account on TIDAL, so please follow us on there. We’ve also included YouTube or bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. 

CLICK HERE TO LISTEN (TIDAL)

 

Dolly Parton – ‘Coat Of Many Colours’
Like probably everyone who follows us, I was heartbroken to hear the news of Queen Dolly passing away this week. Although it may seem odd to grieve someone you never knew personally, I think it was easy to feel a connection with Dolly and a resonance to her radiant infectious joy and spirit. She really was such a huge inspiration – not only an incredible songwriter, performer and iconic woman until the very end – but such a wonderful advocate and supporter of marginalised communities. She was also the perfect example of how you don’t have to give birth to a child to be a mother figure. She cared for and actively helped so many children and young people throughout her life. I feel incredibly lucky and honoured to have seen her live at Glastonbury in 2014, a completely joyous experience and life highlight that I don’t think I’ll ever forget. She performed with such a playful energy and sweetness and her cheeky humour and incredible talent shone throughout, especially when she played the Benny Hill theme song on her mini saxophone!.
(Mari Lane – Managing Editor)

Aether Speaker – ‘Golden Hour’
A gorgeous piece of indie electro-pop here from London-based band Aether Speaker. ‘Golden Hour’ is full of front-person Yel’s soft, breathy vocals, underscored by hazy synths and gentle beats. The band explain that their psychedelic new offering is “poised between one world and the next, between soothing words and the truth” – delighting in ambiguity and lingering in the romantic ether. (Kate Crudgington – Features Editor)

Squirrel Flower – ‘Cleveland’
A beautiful ode to its namesake and the comfort of domesticity, ‘Cleveland’ is the latest single from Chicago based artist Ella Williams, aka Squirrel Flower. A song originally written with her her family band (the brilliantly named ‘uncommon rat’), it oozes a twinkling sentimentality and sense of nostalgia as Williams’ rich distinctive vocals flow, creating a heartfelt slice of Americana. Say A Prayer To The Gods Of Getting Going, the new album from Squirrel Flower, is out now via Polyvinyl Record Co. (ML)

Grandmas House – ‘Dance’
Congratulations to long-time GIHE faves Grandmas House on the release of their debut album! The Bristol band’s LP Baby You’re A Winner, released via Brace Yourself Records, is a superb amalgamation of their skill for writing urgent, cathartic anthems which reflect both the “light and dark” of the times that we live in. This track ‘Dance’ encapsulates that theme deftly, with Yasmin Berndt’s uniquely raspy vocals leading the charge as the band urge listeners to dance the pain away. (KC)

GRAVE GOODS – ‘Grit’
Based between Manchester and Dublin, experimental duo GRAVE GOODS create distinctive, primal sounds that examine the grind of modern existence. On this track ‘Grit’, Lois Macdonald (Guitar/vocals) and Sarah Grimes (drums/vocals) reflect on the the “existential disgust” that comes from separating the animalistic parts of ourselves in order to fit in with societal expectations. It’s a fascinating concoction of spoken-word-style vocals, contrasting beats and quirky riffs. The track also features the eponymous lyric of GRAVE GOODS’ upcoming album, Reality, Swallow Me., which was written and recorded to analogue tape at Analogue Catalogue Studios, with engineer and producer Julie McLarnon (Brighde Chaimbeul, The Altered Hours, Lankum). The LP is due for release on 25th September via bandcamp. (KC)

Trusselina – ‘Gastro’ / ‘Trusselina Archimboldi’
Philadelphia-based duo Trusselina are a new experimental pop project, formed of Mikaela Oppenheimer (Hello Mary) and Hayden McGarvey (Bleary Eyed). Together, they create jagged, intriguing soundscapes that blend acoustic and electronic elements, incorporating their love of ground-breaking literature, collaboration, and even their experience of food poisoning – which their double single release confidently covers. ‘Trusselina Archimboldi’ is inspired by a passage from Djuna Barnes’ acclaimed 1930s novel Nightwood, which is considered a prominent piece of early lesbian literature. The beat for ‘Gastro’ was concocted when Hayden was in the midst of an episode of food poisoning whilst on tour in France. I’m enjoying the eclectic nature of Trusselina’s sound and look forward to hearing more from the duo soon. (KC)

Emma Ruth Rundle – ‘Enough’
Another deeply emotive, powerful single from multi-instrumentalist Emma Ruth Rundle here. Inspired by both ‘The Man Who Sold The World’ and the story of Elijah – in which Emma explains she “imagines [Elijah] as an Elon Musk type figure” – ‘Enough’ is an epic reflection on modern wealth, greed, and a poetic cry for us to rise up against the powers that continue to benefit from this inequality. ‘Enough’ features on her upcoming sixth album, These Killing Times, which is set for release on 18th September via her own imprint Errant Child. (KC)

Tanzana – ‘Without A Sound’
Having been a big fan of Glasgow’s Tanzana since being spellbound by the soaring energy of last year’s ‘Covet’, I’m excited to hear that they’ll be releasing their debut EP in October. Ahead of the EP, they’ve now shared a powerful new single. Rippling with a dark majestic splendour and building with a fierce impassioned energy, ‘Without A Sound’ offers a reflection on the cathartic process of making art, as well as the frustration that can be felt when we reach our limit. An insight into the captivating and poignant genre-defying soundscapes the band are able to create. Etched In, the debut EP from Tanzana, is out on 9th October via SO Recordings & Hideous Mink Records. (ML)

Desperate Journalist – ‘Terrible Years’
Having just announced that their sixth album will be released in November, longtime favourites Desperate Journalist have now shared its lead single. Propelled by a gritty force and front woman Jo Bevan’s impassioned vocals, ‘Terrible Years’ offers a fierce post-punk anthem. Lyrically told from the perspective of someone in denial about how much they miss the excitement of youth, it captures the band’s ability to fuse a ‘90s-tinged hooks with a fresh raging energy that is distinctly their own. Gilding The Lily, the upcoming album from Desperate Journalist, is out on 20th November via Fierce Panda Records. (ML)

Rose Fatale – ‘Hole In The Head’
Belfast punks Rose Fatale embrace their softer, sapphic side on their latest single ‘Hole In The Head’. Leaning into alt-rock sensibilities, they blend impassioned vocals, earnest lyrics and driving riffs to create a melancholic whirl of noise. The band recently performed on Belfast Pride’s City Hall stage and are planning to play more gigs soon. (KC)

Team Dresch – ‘Growing Underground’
When queercore legends Team Dresch announced their return a couple of months ago, I was beyond excited, having been a mega fan since first hearing them when I was at uni 20 years ago. Now, ahead of their new album, Furthermore, which is set for release on 18th September, they’ve shared a powerful new anthem; a fierce call to action to resist the hegemonic, hateful systems which continue to oppress marginalised voices, its driving riotous energy celebrates collective, intersectional values and offers a defiant sense of unity and a hope that a brighter future is possible: “The song imagines shared communities becoming the very thing that nurtures future life. Love is embodied through chosen families, interconnected communities, and the networks that have always sustained one another.” I never thought I’d get to see Team Dresch live, and so I can’t wait to finally catch them downstairs at The Dome on 30th September. They had to move to a bigger venue than The Lexington due to high demand! (ML)

Tender Claws – ‘Tear Him To Pieces’
Having just released her debut EP, Belfast born Tess Corr aka Tender Claws creates haunting, immersive goth-inspired soundscapes, driven by a fiercely dark energy. The EP’s title track, ‘Tear Him To Pieces’, showcases her rich ethereal allure as rich, impassioned vocals soar over swirling expansive hooks. (ML)

Eilis Frawley – ‘Guilt’
We love all of the musical endeavours that drummer and songwriter Eilis Frawley undertakes here at GIHE, and we’re excited that she’s back releasing new music. This track ‘Guilt’ is the first offering from her upcoming second album, and it’s an apt reflection on the frightening and polarising times we’re living in. Led by her distinctive spoken-word vocals and gritty beats, ‘Guilt’ is an urgent reminder to engage with the world in a meaningful way and not to be desensitized by the carefully curated algorithms on our social media accounts. Eilis explains the track’s context further: “I have my own guilt, you open Instagram, in one moment you can witness a child being blown to pieces, and then the next minute someone’s trying to sell you an over priced bag or tell you how to optimise your life. I find the western world’s response petrifying to what’s happening in Gaza, and Lebanon, and Sudan, and the Congo. No reason will make a good enough reason for the amount of civilians killed, and traumatised”. (KC)

GOOD GRIEF – ‘Lucy’
Following on from their feisty debut single ‘Bait Shop’, Seattle-based duo GOOD GRIEF are back with this tender ode to unrequited love during queer adolescence. ‘Lucy’ is a track that “sparkles with curiosity – but not naivete,” reflecting on the poignancy of budding queer romantic feelings whilst softly reminding listeners of their beauty and validity. Inspired by grief, rage and love, GOOD GRIEF are currently working on their debut album, the aptly titled Not Over It, so keep your eyes peeled for more info about that in the near future! (KC)

Railcard – ‘Flanelette’
Consisting of current members of Heavenly and ex-members of Dolly Mixture and Death In Vegas, I’d definitely class Railcard as an indie-pop supergroup – and their new single is pretty super too. Showcasing their swooning honey-sweet vocals and lilting uplifting melodies perfectly, ‘Flanelette’ is taken from their upcoming debut album, Two Steps At A Time, which is set for release on 18th September via Skep Wax Records. (ML)

R Loomes – ‘The Self Demands a Reckoning’
A hypnotic offering from Sheffield-based musician R Loomes here. ‘The Self Demands a Reckoning’ is a potent piece of doom-folk that she describes as “a sort of personal prayer”, in which she attempts to sever the link between mind and body and “navigate the world [as a] free spirit.” As with her previous single ‘Passerine’, the track blends her beguiling vocals and richly atmospheric riffs to create a determined and fluid sound. ‘The Self Demands a Reckoning’ is taken from R Loomes upcoming debut album, Another Sip of the Divine Specific, which is set for release on 30th September. (KC)

Clara Mann – ‘News From Home’
A truly spellbinding soundscape, ‘News From Home’ is the new single from London based multi-disciplinary artist Clara Mann. Taken from her upcoming, literary-inspired, album Wishbone, it offers an immersive expansive musicality alongside the sparkling emotion of her resonant vocals as she reflects on how our feelings towards where we’re from can change and develop over time. Wishbone is out on 23rd October via state51. (ML)

YELF. – ‘flesh’
‘flesh’ is the second offering from London-based, British-Swedish artist YELF., who I am a big fan of. It’s a sultry reflection on lust and longing, inspired by the ebb and flow of the ocean. It’s a “neo-psychedelic ode to desire, fantasy and the brain-body connection,” as YELF. explains, underscored by her yearning vocals, immersive electronics and poetic lyricism. ‘flesh’ was also produced and mixed in Brighton (literally by the sea!) by Michael Baker and includes harp played by Fior Anderson and even the tinkling sound of glasses from Baker’s kitchen cupboards too. (KC)

Selkie – ‘Lick The Sun’
Today (28th July), Glasgow-based songwriter and producer Selkie has shared her debut EP, inWaves, which this single ‘Lick The Sun’ features on. Full of her tender vocals and considered instrumentation, she has created an atmospheric collection of tracks that beautifully melt into each other. She’ll be celebrating her debut release with a small UK tour in October and a showcase performance at Aberdeen Music Week too. (KC)

Marina Yozora – ‘Snow Heat’ (Acoustic)
We’re big fans of Japanese-born, London-based songwriter Marina Yozora here at GIHE, and we love how she’s continuing to share different evolutions of her poignant track ‘Snow Heat’. It’s a poetic rumination on a brief connection with someone that now exists only in Marina’s mind, and to honour the intensity of this fleeting moment, Marina released a lyric video to accompany the original single, and now she has shared a beautiful acoustic version of the track too. She also plans to reveal the official video for ‘Snow Heat’ on the one year anniversary of the track’s release, which we are eagerly anticipating. (KC)

Mother Church – ‘Wait To Kiss Me Until Heaven’
An unlikely collaboration between a founding member of HMLTD and an ordained priest, Mother Church create their own unique brand of alternative folk, drawing on an eclectic range of literary and theological influences. A stirring reflection on the pleasures and contradictions of virtue and temptation, ‘Wait To Kiss Me Until Heaven’ oozes a captivating mystical allure alongside its lilting folk-strewn musicality. Yolk, the debut album from Mother Church, is set for release in November via Trapped Animal Records. The band will be playing a special release show at St Pancras Old Church on 13th November. (ML)

BERTY – ‘Take For Granted’
Inspired by the power of unconditional love in our meaningful relationships, songwriter and producer BERTY penned this track ‘Take For Granted’. It’s an earnest refection on the Forest of Dean-based artist’s feelings about human connection, showcasing her intuitive nature as a songwriter. BERTY is currently working on a new EP, which she is set to release in the near future. (KC)

Brennan Wedl – ‘High Priestess’
Having just released her self-titled new album, Nashville based artist Brennan Wedl has been a favourite of mine for a couple of years now. I’m a big fan of her wonderfully self-labelled “grungetry” sound (a perfect fusion of grunge and country, in case you were wondering!) and raw Sheryl Crow-reminiscent vocals. The final single to be taken from the album, ‘High Priestess’ reflects on the otherworldly intuition of the tarot card and the thoughts and feelings that can swirl around our heads when trying to face reality head on.(ML)

The Genes – ‘Charlotte’
I first became a fan of awesome Coventry band The Genes after seeing them at Decolonise Festival in 2025, and then loved having them play for us supporting WIDGET earlier this year. Now, they’ve released their first proper single and it’s pretty great. Self-described as a “high energy punk anthem with a uniquely British story”, ‘Charlotte’ is a love letter to the Ford Transit. Inspired by years of DIY touring, late-night motorway drives and the vans that somehow survive gig after gig, the song celebrates the unsung hero that’s carried countless independent bands across the UK. I love the track’s playful tongue-in-cheek energy and scuzzy hooks and can’t wait to hear more from this unique band. (ML)

L7 – ‘Shitlist’
Another incredibly inspirational woman that we tragically lost earlier this month was Jennifer Finch, the bassist from legendary grunge-punk band L7. At just the age of 59, it seems extremely unfair that she should be gone already. Anyone who’s ever been to a GIHE gig is probably aware of how much we love L7, as I include either ‘Shitlist’ or ‘Wargasm’ on most of our pre-band playlists – their tunes have never failed to energise and motivate me, and seem like the perfect way to get people psyched up for the amazing bands who play for us. I was lucky enough to see L7 live in Camden in 2015 for their first UK gig since initially breaking up in 2001, and I remember being utterly blown away by Finch’s immense fierce energy and presence and the way her swirling life-force and booming hooks reverberated into the crowd. (ML)

Bugeye – ‘This Is What I Want’
Following the release of their recent second album, The Shape Of Things, and support slots with big names such as The Datsuns and Loose Articles, longtime faves Bugeye have now shared an empowering new single. Offering a middle finger to the outdated expectations of women that still prevail within society, ‘This Is What I Want’ oozes a sultry playful allure and danceable groove-laden hooks whilst raging against the “toxic manosphere”. Of the track, front woman Angela Martin says that it’s dedicated to “every woman who’s ever been told to know her place. Here’s the truth: your place is wherever you choose to stand. Stand tall, stand loud, and never apologise for demanding the respect you’ve always deserved.” (ML)

Four Degrees Colder – ‘Reminisce’
‘Reminisce’ is the opening track from Four Degrees Colder’s debut album, Nothing To Do. Released in July, the St. Louis-based alternative pop-rock duo take their listeners on a captivating, track-by-track journey through a decaying factory overtaken by artificial intelligence. Propelled by their clear vocals, driving riffs and electronic textures, the pair aim to inspire a sense of hope and persistence throughout their LP, ultimately refusing to succumb to the “the fear of becoming obsolete.” (KC)

Tiiva – ‘I Keep Falling In Love’
We’re big fans of producer and sound & game designer Tiiva here at GIHE, so I’m chuffed to see they’re back with a new single and a new record. ‘I Keep Falling In Love’ is lifted from the Lake District alt-pop artist’s upcoming album, This Could Be A Start, which is set for release on 25th September. It’s a euphoric swirl of buoyant electronics, floaty vocals and glitchy beats. “The story throughout the album is how we as humans navigate love, neurodivergence, AI interactions, and our desire to be everywhere all at once; in the mountains, in the city,” Tiiva explains. “Each song represents an internal character – the optimist, the party kid, the recovering addict, the loner, the nostalgic. Some of the songs could read as romantic but in reality we are all looking for connection, and we find it in not always the most obvious places.” Tiiva will be celebrating the release of their new LP with an immersive headline show at Spanners in South London on 30th September. See you there! (KC)

Sidney Packard – ‘Acer Tree’
Non-binary, alt-pop artist Sidney Packard envelops their listeners in dark atmospheric electronics and soft vocals on their latest single, ‘Acer Tree’. The London-based musician penned the track as an ode to the plant they really adore, which are more commonly known as Japanese Maple trees and are known for their distinctive leaf shape and red foliage.
Sidney will be playing a gig in London – which coincides with their birthday! – on Saturday 12th September at The Phoenix. (KC)

Maria Uzor – ‘Cyclops’
We’re super excited that GIHE mega fave Maria Uzor will be releasing her second album, Fantasyland, on 3rd September. Showcasing Uzor’s unique ability to seemingly effortlessly fuse together genres ranging from grunge to techno, the album explores notions of escapism in a world that appears increasingly unpredictable. Taken from the album, recent single ‘Cyclops’ pulsates with immense glitchy beats as the seductive power of Uzor’s vocals takes hold, and an immersive dub-inspired energy propels you onto the dancefloor. Keep your eyes peeled for a special interview with Maria on the website over the next couple of weeks. (ML)

NAMELESS TWIN – ‘Neon Machine Gun’
I love everything about this haunting new single from industrial-electronic duo Alicia Rei Kim (Dokoe) and Ryan Osterman (Holy Fawn) aka NAMELESS TWIN. They’ve only released a handful of tracks to date, but all of them have been a perfect blend of their dramatic volume shifts and dark, dreamy electronics. ‘Neon Machine Gun’ is their first new release since 2023, but I hope they’ll be sharing more of their ominous sounds in the near future. (KC)

Ladybug 2 (The Bug, Friday Night Plans) – ‘Miss U’
Under the moniker of Ladybug, UK-based producer The Bug has launched a new collaborative series via his own imprint PRESSURE. The project sees him work alongside different female vocalists to explore new sonic territory, and this track features the voice of one of his personal favourites: Japanese songwriter Friday Night Plans. ‘Miss U’ is another heady, cell-tingling offering from the eclectic collaborators, and if you can’t get enough of the original, the duo have also shared five accompanying “alternate” versions that you can sink your teeth into, available on bandcamp now. (KC)

 

 

Missperception – ‘Into The Glitch’
By combining her love of electronic music, jazz elements and cinematic soundscapes, Yorkshire-based independent artist Missperception creates an infectiously glitchy atmosphere with her music. This aptly titles track ‘Into The Glitch’ is lifted from her recent EP, Static Symphony, which she says is formed of “Four rooms…four transmissions…a signal from the edge, where melody frays into static.” (KC)

 

CLICK HERE TO LISTEN (TIDAL)

Get In Her EarsLeave a comment

PLAYLIST: June 2025

The Get In Her Ears team have put together another eclectic mix of indie musings, alt-folk tunes, punk bangers, immersive electronics and some grunge & shoegaze anthems for your listening pleasure. Take some time to scroll through our recommendations below.

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we will be moving away from using Spotify as a streaming platform in the near future. You’ll see that we’ve included YouTube or bandcamp links for all of the tracks in this feature. We have included the link to our GIHE profile on Spotify this time too – but next month, we’ll be using a different platform to share new music with you.

As always, we encourage you to follow the artists below on social media, sign up to their mailing lists, go to their gigs and buy their records from bandcamp.

Whitelands – ‘Heat Of The Summer’
Despite its buoyant, dream-pop sound, this single from London-based shoegazers & GIHE faves Whitelands is inspired by a range of unsettling pieces of media that vocalist Etienne was affected by last year; including Trump coming back into power, the shooting of a CEO by Luigi Mangione and Spike Lee’s film, Do The Right Thing. ‘Heat Of The Summer’ is his reflection on rising tensions and how community and coming together can help to overthrow tyrants. Whitelands will be playing a headline show at London’s Corsica Studios on 20th November – tickets are on sale now.
(Kate Crudgington – Features Editor)

Starling – ‘I Can Be Convinced’
Having recently released their new EP, Forgive Me, Los Angeles based Starling’s latest single offers a fizzing ode to all-consuming love. As Kasha Souter Willett’s sugar-sweet sumptuous vocals flow alongside fuzzy hook, ‘I Can Be Convinced’ builds with an anthemic energy and twinkling allure. Watch the ballerina-filled new video for ‘I Can Be Convinced’ here and make sure you treat your ears to a listen of the full EP.
(Mari Lane – Managing Editor)

Daffo – ‘Habit’
I’ve been a fan of Daffo since their 2023 EP Pest, and was so pleased to be able to catch the beautiful energy of their live set at The Great Escape last month – standing in the crowd alongside faves like ARXX and Comic Sans was a definite highlight of the festival. Now, I’m super excited to hear that the LA based artist will be releasing their debut album in September, and has released a new single to celebrate. Propelled by scuzzy reverb-soaked hooks, ‘Habit’ reflects on songwriter Gabi Gamberg’s struggle with Obsessive Compulsive Disorder with a sparkling heartfelt emotion. Where The Earth Bends, the upcoming debut album from Daffo, is set for release on 26th September via Concord Records.
(ML)

Lipstick Teef – ‘Sink Or Swim’
Not only do I love the name of Liverpool-bred, London-based alt-rock band Lipstick Teef, I also love the angst-ridden sound of their debut single ‘Sink Or Swim’. Formed in 2021 by vocalist Lucy Pengelly and guitarist Jennifer Hall, Lipstick Teef are “on a mission to deliver surf inspired grunge from across the cosmos, straight to your eardrums.” Inspired by the Riot Grrrl movement and their love of psych-punk, the band have now fleshed out their own fuzz-fuelled sound on their debut offering. (KC)

The Dead Zoo – ‘Bruise’
Ahead of releasing their debut album next month, post-punk faves (and guests on our latest radio show) have shared a blistering new single. Reflecting on both the pain and triumph of transformation, ‘Bruise’ combines swirling atmospherics with ‘80s-inspired dark basslines to create the sonic equivalent of a nocturnal drive through a Lynchian landscape. As the resonant fierce power of front woman Kaoru Sato’s vocals glistens throughout, it showcases The Dead Zoo’s ability to create pulsating, multi-layered soundscapes that will immerse your senses on first listen. We’re super excited to be hosting The Dead Zoo’s album launch this Friday, 4th July, at New River Studios with support from shoegaze supergroup Water Deer and mother-daughter punk duo (coming all the way from Texas!), The Mothermold – tickets on Dice now and cheaper in advance. (ML)


SPRINTS – ‘Descartes’
Dublin four-piece SPRINTS are back with a BANG with new single ‘Descartes’. Along with this incendiary new track, the band have shared the news that they’ll be releasing their second album, All That Is Over, on 26th September via City Slang and Sub Pop – the first Irish band to be signed to the iconic American label! ‘Descartes’ is inspired by the ideas of the French philosopher of the same name. I was lucky enough to attend SPRINTS’ album-listening party a few weeks ago, where I heard this track and others from their upcoming record for the first time. No spoilers – but you’re in for an absolute treat. (KC)

Problem Patterns – ‘I’m Fine and I’m Doing Great’
It’s always an exciting time for us here at GIHE when Belfast punks and total faves Problem Patterns release new music. So, to hear that a new EP is on the way later this year, is very welcome news, and a angst-driven new single is just what we need right now. A seething reflection on burnout, ‘I’m Fine and I’m Doing Great’ races with a fierce, fizzing energy, oozing the band’s trademark perfect fusion of righteous impassioned energy with a searing tongue-in-cheek wit. Of the track, bassist Ciara King explains: “This song is an ode to every single burnout episode that any creative has ever had… I wanted to contrast that with how grateful we are for all of our achievements. I do feel like I’m well and truly living the dream… This song is addressing that feeling of the love/hate relationship involved in doing music full time and still working full time. This one goes out to all our burnt out pals. Keep going.”

Boring Songs For Boring People, the upcoming new EP from Problem Patterns, is set for release on 12th September via Alcopop! Records and we CANNOT WAIT to celebrate the new release with them when they headline our special 10th birthday all-dayer event at The Cavendish Arms on 27th September, along with other faves Fightmilk, The Baby Seals, Ray Aggs, Jemma Freeman and The Cosmic Something and more! Very limited tickets left here.
(ML)

Shallow Honey – ‘What You Made Me Do’
Having been lucky enough to catch Brighton-based Shallow Honey’s immersive set at Cro Cro Land earlier this year, I was very happy to hear that they’ve been releasing new music. Reflecting on the frustration around not being heard, ‘What You Made Me Do’ seethes with a fierce energy as the impassioned vocals of front woman Rai blast out alongside gritty, grunge-inspired hooks. (ML)

Porcelain Doll – ‘Self Destruct’
Another Brighton-based band, Porcelain Doll blew us away playing live for us at The Cavendish Arms earlier this year, and since been busy releasing new music. Recent single ‘Self Destruct’ showcases the band’s ability to create swirling rock anthems with a raw emotion. Speaking about the track, front woman Freja explains: “I wrote the song while struggling with chronic pain and depression, it’s about feeling as if my body and mind are both working against me.” (ML)

STRANGE WOMAN – ‘FAKE VALENTINE’
‘FAKE VALENTINE’ is the raucous debut single from Scottish-born, Manchester-based queer hard rock artist STRANGE WOMAN. Described as “an ode to failed love” and “an expression of frustration in trying to navigate romance as a queer, gender non-conforming, young person,” STRANGE WOMAN’s sound is inspired by the fiery sounds of Måneskin, Yungblud and Cassyette. (KC)

Your Heterosexual Violence – ‘House Outside The World’
‘80s cult punks Your Heterosexual Violence are back – after imploding in 1988, they reformed just before the pandemic, with the addition of GIHE fave, Jemma Freeman, on bass and vocals. Marking their re-entry into the world, they’ve announced a new album and have shared a catchy new single. Propelled by a driving punk energy, ‘House Outside The World’ reflects on themes of loneliness, alienation alongside the sparkling power-chords and a singalong chorus; an instant earworm set to cement this established band as firm favourites once more. Some People Have Too Much To Say, the upcoming new album from Your Heterosexual Violence, is set for release on 26th September via Trapped Animal / Ferocious Doge records. (ML)

Twin Rains – ‘Magic Mountain’
I was thrilled to see another email from Toronto dream-pop duo Twin Rains in my GIHE inbox earlier this month. I’ve really enjoyed listening to the band’s heady electronic creations and this new single is no exception. Described as “their most pop and dance orientated song yet” ‘Magic Mountain’ is full of intoxicating riffs, dreamy vocals and driving beats. (KC)

Tiiva – ‘you and i’
‘you and i’ is the title track from Tiiva’s debut album, which they released via Moth Day Records last month. We’re big fans of Tiiva’s idiosyncratic electronica here at GIHE and this track showcases Tiiva’s talent for seamlessly blending pulsing beats, soft vocals and ambient electronics to create their immersive and emotive sonics. Congratulations on crafting such a superb album Tiiva! (KC)

Aether Speaker – ‘That’s For The Nosebleed’
This is the dreamy second single from London-based four piece Aether Speaker. Recorded on the Summer Solstice last year at Strongroom Studios – where the Spice Girls recorded their iconic single ‘Wannabe’ – ‘That’s For The Nosebleed’ is about “going after what you want, even if it’s bad for you”. I love the band’s blend of lush vocals, ambient riffs and gentle percussion on this track. (KC)

Bleach Lab – ‘Close To The Flame’
“I was heavily inspired by bands like slowdive and my bloody valentine when writing the lyrics and melody for ‘Close To The Flame’,” shares Bleach Lab’s vocalist Jenna Kyle. “I wanted it to feel like the end scene of a coming-of-age romance film…it’s about an all consuming relationship, where you’re so obsessed with someone you almost want to merge into one and become them.” Full of Kyle’s lush vocals and the band’s fuzzy, dream-pop riffs, ‘Close To The Flame’ is the title track from Bleach Lab’s upcoming EP, which is set for release on Friday 18th July. (KC)

Midwife – ‘Signs’
Another gauzy piece of ambient shoegaze here from GIHE fave Colorado-based multi-instrumentalist & producer Midwife. ‘Signs’ was a b-side from her album No Depression In Heaven, which I’ve had on repeat since it was released in 2024. (KC)

SOFIA ISELLA – ‘DOG’S DINNER’
The music of 20-year-old violinist, songwriter, producer and poet Sofia Isella is inspired by a myriad of dystopian influences. The L.A-based artist cites Trent Reznor, Ethel Cain and Beck, as well as Sylvia Plath, Margaret Atwood, Mona Awad and Anne Sexton as her inspirations. The result is an eclectic, beguiling sound steeped in theatricality. This track ‘DOG’S DINNER’ is lifted from her recent EP, I’m camera., which she released in May. SOFIA will be playing live in the UK this summer, including a show at Camden’s Electric Ballroom on 26th August, as well as slots at Reading and Leeds Festivals. (KC)

Lydia Night – ‘Gutter’
Having founded LA punk-rockers The Regrettes at the age of fifteen, Lydia Night is now branching out on her own. Ahead of the release of her debut solo album in August, she has now shared a brand new single. Fizzing with a sultry allure with shades of the electro-clash energy of Peaches, ‘Gutter’ offers a playful, synth-driven slice of art-pop reflecting on feelings of lust and longing. Parody Of Pleasure, the debut solo album from Lydia Night, is set for release on 8th August via Warner Records. (ML)

The Noisy – ‘Twos’
Founded by award-winning poet Sara Mae, Philadelphia-based synth-poppers The Noisy have shared a sparkling new single. Flowing with a glistening, cinematic soundscape, ‘Twos’ offers a perfect fusion of honey-sweet pop sentiment with scuzzy grunge-inspired hooks. The track is accompanied by a wonderfully queer, silent movie-esque new video – Sara Mae explains: “The music video literalizes the too much-ness of the story, Buffy the Vampire Slayer meets Grey Gardens meets two dates to the prom.” (ML)

Automatic – ‘Is It Now?’
Returning to our ears after forming nine years ago, LA trio Automatic have announced the release of a brand new album, which is due for release this autumn, and have now shared the lead title track. Shimmering with synth-driven hooks and a glitchy energy, the playful call-and-response refrains ooze shades of the party-punk vibes of Le Tigre whilst maintaining a unique celestial splendour. Drawing on the conflict between being rebellious and engaging in mass culture, the track raises the question: “how do you have a sense of joy while the world seems to be collapsing, and you feel so powerless?” (ML)

Little Simz – ‘Venom’
I was lucky enough to catch the legend Little Simz live at Royal Festival Hall last week in the closing performance of the annual Meltdown Festival that she had curated. Accompanied by the Chineke Orchestra, it seemed to be a beautiful culmination of not only the past week’s events, but of her career’s achievements so far. With the orchestra’s sweeping majestic splendour accompanying the innovative artist’s gritty energy and stirring narrative, it was a pretty epic experience to be a part of. And a particular highlight of the set was the immense introduction of ‘Venom’ – Little Simz conducting the orchestra before turning to the crowd as she rapped with stoic conviction: “Never givin’ credit where it’s due ’cause you don’t like pussy in power. Venom.” Read our full review of the night here. (ML)

Blue Loop – ‘The Knife’
I’m so pleased that I unearthed this shape-shifting gem of a track from London-based electronic producer Emma Hall aka Blue Loop in my GIHE inbox. Emma has recently recovered from breast cancer (and is now thankfully in remission) and she’s ready to share new music with her loyal followers. She describes her shadowy single ‘The Knife’ as “an imagined letter to my surgeon written in the lead-up to my mastectomy. It’s a visceral scream from an impossible situation and has a darkness to it in the vein of Massive Attack/Warpaint.” The track is lifted from her upcoming debut album, Cycles, which she describes as “a miniature-epic song cycle about resilience, grief and defiant joy, weaving together unflinching, intimate vocals, analogue synth-scapes and diverse musical collaborations” including guitarist Karin Grönkvist (Junodef), bassist Alex Malseed (About Bunny) and strings composer Amy Chalmers (Bill Ryder-Jones). (KC)

Sontag Shogun x Lau Nau – ‘Tropic Movements’ (Amulets Rework)
I’m so glad I found this collaboration between Finnish musician Lau Nau and Brooklyn-based trio Sontag Shogun buried in my GIHE inbox! It’s taken from their recent album, Päiväkahvit, which is a follow-up to their critically-acclaimed record, Valo Siroutuu (2022). The new project includes 9 tracks that the artists worked on during their sessions together in Finland back in 2019, as well as four interpretive reworks including this one by Amulets – who I am a big fan of! Incorporating field recordings, tape, as well as acoustic and electronic instruments, ‘Tropic Movements’ is just one captivating example of the immersive body of work these talented collaborators have managed to create. (KC)

The New Eves – ‘Cow Song’
The GIHE team have been waxing lyrical about Brighton folk-punk four piece The New Eves since we caught them at The Great Escape Festival in May. Their dynamic blend of classical instrumentation and punk spirit is a fascinating live phenomenon. This track ‘Cow Song’ features on their debut album, The New Eve Is Rising, which is set for release on 1st August via Transgressive Records. We’ll definitely be at their London headline show at Hoxton Hall on 7th October. (KC)

Goat Girl – ‘Sleep Talk’ (chamber ensemble)
Another band I was lucky enough to catch at this year’s Cro Cro Land, longtime South London faves Goat Girl are now sharing something quite different from what we may be used to. A year on from the release of their latest album, Below The Waste, they are now sharing four reimagined renditions of its tracks. Scored and arranged by the band, these classical compositions were played live in the room with a DIY chamber ensemble made up of rising young musicians and artists in their own right, Aga Ujma & Slow Cooked. Flowing with sweeping strings, ‘Sleep Talk (chamber ensemble)’ showcases Goat Girl’s beautifully resplendent harmonies in a newly majestic light. (ML)

Jacob Alon – ‘Fairy In A Bottle’
I’ve actually been pretty late to discover Jacob Alon, or ‘Cob’ as I think they prefer to be known. I’d been hearing the name for a while, but recently listened to an episode of the Sidetracked podcast with Annie Macmanus and Nick Grimshaw where they spoke to them, and Cob just seemed like such a thoughtful, sensitive soul and wonderful creator. So, I immediately listened to their album In Limerence and was completely spellbound. And since then I’ve not stopped listening, the whole collection is just exquisite – really beautiful. Having recently supported Yeah Yeah Yeahs at Royal Albert Hall, and played Glasto this weekend, I  can’t wait to finally see them live at Deer Shed festival next month! (ML)

Kathryn Williams – ‘Personal Paradise’
Set to release her fifteenth (!) album in September, Kathryn Williams has now shared the first taste from the collection. Inspired by a poet-led writing session, ‘Personal Paradise’ twinkles with delicate, folk-strewn melodies and Williams’ distinctive luscious vocals, offering a heartfelt reflection on her old dog and its perceptions of what might constitute heaven. A beautiful insight into the vulnerability and personal reflection that shimmers throughout the upcoming album, Mystery Park, which is set for release on 26th September via One Little Independent Records. (ML)

Get In Her EarsLeave a comment

PLAYLIST: March 2025

The Get In Her Ears team have put together an eclectic mix of alt-pop tunes, punk bangers, immersive electronic soundscapes, grunge & shoegaze anthems, engaging instrumentals and indie musings for your listening pleasure. Take some time to scroll through our selections below and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to see all of our previous playlists too. As well as streaming these tunes, we encourage you to follow the artists we’ve featured on their social media, sign up to their newsletters and buy their records from bandcamp if you’re able to!

 

Cowboy Hunters – ‘Mating Calls’
Having been building a reputation in the Glasgow scene for their memorable live shows, Scottish punks Cowboy Hunters create immense riotous anthems. Latest single ‘Mating Calls’ showcases the band’s scathing dry humour with a ferocious seething energy and frenzied raw power. Summing up its message, the band say: “We’re all animals and it’s all awful but it’s fun to shout about it. Basically a diss track to creeps in smoking areas everywhere.” Cowboy Hunters are currently on tour, catch them at one of our fave venues – New River Studios – on 18th April.
(Mari Lane – Managing Editor)

Slung – ‘Thinking About It’
I’ve been such a big fan of everything that Brigton rockers Slung have released over the past few months, and this new single is no exception. Taken from their debut album, In Ways, which is set for release on 2nd May via Fat Dracula, ‘Thinking About It’ is inspired by vocalist Katie Oldham’s desire to express herself in a way that feels authentic to her. She explains in more detail: “Bringing references to queerness in our songs is important to me, because myself and the majority of my friends identify as queer, despite mostly presenting femme and straight-passing. I don’t feel the need to draw attention to it specifically, and don’t feel it appropriate to represent myself as a ‘queer voice’, but I still want to create a little space in whatever I do to honour it, as it’s an important part of who I am. The theme is also pretty representative of bisexual panic, meeting a girl and realising you’re thinking about it, and wondering if she’s thinking about it too. It’s such a goofy song that hopefully offers some light-hearted relief to some of the heavier vibes of the record.”
(Kate Crudgington – Features Editor)

Witch Fever – ‘Dead To Me!’
I still remember the formidable live performance Manchester rockers Witch Fever delivered when they headlined our GIHE gig at The Finsbury Pub back in 2018 (pics here). The band have lost none of their potency or momentum since then, something which their latest single ‘Dead To Me!’ fiercely proves. This track is inspired by vocalist Amy Walpole’s traumatic experiences growing up in the Charismatic Church, confidently unleashing her anger and defying the heavily gendered social norms of remaining quiet and compliant. (KC)

Cwfen – ‘Wolfsbane’
Glasgow’s Cwfen (pronounced ‘Coven’) are a new discovery for me, but I love the heavy, shadowy sound of this single, lifted from the band’s upcoming debut album, Sorrows, which is set for release on 30th May via New Heavy Sounds. Vocalist & guitarist Agnes Alder explains more about the context of the track: “on the surface, it’s about poison. At its heart, it’s an ode to the untamed female rage that comes when the world tries to carve us into something smaller.” I can’t wait to catch the band playing live at The Black Heart in Camden supporting Faetooth on 17th June. Tickets are available here. (KC)

Blackwater Holylight – ‘Wandering Lost’
LA -based band Blackwater Holylight are new to me (despite having already released three records), but I love the way they blend heavier, doom-laden riffs with drifting, evocative vocals. This track is taken from their upcoming EP, If You Only Knew, which is set for release on 18th April via Suicide Squeeze Records. Vocalist, guitarist & bassist Sunny Faris explains that ‘Wandering Lost’ is about “feeling community in sorrow and remembering that everyone hurts, everyone changes, and that no one knows what’s next.” (KC)

Hot Wife – ‘Queen’
Described as “an anthem about empowering yourself by breaking free from toxic influence,” this is the second single from South London DIY four-piece Hot Wife. Inspired by a “cheating scumbag,” ‘Queen’ rumbles with the unrest of a ’90s grunge anthem, reminding listeners that living well is the best form of revenge. (KC)

Gender Chores – ‘Roy’
Following last single ‘January Blues’, Belfast band Gender Chores have now shared a scathing attack on those who punch down instead of looking up to see who is pulling the strings. Oozing a seething dark energy, the track builds with an impassioned raw emotion and searing sense of urgency. Reflecting on the track, Sam from the band explains: “Right now the world feels like it’s going backwards in so many ways, with bigots and fascists being platformed and marginalised voices silenced. We want to fight back against that however we can, and combat the narrative of hate and fear that got us into this place.” (ML)

NEXT TO NADA – ‘K.F.M’
Another belter of a tune from London-based fuzz-punk four piece NEXT TO NADA here! The band decribeS ‘K.F.M’ as “a scream of frustration at all the pointless, menial tasks we’re forced to waste our time on whilst working.” The track sarcastically tackles why we let “the unfeeling monster of modern employment” take over the best years of our lives, fuelled by the band’s raw and relatable punk energy. (KC)

Bridget. – ‘Hairspray’
Fuelled by her trademark angst-ridden energy, ‘Hairspray’ is the latest single from Essex grunge-rocker Bridget. She’ll be releasing a video to accompany the track on 3rd April, and she’ll be playing her biggest London headline show to date at Signature Brew in Haggerston on 24th April, with support from GIHE faves Lilith AI and Comic Sans. Grab your tickets here. (KC)

Maria Iskariot – ‘Leugenaar’
Translating as ‘Liar’, ‘Leugenaar’ is the seething new single from Dutch punks Maria Iskariot. Propelled by a fierce raw emotion and ferocious energy, its stipped-back hooks and thrashing beats build with a searing sense of urgency as the gritty power of Helena Cazaerck’s rages throughout. The band comment: “Leugenaar is an absolution, a pelvis under the chin of a drooling monster waiting to be freed from a rotten tooth. Anyone expecting further explanation can go to hell.” (ML)

Panic Shack – ‘Gok Wan’
Bursting with all the tongue-in-cheek wit and fierce energy that we’ve come to know and love, Panic Shack’s new single ‘Gok Wan’ offers a sneering reflection on the toxic culture of body ‘improvement’ that dominated the airwaves when they were growing up. A riotous post-punk anthem, showcasing the Cardiff band’s ability to critique the damaging patriarchal society that we live in with a swirling tenacity and danceable hooks. Watch the accompanying video for ‘Gok Wan’ here. (ML)

Grandmas House – ‘Haunt Me’
This new single from Bristol punks Grandmas House is a surprisingly tender offering. Taken from the band’s upcoming EP, Anything For You, set for release on 11th April via Berlin based label Duchess Box Records, ‘Haunt Me’ is a potent reflection on grief and the desire to be followed by a loved one who’s been lost. It’s a melancholy musing, but it feels just as cathartic as their previous raw punk-inspired efforts. (KC)

Scrounge – ‘Buzz/Cut’
“This song is about pleasure, self acceptance and having a good time,” explains Scrounge’s vocalist & guitarist Lucy. ‘Buzz/Cut’ is the South London duo’s most melodic offering to date and it features on their upcoming second album, Almost Like You Could, which is set for release on 18th April via Ba Da Bing! Records. The pair want listeners to experience the same cathartic release they feel when they’re playing live and that’s something that shines through instantly on this latest offering. Grab a ticket to see Scrounge headline The Lexington on 23rd April. (KC)

Dogviolet – ‘Dandelion’
The second single from ones to watch, London based band Dogviolet, ‘Dandelion’ offers an empowering ode to resilience and resistance, to the power of community – likening people to the flower, under-valued but vital to the ecosystem. Oozing a gritty immersive power and rich captivating energy, the track builds with a swirling allure as the refrain “to exist is to resist” repeats throughout with a glistening poignancy; an understated and unifying protest against capitalism. Dogviolet will be playing Cro Cro Land this Sunday, 6th April – just one of a ton of faves playing the South London festival over the weekend, including ARXX, Scrounge, Big Joanie, Berries and loads more, and I’ll also be DJing there on the Saturday, so I strongly suggest you nab your tickets now! (ML)

Fake Dad – ‘Machinery’
With their recently released new EP, Holly Wholesome and the Slut Machine, LA based band Fake Dad have created a collection of tracks reflecting on the different characters that musical artists, or “rock music posers” often play. Propelled by scuzzy ‘90s-inspired hooks and a gritty impassioned energy, the EP chronicles fictitious characters and their worlds whilst subtly reflecting on the band’s own identities and experiences. (ML)

tall child – ‘Stupid Body’
“I wanted this song to feel like you are inside my head during my lowest of lows,” tall child explains about their latest single ‘Stupid Body’. Inspired by the South East London artist’s own experiences having issues with body image and being dismissed by doctors, this track is tall child’s way of taking ownership of an uncomfortable situation, and they hope it will help listeners through them in future too. (KC)

Tamara & The Dreams – ‘Successful Bisexual’
I couldn’t really not include a track called ‘Successful Bisexual’, an energy I’m forever trying to channel. This new single from Australian artist Tamara & The Dreams glistens with a lilting jangly energy and a catchy uplifting charm, offering a heartfelt ode to self-discovery and embracing who you truly are as you get older. (ML)

Twat Union – ‘Singer Of The Band’
Having recently signed to Alcopop! Records, London ‘theatre punks’ Twat Union have now shared their wonderfully energy-filled new single ‘Singer Of The Band’. A not-so-subtle take down of the sexism they’ve encountered in the music industry and those men we’ve all come across at gigs who undermine and patronise the women in the bands that they come to watch, it’s an angst-driven yet uplifting pop-punk anthem. Having already been featured as ‘Ones To Watch’ in The Guardian, Twat Union are set to release their debut EP, Don’t Look It In The Eye, this Friday 4th April. (ML)

Strange New Places – ‘YATPYFL’
The latest single from Belfast band Strange New Places, ‘YATPYFL’ (you are the person your friends love) offers a gloriously uplifting ode to self-love. Urging the listener to trust their friends’ opinions more than their own self-deprecating feelings of anxiety, it’s a perfect slice of fizzing pop-punk celebrating queerness and neurodivergence with a catchy joyous energy. ‘YATPYFL’ is accompanied by a video featuring Belfast punk scene legend Belfast punk scene legend Dolores Vischer and the band blasting into green-screen outer space. (ML)

Annie Dressner – ‘For The Thrill Of It’
Accompanied by a video filled with loads of awesome women from the music industry, including faves like The Baby Seals and Emma from Mammoth Penguins, the new single from New York via Cambridge artist Annie Dressner shares a poignant message. Flowing with lilting folk-strewn melodies and Dressner’s honey-sweet vocals, ‘For The Thrill Of It’ reflects on the rife misogyny within the music industry, juxtaposing an underlying rage with its twinkling musicality. Speaking about the track, Dressner explains: “The message in the lyrics addresses the pervasive issue of misogyny in the music industry, where inappropriate behaviour too often goes unaddressed or overlooked.The song aims to inspire positive change in attitudes toward women in music and encourage women to feel safe in speaking out.” (ML)

Wife Patrol – ‘We Who Are About To’
Full of harmonious dual vocals and melodic riffs, this is the latest single from Indianapolis alt-rock trio Wife Patrol. The track is taken from the band’s upcoming EP, NOPLACE, which is set for release on 2nd May. They describe their new offering as “the product of three misfits maneuvering the ugliness, the uncertainty, and the joy of modern life together” – something that many listeners will be able to relate to! You can pre-order Wife Patrol’s EP from bandcamp here. (KC)

Um, Jennifer? – ‘Delancey’
I really enjoy the juxtaposition of playful melodies and anxious lyricism on this latest single from New York trans duo Um, Jennifer? ‘Delancey’ is taken from their upcoming album, Um Comma Jennifer Question Mark, which is set for release on 25th April via Final Girl Records. Speaking about the track, band member Elijah Scarpati explains: “’Delancey’ is written from two perspectives at once – your own disappointment with the one you love, and from the fear that they’re disappointed in you too. It’s speaking aloud the anxious spiral that unrequited love creates. Musically, it’s a surprisingly upbeat song. Maybe because it’s funny to be in love and to be scared about it. Or maybe it’s because if we don’t laugh about it all, we’ll cry.” (KC)

Pleaser – ‘Begging Guitars’
The riotous ‘Begging Guitars’ is the title track from Danish punks Pleaser’s new album. Set for release on 23rd May via Part Time Records, the single is an all out cacophony of crashing beats, thundering riffs and cathartic shouts, inspired by the need to “let go” and reject the need to “indulge in perfection” for yourself, or to expect it from others. (KC)

Odelia – ‘Someone I Knew’
This single from 19 year old Baltimore-born, Liverpool-based songwriter and LIPA student Odelia dropped into my inbox earlier this month and I’m so glad that it did. Her passionate vocals drift seamlessly over breezy instrumentation, as she muses about fulfilling her childhood dream of performing music and becoming the person she always wanted to be. ‘Someone I Knew’ is the second single from Odelia’s upcoming EP, I see stars I see stars why do I always see stars, a collaboration with producer notcharles which is set for release later this year. (KC)

Crystal Quartez – ‘Fall Down’
Portland-based musician and installation artist Crystal Quartez recently shared their latest album, Erospace, on which they have shifted into avant-pop territory. Crystal created the record simply because they felt that they needed a safe place exist, finding solace in their new sonic universe. Crystal blends the Caribbean beats of their childhood alongside gothic sound textures and dream pop elements to explore and celebrate the queer experimental scenes that helped them to form their sense of self. (KC)

Arooj Aftab – ‘Raat Ki Rani’ (Khruangbin remix)
Being a big fan of both Arooj Aftab and Khruangbin, I was excited to hear this new remix of ‘Raat Ki Rani’. As Aftab’s soaring rich vocals ripple with an effervescent grace alongside laid back, jazz-inspired beats, a perfectly dreamy soundscape is created. I was lucky enough to catch Arooj Aftab live at Pitchfork Music Festival at The Roundhouse last November – she delivered a truly spellbinding performance, interspersed with some refreshingly witty between-song chat! (ML)

Goddess ft. Ex:Re – ‘Shadows’
Goddess is the brand new collaborative project of drumming powerhouse Fay Milton (Savages). This first single ‘Shadows’ features vocals from Elena Tonra (Ex:Re/Daughter) and contributions from two GIHE faves – piano from Hinako Omori and bass from Ayse Hassan (Savages). Tonra’s delicate vocals and mysterious lyrics float over Milton, Omori and Hassan’s shape-shifting soundscape. I can’t wait to hear Goddess’ debut self-titled album, which is set for release on 30th May via Bella Union. (KC)

NYX – ‘Bright Tongues’
I cannot recommend listening to the NYX Drone Choir’s debut solo album enough. This track, ‘Bright Tongues’, is one of many sublime compositions that showcase the ensemble’s powerful ability to harness the beauty of the collective human voice. I had a lovely chat with NYX founder & director Sian O’Gorman all about the record, her “Tones, Bones and Drones” workshops and her altruistic approach to singing and using your voice to connect with others. Read the full interview here. (KC)

Laura Misch – ‘Alchemy’
I have afromerm to thank for introducing me to the beautiful sounds of South London-born saxophonist, songwriter and electronic producer Laura Misch. Released via One Little Independent Records, ‘Alchemy’ is a poignant reflection on the very human ability to alchemise loss into love, underscored by Laura’s tender vocals, lush saxophone sounds and and the delicate harp plucks of Marysia Osu. (KC)

WOOM – ‘Circe’
I love this tender track from South-London four-piece vocal ensemble WOOM. “‘Circe’ is a song about being lost and finding your way, echoing the Greek myth of Circe who, despite her banishment, remains a complex symbol of resilience and metamorphosis,” the group explain. Their ethereal harmonies and soft, considered instrumentation make for blissful listening. (KC)

SUMAC & Moor Mother ft. Candice Hoyes – ‘Hard Truth’
Taken from SUMAC & Moor Mother’s debut collaborative album, The Film, ‘Hard Truth’ is a captivating sonic extrapolation of displacement, land and nature. These themes permeate the new record, which is set for release on 25th April. SUMAC and Moor Mother will be performing this work live at Roadburn Festival on the 17th & 19th of April too. Grab a ticket here. (KC)

M(h)aol – ‘DM:AM’
I’m such a big fan of post punk trio M(h)aol, so I was thrilled to see that they’re back with this cutting new single. Lifted from their new album, Something Soft, which is set for release on 16th May via Merge Records, ‘DM:AM’ is a response the the inappropriate behaviour of men who DM women online, then become antagonistic or aggressive when they don’t receive what they deem to be the correct response. The band combine abrasive riffs and direct vocals to dismantle the words and actions of these men, leaving no room for sympathy in the process. I can’t wait to hear their new record in full. (KC)

Tremosphere – ‘Along The Way’
I’m a big fan of this evocative, heady track from New York darkwave, pop-drone duo Tremosphere. It’s lifted from their upcoming fourth album, saturated solace, which is set for release on 16th May via Slugg Records and only available on bandcamp. Speaking on the themes that informed the new record, vocalist and songwriter Sylvia explains: “This album is about the exhaustion of the soul, our constant struggle between darkness and light, and how to live a rich sustainable life, we have to try and find balance everyday.” (KC)

 

Tea Eater – ‘Cecelia’
Featuring members of Gustaf and Sharkmuffin, Brooklyn’s Tea Eater create wonky art-punk with a colourful energy. Taken from the band’s brand new album, latest single ‘Cecelia’ is an ode to that woman everyone loves to moan and gossip about – who without “they wouldn’t have anyone to talk about or project their own dark parts and patterns onto” -, a gloriously fuzzy, riot-grrrl tinged singalong punk anthem from definite new favourites. Watch the DIY video for ‘Cecelia here, and make sure you check out the full album, I Don’t Believe In Bad Luck, now. (ML)

Eilis Frawley – ‘Be A Lady’
Congratulations to GIHE favourite Eilis Frawley, who released her debut album, Fall Forward, earlier this month! We’re such big fans of the Australian-born, Berlin-based drummer and vocalist, so it’s wonderful to see her share an eclectic full-length piece of work on which she covers everything from personal stories, to politics, to her internal monologue. She’ll be playing live in the UK throughout May and June, including a London headline show at The Shacklewell Arms in East London on 1st June. Full tour dates & tickets here. (KC)

Perfume Genius – ‘Clean Heart’
Celebrating the release of his brand new album, long-time fave Perfume Genius has shared this beautiful new single. A poignant reflection on the concept of time being able to heal all wounds, ‘Clean Heart’ flows with a glistening sense of hope as an undercurrent of melancholy shimmers under the surface. With its sparkling musicality propelled by stripped back tribal beats, it builds with a stirring anthemic splendour rippling throughout with Mike Hadreas’ trademark raw emotion. Glory, the new album from Perfume Genius, is out now. (ML)

Neev – ‘I Put It In A Frame’
Having just released her exquisite sophomore album, Scottish artist Neev combines intricate lyrical storytelling with a subtle gritty energy to explore themes of tension, contrast and self-discovery. Latest single ‘I Put It In A Frame’ offers a glistening rumination on the connection between female pain and art; an anthemic slice of alt-folk tinged with an evocative vulnerability. How Things Tie In Knots, the new album from Neev, is out now via Trapped Animal Records. (ML)

Rival Queens – ‘Sun Don’t Shine’
Inspired by her favourite Smashing Pumpkins song, ‘Sun Don’t Shine’ is the second single from Sally-Anne Hickman (Maya Lakhani’s guitarist)’s new solo project Rival Queens. Flowing with scuzzy hooks and the raw emotion of Hickman’s vocals, it gently builds with a fizzing energy to a sparkling reflection on our darker days. A heartfelt rock anthem, created completely independently – Sally-Anne played every single instrument you can hear and even programmed the drums on Garage Band! Rival Queens’ debut EP, Crown and Conquer, is set for release on 27th June, and before that we’re looking forward to catching their first ever live show at Cro Cro Land this Sunday, 6th April. Rival Queens are just one of a ton of faves playing the South London festival over the weekend, including ARXX, Scrounge, Big Joanie, Berries and loads more – and I’ll also be DJing there on the Saturday, so I strongly suggest you nab your tickets now! (ML)

Jane Paknia – ‘Solace’
The latest single from innovative artist Jane Paknia, ‘Solace’ offers a dreamy electronic soundscape, fizzing with a sparkling energy. Inspired by the likes SOPHIE and Caroline Polachek, the track pulsates with glitchy beats alongside the delicate power of Paknia’s rich vocals and shimmering layers of instrumentation. Paknia explains: “I really intended for a crying in the club vibe in this one…to make something so sensitive and also pulsing felt like an accomplishment, an alchemizing of the discomfort I was experiencing.” (ML)

Samira Hills – ‘Romantasy’
The latest single from Shropshire based trans artist Samira Hills, ‘Romantasy’ offers a swirling synth-pop anthem. Combining sparkling melodies with a fierce gritty power, the track reflects on unrealistic romantic ideals with a bold energy. Of the track, Samira explains: “Realising I don’t need a lover to be happy was a euphoric and liberating experience. I want my fans to realise it too. So I wrote this song and unfortunately, we had to kill some Disney princesses in the process.” (ML)

 

Get In Her EarsLeave a comment

LISTEN: GIHE on Soho Radio with Comic Sans (03.03.25)

Tash, Kate and Mari were back on Soho Radio this month, playing plenty of new music tunes from some of their favourite female, non-binary and LGBTQIA+ artists.

Lauren and Rachel from London-based queer punk-rock band Comic Sans also dropped into the studio to talk about the evolution of their cathartic single ‘Mr President‘, what it was like supporting Aussie punk icons Amyl & The Sniffers on their French tour date in Toulouse last year, and how Comic Sans has helped them to build a community of like-minded LGBTQ+ fans, friends and allies.

Artists featured on the eclectic playlist include: Pigeon Dog, Sacred Paws, Dose, Goalies, Scrounge, NYX, jasmine.4.t, THE NONE, Amulets ft. Midwife, Serin, Calva Louise, Alexandra Savior, Ezra Furman, Brain Leak and more.

Listen back to the show below:

 

We’ve got some exciting updates to share about our April show on Soho Radio – so keep an eye on our socials for the date & time!

Tracklist
Little Simz – Woman
Sharon Van Etten & The Attachment Theory – Live Forever
Tomberlin – tap
Amulets ft. Midwife – Lifelike
Pigeon Dog – Wet Washing
Goalies – Self Improvement
Maria Somerville – Garden
NYX – Daughters
Comic Sans – Mr President
**Interview with Comic Sans**
RAYE ft. 070 Shake – Escapism
Kedr Livanskiy – Agata Dreams
BACKXWASH – Wake Up
Sacred Paws – Turn Me Down
LAR x Chris Savor – Be So Cold
Dose – Parallelogram
jasmine.4.t – Guy Fawkes Tesco Dissociation
Japanese Breakfast – Mega Circuit
Brain Leak – Trying
Ezra Furman – Grand Mal
Alexandra Savior – The Archer
Serin – Let You In
THE NONE – My People
Calva Louise – W.T.F
Scrounge – UTG
ANOHNI – It Must Change

Kate Crudgington1 Comment