PLAYLIST: August 2019

Summer’s nearly over, but we’ve selected some of the finest new music tracks to see you through August’s final weeks of sunshine and unexpected showers.Take some time to scroll through our track choices and make sure you hit play on the Spotify playlist link at the bottom of the page…

Bones UK – ‘I’m Afraid Of Americans’ 
I have Anthony & Elis of Noise Noir to thank for this B.A.N.G.E.R. I heard it during their DJ set for Siren Calling Festival and I’ve been obsessed with it ever since. One of my favourite Bowie tracks covered in super cool style. I’m now an avid follower of Bones UK too. (Kate Crudgington)

Sui Zhen – ‘Matsudo City Life’
Inspired by the Japanese city of Matsudo – known by locals as a ‘sleeper town’ -, Sui Zhen’s latest single flows with infectious, ’80s inspired whirring hooks, alongside her luscious vocals. An utterly dreamy, synth-driven soundscape, it’s another slice of sparkling alt-pop from the Melbourne artist, and I cannot wait for the release of her upcoming new album, Losing, Linda, out 27th September. (Mari Lane)

Le Butcherettes – ‘Ever Fallen In Love (With Someone You Shouldn’t Have)’ 
My absolute faves Le Butcherettes have shared their brilliant cover of The Buzzcocks’ classic and I’m hooked on it. The Guadalajara-born and El Paso/L.A. based group shot a live video of the song as part of their collaboration with Fender for their Vintera Series of guitars before recording a studio version for the single release. (KC)

Cat Apostrophe – ‘January’ 
‘January’ by Yorkshire-based radically soft pop band Cat Apostrophe is taken from their debut LP Lifelong Amateurism, which is out now via Everything Sucks Music. You can catch them on their tour across the whole of the UK hitting London on 26th August at DIY Space for London. (Tash Walker)

Babeheaven – ‘Seabird’ 
Babeheaven’s cover of 70s classic ‘Seabird’ originally by the Alessi Brothers, is incredibly beautiful and has left me gazing dreamily out of many a window with it playing into my ears… so what better reason for wanting to share that with you all. It is quite simply, heart wrenchingly, sublime. (TW)

Suggested Friends – ‘Cygnet’
I’ve been completely addicted to Suggested Friends‘ eponymous debut release over the last couple of years, and so I couldn’t be more excited to hear that they have just announced the release of their second album. To coincide with the announcement, Suggested Friends have shared new single ‘Cygnets’. With totally dreamy harmonies and the distinctive heartfelt crystalline vocals of Faith Taylor, it’s filled with an infectious jangly scuzz and stirring raw emotion, complete with some impressive rollicking riffage. Turtle Taxi, the upcoming album from Suggested Friends, is out 4th October. (ML)

Wyldest – ‘Mind Over Body/Slowdance’ 
I caught two thirds of Wyldest live at Siren Calling Festival over the weekend, and their shoegazey guitars and smooth vocals melted my ears. (KC)

Hurtling – ‘Summer’
I just can’t get enough of London band Hurtling’s new single ‘Summer’. Starting off with gentle, finger-picked melodies and the luscious, delicate vocals of Jen Macro, it soon builds with sun-drenched whirring hooks and immense beats to a fuzz-filled noisepop anthem. A scuzzy dream of a track, it’s impossible not to get caught up in its sparkling, psychedelic haze.‘Summer’ is out now, whilst Hurtling’s debut album – Future From Here – is out 18th October, both via Onomatopoeia Records. (ML)

Hannah Stewart – ‘Glaze’
The new single from California based artist Hannah Glaze is propelled by throbbing beats and gritty bass-lines. Filled with the smooth allure of Hannah’s honey-sweet vocals and a driving energy, it oozes an infectious danceability and fuzzed-out groove that we can’t get enough of. (ML)

Hana Vu – ‘At The Party’ 
I am hooked on LA artist & producer Hana Vu’s down-beat disco banger ‘At The Party’. It’s a song about ““spite and how truly meaningless it is” and I can’t help but feel any sense of spite evaporate when I hear her sultry vocals. She’s set to release a new EP titled Nicole Kidman/Anne Hathaway on 25th October via Luminelle, and I can’t wait to hear more from this talented nineteen year old. (KC)

TONI&MASH – ‘LTGFU’ 
The debut electro-house banger ‘LTGFU’ by Berlin-based TONI&MASH out via Black Diamond Records. Absolute tune. (TW)

Nasty Cherry – ‘Live Forever’ 
Nasty Cherry co-wrote ‘Live Forever’ with Charli XCX & producer Justin Raisen (Angel Olsen, Kim Gordon), so it was destined to sound cool. In their own words “‘Live Forever’ is a song about being unconfined, unrefined and self-assured” – here’s to that! (KC)

Cozy Slippers – ‘A Million Pieces’
Formed at ‘Ladies Rock Camp’ – a weekend event that introduces women to rock instruments and playing in a band – Seattle band Cozy Slippers are back with a brand new single. Contrasting popular culture depictions of romance with lived reality, ‘A Million Pieces’ oozes shades of the jangly surf-pop of the likes of Real Estate or Best Coast, whilst adding its own dreamy air of romanticism. Flowing with luscious melodies, it’s filled with all the sparkling, uplifting summer vibes. We can’t wait for Cozy Slippers to come over to the UK and play for us at The Finsbury on 8th November! (ML)

Delacey – ‘Emily’  
The from LA singer-songwriter Delacey is an ode to her best friend. Shout out to her for representing the importance of female friendship, especially when it comes in the form of reverb heavy electro. (TW)

Intaya – ‘Guaguancó’ 
‘Guaguancó’ by Venezuelan born, London based Intaya is a potent amalgamation of cross-cultural music, described as a commute to an electric Latin Caribbean Island in a London Tube train. Their debut EP is due out later in the year. (TW)

Like A Villain – ‘My Hands’
The new single from New York artist Holland Andrews, aka Like A Villain, ‘My Hands’ is filled with glistening electronics and a hypnotic, haunting grace. Propelled by the emotion-strewn power of Andrews’ soulful vocals, it creates a poignant, ethereal soundscape.
Like A Villain’s upcoming album What Makes Vulnerability Good is out 20th September via Accidental Records. (ML)

BAD – ‘Sweat’ 
‘Sweat’ is a track so catchy it’s had me popping my shoulders all over London these last couple of weeks – the jury’s still out on those moves, but not on this track. Coming from NYC based duo BAD, described as Lizzo meets George Michael, this track is full of funk, soul and just enough of that throwback to Saved by the Bell that you need. (TW)

Roniit – ‘Foreign Tongues’
Self-proclaimed “Dark Queen” Roniit’s reimagination of Crywolf’s ‘Foreign Tongues’ is an ethereal, melancholy exploration of sound that gives me goosebumps. Roniit is a friend and frequent collaborator of Crywolf’s, working behind-the-scenes for the production of many of his photographs and videos. A true talent. (KC)

 

FIVE FAVOURITES: Velvet Volume

Sibling trio Velvet Volume have turned a DIY attitude and the power of sisterhood in to riotous sounds reminiscent of Veruca Salt, The Donnas and Sleater-Kinney. Comprised of twins Noa (guitar) and Naomi (bass), drummer sister Nataja, the Denmark-based band released their debut album Look Look Look! back in 2017 to crticial acclaim in their homeland, and are set to re-release the record via Nettwerk internationally. 

We think one of the best ways to get to know a band is to ask them what music inspired them to write in the first place. We caught up with the Velvet Volume sisters to ask them about their “Five Favourites” – five songs which have influenced their songwriting techniques. Check out their choices below, and make sure you watch the video for their track ‘Pretty In Black’ at the end of this post.

Last Shadow Puppets – ‘My Mistakes Were Made For You’
Nataja:​ I always get very emotional when I hear this song. I almost always play it when we sit in the tour-bus, it sets the mood when we have been driving through Switzerland. The composition of this song is absolutely perfect, and I adore the way they manage to use such romantic strings alongside such extreme western guitar sounds. I don’t think that anybody can pull off such a sound, mixing so many different moods and genres together. Which is why I have so much respect for their songwriting skills, and I always try to pull it into our own songwriting process.

Grace Jones – ‘Walking In The Rain’
Noa: Grace Jones is one of the most important artists in my development as an artist. I remember watching her for the first time on Vh1, performing ‘walking in the rain’, wearing a dark suit illuminated by a spotlight. I was so persuaded by her energy and character and how she almost appeared like an alien-like creature. She had so much power and confidence that it almost confused her audience. I had never seen a female artist like that before! And then I just really started digging her whole career as a musical artist, actor, and model.

David Bowie – ‘Starman’
Nataja: Again, a professor in brilliant songwriting. Starman is one of my all-time favorite songs, mostly because it has the best chorus ever written… Period. In general, we actually have a saying, that comes from some of the more “epic” Bowie songs which we call “higher than life – feeling”. Especially on songs like ‘Heroes’ and ‘Space Oddity’. It’s the very emotional and sad but at the same time, happy and uplifting feeling you get when you listen to it. It’s is the “everything is sad right now, but it’s gonna be alright” – feeling, hahah… if you don’t get it, then just listen to the songs, and the feeling you get is THE “higher than life – feeling”. And it’s something we’re trying to incorporate into some of our own songs. It could be cool to give people that same feeling by listening to our songs.

The White Stripes – ‘Blue Orchid’
Naomi: I remember when my father played The White Stripes for me as a little kid, and I immediately fell in love with the energy and the power of just two instruments. It blew my mind! It was a huge inspiration for me. To experience how you can make two instruments sound like many, and make the music sound big, but yet minimalistic at the same time! I loved Jacks simple and powerful riffs like this one in Blue Orchid, and I definitely wanted to write riffs like that as well!

Nancy Sinatra and Lee Hazlewood – ‘Some Velvet Morning’
Noa: okay the whole album is just a true masterpiece. But especially this song. It really captures the thing I love the most about the album. The very romantic and dreamy/dramatic vibe, in the lyrics and the grandeur compositions, – and then the very traditional female/masculine dividing in the melody and the responding/conversation between them, which we use a lot in our own songs. I really like to use both the masculine and feminine side, which kind of symbolizes the fact that we all carry both around in oneself, and we use it in both singing and playing our instruments!

Thanks to Velvet Volume for sharing their favourite songs with us! Follow the band on Facebook for more updates.

Photo Credit: Daniel Aude

Kate Crudgington
@KCBobCut

PLAYLIST: January 2019

We’re two weeks in to 2019 and whether you’re keeping up with ‘Dry January’, demolishing the leftover Christmas supplies, or simply carrying on like the trooper you are – we’ve put together a list of brand new music to help with all of the above. Take some time to scroll through our words and hit play on the Spotify link at the bottom of the page…

Big Joanie – ‘New Year’
Recorded at Hermitage Works with Producer Margo Broom and released via The Daydream Library Series (Thurston Moore & Eva Prinz’s label), Big Joanie’s debut album Sistahs is a stellar release from a band who have been actively working on and off-stage within London’s DIY scene for years. ‘New Year’ is the opening track on the record, and I love its focused, quiet yearning to kick-start something. (Kate Crudgington)

Lizzo – Juice 
Another utterly empowering and ferociously fun offering from GIHE favourite Lizzo, ‘Juice’ is filled with all the refreshing wit and funk-filled grooves that we’ve come to know and love from the Minneapolis artist. With Lizzo’s joyous, body-positive spirit and its immensely infectious, ’80s reminiscent hooks, ‘Juice’ is the ultimate feel-good anthem that you need to start your 2019. (Mari Lane)

The Choppy Bumpy Peaches – ‘Darjeeling’
What a musical delight from Luxembourg based The Choppy Bumpy Peaches. ‘Darjeeling”s mesmerising cacophony of instruments and sound, layering gently over each other, all drawn together with Julia Lam’s intriguing vocals. Such a heady and hypnotising sound. This track is taken from their first LP Sgt. Konfuzius & the Flowers of Venus which is out now, go check them out, The Choppy Bumpy Peaches. What a name. (Tash Walker)

Medejin – ‘Untitled 4’
There’s something about Medejin’s music which makes feel completely immersed in their sound, as if I’m in a room with no doors, covered ceiling to floor with speakers pouring out ‘Untitled 4’. A truly immersive dreamwave project from Jenn Taranto & Matthew Cooke. ‘Untitled 4’ is taken from their debut EP Eleni which is out now. I’ve got all my fingers crossed that Medejin will be bringing their Seattle sound to our shores in person soon. (TW)

Foxgluvv – ‘Crush’ (remixed by MOONOVERSUN)
Foxgluvv joined us in the studio as our first guest on the Get In Her Ears’ Radio Show this year, we talked with her about being a DIY artist, her particular slice of ‘hungover pop’ and this remix by Brighton based pop duo MOONOVERSUN. Released near the end of 2018, I cannot get enough of this remix and I urge you all to press play right now. It’s heavy on the electronics, pounding beats and warped vocals – dreamy. (TW)

Kill J – ‘Dead Weight Soldier’
Copenhagen’s Kill J has returned with a revenge fantasy in the form of new single ‘Dead Weight Soldier’. Following her fiercely political release ‘Strange Fruits of The Sea’ in 2018, this is the second track from her forthcoming album Superposition, which is set to be a poignant and unapologetic listen. (KC)

Cheerbleederz – ‘Staying Up Late’
Taken from last year’s EP Faceplant, Cheerbleederz’s latest single ‘Staying Up Late’ is filled with all the twinkling indie-pop melodies and honey-sweet vocals you could ever desire. With its jangly catchy hooks and a fuzzy whirring energy, it fills me with a comforting sense of joy on each listen. It’s also accompanied by a wonderfully animated, and super cute video, which you can watch here(ML)

Argonaut – ‘Girl Talk’
An empowering, punk-pop anthem, with motivational lyrics such as “You rock, you can change the world, you inspire boys and girls, you can do anything!”, Argonaut’s ‘Girl Talk’ is the perfect pick-me-up to kick start the new year. Filled with shimmering hooks and a magnificent punk-rock spirit, it’ll leave you ready to face 2019 with all the immense, buoyant energy that it oozes. As well as getting hold of their brilliant latest EP
The New Argonaut EP, you should also make sure you catch this band live – they completely blew us away playing at our gig at The Finsbury last week! (ML)

Panic Pocket – ‘Mr Big’
Inspired by too many formative Sex And The City marathons, Panic Pocket’s ‘Mr Big’ is an uplifting ditty about desperately wanting your close friend to stop defining herself by her relationship status and focus instead on friendship. Flowing with a twinkling charm and the London duo’s impeccable tongue-in-cheek wit, the track oozes honey-sweet harmonies alongside shimmering melodies and a gritty synth-driven energy. Strewn with memorable SATC quotes, highlighting the importance of friendship, it’s another luscious (and super relatable!) slice of indie-pop. (ML)

Micropixie – ‘New Year’s Day’
Micropixie is a British artist based in San Francisco who has recently found herself on The New York Times Top 10 Playlist for new songs which is amazing. We love this track from Micropixie which moves to its own beat whilst taking “a high-concept approach to offering commentary on a world that is torn by injustice, violence and war, and financial misdoings.” From all of us here at Get In Her Ears a huge well done to Micropixie, she’s definitely someone to watch out for in 2019. (TW)

Tallies – ‘Easy Enough’
Taken from their new self-titled debut album, Tallies’ latest single ‘Easy Enough’ oozes a captivating, dreamy haze as the raw vocals of Sarah Cogan soar alongside a whirring scuzz. With its shoegazey spiralling hooks and luscious emotion-driven energy, it’s impossible not to get sucked into its hypnotic allure and fall instantly in love with the unique, swirling  charm of this Toronto-based band. (ML)

Amaal – ‘Not What I Thought’
I’ve been enjoying this song a lot since I first heard it just over a week ago. ‘Not What I Thought’ comes from Somali-Canadian artist Amaal Nuux who has returned to music following much time spent on her activist work as the Goodwill Ambassador for Somalia Women and Children. Drawing influences from both her personal life experiences and her travels in all her work and music, this is her latest single out released on 10th January. Strong beats, warped samples and emotionally evocative vocals ‘Not What I Thought’ by Amaal earns a firm place on our January 2019 playlist. (TW)

Beckie Margaret – ‘New York’
My absolute favourite! Beckie Margaret released this heart-breaking track at the end of last year, and I’ve not been able to stop listening to it since. Beckie’s resilience in the face of heartbreak is what makes listening to her music so rewarding. Even in her seemingly weakest moments, her powerful, pure vocals provide an aching relief that can be felt all the way from the end of Southend Pier in her hometown, to the lonely shores of the city she sings about. (KC)

David Bowie – ‘Lady Grinning Soul’
It’s been two years since the death of the legendary David Bowie, and whilst it’s easy to lament the gap he’s left in the musical world, it’s much easier to put on his records and celebrate all of the wonderful art he left behind. ‘Lady Grinning Soul’ is taken from Aladdin Sane, one of my favourite Bowie albums. I’ll certainly be spinning it in tribute to the Starman over the next few weeks. (KC)

Get In Her Ears w/ Foxgluvv 10.01.19

Kicking 2019 off with a strong start, Tash and Kate were back in the Hoxton Radio studio playing a hefty helping of new music from the likes of Witch Fever, Big Joanie, Amaal, The Choppy Bumpy Peaches, Meme Detroit and Wolf Girl.

They were joined by the lovely Foxgluvv in the run up to her gig at Hoxton Square Bar and Kitchen on 11/01/19 and a radio exclusive of her new single ‘Expensive out on 1st February!

Tune in next week when we’ll have Gold Baby live in the studio!

Listen back here:

@Foxgluvv
@getinherears
@maudeandtrevor
@KCBobCut

Get In Her Ears talks Time’s Up

For their first show of 2018, Kate and Mari played the usual selection of fantastic new music including tracks from Moon Palace, Aisha Badru, Bamboo Smoke, JAAYNS and Table Scraps.

They also had a bit of a chat about the recent #TimesUp campaign, with massive love for Oprah Winfrey’s incredibly powerful speech at the Golden Globes.

Listen back to the show here:

PLAYLIST: January 2018

The festive period is over and we’re almost seven whole days in to 2018. Where did the time go? Who knows? The only thing we really know is our shiny new January playlist is well worth investing some listening time in. Chuck it on while you’re at your brand new gym, cooking up that healthy new dinner, or simply not surrendering to the overwhelming pressure that surrounds the ‘NEW YEAR NEW ME’ outlook…

The Big Moon – ‘Happy New Year’
2017 was a tough year, but it would’ve been tougher without our favourite garage-rockers The Big Moon. Their laid back anthems have covered love, loss, and “pull(ing) the other one”; and ‘Happy New Year’ is the perfect ambivalent alternative to ‘Auld Lang Syne’. Plus, there’s a suave dance routine you can mimic in their music video. All you need is a suit and some sass. (Kate Crudgington)

The Distillers – ‘I Am A Revenant’ 
“Another year has passed and I’m alright…”
Not going to lie, I’ve been pretty obsessed with Brody Dalle since first hearing Sing Sing Death House as a hormone-filled sixteen year old back in 2002. Her impassioned growl, ferocious snarl, and punk-inspired swagger was the perfect raging accompaniment to the trials and tribulations of teenage-dom. So, I was gushing with excitement to see The Distillers’ teaser this week for new material coming up in 2018 because even now, as a slightly more balanced thirty-one year old, I’m still in need of a raging accompaniment to life. (Mari Lane)

Pumarosa – ‘Sacerdotisa’
London electro-post-punk five-piece Pumarosa have released a new Spanish version of their debut single ‘Priestess’. In an interview with Q, vocalist Isabel Munoz-Newsome said: “politically, there’s this separatist theme and the Spanish government is shutting it down in a violent way. You can’t just shut down an opinion…I hope that this will translate and they’ll hear them.” I loved the original and I love this version. 2018 will no doubt hold a lot of political change and we definitely need a soundtrack for that. (Tash Walker)

Pretenders – ‘I Hate Myself’
Drank a life-ruining amount of gin on New Years Eve? Failed to start your new exercise routine? Considering signing up to Tinder again because you don’t want to die alone? Just me? Ah, sod all that ‘NEW YEAR NEW ME’ nonsense. There’s nothing wrong with a bit of self-deprecation, especially when you’re being schooled in it by rock n roll’s finest: Chrissie Hynde. (KC)

Green Pitch – ‘New Year Departure’
I came across Green Pitch in 2009 because I was mad about a band called The River Phoenix, and their lead singer provides the male vocals on this morose, melodic call and response track. It’s a bit heavy on the heart-strings, but give the rest of Green Pitch’s stuff a listen if you like melancholy, alternative sounds. (KC)

Camera Obscura – ‘New Year’s Resolution’
Whilst not a new song, I couldn’t not include this beautifully reflective offering from Camera Obscura’s epic 2013 album Desire Lines as we venture into 2018, and I vow – as I do every year – to “write something of value”. This heartfelt track gets me every time, especially since the tragic loss of Carey Lander over two years ago. (ML)

Sudan Archives – ‘Come Meh Way’
Sudan Archives is the music project from Brittney Denise Parks, a self-taught violinist, vocalist and producer – citing influencers from Sudanese fiddlers to experimental electronica. The almost unemotional vocals layered on top of the West-African folk fiddle, mixed in with percussion from hand-claps to tambourine, make this a concoction I’ve not come across before, and I can’t get this track out of my head. (TW)

Night Shades – ‘Caveman Crawl’
Formed back in 2014 when Shaun Blackwell and Clare McNamara arrived in London from New Zealand and met drummer Niall Kavanagh, Night Shades released their Evil Dreams EP in October last year. Taken from the EP, ‘Caveman Crawl’ is a raw, explosive blast of grunge-inspired rock ‘n’ roll. A hauntingly alluring offering that leaves us excited for what this promising band have to offer in 2018. (ML)

Witch Fever – ‘Carpet Asphyxiation’ 
I just love the raw, frenzied cacophony and shrieking vocals of this explosive track from Manchester based grunge-punk band. Describing themselves as “making noise with our big muffs”, Witch Fever will be headlining our first live night at The Finsbury of 2018 next Friday, 12th January, and we could not be more excited! (ML)

The Nyx – ‘Only One’
We are so excited to have The Nyx performing alongside Witch Fever at The Finsbury on the 12th, and we can’t wait to hear this new track live in the flesh. The band are going to be releasing a new tune to coincide with the appearance of every full moon this year, so keep your eyes peeled for more releases from these talented, tenacious women. ‘Only One’ isn’t up on Spotify yet, so listen to it below. (KC)

Rage Against The Machine – ‘War Within A Breath’
Whilst Zach De La Rocha’s lyric “Everything can change, on a New Year’s Day” is a direct reference to the date the Zapatistas revolted against the Mexican government in 1994, it’s  the perfect mantra for anyone who thinks 2018 is the year to become more politically engaged. If I can learn this tiny piece of background info about ‘War Within A Breath’ from a quick Google search, there’s no excuse for us not to switch ourselves on to politics in 2018. Let’s not have a repeat of 2017 (please?) (KC)

Soundgarden – ‘The Day I Tried To Live’
The start of a new year often causes us to reflect on those we’ve lost over the last twelve months. For me, personally, Chris Cornell passing away in 2017 was massively affecting. I heard the news the same day I was diagnosed with Endometriosis, and immediately turned to the majestic dark solace of his creations, just as I had on first falling in love with him as a discombobulated teen. I find this track from 1994’s Superunknown particularly poignant; and the suicide of musicians such as Cornell and Linkin Park’s Chester Bennington recently, a real wake up call to the issue of mental health in the industry. (ML)

Moglebaum – ‘Phone’
Moglebaum are a five-piece electronic act from Germany, and ‘Phone’ is taken from their upcoming record Grown Heat. It’s an ever-changing electronic track whose samples, beats and vocals deliver something new each time I listen. This is the perfect track to slip into during the dark first month of 2018 – January, we’ve got you. Self-defined as “Organic Electronic” could these guys be the 2018 trend we’ve all been looking for? Get listening and get talking. (TW)

Bloom Twins – ‘Talk To Me’
Teaming up with charities to raise awareness of pressing issues is not a new concept for the Bloom Twins. 2015 saw the twins joining forces with UNICEF, covering John Lennon’s iconic ‘Imagine’, in a campaign for children’s rights across the globe. This time, they’re combining action with their harmony-strewn electro-pop with latest single ‘Talk To Me’, in which they raise awareness of the importance of talking about mental health. (ML)

Poppy Ackroyd – ‘The Calm Before’
Composer Poppy Ackroyd, is a trained pianist, violinist and producer, and this track is taken from her upcoming album Resolve (released on 26th Jan via One Little Indian Records). ‘The Calm Before’ is almost entirely made up of clarinet sounds, even the percussion was created using layers of clicking clarinet and bass clarinet keys, starting with a looped and chopped rhythm taken from an improvisation that appears throughout. I think it’s breathtakingly beautiful, and I can’t wait for the album. (TW)

David Bowie – ‘Lady Grinning Soul’
The world lost the Starman two years ago in January 2016, and I’m still not over it. Whilst picking a favourite song from Bowie’s diverse and impeccable discography is always a struggle, I’ve chosen ‘Lady Grinning Soul’ because it was one of the first tracks that struck a chord with me when I arrived (very late) to the Bowie-loving party. (KC)

Premiere: MeMe Detroit – ‘Ashes To Ashes’

Following her last racing single ‘How She Runs’, Midlands artist MeMe Detroit is back with a brand new single – her own homage to the legendary David Bowie.

Her rendition of ‘Ashes To Ashes’ flows with a whirring energy alongside reverb-strewn riffs and gritty, soulful vocals. A raw and impassioned take on the Bowie classic, it maintains all the power of the original whilst adding its own unique rousing sonic force.

Listen to MeMe Detroit’s ‘Ashes To Ashes’, for the first time, here:

 

‘Ashes To Ashes’ is out 10th November. And you can catch MeMe Detroit live throughout November (including a gig for us!):

8th Nov – Pirate live (Exclusive Live streamed show) – Pirate Studios – London
10th Nov – The Finsbury Pub (Get In Her Ears Live!) – London
17th Nov – Percy’s – Whitchurch
25th Nov – The Empire w/ Planet Rock Bad Touch & Mollie Marriot – Coventry

 

Mari Lane
@marimindles